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Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten)

In 19. Pommersche Kunstauktion

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Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten) - Bild 1 aus 6
Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten) - Bild 2 aus 6
Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten) - Bild 3 aus 6
Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten) - Bild 4 aus 6
Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten) - Bild 5 aus 6
Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten) - Bild 6 aus 6
Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten) - Bild 1 aus 6
Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten) - Bild 2 aus 6
Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten) - Bild 3 aus 6
Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten) - Bild 4 aus 6
Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten) - Bild 5 aus 6
Jastram, Jo (1928 Rostock – 2011 Ribnitz-Damgarten) - Bild 6 aus 6
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Jastram, Jo (1928 Rostock 2011 Ribnitz-Damgarten)Begegnung in der SteppeBronzerelief, 1966, Maße: 68,5x74 cm, verso Aufhängung, Bronzebildgiesserei Karsten Lachmann, Ziesendorf, WVZ-Nr.: 52(Gärtner) bzw. 76 (H.Lorenzen, A.Lorenzen und Kl.Tiedemann), Dazu: Ausstellungskatalog "Jo Jastram - Plastik" mit Abbildung des ReliefsArbeiten nach Reisemotiven nehmen im Gasamtwerk Jo Jastrams einen besonderen Platz ein. In den 1960er Jahren entstanden Plastiken und Reliefs nach Studienreisen in Usbekistan, Sibirien und in die Mongolei, später folgten Arbeiten nach Aufenthalten in Äthiopien, Sri Lanka und Indien. In der Werkgruppe der mongolischen Reisemotive dominieren ländliche Darstellungen in Form von Reitern und bäuerlichen Karren. Vorliegendes Relief steht symptomatisch für zahlreiche Schilderungen der Lebensumstände der Menschen in ihrer heimischen Umwelt und ist durch eine lyrisch-atmosphärische Stimmung und einen epischen Charakter gekennzeichnet. Literatur: Klaus Tiedemann "Sinn des Reisens - Reisemotive im plastischen Werk" in: "Jo Jastram - Das plastische Werk", Hg. Freunde und Förderer der Kulturstiftung Rostock e.V., Rostock 2016, S.11 ff. - In den frühen Nachkriegsjahren absolvierte Jo Jastram Ausbildungen zum Brunnenbauer (1947/48) und Holzbildhauer (1948/49). Von 1949 bis 1951 studierte er an der Fachschule für Holzkunst in Empfertshausen. Daran schlossen sich Studien der Bildhauerei an der Hochschule für Bildende Künste in Dresden (1951 bis 1954), der Kunsthochschule Berlin Charlottenburg (1953 bis 1954) und der Hochschule für Bildende und Angewandte Kunst in Berlin Weißensee ((1954 bis 1956) an. Zu seinen Lehrern gehörten Walter Arnold, Bernhard Heiliger und Heinrich Drake. Seit 1956 war er als freischaffender Bildhauer in Rostock tätig. Lehraufträge erhielt er am Institut für Kunsterziehung der Universität Greifswald (1964/65) und an der Kunsthochschule Berlin Weißensee (1980 bis 1985). Zahlreiche Aufträge für Arbeiten im öffentlichen Raum verhalfen ihm zu einem großen Bekanntheitsgrad, die Qualität seines Werkes machte ihn zu einem der bedeutendsten zeitgenössischen Bildhauer der DDR und später auch ganz Deutschlands. Anerkennung erhielt er durch zahlreiche Preisverleihungen (Kunst- und Nationalpreis der DDR) und verschiedene kulturpolitische Funktionen (u.a. war er Präsident der Biennale der Ostseeländer 1975-88). Internationale Beachtung fand sein Schaffen u.a. durch seine Teilnahme an der "documenta 6" in Kassel 1977. - Jo Jastrams umfangreiches Oeuvre umfasst alle traditionellen Gattungen und Sujets der Plastik und Skulptur. Er schuf sowohl großformatige Plastiken sowie Reliefzyklen, Stelen und Friese für den öffentlichen Raum, als auch Bildnisse privat-intimen Zuschnitts und Tierdarstellungen und war nicht zuletzt auch in der Gattung der Kleinplastik zu Hause. - In the early post-war years, Jo Jastram trained as a well builder (1947/48) and wood sculptor (1948/49). From 1949 to 1951 he studied at the technical school for wood art in Empfertshausen. This was followed by studies in sculpture at the University of Fine Arts in Dresden (1951 to 1954), the Berlin Charlottenburg University of Art (1953 to 1954) and the University of Fine Arts and Applied Arts in Berlin Weißensee ((1954 to 1956) Teachers included Walter Arnold, Bernhard Heiliger and Heinrich Drake, and he had been working as a freelance sculptor in Rostock since 1956. He received teaching assignments at the Institute for Art Education at the University of Greifswald (1964/65) and at the Kunsthochschule Berlin Weißensee (1980 to 1985) Commissions for work in public spaces made him well known, the quality of his work made him one of the most important contemporary sculptors in the GDR and later throughout Germany.He received recognition through numerous award ceremonies (GDR Art and National Prize) and various cultural and political awards Functions (among other things, he was president of the Biennale of the Baltic Sea countries 1975-88) His work received international attention, among other things. through his participation in "documenta 6" in Kassel 1977. - Jo Jastram's extensive oeuvre encompasses all traditional genres and subjects of sculpture and sculpture. He created both large-format sculptures and relief cycles, steles and friezes for public spaces, as well as portraits of private, intimate cuts and animal representations, and was also at home in the small plastic genre.
