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A POLYCHROME AND GILT-LACQUERED 'FOREIGNER' TABLE SCREEN, KANGXI PERIOD
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Description
A POLYCHROME AND GILT-LACQUERED 'FOREIGNER' TABLE SCREEN, KANGXI PERIOD
China, second half of 17th to early 18th century. Finely painted to one side with a red-haired Dutchman standing on the grassy ground and wearing a characteristic buttoned robe tied at the waist, a boy attendant standing behind him and holding a long blood-stained sword, two lanterns hanging above them. The other side with a gnarled branch with flowers, leafy vines and a butterfly. The frame decorated in gilt lacquer with lotus scrolls and other floral and geometric designs against a black ground.
Provenance: Estate of Sear Hang Hwie Pao (1937-2009). Old illegible collector's label attached to frame. Pao was one of Canada's leading dealers of Chinese porcelain and works of art. His antique store, Pao & Moltke Ltd., owned together with his wife Mrs. von Moltke, who descended from a German and Danish noble family, was a fixture in Toronto's trendy Yorkville area from the 1980s to early 2000s.
Condition: Old wear, natural age cracks, minor losses and touchups to the frame but not the screen itself. Overall superb condition for a lacquer table screen from the second half of the 17th century.
Weight: 352.7 g
Dimensions: Size 24.5 x 19.3 x 11.4 cm
There was a fascination with all things European at the Qing court during the 17th and 18th centuries. This 'occidentalism' may be directly compared with the fascination of 'chinoiserie' that was sweeping Europe at approximately the same time. This interest in foreigners, their clothes, customs, and belongings is reflected in works of art of the period (see Auction result comparison). Scrolls depicting tribute bearers from foreign lands were commissioned by the court, on which male and female figures from various countries were shown in their different costumes. Reflecting the imperial view of China as at the center of all nations, the scrolls also reveal a certain curiosity about those outside the Middle Kingdom. On one such handscroll in the collection of the Palace Museum, Beijing, many of the figures are described as being from the West and the attributes of each couple are discussed in both Chinese and Manchu (see Splendors of a Flourishing Age, Macau, 1999, no. 42).
Interestingly, however, the present figure is devoid of the typical caricatural elements, such as an overtly large nose and eyes or a grotesque expression. Moreover, he is depicted with long earlobes, which are normally seen on Buddhist figures, but were also regarded as lucky in China. The long sleeves and boy attendant are also typical elements of Chinese art that usually did not appear in depictions of foreigners. This suggests a certain respect for the depicted foreigner that went beyond curiosity or fascination. Perhaps he is a Dutch missionary, as indicated by his curly red hair and buttoned robe. One such Dutch missionary was George Candidius (1597-1647), the first missionary to be stationed on the island of Taiwan, who stayed there from 1627 to 1637.
Auction result comparison: Compare a famille rose spirit barrel depicting a Dutch drunkard, wearing a similar buttoned jacket, dated to the Qianlong period, at Bonhams London in Fine Chinese Art on 12 May 2016, lot 299, sold for GBP 25,000, and an ivory figure of a kneeling Dutch foreigner, with a similar hairstyle, at Bonhams London in Fine Chinese Art on 16 May 2013, lot 366, sold for GBP 31,250. 康熙時期漆金彩繪《外族人像》桌屏
中國，十七世紀中葉至十八世紀初。桌屏一面可見彩繪一位紅髮荷蘭人站在草地上，腰間繫著一件極有特色的係扣長袍。身後站著一位童子侍從，他手裡拿著一把染血的長劍。頭部上方掛著兩個燈籠。桌屏另一面描繪著精美的牡丹花卉，鮮花怒放，花團錦簇，旁邊飛舞著一隻蝴蝶。桌屏框以金漆裝飾，黑色地上飾有纏枝蓮紋和其他花卉和幾何圖案。
來源：Sear Hang Hwie Pao (1937-2009) 收藏。畫框上有難以辨認的收藏家舊標籤。Pao是加拿大中國瓷器和藝術品的主要經銷商之一。 他和妻子創立了Pao＆Moltke Ltd古玩店，他們的古玩店從1980年代到2000年代初期曾是多倫多時尚的Yorkville地區的熱門店鋪。
品相：舊時磨損，自然老化的裂紋，輕微缺損。屏框處有修補。對於十七世紀下半葉的漆繪桌屏來説，其總體狀況極佳。
重量：352.7 克
尺寸： 24.5 x 19.3 x 11.4 厘米
拍賣結果比較：一件粉彩醉酒荷蘭人物，穿著相似外袍，乾隆時期，見倫敦邦翰思Fine Chinese Art 2016年5月12日lot 299, 售價GBP 25,000；一件象牙雕荷蘭人像，相似髮型，見倫敦邦翰思 Fine Chinese Art 2013年5月16日 lot 366, 售價GBP 31,250。
China, second half of 17th to early 18th century. Finely painted to one side with a red-haired Dutchman standing on the grassy ground and wearing a characteristic buttoned robe tied at the waist, a boy attendant standing behind him and holding a long blood-stained sword, two lanterns hanging above them. The other side with a gnarled branch with flowers, leafy vines and a butterfly. The frame decorated in gilt lacquer with lotus scrolls and other floral and geometric designs against a black ground.
