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284 item(s)/page
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Albrecht Dürer (1471-1528) Hercules conquering Cacus (Hercules conquering the Molionide Twins)
Albrecht Dürer (1471-1528) Hercules conquering Cacus (Hercules conquering the Molionide Twins)Woodcut, circa 1496, a good Meder II a (of III c) im...
Albrecht Dürer (1471-1528)The Betrothal of the Virgin, from: The Life of the VirginWoodcut, circa 1504, but from the 1511 edition with Latin text ...
Albrecht Dürer (1471-1528)The Martyrdom of the Ten ThousandWoodcut, circa 1496, probably a Meder g (of g) impression, an excellent bold and clear ...
Albrecht Dürer (1471-1528)Christ in Limbo, from: The Large PassionWoodcut, 1510, but an impression from 1511 with Latin text verso, printing sligh...
Large collection of old master prints.- Albrecht Dürer (1471-1528) Samson fighting with the Lion …
Large collection of old master prints.-Albrecht Dürer (1471-1528)Samson fighting with the LionWoodcut, circa 1496, but a later compromised Meder g...
Heinrich Aldegrever (1501-1561)Ornament with a Fighting Centaurs' CoupleEngraving, 1529, a good impression with inky edges on laid paper without w...
Hieronymus Bosch (c. 1450-1516), After Saint Martin with His Horse in a Ship Engraving, by Johannes and Lucas Doetecum, circa 1561, but a...
Girolamo Francesco Mazzola, called Parmigianino (1503-1540)JudithEtching, circa 1520-1540, a delicate slightly worn impression of the final state ...
Giulio di Antonio Bonasone (1498-1580)The Last Judgement from the Sistine Chapel, after MichelangeloEngraving, circa 1540s, an excellent detailed ...
Venetian School (circa 1550s)Landscape with a Horseman and His GroomEtching, circa 1552-1560, on laid paper without watermark, printing with publi...
Giovanni Benedetto Castiglione 16091664 Five head studies from the series of Large Oriental ...
Giovanni Benedetto Castiglione (1609-1664) Five head studies, from the series of 'Large Oriental Heads' Etchings, circa 1645-1650, all go...
Giovanni Benedetto Castiglione (1609-1664) The Nativity with God the Father, the Dove of the Holy …
Giovanni Benedetto Castiglione (1609-1664)The Nativity with God the Father, the Dove of the Holy Spirit and Two AngelsEtching, circa 1647, a very ...
Anthony van Dyck (1599-1641), Attributed to. Double-sided sheet of studies of Christ in Glory, …
Anthony van Dyck (1599-1641), Attributed to.Double-sided sheet of studies of Christ in Glory, surrounded by puttiPen and brown ink, brush and ink,...
Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein...
** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's ...
** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with...
Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (o...
Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of N...
** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of ...
Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression...
Rembrandt van Rijn (1606-1669) Bearded Man in a Furred Oriental Cap and Robe: The Artist's Father
Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Holls...
** Rembrandt van Rijn (1606-1669)Beggar with a wooden legEtching, circa 1630, a good impression of New Hollstein's third state (of four) on laid p...
Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollst...
Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hol...
Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with...
Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's ...
Rembrandt van Rijn (1606-1669)Studies of the Head of Saskia and OthersEtching, 1636, but a later impression of New Hollstein's second state (of tw...
Rembrandt van Rijn (1606-1669)Three Heads of Women, One AsleepEtching, 1637, but a later impression of New Hollstein's third state (of three) on t...
** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's ei...
Rembrandt van Rijn (1606-1669)The Baptism of the EunuchEtching with touches of drypoint, 1641, but a later impression of New Hollstein's final sta...
Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good but a later impression of New Hollstein's fifth state (of five), on cream wove ...
Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth sta...
Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's firs...
Rembrandt van Rijn (1606-1669)Nude Man Seated on the Ground with One Leg ExtendedEtching and drypoint, 1646, but a later impression of New Hollste...
