Albrecht Dürer (1471-1528) The Standard BearerEngraving, circa 1502, a well inked Meder a impression printing with strong contrasts, on laid paper...

Albrecht Dürer (1471-1528) Apollo and DianaEngraving, circa 1502, a well inked but later Meder d (of d) impression, on laid paper without watermar...

Albrecht Dürer (1471-1528) The WitchEngraving, 1500, a good but later Meder 2.a impression with plate tone and wiping marks, on laid paper without...

Albrecht Dürer (1471-1528) The Large HorseEngraving, 1505, a Meder c-d impression printing with clarity, the wiping marks showing clearly on the r...

*** Please note, the description of this lot has changed.Albrecht Dürer (1471-1528)Three GeniiEngraving, circa 1500, printing with tone and wiping...

Albrecht Dürer (1471-1528)Four works from: The Engraved Passioni) The Betrayal of ChristEngraving, 1508, a slightly uneven Meder d impression, on ...

Albrecht Dürer (1471-1528)The Virgin and Child with a PearEngraving, 1511, but a later Meder c impression, on laid paper without visible watermark...

Albrecht Dürer (1471-1528)The Virgin Nursing the ChildEngraving, 1519, a good Meder b-c impression on laid paper without visible watermark, sheet ...

Albrecht Dürer (1471-1528)Two engravingsi) The Apostle SimonEngraving, 1523, but a later Meder b-c impression on laid paper without watermark, she...

Albrecht Dürer (1471-1528)Christ before Pilate, from: The Small PassionWoodcut, circa 1508-1509, a good Meder d impression, after the Latin text b...

Albrecht Dürer (1471-1528)Two woodcutsi) St Jerome in a CaveWoodcut, 1512, but a later Meder 2c impression on laid paper without watermark, sheet ...

After Albrecht Dürer (1471-1528)Collection of nine copies after Albrecht DürerWoodcuts and engravings, 16th century and later, including an engrav...

Master I.B. (active c. 1523-1530)Mercury, from: The Seven PlanetsEngraving, 1528, a good impression on laid paper without watermark, sheet 81 x 50...

Heinrich Aldegrever (1501-1561)The Judgement of SolomonEngraving, 1555, a good impression on laid paper without watermark, 112 x 79 mm (4 1/2 x 3 ...

Rembrandt van Rijn (1606-1669)Man in a Coat and Fur Cap Leaning Against a BankEtching, circa 1630, a well inked but later impression of New Hollst...

Rembrandt van Rijn (1606-1669)Beggar Man and Woman behind a BankEtching, circa 1630, a very good impression of New Hollstein's sixth or seventh st...

Rembrandt van Rijn (1606-1669)The Circumcision: Small PlateEtching with touches of drypoint, circa 1630, a very good impression of the only state,...

Rembrandt van Rijn (1606-1669)Beggar with a wooden legEtching, circa 1630, a very good bold impression of New Hollstein's third state (of four) on...

Rembrandt van Rijn (1606-1669)Diana at the BathEtching, circa 1631, a good impression of the only state with faint wear visible in the plate, on l...

Rembrandt van Rijn (1606-1669)Sheet of Studies: Beggar Couple, Head of an Old Woman (fragment)Etching, circa 1632, a good impression, albeit a fra...

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger Plate Etching and engraving, circa 1632, a delicate and detailed lifetime impress...

Rembrandt van Rijn (1606-1669)Old Man with Beard, Fur Cap and Velvet CoatEtching with drypoint, circa 1632, a good impression of New Hollstein's s...

Rembrandt van Rijn 1606-1669Self Portrait in a Cap and Scarf with the Face Dark: BustEtching, 1633, a well inked but later impression of New Holls...

Rembrandt van Rijn (1606-1669)The Flight into Egypt: Small PlateEtching, 1633, a very good early impression of New Hollstein's first state (of fou...

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eight...

Rembrandt van Rijn (1606-1669)Christ driving the money changers from the templeEtching with drypoint, 1635, an excellent albeit later impression o...

Rembrandt van Rijn (1606-1669)St. Jerome Kneeling in Prayer, Looking DownEtching, circa 1635, printing with some plate tone, but a later impressio...

Rembrandt van Rijn (1606-1669)The QuacksalverEtching, 1635, a good impression of the only state, on laid paper without watermark, sheet 79 x 37 mm...

Rembrandt van Rijn (1606-1669)Bald old man with a short beardEtching, circa 1635, a good impression of New Hollstein's second state (of two) on la...

Rembrandt van Rijn (1606-1669)Self Portrait with SaskiaEtching, 1636, a good but later impression of New Hollstein's third state (of four), on lai...

Rembrandt van Rijn (1606-1669)Jan Asselijn, Painter ('Krabbetje')Etching, engraving and drypoint, circa 1637, but a later impression of the fifth ...