Provenance: Estate of Sear Hang Hwie Pao (1937-2009). Old illegible collector's label attached to frame. Pao was one of Canada's leading dealers of Chinese porcelain and works of art. His antique store, Pao & Moltke Ltd., owned together with his wife Mrs. von Moltke, who descended from a German and Danish noble family, was a fixture in Toronto's trendy Yorkville area from the 1980s to early 2000s.
Condition: Old wear, natural age cracks, minor losses and touchups to the frame but not the screen itself. Overall superb condition for a lacquer table screen from the second half of the 17th century.
Weight: 352.7 g
Dimensions: Size 24.5 x 19.3 x 11.4 cm
There was a fascination with all things European at the Qing court during the 17th and 18th centuries. This 'occidentalism' may be directly compared with the fascination of 'chinoiserie' that was sweeping Europe at approximately the same time. This interest in foreigners, their clothes, customs, and belongings is reflected in works of art of the period (see Auction result comparison). Scrolls depicting tribute bearers from foreign lands were commissioned by the court, on which male and female figures from various countries were shown in their different costumes. Reflecting the imperial view of China as at the center of all nations, the scrolls also reveal a certain curiosity about those outside the Middle Kingdom. On one such handscroll in the collection of the Palace Museum, Beijing, many of the figures are described as being from the West and the attributes of each couple are discussed in both Chinese and Manchu (see Splendors of a Flourishing Age, Macau, 1999, no. 42).
Interestingly, however, the present figure is devoid of the typical caricatural elements, such as an overtly large nose and eyes or a grotesque expression. Moreover, he is depicted with long earlobes, which are normally seen on Buddhist figures, but were also regarded as lucky in China. The long sleeves and boy attendant are also typical elements of Chinese art that usually did not appear in depictions of foreigners. This suggests a certain respect for the depicted foreigner that went beyond curiosity or fascination. Perhaps he is a Dutch missionary, as indicated by his curly red hair and buttoned robe. One such Dutch missionary was George Candidius (1597-1647), the first missionary to be stationed on the island of Taiwan, who stayed there from 1627 to 1637.
Auction result comparison: Compare a famille rose spirit barrel depicting a Dutch drunkard, wearing a similar buttoned jacket, dated to the Qianlong period, at Bonhams London in Fine Chinese Art on 12 May 2016, lot 299, sold for GBP 25,000, and an ivory figure of a kneeling Dutch foreigner, with a similar hairstyle, at Bonhams London in Fine Chinese Art on 16 May 2013, lot 366, sold for GBP 31,250. 康熙時期漆金彩繪《外族人像》桌屏
中國，十七世紀中葉至十八世紀初。桌屏一面可見彩繪一位紅髮荷蘭人站在草地上，腰間繫著一件極有特色的係扣長袍。身後站著一位童子侍從，他手裡拿著一把染血的長劍。頭部上方掛著兩個燈籠。桌屏另一面描繪著精美的牡丹花卉，鮮花怒放，花團錦簇，旁邊飛舞著一隻蝴蝶。桌屏框以金漆裝飾，黑色地上飾有纏枝蓮紋和其他花卉和幾何圖案。
來源：Sear Hang Hwie Pao (1937-2009) 收藏。畫框上有難以辨認的收藏家舊標籤。Pao是加拿大中國瓷器和藝術品的主要經銷商之一。 他和妻子創立了Pao＆Moltke Ltd古玩店，他們的古玩店從1980年代到2000年代初期曾是多倫多時尚的Yorkville地區的熱門店鋪。
品相：舊時磨損，自然老化的裂紋，輕微缺損。屏框處有修補。對於十七世紀下半葉的漆繪桌屏來説，其總體狀況極佳。
重量：352.7 克
尺寸： 24.5 x 19.3 x 11.4 厘米
拍賣結果比較：一件粉彩醉酒荷蘭人物，穿著相似外袍，乾隆時期，見倫敦邦翰思Fine Chinese Art 2016年5月12日lot 299, 售價GBP 25,000；一件象牙雕荷蘭人像，相似髮型，見倫敦邦翰思 Fine Chinese Art 2013年5月16日 lot 366, 售價GBP 31,250。
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A POLYCHROME AND GILT-LACQUERED 'FOREIGNER' TABLE SCREEN, KANGXI PERIOD
China, second half of 17th to early 18th century. Finely painted to one side with a red-haired Dutchman standing on the grassy ground and wearing a characteristic buttoned robe tied at the waist, a boy attendant standing behind him and holding a long blood-stained sword, two lanterns hanging above them. The other side with a gnarled branch with flowers, leafy vines and a butterfly. The frame decorated in gilt lacquer with lotus scrolls and other floral and geometric designs against a black ground.