Jastram, Jo (1928 Rostock 2011 Ribnitz-Damgarten)Begegnung in der SteppeBronzerelief, 1966, Maße: 68,5x74 cm, verso Aufhängung, Bronzebildgiesserei Karsten Lachmann, Ziesendorf, WVZ-Nr.: 52(Gärtner) bzw. 76 (H.Lorenzen, A.Lorenzen und Kl.Tiedemann), Dazu: Ausstellungskatalog "Jo Jastram - Plastik" mit Abbildung des ReliefsArbeiten nach Reisemotiven nehmen im Gasamtwerk Jo Jastrams einen besonderen Platz ein. In den 1960er Jahren entstanden Plastiken und Reliefs nach Studienreisen in Usbekistan, Sibirien und in die Mongolei, später folgten Arbeiten nach Aufenthalten in Äthiopien, Sri Lanka und Indien. In der Werkgruppe der mongolischen Reisemotive dominieren ländliche Darstellungen in Form von Reitern und bäuerlichen Karren. Vorliegendes Relief steht symptomatisch für zahlreiche Schilderungen der Lebensumstände der Menschen in ihrer heimischen Umwelt und ist durch eine lyrisch-atmosphärische Stimmung und einen epischen Charakter gekennzeichnet. Literatur: Klaus Tiedemann "Sinn des Reisens - Reisemotive im plastischen Werk" in: "Jo Jastram - Das plastische Werk", Hg. Freunde und Förderer der Kulturstiftung Rostock e.V., Rostock 2016, S.11 ff. - In den frühen Nachkriegsjahren absolvierte Jo Jastram Ausbildungen zum Brunnenbauer (1947/48) und Holzbildhauer (1948/49). Von 1949 bis 1951 studierte er an der Fachschule für Holzkunst in Empfertshausen. Daran schlossen sich Studien der Bildhauerei an der Hochschule für Bildende Künste in Dresden (1951 bis 1954), der Kunsthochschule Berlin Charlottenburg (1953 bis 1954) und der Hochschule für Bildende und Angewandte Kunst in Berlin Weißensee ((1954 bis 1956) an. Zu seinen Lehrern gehörten Walter Arnold, Bernhard Heiliger und Heinrich Drake. Seit 1956 war er als freischaffender Bildhauer in Rostock tätig. Lehraufträge erhielt er am Institut für Kunsterziehung der Universität Greifswald (1964/65) und an der Kunsthochschule Berlin Weißensee (1980 bis 1985). Zahlreiche Aufträge für Arbeiten im öffentlichen Raum verhalfen ihm zu einem großen Bekanntheitsgrad, die Qualität seines Werkes machte ihn zu einem der bedeutendsten zeitgenössischen Bildhauer der DDR und später auch ganz Deutschlands. Anerkennung erhielt er durch zahlreiche Preisverleihungen (Kunst- und Nationalpreis der DDR) und verschiedene kulturpolitische Funktionen (u.a. war er Präsident der Biennale der Ostseeländer 1975-88). Internationale Beachtung fand sein Schaffen u.a. durch seine Teilnahme an der "documenta 6" in Kassel 1977. - Jo Jastrams umfangreiches Oeuvre umfasst alle traditionellen Gattungen und Sujets der Plastik und Skulptur. Er schuf sowohl großformatige Plastiken sowie Reliefzyklen, Stelen und Friese für den öffentlichen Raum, als auch Bildnisse privat-intimen Zuschnitts und Tierdarstellungen und war nicht zuletzt auch in der Gattung der Kleinplastik zu Hause. - In the early post-war years, Jo Jastram trained as a well builder (1947/48) and wood sculptor (1948/49). From 1949 to 1951 he studied at the technical school for wood art in Empfertshausen. This was followed by studies in sculpture at the University of Fine Arts in Dresden (1951 to 1954), the Berlin Charlottenburg University of Art (1953 to 1954) and the University of Fine Arts and Applied Arts in Berlin Weißensee ((1954 to 1956) Teachers included Walter Arnold, Bernhard Heiliger and Heinrich Drake, and he had been working as a freelance sculptor in Rostock since 1956. He received teaching assignments at the Institute for Art Education at the University of Greifswald (1964/65) and at the Kunsthochschule Berlin Weißensee (1980 to 1985) Commissions for work in public spaces made him well known, the quality of his work made him one of the most important contemporary sculptors in the GDR and later throughout Germany.He received recognition through numerous award ceremonies (GDR Art and National Prize) and various cultural and political awards Functions (among other things, he was president of the Biennale of the Baltic Sea countries 1975-88) His work received international attention, among other things. through his participation in "documenta 6" in Kassel 1977. - Jo Jastram's extensive oeuvre encompasses all traditional genres and subjects of sculpture and sculpture. He created both large-format sculptures and relief cycles, steles and friezes for public spaces, as well as portraits of private, intimate cuts and animal representations, and was also at home in the small plastic genre.