Rembrandt van Rijn (1606-1669)The Triumph of MordecaiEtching with drypoint, circa 1641, a good but later impression of New Hollstein's third state...

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, but a later impression of Ne...

Rembrandt van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, a good but later impression of New Hollstein's t...

Rembrandt van Rijn (1606-1669)Jacob Haaringh ('Young Haaringh')Etching with drypoint, 1655, but a later impression from the cut plate, New Hollste...

Jan Lievens (1607-1674)Three Portraitsi) Bust of a young girl with her hair downEtching, circa 1630-1640, the second state published by Frans van ...

Jacques Bellange (1575-1616)The Holy Family with Mary Magdalene and Saint AnneEtching with stipple, circa 1612-1616, a good impression of the firs...

Various Artists (17th and 18th century)Collection of over 50 French and Flemish old master printsincluding three works by Jean-Honoré Fragonard fr...

δ Bernard Buffet (1928-1999)San Francisco. Misson Dolores Church (Sorlier 90)Lithograph printed in colours, 1966, signed in pencil, numbered from ...

Mary Cassatt (1844-1926)Margot Wearing a Large Bonnet (Breeskin 192)Drypoint, c.1904, a finely inked impression, signed and numbered from the edit...

δ Giorgio de Chirico (1888-1978)Le Musa della StoriaLithograph printed in colours, 1970, a rare proof, signed and inscribed à Jacqueline avec mes ...

Edgar Degas (1834-1917) after by George-William ThornleyA la Barre Lithograph 1888-89, signed by Degas and Thornley, and with Thornley's blindstam...

δ Raoul Dufy (1877-1953)Fontaine à VenceEtching, 1957, numbered from the edition of 300 on the justification sleeve, published by Galerie Beyeler,...

δ Raoul Dufy (1877-1953)Reception, from a Drawing of Constantine Guys by Raoul DufyLithograph printed in colours, 1953, a proof before the editio...

δ Raoul Dufy (1877-1953)AscotLithograph printed in colours, 1957, a proof before the edition, with the Atelier Mourlot Collection rubber stamp ver...

Walter Joseph Phillips (1884-1963)MorningWoodcut printed in colours, 1924, signed and inscribed in pencil, numbered from the edition of 150, on Ja...

John Edgar Platt (1886-1967)Snow in Springtime (Chapman 6)Woodcut printed in colours, 1920, a fine, richly inked impression, signed in pencil, num...

Henri de Toulouse-Lautrec (1864-1901)Yvette Guilbert, Chanson Ancienne (Wittrock 276)Lithograph in black on a beige tint stone, 1898, from the fir...

δ Fernand Léger (1881-1955) after.Deauville (Saphire E13)Lithograph printed in colours, 1950, a proof aside from the edition of 120, printed by Mo...

δ Fernand Léger (1881-1955) after.Léger. Affiche pour BerggruenLithograph printed in colours, 1962, printed by Mourlot, Paris, on white wove paper...

δ Marc Chagall (1887-1985) after.Bridal BouquetLithograph printed in colours, 1994, with the Atelier Mourlot Collection rubber stamp verso, a proo...

δ Marc Chagall (1887-1985) after.BouquetLithograph printed in colours, 1994, with the Atelier Mourlot Collection rubber stamp verso, a proof aside...

δ Marc Chagall (1887-1985) after.Le SongeLithograph printed in colours, 1994, with the Atelier Mourlot Collection rubber stamp verso, a proof asid...

δ Jean Cocteau (1889-1963)PoteriesLithograph printed in colours, 1954, a proof before the poster edition, printed by Mourlot, Paris, on wove paper...

δ Marc Chagall (1887-1985)Greeting Cards, (Mourlot 623,934, 986, and 990)Four lithographs printed in colours, 1971-80, three from the edition of 2...

δ Marc Chagall (1887-1985)Le Pot de Terre et le Pot de Fer (See Cramer Books 22)Etching with extensive hand-colouring in gouache, 1952, the editio...

δ Marc Chagall Le Veau d'Or (see Cramer 30)Etching with extensive hand-colouring in watercolour, 1958, initialled in pencil, numbered from the edi...

δ Marc Chagall (1887-1985)Juif Priant (Kornfeld 31. IIIb.)Wood-engraving, 1943, printed after 1950, signed in pencil, numbered from the edition of...

δ Marc Chagall (1887-1985)Le Juif Priant, Juif à la Thora, La Maison, L'Homme au Sac, Chèvre et Violin and L'Ecuyère et le Coq (K 31 IIIb, 35 c, 3...

δ Marc Chagall (1887-1985)Ulysse Devant Nausicaa (Mourlot 767)Lithograph printed in colours, signed and numbered from the edition of 30, c.1960, a...