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Carl Gustav CarusBlick über abendliche Felder auf ein Gehöft

In 19. Jahrhundert / 19th Century

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Carl Gustav CarusBlick über abendliche Felder auf ein Gehöft
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Carl Gustav Carus
Blick über abendliche Felder auf ein Gehöft

Öl auf Leinwand (doubliert). 17,8 x 25,7 cm.
Auf dem Grenzstein unten links kaum noch lesbar monogrammiert und datiert: GC (ligiert) 1819 (?).

Provenienz
Sammlung Johann Friedrich Lahmann, Dresden. - Deren Versteigerung bei Lepke, Berlin 27.-29.4.1938, Lot 73. - Sammlung Georg Schäfer, Schweinfurt (um 1955 erworben). - Norddeutsche Privatsammlung (erworben aus der Sammlung Schäfer im Jahr 2000). - Grisebach, 187. Auktion am 23.11.2011, Lot 106. - Norddeutsche Privatsammlung.

Ausstellungen
Klassizismus und Romantik in Deutschland. Gemälde und Zeichnungen aus der Sammlung Georg Schäfer, Schweinfurt. Nürnberg, Germanisches Nationalmuseum, 1966, Kat.-Nr. 14 mit Farbtaf. - Carl Gustav Carus. Natur und Idee. Dresden, Kupferstichkabinett und Galerie Neue Meister der Staatlichen Kunstsammlungen Dresden, in der Gemäldegalerie Alte Meister und im Residenzschloss Dresden, und Alte Nationalgalerie, Staatliche Museen zu Berlin, 2009/2010, Kat.-Nr. 183 mit Farbabb. - Bis September 2020 als Leihgabe im Museum Behnhaus Drägerhaus, Lübeck.

Literatur
Marianne Prause: Carl Gustav Carus. Leben und Werk, Berlin 1968, S. 137, Nr. 224 mit Abb. - Elmar Jansen: Carl Gustv Carus, Dresden 1986, Abb. 2.

Das kleine Gemälde zeigt eine sanfte Hügellandschaft bei Dresden, geschaffen wurde es von Carl Gustav Carus, dem engen Weggefährten von Caspar David Friedrich und ganz aus dessen Geist geschaffen. Carl Gustav Carus verfügte über eine erstaunliche Mehrfachbegabung. Er war Mediziner, Naturforscher und Philosoph, zudem wurde er Leibarzt des sächsischen Königs und als Maler -als Autodidakt- ein Hauptvertreter der deutschen Romantik.
Unser Gemälde "Blick über abendliche Felder auf ein Gehöft" enthält bereits den Kern seiner Naturauffassung. Carus malte es im Jahr 1819, ein Jahr nachdem er in Dresden den fünfzehn Jahre älteren Carpar David Friedrich kennengelernt hatte. Diese Begegnung erlangte für seinen Kunstbegriff zentrale Bedeutung, und er wird eng an Friedrich angelehnt zum zweiten großen Künstler der Dresdener Romantik.
Unser Gemälde in seiner freien malerischen Ausführung und seiner tonigen Farbigkeit kann bereits als Destillat der romantischen Kunstauffassung beschrieben werden. Denn Natur und Landschaft werden hier abseits von einer realistischen Schilderung zu Trägern von Stimmungen, zu Abbildern von Gefühlen und seelischen Regungen, die beim Betrachter zuvörderst sein Gemüt und erst dann seinen Geist und Intellekt ansprechen sollen. Denn die Hauptaufgabe der Landschaftsmalerei -so hat es Carl Gustav Carus selbst formuliert- sei die "Darstellung einer gewissen Stimmung des Gemüthslebens durch die Nachbildung einer entsprechenden Stimmung des Naturlebens" (zitiert nach Carl Gustav Carus: Briefe über die Landschaftsmalerei, Leipzig 1835, S. 43).





Carl Gustav Carus
Fields and a Farmstead in Evening Light

Oil on canvas (relined). 17.8 x 25.7 cm.
Indistinctly monogrammed and dated on the border stone in the lower left: GC (conjoined) 1819 (?).

Provenance
Collection of Johann Friedrich Lahmann, Dresden. - His sale by Lepke, Berlin 27.-29.04.1938, lot 73. - Collection of Georg Schäfer, Schweinfurt (acquired c. 1955). - North German private collection (purchased from the Schäfer collection in the year 2000). - Grisebach, auction 187 on 23.11.2011, lot 106. - North German private collection.

