512
Set 11 Flora Danica Luncheon Plates
1/22
Description
Royal Copenhagen, Denmark. Set of 11 Flora Danica botanical porcelain reticulated luncheon plates, shape number 20 3549. Each marked along the underside with the blue wave and green printed marks. Each inscribed with the Latin name of the plant depicted, including: Hottonia Palustris L. Var. Rosea, Viola Uliginosa Schrad, Ajuga Reptans L, Corydalis Fabacea Pers., Geranium Palustre L., Endymion nutans Dum., Trifolium pratense B parviflora Bab., Anemone sylvestris L., Pulsatilla Vernalis Mill, Berberis vulgaris L., and Campanula latifolia L.
Lot Essay:
The story of Flora Danica porcelain begins in an unexpected place--with the publication of the first complete botanical encyclopedia of Danish plants. In 1752, G.C. Oeder (1728-1791), a medical doctor and scientist, was appointed head of the newly created Royal Botanical Institution in Copenhagen. One of his first actions was to propose an ambitious project: a thorough catalog of the flora in Denmark and surrounding areas, profusely illustrated and with characteristic and taxonomic details to help the plants be financially useful to the nation. Oeder and a team of botanists spent years observing and illustrating plants in the field, and in 1861 the first volume of the Flora Danica was published. Twelve other editors presided over the project until the final volume’s publication in 1883. Flora Danica was a masterwork, notable for its contribution to the science of botany, but also for its stunning illustrations.
Denmark had been a Russian ally in the Russo-Swedish War of 1788-1790. However, the Danish succumbed to pressure from Great Britain and Prussia and declared neutrality early in the conflict, failing to perform their duty as allies. Following this, King Christian VII of Denmark (1749-1808) needed a way to make amends with Empress Catherine the Great of Russia (1729-1796). He decided to give her a fabulous gift. Since Catherine was known for collecting porcelain, he decided upon a luxurious dinner service the likes of which the world had never seen. And what better subject for the decoration of this porcelain service than the illustrations from the Flora Danica, a scientific triumph and celebration of Denmark’s natural richness?
In 1790, the king commissioned the Royal Danish Porcelain Manufactory (now known as Royal Copenhagen) to create a 100-setting dinner service decorated after the illustrations in the Flora Danica. Johann Christoph Bayer (1738-1812), an artist who had worked on the illustrations for the books, was hired to paint the porcelain pieces. He single-handedly painted an incredible 1,802 pieces of porcelain before production was completed in 1802. However, by the time the service was ready, Catherine the Great had died. The service stayed in Denmark, where it became a national treasure, used by the royal family on important state occasions and displayed in Denmark’s palaces and museums.
In 1863, Royal Copenhagen decided to revive the pattern. In keeping with the original Flora Danica service, each piece of porcelain was painstakingly hand-molded and decorated. The pattern has continued to be made to order in this way ever since. Each piece has been hand carved, the delicate floral forms molded, glazed, painted, and gilded by a team of Danish artisans. The buyer can choose which plants they would like on their service, making each set uniquely personal. Each piece has the Latin name of the plant depicted inscribed along the underside. Each piece, through its craftsmanship and individuality, tells a story of groundbreaking scholarship, royal politics and diplomacy, and the patron of each commissioned set.
Each, diameter: 10 in.
Condition:Overall there no major cracks or restorations. There are minute chips throughout, in particular: a minute chip along the edge of the anemone plate, a chip along edge of the putsatilla plate, there are 2 chips along the edge of the geranium plate, a minute chip along the edge of the ajuga plate, minute loss to the gilt along the edge of the viola plate. There is light wear along the base as expected from age and use, throughout all plates. No visible signs of restoration under UV light.
Lot Essay:
The story of Flora Danica porcelain begins in an unexpected place--with the publication of the first complete botanical encyclopedia of Danish plants. In 1752, G.C. Oeder (1728-1791), a medical doctor and scientist, was appointed head of the newly created Royal Botanical Institution in Copenhagen. One of his first actions was to propose an ambitious project: a thorough catalog of the flora in Denmark and surrounding areas, profusely illustrated and with characteristic and taxonomic details to help the plants be financially useful to the nation. Oeder and a team of botanists spent years observing and illustrating plants in the field, and in 1861 the first volume of the Flora Danica was published. Twelve other editors presided over the project until the final volume’s publication in 1883. Flora Danica was a masterwork, notable for its contribution to the science of botany, but also for its stunning illustrations.
