Venetia, 1522. In 8th, 207 out of 208 cc. num., poorly numbered (the last sheet with the colophon is missing) including the beautiful illustrated ...

Finally  After the Giunti, in Florence, 1552. In 8th. On the title page printer's brand,  beautiful initial,  first papers stained, slight halos, ...

Venetijs, apud Hieronymum Scotum, 1544. In Folio, 197 cc. num., numerous drop caps, of various sizes, engraved on copper, printer's brand on the t...

Venice, Donato Bertello, 1572. Copper engraving mm. 390 x 546 cartouche on the bottom left with text in Latin, present watermark, central fold, so...

Venice, Giunta, 1587. In 4th. Thiographic brand on the title page and on the last leaf, with numerous woodcut engravings by Pirro Ligorio based on...

Lyon, Antoine Vincent, 1570. In 2nd. Beautiful copper engraved vignette on the title page, woodcut initials and friezes, some foxing and blushing,...

Basel, Officina Frobeniana, 1545. In 2nd. Typographic brand engraved in wood on the title page, light browning, some slight foxing and small stain...

Rome, De Rossi, 1694, mm. 520 x 770, etching  and burin, defects and shortcomings, foxing, in a gilded wooden frame.  ...[more]

Venice, at Giunti's,  1613. in 8th. Title page printed in red and black characters and printer's brand, woodcut headers,  richly illustrated with ...

Rma, Gio. Giacomo Rossi, sd [1655-1678]. In 2nd. 2 parts in 1 vol each with its own fully engraved frontispiece on a double page, with dedications...

Turin, R. Casanova, 1892. In 8th. At the end of the volume,  the table and the top folded several times inserted in a red silk pocket, binding in ...

Turin, Chirio and Mina Typography, 1839. In 2°. Gilt printed half-title, title page printed in red and gold, text within blue lithograph frames, ...

Paris, Antoine Humblot, 1741. In folio, 55 full-page copperplates, title page with woodcut frieze. Coeval colored hardcover binding.

Venice, Giovanni Teverin, 1758. In 12th. Frieze on the title page, woodcut initial and masthead, rare foxings, coeval half leather binding with co...

Naples, apud Frates Simonios, 1772. In Folio, copperplate engraved vignette on the title page, pp. VIII-337. Coeval full parchment binding, tit. i...

Paris, chez le rouge Rue des grands Augustinus, 1777. In 4° oblong. With a total of 134 finely engraved copper plates, many of them folded, number...

Modena, Printing Society, 1791. In 8°. Woodcut frieze on the title page, some light browning, slight foxing, half leather binding, slight defects....

Engraving performed with burin and etching, (Rome without publisher), mm.670 x 520,  bottom  signed by the draftsman on the left and by the engrav...

Etching, triple crescent watermark, with A.S, second state of  three, bottom left  "A.Canal.F",  in the center of the title sheet of the work,  mm...

Etching and burin. 313x460 mm, Venezia, near L.Furlanetto, signed in the lower right margin, In a modern open frame, mounted on passepartout. 

Etching and engraving signed in the plate lower right, 365 x 500 mm. In a modern open frame, mounted on passepartout

Venice Domenico Lovisa, , 1720. Etching and burin, mm. 362 x 500. at the bottom inside the line: "View of the Church and Square called Campo de S...

Etching and burin, mm. 362 x 500, signed on the lower right by Lovisa, In a modern open frame, mounted on passepartout. ...[more]

Etching signed in the plate lower right, mm.365 x 500, Venezia Lovisa, 1717. In a modern open frame, mounted on passepartout.

Etching on laid paper, mm. 380 x 510  the sheet,  mm.130 x 260 on the imprint of the plate, watermark with circle. ...[more]

Frontispiece of the fourth volume  of "The Roman Antiquities". Copper engraving mm. 530 x 410 the sheet. Mounted on passepartout  in modern brown ...

 Etching on laid paper, 1750, mm. 540 x 760 sheet, 1750, light browning.

In Naples, for Giovanni di Simone, 1746. In 4°, front. printed in red and black, copperplate engraved vignette, pp. (14)-232, engraved heads and t...

London, John Pine, 1733-37 (published 1737). In 4th. 2 vols. Engraved illustrated frontispieces, fully illustrated with headers, drop caps, cul de...

Russia - Siberia  Russia - Siberia  Composite album in folio format of half  from the eighteenth century, opening 5 plates drawn by de Nicolas Lou...

London, Rudolph Ackermann, 1837. In 8th. Engraved title page, with 16 (of 18) plates f.t. engraved in aquatint and in splendid coeval coloring pro...

Rome, Salviucci Typography, 1842. In 4°. With 18 copper plates engraved outside the text, 4 of which are folded, including the large view of Villa...

Venice, G. Battagia [19th century]. Etching with period colouring, 538 x 680 mm, some foxing, light marginal browning. ...[more]

Venice, G. Battagia [19th century]. Etching with period colouring, 538 x 680 mm, some foxing, light browning at the edges.

Two engravings  burin and etching drawn in bistro, mm.550 X 840,  engraved title engraved title within box,  plate signed by the author, Chalcogr...

Copper engraving , Rome  1822,  mm. 730 x 440, signed  bottom  left by the artist , and dated lower right, sparse foxing, in  frame  modern. ...[...

Naples, Royal Typography, 1807. In 4°. Copper-engraved vignette on the title page, portrait of the author, some copper-plate illustrations in the ...

Rome and Milan, Documento editore & Bompiani, 1944. In 8th grade. Title page in typographical frame, 2 loose full-page lithographs signed and numb...

Rome, Romero Graphics [Tiberino Graphic Institute], 1969. In 2nd. With a translation by Drago Ivanisevic, a study by Leone Piccioni on the variant...

Paris, Tallone, 1955. In 4°. Editorial paperback with slight marginal reddening, orange rigid cardboard slipcase. Edition of 1000 copies. § Togeth...