Lot

28

Gotthard Graubner, Untitled

In Evening Sale - Modern and Contemporary Art

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Gotthard Graubner, Untitled - Image 1 of 2
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Köln
Gotthard Graubner, Untitled
Cushion picture: Oil on perlon on foam on canvas 131 x 102 x 8 cm. Signed and dated 'Graubner 1973/1974' verso and with direction arrow. - Traces of studio and minor traces of age.

Provenance
Galerie Defet, Nuremberg (adhesive label verso); private collection, Hesse

Gotthard Graubner has been developing and perfecting his genre of Farbraumkörper since 1977. In repeated work processes, he saturated the untreated carriers of canvas, fibrefill and textile covers with paint that seeped into the cushion-like substance. Paint and carrier form a unit. Highly individual colour imprints thus develop virtually autonomously in multiple nuances – what appears monochrome at first, reveals an abundance of shades of colour upon closer inspection.
Caroline Sommer writes the following on the background of the creation of his works, ‘For him, his images are not abstract in the sense of being non-objective. Each image is rather the projection of a real experience into the medium of painting’, explains Graubner. ‘This can be, for example, nature in its thousandfold processes or a feeling that the painter expresses by means of colour. […] The artist relies on experience rather than on the understanding of a process. In constant reflection of this, his painting is created.’ (Gotthard Graubner, Farblicht, exhib.cat. Kestner-Gesellschaft Hanover 2003, p.29).
The early colour-space object on offer here shimmers in fine shades of grey. Toward the edges, floating, seemingly disembodied sections merge into areas where the heavy, colour-saturated materiality of the object becomes visible.
The work originates from the collection of Galerie Defet, which acted as a major promoter of contemporary art in Nuremberg for many decades.
Gotthard Graubner, Ohne Titel
Kissenbild: Öl auf Perlon auf Schaumstoff auf Leinwand 131 x 102 x 8 cm. Rückseitig signiert und datiert 'Graubner 1973/1974' sowie mit Richtungspfeil. - Mit Atelier- und geringfügigen Altersspuren.

Provenienz
Galerie Defet, Nürnberg (mit rückseitigem Aufkleber); Privatsammlung, Hessen

Seit 1971 arbeitet Gotthard Graubner an der von ihm entwickelten Gattung der Farbraumkörper. Dafür durchtränkt er Rohlinge aus Leinwand, Füllwatte und Textilbespannung in zahlreichen Durchgängen mit Farbe, die in die kissenartige Substanz einsickert. Farbe und Bildträger gehen eine Einheit ein. Quasi autonom entstehen so sehr individuelle Farbausprägungen in vielfältigsten Nuancierungen - was zunächst monochrom erscheint, enthüllt bei näherer Betrachtung eine Fülle von Farbschattierungen.
Über den Entstehungshintergrund seiner Werke schreibt Caroline Sommer: „Seine Bilder sind für ihn nicht abstrakt im Sinne von gegenstandslos. Jedes Bild sei vielmehr Projektion von etwas real Erfahrenen in das Medium Malerei, erklärt Graubner. Dies kann etwa die Natur in ihren tausendfachen Prozessen oder ein Gefühl sein, das der Maler mit den Mitteln der Farbe zum Ausdruck bringt. […] Mehr als auf das Verstehen eines Vorgangs verlässt sich der Künstler auf das Erleben. In ständiger Reflexion darüber entsteht seine Malerei.“ (in: Gotthard Graubner, Farblicht, Ausst.Kat. Kestner-Gesellschaft Hannover 2003, S.29).
Der hier angebotene frühe Farbraumkörper changiert in feinen Grauabstufungen. Schwebende, körperlos erscheinende Partien gehen zu den Rändern hin über in Bereiche, in denen die schwere, farbgesättigte Materialität des Objektes sichtbar wird.
Das Werk stammt ehemals aus dem Bestand der Galerie Defet, die über Jahrzehnte als bedeutender Förderer für zeitgenössische Kunst in Nürnberg wirkte.
Gotthard Graubner, Untitled
Cushion picture: Oil on perlon on foam on canvas 131 x 102 x 8 cm. Signed and dated 'Graubner 1973/1974' verso and with direction arrow. - Traces of studio and minor traces of age.