Denmark had been a Russian ally in the Russo-Swedish War of 1788-1790. However, the Danish succumbed to pressure from Great Britain and Prussia and declared neutrality early in the conflict, failing to perform their duty as allies. Following this, King Christian VII of Denmark (1749-1808) needed a way to make amends with Empress Catherine the Great of Russia (1729-1796). He decided to give her a fabulous gift. Since Catherine was known for collecting porcelain, he decided upon a luxurious dinner service the likes of which the world had never seen. And what better subject for the decoration of this porcelain service than the illustrations from the Flora Danica, a scientific triumph and celebration of Denmark’s natural richness?
In 1790, the king commissioned the Royal Danish Porcelain Manufactory (now known as Royal Copenhagen) to create a 100-setting dinner service decorated after the illustrations in the Flora Danica. Johann Christoph Bayer (1738-1812), an artist who had worked on the illustrations for the books, was hired to paint the porcelain pieces. He single-handedly painted an incredible 1,802 pieces of porcelain before production was completed in 1802. However, by the time the service was ready, Catherine the Great had died. The service stayed in Denmark, where it became a national treasure, used by the royal family on important state occasions and displayed in Denmark’s palaces and museums.
In 1863, Royal Copenhagen decided to revive the pattern. In keeping with the original Flora Danica service, each piece of porcelain was painstakingly hand-molded and decorated. The pattern has continued to be made to order in this way ever since. Each piece has been hand carved, the delicate floral forms molded, glazed, painted, and gilded by a team of Danish artisans. The buyer can choose which plants they would like on their service, making each set uniquely personal. Each piece has the Latin name of the plant depicted inscribed along the underside. Each piece, through its craftsmanship and individuality, tells a story of groundbreaking scholarship, royal politics and diplomacy, and the patron of each commissioned set.
Each, diameter: 10 in.
Condition:Overall there no major cracks or restorations. There are minute chips throughout, in particular: a minute chip along the edge of the anemone plate, a chip along edge of the putsatilla plate, there are 2 chips along the edge of the geranium plate, a minute chip along the edge of the ajuga plate, minute loss to the gilt along the edge of the viola plate. There is light wear along the base as expected from age and use, throughout all plates. No visible signs of restoration under UV light.
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Royal Copenhagen, Denmark. Set of 11 Flora Danica botanical porcelain reticulated luncheon plates, shape number 20 3549. Each marked along the underside with the blue wave and green printed marks. Each inscribed with the Latin name of the plant depicted, including: Hottonia Palustris L. Var. Rosea, Viola Uliginosa Schrad, Ajuga Reptans L, Corydalis Fabacea Pers., Geranium Palustre L., Endymion nutans Dum., Trifolium pratense B parviflora Bab., Anemone sylvestris L., Pulsatilla Vernalis Mill, Berberis vulgaris L., and Campanula latifolia L.
Lot Essay:
The story of Flora Danica porcelain begins in an unexpected place--with the publication of the first complete botanical encyclopedia of Danish plants. In 1752, G.C. Oeder (1728-1791), a medical doctor and scientist, was appointed head of the newly created Royal Botanical Institution in Copenhagen. One of his first actions was to propose an ambitious project: a thorough catalog of the flora in Denmark and surrounding areas, profusely illustrated and with characteristic and taxonomic details to help the plants be financially useful to the nation. Oeder and a team of botanists spent years observing and illustrating plants in the field, and in 1861 the first volume of the Flora Danica was published. Twelve other editors presided over the project until the final volume’s publication in 1883. Flora Danica was a masterwork, notable for its contribution to the science of botany, but also for its stunning illustrations.
Denmark had been a Russian ally in the Russo-Swedish War of 1788-1790. However, the Danish succumbed to pressure from Great Britain and Prussia and declared neutrality early in the conflict, failing to perform their duty as allies. Following this, King Christian VII of Denmark (1749-1808) needed a way to make amends with Empress Catherine the Great of Russia (1729-1796). He decided to give her a fabulous gift. Since Catherine was known for collecting porcelain, he decided upon a luxurious dinner service the likes of which the world had never seen. And what better subject for the decoration of this porcelain service than the illustrations from the Flora Danica, a scientific triumph and celebration of Denmark’s natural richness?
