Albrecht Dürer (1471-1528) Hercules conquering Cacus (Hercules conquering the Molionide Twins) Woodcut, circa 1496, a good Meder II a (of III c) ...

Albrecht Dürer (1471-1528) The Betrothal of the Virgin, from: The Life of the Virgin Woodcut, circa 1504, but from the 1511 edition with Latin tex...

Albrecht Dürer (1471-1528) The Martyrdom of the Ten Thousand Woodcut, circa 1496, probably a Meder g (of g) impression, an excellent bold and clea...

Albrecht Dürer (1471-1528) Christ in Limbo, from: The Large Passion Woodcut, 1510, but an impression from 1511 with Latin text verso, printing sli...

Large collection of old master prints.- Albrecht Dürer (1471-1528) Samson fighting with the Lion Woodcut, circa 1496, but a later compromised Mede...

Heinrich Aldegrever (1501-1561) Ornament with a Fighting Centaurs' Couple Engraving, 1529, a good impression with inky edges on laid paper without...

Hieronymus Bosch (c. 1450-1516), After Saint Martin with His Horse in a Ship Engraving, by Johannes and Lucas Doetecum, circa 1561, but a ...

Girolamo Francesco Mazzola, called Parmigianino (1503-1540) Judith Etching, circa 1520-1540, a delicate slightly worn impression of the final stat...

Giulio di Antonio Bonasone (1498-1580) The Last Judgement from the Sistine Chapel, after Michelangelo Engraving, circa 1540s, an excellent detaile...

Venetian School (circa 1550s) Landscape with a Horseman and His Groom Etching, circa 1552-1560, on laid paper without watermark, printing with pub...

Giovanni Benedetto Castiglione (1609-1664) Five head studies, from the series of 'Large Oriental Heads' Etchings, circa 1645-1650, all goo...

Giovanni Benedetto Castiglione (1609-1664) The Nativity with God the Father, the Dove of the Holy Spirit and Two Angels Etching, circa 1647, a ver...

Anthony van Dyck (1599-1641), Attributed to. Double-sided sheet of studies of Christ in Glory, surrounded by putti Pen and brown ink, brush and in...

Rembrandt van Rijn (1606-1669) Self-Portrait in a Flat Cap and Embroidered Dress Etching, circa 1642, an excellent early impression of New Hollste...

** Rembrandt van Rijn (1606-1669) Self-Portrait in a Cap and Scarf with the Face Dark Etching, 1633, a good but later impression of New Hollstein'...

** Rembrandt van Rijn (1606-1669) Old Beggar Woman with a Gourd Etching, circa 1629, a good impression of New Hollstein's second state (of two) wi...

Rembrandt van Rijn (1606-1669) Joseph and Potiphar's Wife Etching and engraving, 1634, a good but later impression of New Hollstein's third state ...

Rembrandt van Rijn (1606-1669) Peter and John Healing the Cripple at the Gate of the Temple Etching and drypoint, 1652, an excellent impression of...

** Rembrandt van Rijn (1606-1669) Beggar man and beggar woman conversing Etching, circa 1630, a good impression of New Hollstein's second state (o...

Rembrandt van Rijn (1606-1669) Death Appearing to a Wedded Couple from an Open Grave Etching and drypoint, 1639, a delicate and excellent impressi...

Rembrandt van Rijn (1606-1669) Bearded Man in a Furred Oriental Cap and Robe: The Artist's Father Etching, 1631, a very good impression of New Hol...

** Rembrandt van Rijn (1606-1669) Beggar with a wooden leg Etching, circa 1630, a good impression of New Hollstein's third state (of four) on laid...

Rembrandt van Rijn (1606-1669) The Angel Appearing to the Shepherds Etching, engraving and drypoint, 1634, a good but later impression of New Holl...

Rembrandt van Rijn (1606-1669) Christ Driving the Money Changers from the Temple Etching with drypoint, 1635, a good but later impression of New H...

Rembrandt van Rijn (1606-1669) The Pancake Woman Etching, 1635, a good but later impression of New Hollstein's final state (of seven), printing wi...

Rembrandt van Rijn (1606-1669) Christ and the Woman of Samaria among Ruins Etching, circa 1634, a heavily inked black impression of New Hollstein'...

Rembrandt van Rijn (1606-1669) Studies of the Head of Saskia and Others Etching, 1636, but a later impression of New Hollstein's second state (of ...

Rembrandt van Rijn (1606-1669) Three Heads of Women, One Asleep Etching, 1637, but a later impression of New Hollstein's third state (of three) on...

** Rembrandt van Rijn (1606-1669) The Descent from the Cross: Second Plate Etching and engraving, 1633, but a later impression of New Hollstein's ...

Rembrandt van Rijn (1606-1669) The Baptism of the Eunuch Etching with touches of drypoint, 1641, but a later impression of New Hollstein's final s...