19. Pommersche Kunstauktion

Auktionsdatum
Ort der Versteigerung
Karlstraße 3
Koserow
17459
Germany

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1. The participation in the preliminary review, the acceptance of a bidder number, or the submission of a bid in person, in writing or by phone is deemed as express confirmation by the bidder that he/she has received the auctioning and sales conditions below and recognizes them as agreed with Koserower Kunstsalon
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11. The delivery of the purchased objects is effected when cash payment is received. The objects, however, will principally not be handed over prior to full payment. The buyer is obligated to pick up his/her purchase immediately during the business hours of Koserower Kunstsalon or at the agreed time but within 14 days after the date of the award at the latest. A shipping order must be submitted in writing by the buyer to the auctioneers within 7 days after the date of the award. Orders for the shipment, storage and packaging will be given to competent forwarders specialized in art objects. Such orders are exclusively placed at the expense and risk of the buyer; the buyer is considered the orderer even if the auctioneers have placed the order on the buyer's behalf. Upon expiry of the terms mentioned above the buyer is in default of acceptance. Should the buyer fail to pick-up his/her purchase(s) despite an extension of time set by the auctioneers, the autioneers are entitled to have the purchase(s) stored by a fowarder specialized in art objects at the buyer's risk and expense, including the costs for insurance. The buyer will be notified of this in writing.
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13. The auctioneers shall not be liable for defects, provided that they have fulfilled their obligation to exercise due care; any liability on the part of the auctioneers for frames and glazing is excluded. The auctioneers however undertake to assert their guarantee claims against the supplier due to justified complaints submitted in due time within the limitation period. With regard to defects relating to the genuineness of an object, the limitation period is 365 days, for all other defects 180 days after the date of the award. In the case of a successful claim against the supplier, the auctioneers will reimburse the buyer the award price, the surcharge and the calculated costs, provided these amounts have been paid to the auctioneers. Any claims exceeding said claim are excluded.
14. All aforementioned provisions shall apply accordingly for the open-market sale of the objects supplied and not awarded in the auction. The open-market sale ends 30 days after the date of the auction.
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Auctioneer
Ralf Waschkau

Vollständige AGBs

Stichworte: , Relief, Portrait