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Jacob Philipp HackertBlick auf Molina im Tal von la Cava und den Monte San Liberatore

In 19. Jahrhundert / 19th Century

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Jacob Philipp HackertBlick auf Molina im Tal von la Cava und den Monte San Liberatore - Bild 1 aus 2
Jacob Philipp HackertBlick auf Molina im Tal von la Cava und den Monte San Liberatore - Bild 2 aus 2
Jacob Philipp HackertBlick auf Molina im Tal von la Cava und den Monte San Liberatore - Bild 1 aus 2
Jacob Philipp HackertBlick auf Molina im Tal von la Cava und den Monte San Liberatore - Bild 2 aus 2
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Jacob Philipp Hackert
Blick auf Molina im Tal von la Cava und den Monte San Liberatore

Öl auf Leinwand (doubliert). 67 x 98 cm.
Signiert und datiert unten links: Phi: Hackert 1806.

Gutachten
Dr. Claudia Nordhoff, Rom, 15.6.2020.

Provenienz
Nachlass Jakob Philipp Hackert. - Auktion Weinmüller, München, 12.-13.5.1954, Lot 884. - Auktion Ursula Nusser, München, 23.7.2019, Lot 3003. - Dort vom jetzigen Eigentümer erworben.

Ausstellungen
Berliner Akademie-Ausstellung, Berlin 1808 (betitelt "Le moulin (sic!) près de Vietri sur la route de Naples a Salerne").

Literatur
Helmut Börsch-Supan (Hrsg.): Die Kataloge der Berliner Akademie-Ausstellungen 1786-1850, Berlin 1971, Bd. 1, 1808 (= Quellen und Schriften zur Bildenden Kunst 4). - Claudia Nordhoff u. Hans Reimer: Jakob Philipp Hackert. Verzeichnis seiner Werke, Berlin 1994, Bd. 2, S. 166, Nr. 320.

Nach höchst erfolgreichen und glücklichen Jahren als Maler am königlichen Hof in Neapel ließ sich Jakob Philipp Hackert 1799 in San Piero di Careggio nahe Florenz nieder, wo er die letzten Jahre seines Lebens verbrachte. Dort entstand 1806, ein Jahr vor seinem Tod, die vorliegende Ansicht von Molina mit dem Berg San Liberatore im Hintergrund - basierend auf einer Komposition, die der Künstler bereits 1782 in einer Federzeichnung festgehalten hatte (vgl. Abb. 1).
Die Ansicht zeigt im Vordergrund den Wildbach Bonea, der die Ortschaften Cava de' Tirreni und Vietri sul Mare verbindet und den Blick des Betrachters in die Tiefe leitet. Ein Weg führt links entlang des Baches in die nächste Ortschaft, im Vordergrund sieht man eine Herde grasen, der Hintergrund wird dominiert vom mächtigen Monte San Liberatore mit seinem eindrucksvollen Profil; zur Rechten schließlich sieht man eine der zahlreichen Wassermühlen, die dem Ort den Namen „Molina“ gaben und vornehmlich für die Herstellung von Papier betrieben wurden.
Wer von Neapel gen Süden nach Salerno reiste, passierte die malerische Schlucht von Molina. Hackert besuchte diese sicherlich auf einer seiner Ausflüge in der Campagna, die er während seiner Zeit am Neapolitaner Hof unternahm. Hackert hat die Ansicht von Molina bereits 1804 in einem etwas größeren Gemälde dargestellt, trotz der abweichenden Staffage dürfte auch sie auf der erwähnten Zeichnung aus dem Jahr 1782 basieren (929. Lempertz-Auktion, Köln, 22.11.2008, Lot 1276).

Abb. 1/Ill. 1: Jakob Philipp Hackert, Landschaft bei Mulina, im Tal von La Cava / Landscape near Mulina, in the Valley of La Cava, 1782 © Albertina, Wien/Vienna





Jacob Philipp Hackert
View of Molina in the La Cava Valley and the Monte San Liberatore

Oil on canvas (relined). 67 x 98 cm.
Signed and dated lower left: Phi: Hackert 1806.