Rembrandt van Rijn (1606-1669)Pharisees in the Temple (Jews in the Synagogue)Etching and drypoint, 1648, but a later impression of New Hollstein's...
** Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good bold but later impression of new ...
** Rembrandt van Rijn (1606-1669)Man in a Coat and Fur Cap Leaning Against a BankEtching, circa 1630, a well inked impression of New Hollstein's f...
Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, but a later impression of Ne...
Rembrandt van Rijn (1606-1669)The Virgin and Child with the Cat and the SnakeEtching, 1654, a very good but later impression of New Hollstein's fi...
Rembrandt van Rijn (1606-1669)Christ seated disputing with the doctorsEtching with touches of drypoint, 1654, a good but later impression of New H...
Rembrandt van Rijn (1606-1669)The Ringball Player ('The Golf Player')Etching, 1654, but a later impression of the the second state (of two), print...
Rembrandt van Rijn (1606-1669)Jacob Haaringh ('Young Haaringh') (Pieter Haaringh)Etching with drypoint, 1655, but a later impression from the cut ...
Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, but a later well inked impression of New Hollstein's fifth state (of...
Rembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (...
Rembrandt van Rijn (1606-1669)La Négresse Couchée [Nude woman lying down]Etching with drypoint and engraving, 1658, but a later impression of the ...
Rembrandt van Rijn (1606-1669) The Presentation in the Temple: Oblong Plate (Simeon's Hymn of …
Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but l...
Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on crea...
Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, circa 1652, but a later impression of New Hollstein's final st...
Rembrandt van Rijn (1606-1669)The Adoration of the Shepherds: A Night PieceEtching, circa 1652, a very good but later impression of New Hollstein'...
Heinrich Aldegrever (1501-1561)Adam with a lionEngraving, circa 1520-1561, an excellent impression on laid paper without watermark, sheet 93 x 65 ...
Hans Sebald Beham (1500-1550)Judith Walking to the Left, and Her ServantEngraving, circa 1531-1550, a very good impression on fine laid paper with...
Cornelis Ploos van Amstel (1726-1798) Woman Leaning over a Lower Door, after Nicolaes Maes (formerly attributed to Rembrandt van Rijn)Etching and ...
Cornelis Ploos van Amstel (1726-1798) Boy Leaning over a Lower Door, after Samuel van Hoogstraten …
Cornelis Ploos van Amstel (1726-1798) Boy Leaning over a Lower Door, after Samuel van Hoogstraten (formerly attributed to Rembrandt van Rijn)Etchi...
French School (probably 18th century) Four playing cards, including the Queen of Hearts, Diamonds, …
French School (probably 18th century)Four playing cards, including the Queen of Hearts, Diamonds, Clubs, and Spades, possibly by François BouvardW...
Edmé Bouchardon (1698-1762), Follower of.Drapery Study: Standing hooded monk pointingRed chalk on thick laid paper, probably mid-late 18th century...
James Abbott McNeill Whistler (1834-1903)BillingsgateEtching and drypoint, 859, a good impression of MacDonald's final state (of 9), printing with...
James Abbott McNeill Whistler (1834-1903)Annie, SeatedEtching and drypoint, circa 1858-1859, a good impression of MacDonald's final state (of 3), ...
James Abbott McNeill Whistler (1834-1903)Reading by LamplightEtching and drypoint, circa 1860, an excellent impression of MacDonald's final state ...
Pierre Bonnard (1867-1947) Place le soir, from Quelques Aspects de la Vie de Paris (Bouvet 64)
Pierre Bonnard (1867-1947)Place le soir, from Quelques Aspects de la Vie de Paris (Bouvet 64)Lithograph printed in colours, 1899, signed in pencil...
Pierre Bonnard (1867-1947) Rue le soir sous la pluie, from Quelques Aspects de la Vie de Paris …
Pierre Bonnard (1867-1947)Rue le soir sous la pluie, from Quelques Aspects de la Vie de Paris (Bouvet 68)Lithograph printed in colours, 1899, sign...
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284 item(s)/page