In 1790, the king commissioned the Royal Danish Porcelain Manufactory (now known as Royal Copenhagen) to create a 100-setting dinner service decorated after the illustrations in the Flora Danica. Johann Christoph Bayer (1738-1812), an artist who had worked on the illustrations for the books, was hired to paint the porcelain pieces. He single-handedly painted an incredible 1,802 pieces of porcelain before production was completed in 1802. However, by the time the service was ready, Catherine the Great had died. The service stayed in Denmark, where it became a national treasure, used by the royal family on important state occasions and displayed in Denmark’s palaces and museums.
In 1863, Royal Copenhagen decided to revive the pattern. In keeping with the original Flora Danica service, each piece of porcelain was painstakingly hand-molded and decorated. The pattern has continued to be made to order in this way ever since. Each piece has been hand carved, the delicate floral forms molded, glazed, painted, and gilded by a team of Danish artisans. The buyer can choose which plants they would like on their service, making each set uniquely personal. Each piece has the Latin name of the plant depicted inscribed along the underside. Each piece, through its craftsmanship and individuality, tells a story of groundbreaking scholarship, royal politics and diplomacy, and the patron of each commissioned set.
Each, diameter: 10 in.
Condition:Overall there no major cracks or restorations. There are minute chips throughout, in particular: a minute chip along the edge of the anemone plate, a chip along edge of the putsatilla plate, there are 2 chips along the edge of the geranium plate, a minute chip along the edge of the ajuga plate, minute loss to the gilt along the edge of the viola plate. There is light wear along the base as expected from age and use, throughout all plates. No visible signs of restoration under UV light.
Lot Essay:
The story of Flora Danica porcelain begins in an unexpected place--with the publication of the first complete botanical encyclopedia of Danish plants. In 1752, G.C. Oeder (1728-1791), a medical doctor and scientist, was appointed head of the newly created Royal Botanical Institution in Copenhagen. One of his first actions was to propose an ambitious project: a thorough catalog of the flora in Denmark and surrounding areas, profusely illustrated and with characteristic and taxonomic details to help the plants be financially useful to the nation. Oeder and a team of botanists spent years observing and illustrating plants in the field, and in 1861 the first volume of the Flora Danica was published. Twelve other editors presided over the project until the final volume’s publication in 1883. Flora Danica was a masterwork, notable for its contribution to the science of botany, but also for its stunning illustrations.
Denmark had been a Russian ally in the Russo-Swedish War of 1788-1790. However, the Danish succumbed to pressure from Great Britain and Prussia and declared neutrality early in the conflict, failing to perform their duty as allies. Following this, King Christian VII of Denmark (1749-1808) needed a way to make amends with Empress Catherine the Great of Russia (1729-1796). He decided to give her a fabulous gift. Since Catherine was known for collecting porcelain, he decided upon a luxurious dinner service the likes of which the world had never seen. And what better subject for the decoration of this porcelain service than the illustrations from the Flora Danica, a scientific triumph and celebration of Denmark’s natural richness?
In 1790, the king commissioned the Royal Danish Porcelain Manufactory (now known as Royal Copenhagen) to create a 100-setting dinner service decorated after the illustrations in the Flora Danica. Johann Christoph Bayer (1738-1812), an artist who had worked on the illustrations for the books, was hired to paint the porcelain pieces. He single-handedly painted an incredible 1,802 pieces of porcelain before production was completed in 1802. However, by the time the service was ready, Catherine the Great had died. The service stayed in Denmark, where it became a national treasure, used by the royal family on important state occasions and displayed in Denmark’s palaces and museums.
In 1863, Royal Copenhagen decided to revive the pattern. In keeping with the original Flora Danica service, each piece of porcelain was painstakingly hand-molded and decorated. The pattern has continued to be made to order in this way ever since. Each piece has been hand carved, the delicate floral forms molded, glazed, painted, and gilded by a team of Danish artisans. The buyer can choose which plants they would like on their service, making each set uniquely personal. Each piece has the Latin name of the plant depicted inscribed along the underside. Each piece, through its craftsmanship and individuality, tells a story of groundbreaking scholarship, royal politics and diplomacy, and the patron of each commissioned set.