Rembrandt van Rijn (1606-1669) The Card Player Etching, 1641, a good but a later impression of New Hollstein's fifth state (of five), on cream wov...

Rembrandt van Rijn (1606-1669) The Raising of Lazarus: The Larger Plate Etching, circa 1632, a slightly worn impression of New Hollstein's fifth s...

Rembrandt van Rijn (1606-1669) The Raising of Lazarus: Small Plate Etching and drypoint, circa 1642, a good clear impression of New Hollstein's fi...

Rembrandt van Rijn (1606-1669) Nude Man Seated on the Ground with One Leg Extended Etching and drypoint, 1646, but a later impression of New Holls...

Rembrandt van Rijn (1606-1669) Pharisees in the Temple (Jews in the Synagogue) Etching and drypoint, 1648, but a later impression of New Hollstein...

** Rembrandt van Rijn (1606-1669) Beggars Receiving Alms at the Door of a House Etching and drypoint, 1648, a good bold but later impression of ne...

** Rembrandt van Rijn (1606-1669) Man in a Coat and Fur Cap Leaning Against a Bank Etching, circa 1630, a well inked impression of New Hollstein's...

Rembrandt van Rijn (1606-1669) Peter and John Healing the Cripple at the Gate of the Temple Etching and drypoint, 1652, but a later impression of ...

Rembrandt van Rijn (1606-1669) The Virgin and Child with the Cat and the Snake Etching, 1654, a very good but later impression of New Hollstein's ...

Rembrandt van Rijn (1606-1669) Christ seated disputing with the doctors Etching with touches of drypoint, 1654, a good but later impression of New...

Rembrandt van Rijn (1606-1669) The Ringball Player ('The Golf Player') Etching, 1654, but a later impression of the the second state (of two), pri...

Rembrandt van Rijn (1606-1669) Jacob Haaringh ('Young Haaringh') (Pieter Haaringh) Etching with drypoint, 1655, but a later impression from the cu...

Rembrandt van Rijn (1606-1669) Jan Lutma, Goldsmith Etching and drypoint, 1656, but a later well inked impression of New Hollstein's fifth state (...

Rembrandt van Rijn (1606-1669) Woman Bathing her Feet at a Brook Etching and drypoint, 1658, but a later impression of New Hollstein's final state...

Rembrandt van Rijn (1606-1669) La Négresse Couchée [Nude woman lying down] Etching with drypoint and engraving, 1658, but a later impression of th...

Rembrandt van Rijn (1606-1669) The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise) Etching and drypoint, circa 1639, a good but...

Rembrandt van Rijn (1606-1669) The Landscape with the Cow Etching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cr...

Rembrandt van Rijn (1606-1669) A Scholar in his Study ('Faust') Etching and drypoint, circa 1652, but a later impression of New Hollstein's final ...

Rembrandt van Rijn (1606-1669) The Adoration of the Shepherds: A Night Piece Etching, circa 1652, a very good but later impression of New Hollstei...

Heinrich Aldegrever (1501-1561) Adam with a lion Engraving, circa 1520-1561, an excellent impression on laid paper without watermark, sheet 93 x 6...

Hans Sebald Beham (1500-1550) Judith Walking to the Left, and Her Servant Engraving, circa 1531-1550, a very good impression on fine laid paper wi...

Cornelis Ploos van Amstel (1726-1798) Woman Leaning over a Lower Door, after Nicolaes Maes (formerly attributed to Rembrandt van Rijn) Etching an...

Cornelis Ploos van Amstel (1726-1798) Boy Leaning over a Lower Door, after Samuel van Hoogstraten (formerly attributed to Rembrandt van Rijn) Etc...

French School (probably 18th century) Four playing cards, including the Queen of Hearts, Diamonds, Clubs, and Spades, possibly by François Bouvard...

Edmé Bouchardon (1698-1762), Follower of. Drapery Study: Standing hooded monk pointing Red chalk on thick laid paper, probably mid-late 18th centu...

James Abbott McNeill Whistler (1834-1903) Billingsgate Etching and drypoint, 859, a good impression of MacDonald's final state (of 9), printing wi...

James Abbott McNeill Whistler (1834-1903) Annie, Seated Etching and drypoint, circa 1858-1859, a good impression of MacDonald's final state (of 3)...

James Abbott McNeill Whistler (1834-1903) Reading by Lamplight Etching and drypoint, circa 1860, an excellent impression of MacDonald's final stat...

Pierre Bonnard (1867-1947) Place le soir, from Quelques Aspects de la Vie de Paris (Bouvet 64) Lithograph printed in colours, 1899, signed in penc...

Pierre Bonnard (1867-1947) Rue le soir sous la pluie, from Quelques Aspects de la Vie de Paris (Bouvet 68) Lithograph printed in colours, 1899, si...