Albrecht Dürer (1471-1528) Hercules conquering Cacus (Hercules conquering the Molionide Twins)Woodcut, circa 1496, a good Meder II a (of III c) im...

Albrecht Dürer (1471-1528)The Betrothal of the Virgin, from: The Life of the VirginWoodcut, circa 1504, but from the 1511 edition with Latin text ...

Albrecht Dürer (1471-1528)The Martyrdom of the Ten ThousandWoodcut, circa 1496, probably a Meder g (of g) impression, an excellent bold and clear ...

Albrecht Dürer (1471-1528)Christ in Limbo, from: The Large PassionWoodcut, 1510, but an impression from 1511 with Latin text verso, printing sligh...

Large collection of old master prints.-Albrecht Dürer (1471-1528)Samson fighting with the LionWoodcut, circa 1496, but a later compromised Meder g...

Heinrich Aldegrever (1501-1561)Ornament with a Fighting Centaurs' CoupleEngraving, 1529, a good impression with inky edges on laid paper without w...

Hieronymus Bosch (c. 1450-1516), After Saint Martin with His Horse in a Ship Engraving, by Johannes and Lucas Doetecum, circa 1561, but a...

Girolamo Francesco Mazzola, called Parmigianino (1503-1540)JudithEtching, circa 1520-1540, a delicate slightly worn impression of the final state ...

Giulio di Antonio Bonasone (1498-1580)The Last Judgement from the Sistine Chapel, after MichelangeloEngraving, circa 1540s, an excellent detailed ...

Venetian School (circa 1550s)Landscape with a Horseman and His GroomEtching, circa 1552-1560, on laid paper without watermark, printing with publi...

Giovanni Benedetto Castiglione (1609-1664) Five head studies, from the series of 'Large Oriental Heads' Etchings, circa 1645-1650, all go...

Giovanni Benedetto Castiglione (1609-1664)The Nativity with God the Father, the Dove of the Holy Spirit and Two AngelsEtching, circa 1647, a very ...

Anthony van Dyck (1599-1641), Attributed to.Double-sided sheet of studies of Christ in Glory, surrounded by puttiPen and brown ink, brush and ink,...

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein...

** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's ...

** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with...

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (o...

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of N...

** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of ...

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression...

Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Holls...

** Rembrandt van Rijn (1606-1669)Beggar with a wooden legEtching, circa 1630, a good impression of New Hollstein's third state (of four) on laid p...

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollst...

Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hol...

Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with...

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's ...

Rembrandt van Rijn (1606-1669)Studies of the Head of Saskia and OthersEtching, 1636, but a later impression of New Hollstein's second state (of tw...

Rembrandt van Rijn (1606-1669)Three Heads of Women, One AsleepEtching, 1637, but a later impression of New Hollstein's third state (of three) on t...

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's ei...

Rembrandt van Rijn (1606-1669)The Baptism of the EunuchEtching with touches of drypoint, 1641, but a later impression of New Hollstein's final sta...

Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good but a later impression of New Hollstein's fifth state (of five), on cream wove ...

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth sta...

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's firs...

Rembrandt van Rijn (1606-1669)Nude Man Seated on the Ground with One Leg ExtendedEtching and drypoint, 1646, but a later impression of New Hollste...

Rembrandt van Rijn (1606-1669)Pharisees in the Temple (Jews in the Synagogue)Etching and drypoint, 1648, but a later impression of New Hollstein's...

** Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good bold but later impression of new ...

** Rembrandt van Rijn (1606-1669)Man in a Coat and Fur Cap Leaning Against a BankEtching, circa 1630, a well inked impression of New Hollstein's f...

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, but a later impression of Ne...

Rembrandt van Rijn (1606-1669)The Virgin and Child with the Cat and the SnakeEtching, 1654, a very good but later impression of New Hollstein's fi...

Rembrandt van Rijn (1606-1669)Christ seated disputing with the doctorsEtching with touches of drypoint, 1654, a good but later impression of New H...

Rembrandt van Rijn (1606-1669)The Ringball Player ('The Golf Player')Etching, 1654, but a later impression of the the second state (of two), print...

Rembrandt van Rijn (1606-1669)Jacob Haaringh ('Young Haaringh') (Pieter Haaringh)Etching with drypoint, 1655, but a later impression from the cut ...

Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, but a later well inked impression of New Hollstein's fifth state (of...

Rembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (...

Rembrandt van Rijn (1606-1669)La Négresse Couchée [Nude woman lying down]Etching with drypoint and engraving, 1658, but a later impression of the ...

Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but l...

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on crea...

Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, circa 1652, but a later impression of New Hollstein's final st...

Rembrandt van Rijn (1606-1669)The Adoration of the Shepherds: A Night PieceEtching, circa 1652, a very good but later impression of New Hollstein'...

Heinrich Aldegrever (1501-1561)Adam with a lionEngraving, circa 1520-1561, an excellent impression on laid paper without watermark, sheet 93 x 65 ...

Hans Sebald Beham (1500-1550)Judith Walking to the Left, and Her ServantEngraving, circa 1531-1550, a very good impression on fine laid paper with...

Cornelis Ploos van Amstel (1726-1798) Woman Leaning over a Lower Door, after Nicolaes Maes (formerly attributed to Rembrandt van Rijn)Etching and ...

Cornelis Ploos van Amstel (1726-1798) Boy Leaning over a Lower Door, after Samuel van Hoogstraten (formerly attributed to Rembrandt van Rijn)Etchi...

French School (probably 18th century)Four playing cards, including the Queen of Hearts, Diamonds, Clubs, and Spades, possibly by François BouvardW...

Edmé Bouchardon (1698-1762), Follower of.Drapery Study: Standing hooded monk pointingRed chalk on thick laid paper, probably mid-late 18th century...

James Abbott McNeill Whistler (1834-1903)BillingsgateEtching and drypoint, 859, a good impression of MacDonald's final state (of 9), printing with...

James Abbott McNeill Whistler (1834-1903)Annie, SeatedEtching and drypoint, circa 1858-1859, a good impression of MacDonald's final state (of 3), ...

James Abbott McNeill Whistler (1834-1903)Reading by LamplightEtching and drypoint, circa 1860, an excellent impression of MacDonald's final state ...

Pierre Bonnard (1867-1947)Place le soir, from Quelques Aspects de la Vie de Paris (Bouvet 64)Lithograph printed in colours, 1899, signed in pencil...

Pierre Bonnard (1867-1947)Rue le soir sous la pluie, from Quelques Aspects de la Vie de Paris (Bouvet 68)Lithograph printed in colours, 1899, sign...