Exhibitions
Klassizismus und Romantik in Deutschland. Gemälde und Zeichnungen aus der Sammlung Georg Schäfer, Schweinfurt. Nuremberg, Germanisches Nationalmuseum, 1966, cat. no. 14 with illus. - Carl Gustav Carus. Natur und Idee. Dresden, Kupferstichkabinett und Galerie Neue Meister der Staatlichen Kunstsammlungen Dresden, in der Gemäldegalerie Alte Meister und im Residenzschloss Dresden, und Alte Nationalgalerie, Staatliche Museen zu Berlin, 2009/2010, cat. no. 183 with colour illustration. - On loan to the Museum Behnhaus Drägerhaus in Lübeck until September 2020.

Literature
Marianne Prause: Carl Gustav Carus. Leben und Werk, Berlin 1968, p. 137, no. 224 with illus. - Elmar Jansen: Carl Gustv Carus, Dresden 1986, illus. 2.

The small painting shows a gentle hilly landscape near Dresden, painted by Carl Gustav Carus, the close companion of Casper David Friedrich and created entirely in his spirit. Carl Gustav Carus possessed an astonishing all-round talent. He was a physician, natural scientist and philosopher and in addition became personal physician to the Saxon king, and as self-taught painter became a main representative of German Romanticism.
Our painting “View over evening fields to a farmstead” already exhibits the seed of his understanding of nature. Carus painted it in 1819, one year after meeting the 15-year elder Caspar David Friedrich in Dresden. This encounter was of central importance for his concept of art and, closely following Friedrich, he would become the second great artist of the Dresden Romantics.
With its free painterly execution and tonal colouring, our painting “View over evening fields on a farmstead” can already be described as a distillation of the romantic conception of art. For nature and landscape, far from being realistically portrayed, became carriers of atmosphere, images of feelings and spiritual impulses which are intended to appeal first to the mind of the observer and only then to his spirit and intellect. For the main task of landscape painting - as Carl Gustav Carus himself formulated - is the “depiction of a certain mood of the life of the mind through the reproduction of a corresponding mood of the natural life” (quoted after Carl Gustav Carus: Briefe über die Landschaftsmalerei, Leipzig 1835, p. 43).





Carl Gustav Carus
Blick über abendliche Felder auf ein Gehöft

Öl auf Leinwand (doubliert). 17,8 x 25,7 cm.
Auf dem Grenzstein unten links kaum noch lesbar monogrammiert und datiert: GC (ligiert) 1819 (?).

Provenienz
Sammlung Johann Friedrich Lahmann, Dresden. - Deren Versteigerung bei Lepke, Berlin 27.-29.4.1938, Lot 73. - Sammlung Georg Schäfer, Schweinfurt (um 1955 erworben). - Norddeutsche Privatsammlung (erworben aus der Sammlung Schäfer im Jahr 2000). - Grisebach, 187. Auktion am 23.11.2011, Lot 106. - Norddeutsche Privatsammlung.

Ausstellungen
Klassizismus und Romantik in Deutschland. Gemälde und Zeichnungen aus der Sammlung Georg Schäfer, Schweinfurt. Nürnberg, Germanisches Nationalmuseum, 1966, Kat.-Nr. 14 mit Farbtaf. - Carl Gustav Carus. Natur und Idee. Dresden, Kupferstichkabinett und Galerie Neue Meister der Staatlichen Kunstsammlungen Dresden, in der Gemäldegalerie Alte Meister und im Residenzschloss Dresden, und Alte Nationalgalerie, Staatliche Museen zu Berlin, 2009/2010, Kat.-Nr. 183 mit Farbabb. - Bis September 2020 als Leihgabe im Museum Behnhaus Drägerhaus, Lübeck.

Literatur
Marianne Prause: Carl Gustav Carus. Leben und Werk, Berlin 1968, S. 137, Nr. 224 mit Abb. - Elmar Jansen: Carl Gustv Carus, Dresden 1986, Abb. 2.

