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Jozef Israëls - Girl with basket seated on the shore - 1879
Description
Jozef Israëls - Girl with basket seated on the shore - 1879 / Description: A girl seated on a dune on the right, with a basket on her back, wearing a cap and dress, bare feet, the beach and sea in the background. Etching with surface tone made by Jozef Israëls circa 1879 / Dimensions: 15,20 x 22,80 cm / Condition: Good impression with nice margins on a full sheet of laid paper measuring 29 x 42 cm. In very good condition. / Literature: Hubert / The Etched Works of Jozef Israëls. An Illustrated Catalogue. (19) ----- Jozef Israëls (1824-1911) was born into a Jewish family in Groningen. His parents wanted him to be a rabbi and Israëls had to struggle to realise his dream of becoming an artist. The influences of first Kruseman and then Picot directed him towards the Romantic tradition of history painting, but although he produced some work in this tradition (debuting at the Salon de Paris in 1855) he soon abandoned this style, in favor of the plein-air painting he had encountered at Barbizon in 1846 and 1853, and in Oosterbeek, the Dutch equivalent of Barbizon. From 1855, Israëls made frequent sketching trips to the little fishing village of Zandevoort. Fishermen became a favorite motif in his art, along with landscapes and scenes of peasant life. In 1871 he settled in The Hague, where he remained for the rest of his life. In his day Jozef Israëls enjoyed a huge success, both in Holland and in France. He remains one of the towering figures of the Hague School; the Dutch equivalent of Millet. Vincent van Gogh revered Israëls and Millet equally, often linking their names. In a letter of March 1884 he described them, along with Corot, Daubigny and Dupré, as “the great forerunners”. With Israëls’ etchings, we are suddenly surprised by a lightness of touch that is decidedly Impressionist in its aims and its techniques, with all the details simply indicated by quick fresh lines rather than laboriously delineated. Israëls became interested in etching in 1870, and produced in all 30 plates, which are described and illustrated in the catalogue raisonné by H. J. Hubert, The Etched Work of Jozef Israëls. Israëls treated his etchings rather like sketches, printing them in small numbers to give to friends. They were not usually formally editioned, Writing of the etchings of Israëls in L’Art in 1879, the critic Charles Tardieu describes them as a painter’s etchings, and deliberately links them to Impressionism by describing them as “esquisses et impressions”, sketches and impressions. The confidence and rapidity with which Israëls has sketched these scenes onto the etching plate gives a sense of intimacy and immediacy. There is also a real tenderness in his depiction of the bathing children and the resting fisherwoman. / Medium: Etching /Circa: 1879 200
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Jozef Israëls - Girl with basket seated on the shore - 1879 / Description: A girl seated on a dune on the right, with a basket on her back, wearing a cap and dress, bare feet, the beach and sea in the background. Etching with surface tone made by Jozef Israëls circa 1879 / Dimensions: 15,20 x 22,80 cm / Condition: Good impression with nice margins on a full sheet of laid paper measuring 29 x 42 cm. In very good condition. / Literature: Hubert / The Etched Works of Jozef Israëls. An Illustrated Catalogue. (19) ----- Jozef Israëls (1824-1911) was born into a Jewish family in Groningen. His parents wanted him to be a rabbi and Israëls had to struggle to realise his dream of becoming an artist. The influences of first Kruseman and then Picot directed him towards the Romantic tradition of history painting, but although he produced some work in this tradition (debuting at the Salon de Paris in 1855) he soon abandoned this style, in favor of the plein-air painting he had encountered at Barbizon in 1846 and 1853, and in Oosterbeek, the Dutch equivalent of Barbizon. From 1855, Israëls made frequent sketching trips to the little fishing village of Zandevoort. Fishermen became a favorite motif in his art, along with landscapes and scenes of peasant life. In 1871 he settled in The Hague, where he remained for the rest of his life. In his day Jozef Israëls enjoyed a huge success, both in Holland and in France. He remains one of the towering figures of the Hague School; the Dutch equivalent of Millet. Vincent van Gogh revered Israëls and Millet equally, often linking their names. In a letter of March 1884 he described them, along with Corot, Daubigny and Dupré, as “the great forerunners”. With Israëls’ etchings, we are suddenly surprised by a lightness of touch that is decidedly Impressionist in its aims and its techniques, with all the details simply indicated by quick fresh lines rather than laboriously delineated. Israëls became interested in etching in 1870, and produced in all 30 plates, which are described and illustrated in the catalogue raisonné by H. J. Hubert, The Etched Work of Jozef Israëls. Israëls treated his etchings rather like sketches, printing them in small numbers to give to friends. They were not usually formally editioned, Writing of the etchings of Israëls in L’Art in 1879, the critic Charles Tardieu describes them as a painter’s etchings, and deliberately links them to Impressionism by describing them as “esquisses et impressions”, sketches and impressions. The confidence and rapidity with which Israëls has sketched these scenes onto the etching plate gives a sense of intimacy and immediacy. There is also a real tenderness in his depiction of the bathing children and the resting fisherwoman. / Medium: Etching /Circa: 1879 200
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Shipping:
Buyer pays shipping costs.
All customs charges, import taxes, other taxes and costs must be paid by the buyer.
We organize all shipping, worldwide at fixed prices:
Europe: 25 €
Outside Europe: 48 €
All Items must be paid in full before they will be shipped.
Items will be send insured. An insurance fee might be added to the invoice.
Claims for lost or broken items during transport are handed over to the insurance policy of the shipper and be reimbursed according to their terms. Old master print cannot be held responsible for any additional compensation for the loss or damage of the item.
The buyer is free to organize his own shipping at his own expense.
The items can only be released after full payment.
If the buyer arranges his own shipment or pick-up, OLD MASTER PRINT can not be held responsible for damage or loss of the goods after a period of two months after the date of the sale.