Provenance
Galerie Defet, Nuremberg (adhesive label verso); private collection, Hesse

Gotthard Graubner has been developing and perfecting his genre of Farbraumkörper since 1977. In repeated work processes, he saturated the untreated carriers of canvas, fibrefill and textile covers with paint that seeped into the cushion-like substance. Paint and carrier form a unit. Highly individual colour imprints thus develop virtually autonomously in multiple nuances – what appears monochrome at first, reveals an abundance of shades of colour upon closer inspection.
Caroline Sommer writes the following on the background of the creation of his works, ‘For him, his images are not abstract in the sense of being non-objective. Each image is rather the projection of a real experience into the medium of painting’, explains Graubner. ‘This can be, for example, nature in its thousandfold processes or a feeling that the painter expresses by means of colour. […] The artist relies on experience rather than on the understanding of a process. In constant reflection of this, his painting is created.’ (Gotthard Graubner, Farblicht, exhib.cat. Kestner-Gesellschaft Hanover 2003, p.29).
The early colour-space object on offer here shimmers in fine shades of grey. Toward the edges, floating, seemingly disembodied sections merge into areas where the heavy, colour-saturated materiality of the object becomes visible.
The work originates from the collection of Galerie Defet, which acted as a major promoter of contemporary art in Nuremberg for many decades.
Gotthard Graubner, Ohne Titel
Kissenbild: Öl auf Perlon auf Schaumstoff auf Leinwand 131 x 102 x 8 cm. Rückseitig signiert und datiert 'Graubner 1973/1974' sowie mit Richtungspfeil. - Mit Atelier- und geringfügigen Altersspuren.

Provenienz
Galerie Defet, Nürnberg (mit rückseitigem Aufkleber); Privatsammlung, Hessen

Seit 1971 arbeitet Gotthard Graubner an der von ihm entwickelten Gattung der Farbraumkörper. Dafür durchtränkt er Rohlinge aus Leinwand, Füllwatte und Textilbespannung in zahlreichen Durchgängen mit Farbe, die in die kissenartige Substanz einsickert. Farbe und Bildträger gehen eine Einheit ein. Quasi autonom entstehen so sehr individuelle Farbausprägungen in vielfältigsten Nuancierungen - was zunächst monochrom erscheint, enthüllt bei näherer Betrachtung eine Fülle von Farbschattierungen.
Über den Entstehungshintergrund seiner Werke schreibt Caroline Sommer: „Seine Bilder sind für ihn nicht abstrakt im Sinne von gegenstandslos. Jedes Bild sei vielmehr Projektion von etwas real Erfahrenen in das Medium Malerei, erklärt Graubner. Dies kann etwa die Natur in ihren tausendfachen Prozessen oder ein Gefühl sein, das der Maler mit den Mitteln der Farbe zum Ausdruck bringt. […] Mehr als auf das Verstehen eines Vorgangs verlässt sich der Künstler auf das Erleben. In ständiger Reflexion darüber entsteht seine Malerei.“ (in: Gotthard Graubner, Farblicht, Ausst.Kat. Kestner-Gesellschaft Hannover 2003, S.29).
Der hier angebotene frühe Farbraumkörper changiert in feinen Grauabstufungen. Schwebende, körperlos erscheinende Partien gehen zu den Rändern hin über in Bereiche, in denen die schwere, farbgesättigte Materialität des Objektes sichtbar wird.
Das Werk stammt ehemals aus dem Bestand der Galerie Defet, die über Jahrzehnte als bedeutender Förderer für zeitgenössische Kunst in Nürnberg wirkte.

Evening Sale - Modern and Contemporary Art

Sale Date(s)
Lots: 98
Venue Address
Neumarkt 3
Köln
50667
Germany

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Evening Sale - Modern and Contemporary Art

Evening Sale - Moderne und Zeitgenössische Kunst

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