Biedermeier music stand, sleek design. Possibly German, circa 1820. Solid walnut.Height: 135cm.

Black-painted, height-adjustable duett music stand, circa 1860. Possibly German.Height: 135-150cm.

Blue-painted, height-adjustable music stand, circa 1860. Possibly German.Height: 125-160cm.

Heavy duett music stand, solid oak wood, with openwork floral carvings, Eifel region, Germany, circa 1840. The base has been replaced.Height: 195c...

Music stand painted in red, yellow and brown shades with carvings all around. Possibly Venice around 1700.Height: 166cm.

Impressive, two-sided choir music stand in solid walnut with ornately carved base. With sheet music compartment, can be dismantled into three part...

Convolute consisting of wooden conductor’s desk with adjustable, solid metal stand and 10 folding metal ensemble desks. Used condition.Variable di...

Interesting unsigned 1/2 violin, probably made in Markneukirchen in the 19th/20th century. The back is split in flamed maple. Good condition with ...

Unrestored, unsigned violin, probably 18th or early 19th century in an old imitation leather case. The body is made in box construction, the inlay...

Unrestored violin in good condition with violin bow in wooden case. The instrument was probably made around 1830/40 in Markneukirchen and still ha...

Historical, probably Saxon or Bohemian violin, signed on a glued-in slip of paper with "Ludovicus ricoza[li] [Cr]emona anno 17[..]". The two-piece...

German ¾ violin from the 1st half of the 20th century in good condition with a two piece back made of maple in a violin case covered with imitatio...

Saxon historical violin from the early 19th century in good condition with original boot neck and veneered fingerboard. One piece flamed maple bac...

Saxon violin with original beechwood neck and one-piece maple back in matching case with linen cover and two nickel silver mounted violin bows. In...

Elegant violin case with three built-in mahogany caskets, Germany, 1st half of 19th century. Various signs of use.Dimensions: Length: 79.5cm, widt...

This very rare, four-stringed instrument with spruce top, is playable (one string broken). The instrument has been restored several times. Cross b...

On this unrestored but conserved historical hurdy-gurdy from around 1800, two of the four pegs are preserved. The turned wheel is driven by the fo...

The Pontic lyre is similar to the pochette and has three strings. The fingerboard is decorated with patterns. There is no bridge, the instrument i...

Miniature cello and miniature double bass with matching instrument cases and bows. Each case has a pasted note: "La Premièr pièce de l[']apprenti ...

Set of 2 double bass bows and one violin bow. All bows show various signs of age and use.Double bass bow 1: Length: 73.8cm, weight: 129g.Double ba...

A used double bass bow from the famous French bow making family Ouchard. The bow is stamped "EXPion" on the stick. Opposite is the maker's note "E...

The instrument is a classical four-sided double bass in gamba shape with spruce top and arched maple back. The instrument was probably made in Mit...

Convolute consisting of a bellied zither/harp zither and a Stössel’s Basslute/Stoessel's lute-mandolin, occidental. Both instruments probably from...

The instrument is a Biedermeier guitar as it was used in Vienna in the 19th century. Probably built in Germany, but possibly also Mirecourt, Franc...

Set of two historical plucked instruments consisting of a cittern and a Neapolitan mandolin. Both instruments are around 100 years old, most proba...

Historical guitar, unsigned, Germany circa 1920, with wooden inlay scenery showing a lake in front of a village. The guitar appears unrestored, tw...

This trapezoidal box trembler (Cetra trapezoidale a percussione - Yang Ch'in, Yang-Kin, Yang-Quin trembler) was acquired in 2008 at the auction ho...

A convolute consisting of one of the dovecote/pigeonry zither and one small-headed zither from the Hungarian cultural area, possibly 19th-20th cen...

This hammered dulcimer (German: Hackbrett, Ital. Salterio, Psaltery) comes in a matching painted wooden case. A frontal lock over an iron ring inc...