Each, diameter: 10 in.
Condition:Overall there no major cracks or restorations. There are minute chips throughout, in particular: a minute chip along the edge of the anemone plate, a chip along edge of the putsatilla plate, there are 2 chips along the edge of the geranium plate, a minute chip along the edge of the ajuga plate, minute loss to the gilt along the edge of the viola plate. There is light wear along the base as expected from age and use, throughout all plates. No visible signs of restoration under UV light.
Spring Showcase: Asian Art, Decor, & Jewelry
Sale Date(s)
Venue Address
Prior Works
755 N Prior Avenue
Suite 235C
St. Paul
Minnesota
55104
United States
Revere Auctions does NOT offer in-house shipping. As a convenience to the Buyer, Revere Auctions will make a referral for packing and shipping. This is at the request, expense, and risk of the Buyer, and Revere Auctions assumes no responsibility for the items or the timing of delivery. Insurance for in transit items is the responsibility of the buyer. The buyer must reach out to a shipping company to arrange shipping.
The buyer must fill out the Shipping Release Form in order for their items to be released. This is to ensure that the won item(s) are given to the proper shipping company and reach their final destination safely. This form can be found here.Here is a list of our preferred shippers:
UPS Store #2105
Contact: Ryan Wilson
Email: store2105@theupsstore.com
Phone: 651-642-5972
UPS Store #2158
Contact: Randy Jessup
email: store2158@theupsstore.com
phone: 651-635-0636
UPS Store #5396
Contact: Ivory Smith
Email: store5396@theupsstore.com
Phone: 612-332-4117
Mail Pack Ship & Print
Contact: Tim Tuel
email: info@mailpackshipprint.com
phone: 952-432-4880
Museum Services Inc
For shipping estimate please complete the following link:
https://museumservices.org/revere
Important Information
Join Revere Auctions for an auction featuring a lovely selection of Chinese, Japanese, and Southeast Asian art and decor. There is a broad selection of jewelry, collector and commemorative coins, etchings, Currier & Ives prints, as well as decorative arts including Flora Danica luncheon plates.
Preview:
Monday, March 18 - Friday, March 22: 10AM - 4PM
Saturday, March 23: 10AM - 2PM
Monday, March 25: 10AM - 4PM
Please note that we are closed to the public on auction days and cannot accommodate previews on March 26 & 27.
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The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed by Revere Auctions LLC. Hereinafter, Revere Auctions LLC is referred to Revere Auctions.
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Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $500 and above.
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Shipping
As a convenience to the Buyer, Revere Auctions will make a referral for packing and shipping. This is at the request, expense, and risk of the Buyer, and Revere Auctions assumes no responsibility for the items or the timing of delivery. Insurance for in transit items is the responsibility of the buyer
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If the purchaser fails to fulfill or comply with any of the conditions herein, the purchaser shall be in default and, in addition to all legal remedies available to the Revere Auctions and the consignor by law, including, without limitation, the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, Revere Auctions, at its option, may: a) cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same auction or any other auction, and retain all payments made by the purchaser as liquidated damages; b) resell the purchased property whether at public auction or by private sale, for the account of the purchaser, in which case the purchaser shall be liable to Revere Auctions for all its costs and damages, including the commissions for both auctions; c) remove the property to a public warehouse for the account and at the risk and expense of the purchaser; d) charge interest at such rate as we shall reasonably select, or e) effect any combination thereof. In any case, the purchaser will be liable for any deficiency and any and all costs, handling charges, late charges, expenses of both sales, our commissions on both sales at our regular rates, legal fees and expenses, collection fees and incidental damages. Payment will not be deemed to have been made in full until we have collected good funds. In the event that purchaser fails to pay any or all of the total purchase price for any lot and Revere Auctions nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Revere Auctions shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these conditions of sale. In addition, defaulting purchaser will be deemed to have granted and assigned to Revere Auctions a continuing security interest of first priority in any property or money of or owing to such purchaser in our possession, custody or control, in each case whether at the time of the auction, the default or if acquired at any time thereafter, and we may retain and apply such property or money as collateral security for the obligations due to us.
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