Lot

106

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RICHARD WILSON - att. to
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Rome
RICHARD WILSON, att. to(Montgomeryshire 1714 - Denbighshire 1782)LANDSCAPE WITH PHANTEON AND APOLLO AND VIEW OF THE TEMPLE OF CLITUNNOOil on canvas, cm.125 x 175Attribution to 'Claude Lorrain', and provenance in the cartouche on the framePROVENANCECollection John Julius Angerstein London (1735 - 1823) William Angerstein (1812 -1897), Esq. 1895 Removed from Weeting Hall, NorfolkChristie, Manson & Woods, London April 6th 1895, lot 111 (as Gaspar Poussin) Christie Manson & Woods, London April 27th 1934 (as Claude Lorrain), lot 28Christie Manson & Wood, London 1937 (as Claude Lorrain), lot 121Italian collection since 1937The painting already attributed to Gaspard Dughet, subsequently in 1934 to Claude Lorrain in this auction is, attributed to the English painter Richard Wilson based on the comparison with the same subject in a very similar version appeared in the international antiquarian market (Christie's, London 12/11/1999). The beautiful mythological figures stylistically f very distant rom those usually painted by Richard Wilson could have been realized by a collaborator.CONDITIONS OF THE PAINTINGEarly 20th century re-lining. A cross-stitched restoration bottom right, another stitched restoration near the tree top right. Three tiny restoration points in the sky. The painting is in good state of conservationFRAMEHuge swept frame in carved giltwood with molded edges with sequences of palmette, pods and pearl series, England 18th century.The painting is accompanied by Certificate of Free Circulation, n. 16346 of 14/08/2018RICHARD WILSON, att. a(Montgomeryshire 1714 - Denbighshire 1782)PAESAGGIO CON PHANTEON E APOLLO E VISTA DEL TEMPIO DEL CLITUNNOOlio su tela, cm.125 x 175Attribuzione a 'Claude Lorrain', e provenienza sul cartiglio alla cornicePROVENIENZACollezione John Julius Angerstein Londra (1735 - 1823) William Angerstein (1812-1897), Esq. 1895 Removed from Weeting Hall, NorfolkChristie, Manson & Woods, Londra 6 Aprile 1895, lotto 111 (come Gaspar Poussin) Christie Manson & Woods, Londra 27 Aprile 1934 (come Claude Lorrain), lotto 28Christie Manson & Wood, Londra 1937 (come Claude Lorrain), lotto 121Collezione Italiana dal 1937Il dipinto già attribuito a Gaspard Dughet, successivamente nel 1934 a Claude Lorrain viene, in questa sede, attribuito al pittore inglese Richard Wilson per comparazioni con lo stesso soggetto rintracciato in una versione molto simile comparsa nel mercato antiquario internazionale (Christie's, Londra 12/11/1999). Le belle figure mitologiche stilisticamente molto distanti da quelle solitamente dipinte da Richard Wilson potrebbero essere state realizzate da un collaboratoreCONDIZIONI DEL DIPINTORintelo inizi novecento. Un restauro e croce ricucito in baso a destra, un restauro ricucito al verso sulle fronde dell'albero verso l'alto a destra. Tre minuti punti di restauro nel cielo. Il dipinto è in buono stato di conservazioneCORNICECiclopica cornice a guantiera in legno dorato e intagliato a bordi modanati con sequenze di palmette, baccelli e perlatura, Inghilterra XVIII secolo.Il dipinto è accompagnato da attestato di Libera circolazione, n. 16346 del 14/08/2018
RICHARD WILSON, att. to(Montgomeryshire 1714 - Denbighshire 1782)LANDSCAPE WITH PHANTEON AND APOLLO AND VIEW OF THE TEMPLE OF CLITUNNOOil on canvas, cm.125 x 175Attribution to 'Claude Lorrain', and provenance in the cartouche on the framePROVENANCECollection John Julius Angerstein London (1735 - 1823) William Angerstein (1812 -1897), Esq. 1895 Removed from Weeting Hall, NorfolkChristie, Manson & Woods, London April 6th 1895, lot 111 (as Gaspar Poussin) Christie Manson & Woods, London April 27th 1934 (as Claude Lorrain), lot 28Christie Manson & Wood, London 1937 (as Claude Lorrain), lot 121Italian collection since 1937The painting already attributed to Gaspard Dughet, subsequently in 1934 to Claude Lorrain in this auction is, attributed to the English painter Richard Wilson based on the comparison with the same subject in a very similar version appeared in the international antiquarian market (Christie's, London 12/11/1999). The beautiful mythological figures stylistically f very distant rom those usually painted by Richard Wilson could have been realized by a collaborator.CONDITIONS OF THE PAINTINGEarly 20th century re-lining. A cross-stitched restoration bottom right, another stitched restoration near the tree top right. Three tiny restoration points in the sky. The painting is in good state of conservationFRAMEHuge swept frame in carved giltwood with molded edges with sequences of palmette, pods and pearl series, England 18th century.The painting is accompanied by Certificate of Free Circulation, n. 16346 of 14/08/2018RICHARD WILSON, att. a(Montgomeryshire 1714 - Denbighshire 1782)PAESAGGIO CON PHANTEON E APOLLO E VISTA DEL TEMPIO DEL CLITUNNOOlio su tela, cm.125 x 175Attribuzione a 'Claude Lorrain', e provenienza sul cartiglio alla cornicePROVENIENZACollezione John Julius Angerstein Londra (1735 - 1823) William Angerstein (1812-1897), Esq. 1895 Removed from Weeting Hall, NorfolkChristie, Manson & Woods, Londra 6 Aprile 1895, lotto 111 (come Gaspar Poussin) Christie Manson & Woods, Londra 27 Aprile 1934 (come Claude Lorrain), lotto 28Christie Manson & Wood, Londra 1937 (come Claude Lorrain), lotto 121Collezione Italiana dal 1937Il dipinto già attribuito a Gaspard Dughet, successivamente nel 1934 a Claude Lorrain viene, in questa sede, attribuito al pittore inglese Richard Wilson per comparazioni con lo stesso soggetto rintracciato in una versione molto simile comparsa nel mercato antiquario internazionale (Christie's, Londra 12/11/1999). Le belle figure mitologiche stilisticamente molto distanti da quelle solitamente dipinte da Richard Wilson potrebbero essere state realizzate da un collaboratoreCONDIZIONI DEL DIPINTORintelo inizi novecento. Un restauro e croce ricucito in baso a destra, un restauro ricucito al verso sulle fronde dell'albero verso l'alto a destra. Tre minuti punti di restauro nel cielo. Il dipinto è in buono stato di conservazioneCORNICECiclopica cornice a guantiera in legno dorato e intagliato a bordi modanati con sequenze di palmette, baccelli e perlatura, Inghilterra XVIII secolo.Il dipinto è accompagnato da attestato di Libera circolazione, n. 16346 del 14/08/2018

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