This Bohemian hooked harp from around 1810 has initials „J“ [or „S“?] and „P“ on the upper end of the soundboard. According to Prof. Dr. Rudolf Ew...

This four-choir instrument from Trento, Italy was built by Johannes Antonius Capelletti in 1743, according to the pasted vignette: "Ioannes Antoni...

The Érard brothers' squarepiano with the serial number 11581 was completed in Paris on 18th of August 1821 and delivered to "Monsieur Renard pour ...

The present instrument was attributed by Prof. Dr. R. Ewerhart to Anton Häckl in Vienna. His workshop is known to have existed in Vienna between 1...

The fortepiano was built by Johann Georg Gröber (1775-1849) in Innsbruck. Gröber completed his apprenticeship with Ignaz Kober in Vienna, worked f...

This squarepiano by Muzio Clementi (1752-1832) was built in London in 1810 and bears the two serial numbers typical of his firm as well as a works...

The convolute consists of a historical tuning key with a hexagonal shaft for flat-head tuning-pegs. The tuning key can be dated to the time before...

On the outside, this clavichord is painted with black cassettes on a red background. The inside of the main lid shows a painted harbour scene with...

The walnut veneered fortepiano has a pedalboard between the two front legs, which houses the lyre with its 5 pedals (shift (no longer present), ba...

The signature in an oval brass frame points to the piano maker Johann Michael Schweighofer as the builder. The body is veneered in walnut and rest...

The present lyre piano by Schleip has unmistakable Masonic references. The exterior of the instrument is veneered in walnut. The front board is ve...

The squarepiano by Johannes Kilianus Mercken (1743-1816) was made in Paris in 1797. The instrument is made of mahogany and was decorated with ribb...

Field harmoniums were built for portable use. A lever, which is inserted into the hole on the keyboard side, drives the bellow located underneath ...

The fortepiano is signed "Conrad Graf". This signature is inauthentic and does not match any of the signatures of C. Graf known at this time. The ...

The single-manual organ with short octave and pedal has 5 stops. It was built towards the end of the 17th century by an unknown organ-builder. The...

The instrument is unsigned. The softwood case is not veneered and is only varnished with a coloured varnish/glaze. The nameboard is covered with w...

F. A. Klein was active as a piano maker, music dealer and instrument lender in Berlin between ca. 1825-1883. It is assumed that his lyre pianos we...

The present trapezoidal, colour-framed instrument was additionally richly decorated with colourful chinoiseries in the form of birds and vines. Wh...

The squarepiano by Caspar Katholnig (1763-1829) in Vienna is veneered in cherry. Two knee levers operate the dampers and the moderator.The piano h...

The squarepiano by Johann Matthias Schiffmann was built between 1780 and 1790 in Dusemond, today's Brauneberg in Rhineland-Palatinate, Germany. Th...

The small, unsigned squarepiano made of solid walnut was most probably manufactured in northern Italy. Indications for this are, among other thing...

Thomas Warker, whose piano factory existed between 1845 and 1846 (according to the relevant specialist literature), founded his piano factory in T...

Pneumatometers were used in organ building to determine the wind pressure in the wind tunnel and wind chest. Function not tested.Dimensions: 33 x ...

Mixed lot of various fortepiano spare and repair parts as shown in the picture. Among others an incomplete keyboard of a squarepiano.Furthermore, ...

A set of spare parts for a grand piano consisting of a lid support, music stand, lyre, foot rings and a keyboard end bar.

Lot of spare parts from a squarepiano by Georg Andreas Luckhardt, Kassel, consisting of brass parts, set of legs, music stand and keyboard sharps.

Convolute of a music stand, 3 pairs of candle holders and two single candle holders from different periods, possibly for organs.

A set of two brass instruments with signs of age and use. The Kangling, from Tibet, with a cup mouthpiece and a bell in the shape of a stylised dr...