Das kleine Gemälde zeigt eine sanfte Hügellandschaft bei Dresden, geschaffen wurde es von Carl Gustav Carus, dem engen Weggefährten von Caspar David Friedrich und ganz aus dessen Geist geschaffen. Carl Gustav Carus verfügte über eine erstaunliche Mehrfachbegabung. Er war Mediziner, Naturforscher und Philosoph, zudem wurde er Leibarzt des sächsischen Königs und als Maler -als Autodidakt- ein Hauptvertreter der deutschen Romantik.
Unser Gemälde "Blick über abendliche Felder auf ein Gehöft" enthält bereits den Kern seiner Naturauffassung. Carus malte es im Jahr 1819, ein Jahr nachdem er in Dresden den fünfzehn Jahre älteren Carpar David Friedrich kennengelernt hatte. Diese Begegnung erlangte für seinen Kunstbegriff zentrale Bedeutung, und er wird eng an Friedrich angelehnt zum zweiten großen Künstler der Dresdener Romantik.
Unser Gemälde in seiner freien malerischen Ausführung und seiner tonigen Farbigkeit kann bereits als Destillat der romantischen Kunstauffassung beschrieben werden. Denn Natur und Landschaft werden hier abseits von einer realistischen Schilderung zu Trägern von Stimmungen, zu Abbildern von Gefühlen und seelischen Regungen, die beim Betrachter zuvörderst sein Gemüt und erst dann seinen Geist und Intellekt ansprechen sollen. Denn die Hauptaufgabe der Landschaftsmalerei -so hat es Carl Gustav Carus selbst formuliert- sei die "Darstellung einer gewissen Stimmung des Gemüthslebens durch die Nachbildung einer entsprechenden Stimmung des Naturlebens" (zitiert nach Carl Gustav Carus: Briefe über die Landschaftsmalerei, Leipzig 1835, S. 43).





Carl Gustav Carus
Fields and a Farmstead in Evening Light

Oil on canvas (relined). 17.8 x 25.7 cm.
Indistinctly monogrammed and dated on the border stone in the lower left: GC (conjoined) 1819 (?).

Provenance
Collection of Johann Friedrich Lahmann, Dresden. - His sale by Lepke, Berlin 27.-29.04.1938, lot 73. - Collection of Georg Schäfer, Schweinfurt (acquired c. 1955). - North German private collection (purchased from the Schäfer collection in the year 2000). - Grisebach, auction 187 on 23.11.2011, lot 106. - North German private collection.

Exhibitions
Klassizismus und Romantik in Deutschland. Gemälde und Zeichnungen aus der Sammlung Georg Schäfer, Schweinfurt. Nuremberg, Germanisches Nationalmuseum, 1966, cat. no. 14 with illus. - Carl Gustav Carus. Natur und Idee. Dresden, Kupferstichkabinett und Galerie Neue Meister der Staatlichen Kunstsammlungen Dresden, in der Gemäldegalerie Alte Meister und im Residenzschloss Dresden, und Alte Nationalgalerie, Staatliche Museen zu Berlin, 2009/2010, cat. no. 183 with colour illustration. - On loan to the Museum Behnhaus Drägerhaus in Lübeck until September 2020.

Literature
Marianne Prause: Carl Gustav Carus. Leben und Werk, Berlin 1968, p. 137, no. 224 with illus. - Elmar Jansen: Carl Gustv Carus, Dresden 1986, illus. 2.

The small painting shows a gentle hilly landscape near Dresden, painted by Carl Gustav Carus, the close companion of Casper David Friedrich and created entirely in his spirit. Carl Gustav Carus possessed an astonishing all-round talent. He was a physician, natural scientist and philosopher and in addition became personal physician to the Saxon king, and as self-taught painter became a main representative of German Romanticism.
Our painting “View over evening fields to a farmstead” already exhibits the seed of his understanding of nature. Carus painted it in 1819, one year after meeting the 15-year elder Caspar David Friedrich in Dresden. This encounter was of central importance for his concept of art and, closely following Friedrich, he would become the second great artist of the Dresden Romantics.
With its free painterly execution and tonal colouring, our painting “View over evening fields on a farmstead” can already be described as a distillation of the romantic conception of art. For nature and landscape, far from being realistically portrayed, became carriers of atmosphere, images of feelings and spiritual impulses which are intended to appeal first to the mind of the observer and only then to his spirit and intellect. For the main task of landscape painting - as Carl Gustav Carus himself formulated - is the “depiction of a certain mood of the life of the mind through the reproduction of a corresponding mood of the natural life” (quoted after Carl Gustav Carus: Briefe über die Landschaftsmalerei, Leipzig 1835, p. 43).




19. Jahrhundert / 19th Century

Auktionsdatum
Lose: 2200 - 2309
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

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