To the colophon: Impressi Venetiis studio & diligentia Bernardini Corii Cremonensis: Christian birth year MCCCCLXXXVIIII (1489) of IIII Aprilis. I...

Venice, Baptista de Tortis, 31 March 1484. In 4th. 40 cards. 194 x 142mm. very slight traces of humidity, small lack on the external margin of the...

Paper code of 290 x 221 mm. datable to the first half of the 15th century, cc.142 (f.99 is missing), ancient numbering, italics influenced by Goth...

[Rome, Bartholomaeus Guldinbeck or Wendelinus de Wila, not after Aug.] 1475. In 4°. Elegant Roman round font, text on one column, spaces for drop ...

Venice, Thomas de Blavis, de Alexandria, 3 November 1491. In 2nd. Text printed in Roman type, space for drop caps with guide letters, typographica...

Milan, Leonardus Pachel and Uldericus Scinzenzeler, July 1483. In 8°. Calendar on the first 8 cards, the first with the month of January and the e...

In Venetia, After Lodovico degli Avanzi, 1568. 4th, 8 cc. no. 504 cc. number; 33 cc.nn. For the "Description of all the Islands" (with title page ...

Venice, for Manfredum de Monteferrato [Manfredi Bonelli], 1508. In 4°. 12 leaves, 203 x 138 mm., two illustrations in the text, splendid example i...

Pesaro, for Bartolomeo Cesano, 1555. In 4th. Cesano's typographical mark on the title page, 4 large vignettes in the text at the opening of the di...

Rome, for Francesco Priscianese Florentine, 1544. In 8°. Typographic frieze on the title page, delicate restorations on the first leaf, on the sec...

Venice, for Gioanni Andrea Vauassore known as Guadagnino & brothers, 1534. In 8th. On the frontispiece there is a large woodcut depicting the SS. ...

[Brescia], British Angel, 1508. In 2nd. Text in Roman type, titles and running titles in Gothic, typographical mark at the end of the volume, slig...

Florence, in the printing house of Bartolomeo Sermartelli, 1572. In 4°. Brand on the title page depicting a turtle holding a sail with a Florentin...

In Naples, Ex Officina Horatji Salviani, After Gio. Giacomo Carlino, & Antonio Pace, 1592. 4th, large typographical mark on the title page, 32 cc....

Elegant and refined set of five Aldine editions of Cicero, the De Philosophia (1552) two parts in one volume - Officiorum Libri tres(1552) - Rheto...

Venice, [at the sign of the fountain], 1550. In 4°. Printer's mark on the title page, engraved initials, some slight foxing and humidity halo, con...

Basel, Giovanni Oporino, 1559. In 8°. Typographic friezes, decorated drop caps, perfect copy, 19th century amateur binding. in red morocco with go...

Florence: for Neri Dortelata, 1544. In 8°. Typographic brand of Noah's Ark on the title page and at the end of the volume, numerous illustrations ...

Padua, after Paulo Meietto, 1582. In 4°. Typographic brand depicting two roosters, one of which pecks grains of millet; in the center the plant wi...

Venice, [Venturino Ruffinelli], 1542 (In Venice: for Giouanni de Farri et Fratelli, 1542). In 8th. Typographic brand with Saint George on the titl...

Florence, under Doni, on the first of August 1547. In the 4th. On the frontispiece the Medici coat of arms, followed by the famous panel with the ...

Paris, Jean Barbier, 14 March 1506.[i.e.1507]. In 4th, 202 x 145 mm. Printer's mark on the title page. Tied with.  Varia epigramata. Paris, Jean B...

Antwerp, Gerard Smits for Philippe Galle, 1578 [after 20 September]. In 4th oblong, 148 x 176 mm.  Frontispiece engraved with animals in 8 small r...

[Paris: Exaratus pro Petro Baquelier, c 1515] In 8°. 159 leaves (out of 160, a1 is missing), with 66 woodcut engravings in the text, some handwrit...

In Rome, S.to Agostino in Insegna della Palomba, (1565). Etching on copper. Measurement cm. 50.5 x 40, trimmed when the copper is beaten. At the t...

Venice, for master Stephano da Sabio [Stefano Nicolini da Sabbio], 1535 in the month of March. In 4th. On the frontispiece, large woodcut depictin...

In Venetia, After Stefano Zazzara, MDLXIIII. 8th, cc. number 62 + 2 blank cards with 48 woodcuts n.t. depicting the chessboard with the various ch...

