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red chalk, red and brown watercolor, traces in black chalk on paper laid on paper200 x 253 mm (the sheet) squared in black chalk on the back, bott...

A) Bolognese school, 17th century, Putto , black chalk on paper laid on paper, 325 x 220 mm (the sheet) below, on the support, inscriptions in p...

A) Emilian school, 17th century, Study of a male figure , red chalk on paper applied on paper, 235 x 168 mm (the sheet) at lower right inscripti...

pen and brown ink on paper applied on paper154 x 302 mm ...[more]

pencil, pen and brown ink, watercolor, framed in pen and ink, on paper applied on paper228 x 289 mm coeval inscription with references to Parmigia...

A) School of late 18th century -early 19th century, Profile of a female figure , black chalk on paper applied to cardboard, 154 x 127 mm (the she...

pen and brown ink, watercolored on partially squared paper186 x 138 mminscription below: ... S.o Domenicus S.o Franciscus, S .. Cascia ...[more]

black chalk, pen and brown ink, watercolor, on paper, mixtilinear shape247 x 179 mm ...[more]

A) Emilian school, 18th century, Study of two cherubs , red chalk on paper with watermark "Letters CFP surmounted by a lily", 168 x 228 mm below...

red chalk on paper applied to cardboard250 x 179 mm at the bottom right, signature trace not readable in red chalk and black chalk inscription wit...

A) School of the eighteenth century, Study of figures , gray watercolor and traces in black chalk on paper applied to cardboard, 101 x 177 mm (th...

A) Circle of the Alberti brothers, 17th century, Study for cardinal's coat of arms with cherubs , pen and brown ink, brown watercolor, traces of ...

A) School of the 17th-18th century, Study of a tondo with a male face , black chalk and red chalk on paper applied to cardboard, 193 x 154 mm at...

oil on canvas32.5 x 41.5 cm; and 32 x 41 cmancient inscription on the frame Gae: ForteAs per the inscription on the frame, the paintings can be re...

oil on canvas, in oval33 x 43 cm within a carved and gilded frame of the 19th century defects and restorations to the frame The painting comes f...

oil on canvas119 x 186 cmwithin an ancient frame On a stylistic basis, an attribution to Francesco MontiÊ(Brescia 1646 - Parma 1702), know Brescia...

oil on canvas, unframed146.5 x 114.5 cm ...[more]

oil on canvas175 x 131 cmPROVENANCE Sotheby's London, 7 October 1981, lot 93. Purchased on the Roman antiques market in 1982 by collectors Marcel...

oil on canvas, unframed116x86 cmThe painting comes from the prototype of Guido ReniÊ in Naples, Capodimonte Museums. ...[more]

oil on cardboard30 x 40 cminscription on the back: Salvator Rosa / D. Conte Naples ...[more]

oil on canvas, unframed101 x 76 cmFor the present painting, derived from the prototype by Guido Reni in Pasadena, Norton Simon Museum, an attribut...

oil on unlined canvas, in octagon56 x 48 cminscription on the back VM (reversed) ...[more]

oil on canvas, in oval78.5 x 60.7 cm originally rectangular, 61 x 49 cm inscription on the back L [an] fra. [n] co Giovanni Battista Beinaschi,...

oil on canvas99 x 126 cmThe painting is related to Hendrick van Somer's prototype in Rome, National Gallery of Palazzo Barberini. ...[more]

oil on panel, in painted oval, without frame23.8 x 35 cmTratto, con varianti, dal dipinto di omonimo soggetto di Pietro della Vecchia, a Bordeaux,...

oil on board36 x 26.5 cmTradizionalmente l'opera assegnata a Frans Mieris il Vecchio, esponente di spicco del secolo d'oro olandese, che come il ...

oil on canvas96 x 73 cmL'Adorazione dei MagiÊ ambientata in un scenario solenne di edifici classici in rovina di grande impatto visivo, liberament...

oil on canvas66.5 x 49 cmcollection label on the back:ÊRitratto di Francesco Albani (1578 - 1660) fatto dal suo allievo Andrea Sacchi (1600 - 1661...

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