80
JEAN-MARC NATTIER - Huile sur toile
Beschreibung
JEAN-MARC NATTIER , PARIS, 1685 - PARIS, 1767
Portrait of Marie-Anne de Châteauneuf, known as Mademoiselle Duclos (1670-1748)
Oil on canvas 35 x 25 cmHere is the well-behaved portrait of the one who was, nevertheless, a renowned tragedienne at the beginning of the 18th century, Mademoiselle Duclos. This representation 'à la ville' shows us the face of a woman of character with a direct look and a slightly laughing mouth. It echoes her portrait 'on stage', i.e. in costume and in action, painted by Nicolas de Largillière in 1712 and now kept at the Musée Condé in Chantilly. A third portrait of the actress, painted by Alexis Grimou in 1700 and kept in the Musée Carnavalet, attests to her fame. Marie-Anne de Châteauneuf entered the Comédie-Française in 1693 and became a member in 1696. She made a name for herself under the pseudonym of Mademoiselle Duclos, and a career with the first roles of Athalie, Zenobia or Marianne in plays by Crébillon, Racine or Voltaire. Very famous in her time, appreciated for her majestic bearing in the roles of the queen, her declamatory and sung style went out of fashion around 1730, giving way to the more natural and pathetic accents of an Adrienne Lecouvreur. Here it is a still young and coquettish woman that Nattier portrays with his characteristic delicacy of tone. The colours, skilfully arranged, respond to each other and combine: the pink of the headband echoes the trimmings of the bodice but also the puffy cheeks; the powdery grey reflections of the hair are found in the lace of the shirt. The only allusion to the artist's panache is the feather that dominates his hairstyle and gives him a certain presence.
Jean-Marc Nattier (1685-1767) was a major French portraitist of the Enlightenment. The son of a miniaturist mother and a portraitist father, he won the first prize in drawing at the Académie at the age of fifteen, becoming a member of the Académie in 1713. After a stay in Russia, where he painted the portrait of Empress Catherine II, he returned to Paris where he devoted himself to a career as a renowned portraitist, a period to which this Portrait of Mademoiselle Duclos belongs. He became the official court painter, in particular for the rendering of the quality of the materials, in which he was a master. Thus in 1748, he became the official portraitist of the Orleans family and then of the royal family. Of Louis XV, he painted the children and the wife, Queen Marie Leszczynska, and even the mistress, the Marquise de Pompadour.
Provenance: Daru, Alexandre Dumas, Mühlbacher sales (mentioned on the reverse) Miami, Florida, (USA), Antique show, February 2, 1996 Private collection, Chicago, Illinois (USA)
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JEAN-MARC NATTIER , PARIS, 1685 - PARIS, 1767
Portrait of Marie-Anne de Châteauneuf, known as Mademoiselle Duclos (1670-1748)
Oil on canvas 35 x 25 cmHere is the well-behaved portrait of the one who was, nevertheless, a renowned tragedienne at the beginning of the 18th century, Mademoiselle Duclos. This representation 'à la ville' shows us the face of a woman of character with a direct look and a slightly laughing mouth. It echoes her portrait 'on stage', i.e. in costume and in action, painted by Nicolas de Largillière in 1712 and now kept at the Musée Condé in Chantilly. A third portrait of the actress, painted by Alexis Grimou in 1700 and kept in the Musée Carnavalet, attests to her fame. Marie-Anne de Châteauneuf entered the Comédie-Française in 1693 and became a member in 1696. She made a name for herself under the pseudonym of Mademoiselle Duclos, and a career with the first roles of Athalie, Zenobia or Marianne in plays by Crébillon, Racine or Voltaire. Very famous in her time, appreciated for her majestic bearing in the roles of the queen, her declamatory and sung style went out of fashion around 1730, giving way to the more natural and pathetic accents of an Adrienne Lecouvreur. Here it is a still young and coquettish woman that Nattier portrays with his characteristic delicacy of tone. The colours, skilfully arranged, respond to each other and combine: the pink of the headband echoes the trimmings of the bodice but also the puffy cheeks; the powdery grey reflections of the hair are found in the lace of the shirt. The only allusion to the artist's panache is the feather that dominates his hairstyle and gives him a certain presence.
Jean-Marc Nattier (1685-1767) was a major French portraitist of the Enlightenment. The son of a miniaturist mother and a portraitist father, he won the first prize in drawing at the Académie at the age of fifteen, becoming a member of the Académie in 1713. After a stay in Russia, where he painted the portrait of Empress Catherine II, he returned to Paris where he devoted himself to a career as a renowned portraitist, a period to which this Portrait of Mademoiselle Duclos belongs. He became the official court painter, in particular for the rendering of the quality of the materials, in which he was a master. Thus in 1748, he became the official portraitist of the Orleans family and then of the royal family. Of Louis XV, he painted the children and the wife, Queen Marie Leszczynska, and even the mistress, the Marquise de Pompadour.
Provenance: Daru, Alexandre Dumas, Mühlbacher sales (mentioned on the reverse) Miami, Florida, (USA), Antique show, February 2, 1996 Private collection, Chicago, Illinois (USA)Galerie Dreyfus Auktion
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Lose: 1-118
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In addition to the auction price, the buyer shall pay commissions and taxes:
-to 250,000 CHF: 25%
-to 2,000,000 CHF: 20%
-above 2,000,001 CHF: 15%
+ VAT at the prevailing rate.
VAT on commissions and import costs may be retroceded to the successful bidder on presentation of proof of export outside SWITZERLAND.
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