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FRANCESCO GUARDI, att. to (Venice 1712 - 1793) VIEW OF GREAT CANAL WITH CHURCH OF THE BAREFOOTED Oil
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Rome
Description
FRANCESCO GUARDI, att. to(Venice 1712 - 1793)VIEW OF GREAT CANAL WITH CHURCH OF THE BAREFOOTEDOil painting on canvas. cm. 57 x 76PROVENANCESenator Collection Pietro Mentasti, VeniceMentità Collection, VeniceThe painting, in the inventory of the Mentasti collection, is assigned to Francesco Guardi. The work was studied by Dr. Federica Spadotto, who identifies the still young stage of the master proposing a dating dating back to the sixth decade of the eighteenth century. This chronological frameworks are advanced both on stylistic and in size, bringing a view of the Guardi Eliott-Cohen collection in Newbury.Francesco Guardi has two other works depicting the same glimpse with a more arduous point of view, where there is also the church of Santa Lucia, these are kept in Madrid at the Thyssen Bornemisza collection and in Vienna at the Accademia Gallery. The latter were dated to the eighties of the eighteenth centuryCONDITIONSRecent re-lining. Five restoration points scattered in the sky, small restoration points on small gondolas in the distance, to the point of escape. The painting is in good state of conservationFRAMEVenetian frame in gilded wood and carved with maple leaves and vegetable motifs from the 18th centuryThe work is accompanied by the expertise of Dr. Federica Spadotto, with integration on September 15, 2017FRANCESCO GUARDI(Venezia 1712 - 1793)VEDUTA DI CANAL GRANDE CON LA CHIESA DEGLI SCALZIOlio su tela. cm. 57 x 76PROVENIENZACollezione Senatore Pietro Mentasti, VeneziaEredi Collezione Mentasti, VeneziaIl dipinto, nell'inventario della raccolta Mentasti, è assegnato a Francesco Guardi. L'opera fu studiata dalla Dr. Federica Spadotto, la quale individua la fase ancora giovanile del maestro proponendo una datazione riconducibile al sesto decennio del XVIII secolo. Tale inquadramento cronologico viene avanzato sia su basi stilistiche, sia di formato portando come comparazione una veduta del Guardi in collezione Eliott-Cohen a Newbury.Di Francesco Guardi sono note altre due opere raffiguranti il medesimo scorcio con un punto di vista più arretrato ove si vede anche la chiesa di Santa Lucia, queste sono custodite a Madrid presso la collezione Thyssen Bornemisza e a Vienna alla Galleria dell'Accademia. Queste ultime sono state datate agli anni ottanta dl XVIII secoloCONDIZIONI DEL DIPINTORintelo recente. Cinque punti di restauro sparsi nel cielo, piccoli punti di restauro sule piccole gondole in lontananza, al punto di fuga. Il dipinto è in buono stato di conservazioneCORNICECornice veneziana in legno dorato e intagliata a cartigli e motivi vegetali, del XVIII secoloL'opera è accompagnata da perizia della Dott.ssa Federica Spadotto, con integrazione in data 15 settembre 2017
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FRANCESCO GUARDI, att. to(Venice 1712 - 1793)VIEW OF GREAT CANAL WITH CHURCH OF THE BAREFOOTEDOil painting on canvas. cm. 57 x 76PROVENANCESenator Collection Pietro Mentasti, VeniceMentità Collection, VeniceThe painting, in the inventory of the Mentasti collection, is assigned to Francesco Guardi. The work was studied by Dr. Federica Spadotto, who identifies the still young stage of the master proposing a dating dating back to the sixth decade of the eighteenth century. This chronological frameworks are advanced both on stylistic and in size, bringing a view of the Guardi Eliott-Cohen collection in Newbury.Francesco Guardi has two other works depicting the same glimpse with a more arduous point of view, where there is also the church of Santa Lucia, these are kept in Madrid at the Thyssen Bornemisza collection and in Vienna at the Accademia Gallery. The latter were dated to the eighties of the eighteenth centuryCONDITIONSRecent re-lining. Five restoration points scattered in the sky, small restoration points on small gondolas in the distance, to the point of escape. The painting is in good state of conservationFRAMEVenetian frame in gilded wood and carved with maple leaves and vegetable motifs from the 18th centuryThe work is accompanied by the expertise of Dr. Federica Spadotto, with integration on September 15, 2017FRANCESCO GUARDI(Venezia 1712 - 1793)VEDUTA DI CANAL GRANDE CON LA CHIESA DEGLI SCALZIOlio su tela. cm. 57 x 76PROVENIENZACollezione Senatore Pietro Mentasti, VeneziaEredi Collezione Mentasti, VeneziaIl dipinto, nell'inventario della raccolta Mentasti, è assegnato a Francesco Guardi. L'opera fu studiata dalla Dr. Federica Spadotto, la quale individua la fase ancora giovanile del maestro proponendo una datazione riconducibile al sesto decennio del XVIII secolo. Tale inquadramento cronologico viene avanzato sia su basi stilistiche, sia di formato portando come comparazione una veduta del Guardi in collezione Eliott-Cohen a Newbury.Di Francesco Guardi sono note altre due opere raffiguranti il medesimo scorcio con un punto di vista più arretrato ove si vede anche la chiesa di Santa Lucia, queste sono custodite a Madrid presso la collezione Thyssen Bornemisza e a Vienna alla Galleria dell'Accademia. Queste ultime sono state datate agli anni ottanta dl XVIII secoloCONDIZIONI DEL DIPINTORintelo recente. Cinque punti di restauro sparsi nel cielo, piccoli punti di restauro sule piccole gondole in lontananza, al punto di fuga. Il dipinto è in buono stato di conservazioneCORNICECornice veneziana in legno dorato e intagliata a cartigli e motivi vegetali, del XVIII secoloL'opera è accompagnata da perizia della Dott.ssa Federica Spadotto, con integrazione in data 15 settembre 2017
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