Certificate
Dr. Claudia Nordhoff, Rome, 15.06.2020.

Provenance
Estate of Jakob Philipp Hackert. - Auctioned by Weinmüller, Munich, 12.-13.05.1954, lot 884. - Auctioned by Ursula Nusser, Munich, 23.07.2019, lot 3003. - German art ownership.

Exhibitions
Berliner Akademie-Ausstellung, Berlin 1808 (titled "Le moulin (sic!) près de Vietri sur la route de Naples a Salerne").

Literature
Helmut Börsch-Supan (ed.): Die Kataloge der Berliner Akademie-Ausstellungen 1786-1850, Berlin 1971, vol. 1, 1808 (=Quellen und Schriften zur Bildenden Kunst 4). - Claudia Nordhoff & Hans Reimer: Jakob Philipp Hackert. Verzeichnis seiner Werke, Berlin 1994, vol. 2, p. 166, no. 320.

Following highly successful and happy years as painter to the royal court in Naples, Jakob Philipp Hackert settled in San Piero di Careggio near Florence in 1799 where he spent the last years of his life. There he painted the present view of Molina with Mount San Liberatore in the background in 1806, one year before his death, based on a composition that the artist had already captured in a pen and ink drawing in 1782 (cf. ill. 1).
The view shows the wild stream Bonea in the foreground which links the settlements of Cava de'Tirreni and Vietri sul Mare, guiding the viewer's gaze into the depths. A path leads along the left of the stream to the next village, a herd is grazing in the foreground whilst the background is dominated by the mighty Monte San Liberatore with its impressive profile. Finally, on the right are several water mills which gave the village its name “Molina” and which were mainly used for the production of paper.
Travelling south from Naples towards Salerno, one passed the picturesque canyon of Molina. Hackert no doubt visited here on one of his sojourns in the Campagna which he undertook during his time at the Neapolitan court. Hackert had already captured the view of Molina in a slightly larger painting in 1804 which, despite the differing staffage, is also likely based on the aforementioned drawing from 1782 (929 Lempertz Auction, Cologne, 22.11.2008, lot 1276).





Jacob Philipp Hackert
Blick auf Molina im Tal von la Cava und den Monte San Liberatore

Öl auf Leinwand (doubliert). 67 x 98 cm.
Signiert und datiert unten links: Phi: Hackert 1806.

Gutachten
Dr. Claudia Nordhoff, Rom, 15.6.2020.

Provenienz
Nachlass Jakob Philipp Hackert. - Auktion Weinmüller, München, 12.-13.5.1954, Lot 884. - Auktion Ursula Nusser, München, 23.7.2019, Lot 3003. - Dort vom jetzigen Eigentümer erworben.

Ausstellungen
Berliner Akademie-Ausstellung, Berlin 1808 (betitelt "Le moulin (sic!) près de Vietri sur la route de Naples a Salerne").

Literatur
Helmut Börsch-Supan (Hrsg.): Die Kataloge der Berliner Akademie-Ausstellungen 1786-1850, Berlin 1971, Bd. 1, 1808 (= Quellen und Schriften zur Bildenden Kunst 4). - Claudia Nordhoff u. Hans Reimer: Jakob Philipp Hackert. Verzeichnis seiner Werke, Berlin 1994, Bd. 2, S. 166, Nr. 320.