Venice, [Paolo Manuzio], 1557. In 4°. Aldine brand on the title page. slight marginal stains, 18th century binding in full calfskin, defects and p...

Bologna. Giovanni Rossi 1591. In-8th. Woodcut vignette on the title page, initials engraved in wood, rare light foxing, parchment binding, handwri...

Turin, Giovanni Domenico Tarino, 1598. In 2nd. In two parts, each with its own title page, typographical mark engraved in wood, heads and large or...

Venice, Camillo Borgominiero, 1583. In 2nd. 3 parts in 1 volume. Printer's mark on the title page, numerous woodcut illustrations of plans and vie...

Rome, Tito and Paulo Diani, 1586. In 2°. Woodcut coat of arms on the title page, numerous typographical diagrams, several of which are double-pag...

Basel, apud Ioan. Valderum, 1534. In 4th. engraving depicting a bird on the title page with a twig in its mouth, inhabited drop caps. marginal fox...

La Veuve & C. Clouzier, 1685. In 8th. Copper engraved plates in the text, slight stains, coeval brown calfskin binding, 3-ring spine with gold-sta...

Venice, Bartolomeo Carampello, 1601. In 2nd.  4 parts in a volume each with its own engraved architectural frontispiece, with 221 woodcut engravi...

Venice, Daniel Bisuccio, 1603. In the 16th. Printer's mark on the title page, portrait of the author, half brown leather binding.  

Regio Iulio, In Officina Dominic Ferri, 1670.4th, pp.566-(5). Light browning, slight blooms, rare small spots. Contemporary binding in full parch...

In Naples, for Novello De Bonis Stampatore, 1660. Folio, (26) - 358-(24) with the portrait of Blessed Giovanni Calà engraved on copper f.t. Slight...

Venice, Nicolò Pezzana 1668. In-8th. Printer's mark on the title page, numerous woodcut engravings in the text, engraved headers and initials, sli...

In Pesaro, Appresso Flaminio Concordia, 1619. Folio, coat of arms of Federico Feltrio della Rovere, to whom the work is dedicated, engraved on the...

Paris, La veuve de Jean Baptiste Coignard, 1681. In 16th. Intaglio vignette on the title page, a folded table, header, geometric illustrations in ...

Bologna, for the HH, by Dozzi, 1655-1656. 4th, vols. 2; first volume: 13 ff. including the frontispiece by Stefano Della Bella and the portrait of...

Venice, A. Vecchi, 1650. In 4th. Woodcut brand on the title page, portrait of the author on a4v paper and 14 leaves of plates at the end of the vo...

Bologna, apud Longum 1693. In-8th. Frieze on the title page, with numerous illustrations in the text and 6 plates engraved at the end of the text,...

Venetiis, apud Vincentium Fiorinam, 1607. Apud Bernardum Iuntam, 1607 for "Apollonius Redivivus". In4°, three works linked together, pp. 72; 18 + ...

Romae, Ex Typographia Iacobi Komarek Bohemi apud Angelum Custodem, MDCLXXXVIII (1688). Folio, pp. (8) frontispiece, large vignette engraved with ...

Venetiis, Apud Ioannam Guerilium, 1622 - 1623. In 4°, three parts in one volume, each with its own title page and typographical mark, pp. (52)-410...

Paper manuscript of 133 leaves, dating back to the mid-17th century, written by at least two different hands, rustic hardback binding of the time....

Venice, Combi & La Nou, 1665. In 8°. Frontispiece engraved in copper, with 28 numbered plates (of 44), brand engraved in wood on the title page, s...

Milan, Pandolfo Malatesta, s.d. [sec. XVII]. Folio. Woodcut coat of arms on the title page, various coats of arms engraved in the text, woodcut i...

Genevae, Sumptibus Petri Chovet, MDCLXXV (1675). In 4th, front. ill., pp. (8)-239 (mal num. 249)-(5), with 45 plates engraved in copper by Jean Lo...

Naples, Antonio Bulifon 1675. In 4. 4 vols. Printer's mark on the title pages, numerous copper engraved plates with full-page portraits, stains an...

In Rome, After Andrea Fei, 1622. 4th, coat of arms of the knight Cassiano Dal Pozzo, to whom the work is dedicated, engraved on copper on the fron...

Palermo, under the Cirilli, 1651. In-folio. With 2 copper-engraved frontispieces, 18 intaglio plates, missing issue 4G6, light browning, slight fo...

Copper engraving colored with watercolour, 1635. Title enclosed in artistic cartouche. Reinforcement in the folding of the sheet, burnishing. Tear...