Nach höchst erfolgreichen und glücklichen Jahren als Maler am königlichen Hof in Neapel ließ sich Jakob Philipp Hackert 1799 in San Piero di Careggio nahe Florenz nieder, wo er die letzten Jahre seines Lebens verbrachte. Dort entstand 1806, ein Jahr vor seinem Tod, die vorliegende Ansicht von Molina mit dem Berg San Liberatore im Hintergrund - basierend auf einer Komposition, die der Künstler bereits 1782 in einer Federzeichnung festgehalten hatte (vgl. Abb. 1).
Die Ansicht zeigt im Vordergrund den Wildbach Bonea, der die Ortschaften Cava de' Tirreni und Vietri sul Mare verbindet und den Blick des Betrachters in die Tiefe leitet. Ein Weg führt links entlang des Baches in die nächste Ortschaft, im Vordergrund sieht man eine Herde grasen, der Hintergrund wird dominiert vom mächtigen Monte San Liberatore mit seinem eindrucksvollen Profil; zur Rechten schließlich sieht man eine der zahlreichen Wassermühlen, die dem Ort den Namen „Molina“ gaben und vornehmlich für die Herstellung von Papier betrieben wurden.
Wer von Neapel gen Süden nach Salerno reiste, passierte die malerische Schlucht von Molina. Hackert besuchte diese sicherlich auf einer seiner Ausflüge in der Campagna, die er während seiner Zeit am Neapolitaner Hof unternahm. Hackert hat die Ansicht von Molina bereits 1804 in einem etwas größeren Gemälde dargestellt, trotz der abweichenden Staffage dürfte auch sie auf der erwähnten Zeichnung aus dem Jahr 1782 basieren (929. Lempertz-Auktion, Köln, 22.11.2008, Lot 1276).

Abb. 1/Ill. 1: Jakob Philipp Hackert, Landschaft bei Mulina, im Tal von La Cava / Landscape near Mulina, in the Valley of La Cava, 1782 © Albertina, Wien/Vienna





Jacob Philipp Hackert
View of Molina in the La Cava Valley and the Monte San Liberatore

Oil on canvas (relined). 67 x 98 cm.
Signed and dated lower left: Phi: Hackert 1806.

Certificate
Dr. Claudia Nordhoff, Rome, 15.06.2020.

Provenance
Estate of Jakob Philipp Hackert. - Auctioned by Weinmüller, Munich, 12.-13.05.1954, lot 884. - Auctioned by Ursula Nusser, Munich, 23.07.2019, lot 3003. - German art ownership.

Exhibitions
Berliner Akademie-Ausstellung, Berlin 1808 (titled "Le moulin (sic!) près de Vietri sur la route de Naples a Salerne").

Literature
Helmut Börsch-Supan (ed.): Die Kataloge der Berliner Akademie-Ausstellungen 1786-1850, Berlin 1971, vol. 1, 1808 (=Quellen und Schriften zur Bildenden Kunst 4). - Claudia Nordhoff & Hans Reimer: Jakob Philipp Hackert. Verzeichnis seiner Werke, Berlin 1994, vol. 2, p. 166, no. 320.

Following highly successful and happy years as painter to the royal court in Naples, Jakob Philipp Hackert settled in San Piero di Careggio near Florence in 1799 where he spent the last years of his life. There he painted the present view of Molina with Mount San Liberatore in the background in 1806, one year before his death, based on a composition that the artist had already captured in a pen and ink drawing in 1782 (cf. ill. 1).
The view shows the wild stream Bonea in the foreground which links the settlements of Cava de'Tirreni and Vietri sul Mare, guiding the viewer's gaze into the depths. A path leads along the left of the stream to the next village, a herd is grazing in the foreground whilst the background is dominated by the mighty Monte San Liberatore with its impressive profile. Finally, on the right are several water mills which gave the village its name “Molina” and which were mainly used for the production of paper.
Travelling south from Naples towards Salerno, one passed the picturesque canyon of Molina. Hackert no doubt visited here on one of his sojourns in the Campagna which he undertook during his time at the Neapolitan court. Hackert had already captured the view of Molina in a slightly larger painting in 1804 which, despite the differing staffage, is also likely based on the aforementioned drawing from 1782 (929 Lempertz Auction, Cologne, 22.11.2008, lot 1276).




19. Jahrhundert / 19th Century

Auktionsdatum
Lose: 2200 - 2309
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

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Stichworte: , Oil on Canvas