Provenance: Estate of Sear Hang Hwie Pao (1937-2009). Old illegible collector's label attached to frame. Pao was one of Canada's leading dealers of Chinese porcelain and works of art. His antique store, Pao & Moltke Ltd., owned together with his wife Mrs. von Moltke, who descended from a German and Danish noble family, was a fixture in Toronto's trendy Yorkville area from the 1980s to early 2000s.
Condition: Old wear, natural age cracks, minor losses and touchups to the frame but not the screen itself. Overall superb condition for a lacquer table screen from the second half of the 17th century.
Weight: 352.7 g
Dimensions: Size 24.5 x 19.3 x 11.4 cm
There was a fascination with all things European at the Qing court during the 17th and 18th centuries. This 'occidentalism' may be directly compared with the fascination of 'chinoiserie' that was sweeping Europe at approximately the same time. This interest in foreigners, their clothes, customs, and belongings is reflected in works of art of the period (see Auction result comparison). Scrolls depicting tribute bearers from foreign lands were commissioned by the court, on which male and female figures from various countries were shown in their different costumes. Reflecting the imperial view of China as at the center of all nations, the scrolls also reveal a certain curiosity about those outside the Middle Kingdom. On one such handscroll in the collection of the Palace Museum, Beijing, many of the figures are described as being from the West and the attributes of each couple are discussed in both Chinese and Manchu (see Splendors of a Flourishing Age, Macau, 1999, no. 42).
Interestingly, however, the present figure is devoid of the typical caricatural elements, such as an overtly large nose and eyes or a grotesque expression. Moreover, he is depicted with long earlobes, which are normally seen on Buddhist figures, but were also regarded as lucky in China. The long sleeves and boy attendant are also typical elements of Chinese art that usually did not appear in depictions of foreigners. This suggests a certain respect for the depicted foreigner that went beyond curiosity or fascination. Perhaps he is a Dutch missionary, as indicated by his curly red hair and buttoned robe. One such Dutch missionary was George Candidius (1597-1647), the first missionary to be stationed on the island of Taiwan, who stayed there from 1627 to 1637.
Auction result comparison: Compare a famille rose spirit barrel depicting a Dutch drunkard, wearing a similar buttoned jacket, dated to the Qianlong period, at Bonhams London in Fine Chinese Art on 12 May 2016, lot 299, sold for GBP 25,000, and an ivory figure of a kneeling Dutch foreigner, with a similar hairstyle, at Bonhams London in Fine Chinese Art on 16 May 2013, lot 366, sold for GBP 31,250. 康熙時期漆金彩繪《外族人像》桌屏
中國，十七世紀中葉至十八世紀初。桌屏一面可見彩繪一位紅髮荷蘭人站在草地上，腰間繫著一件極有特色的係扣長袍。身後站著一位童子侍從，他手裡拿著一把染血的長劍。頭部上方掛著兩個燈籠。桌屏另一面描繪著精美的牡丹花卉，鮮花怒放，花團錦簇，旁邊飛舞著一隻蝴蝶。桌屏框以金漆裝飾，黑色地上飾有纏枝蓮紋和其他花卉和幾何圖案。
來源：Sear Hang Hwie Pao (1937-2009) 收藏。畫框上有難以辨認的收藏家舊標籤。Pao是加拿大中國瓷器和藝術品的主要經銷商之一。 他和妻子創立了Pao＆Moltke Ltd古玩店，他們的古玩店從1980年代到2000年代初期曾是多倫多時尚的Yorkville地區的熱門店鋪。
品相：舊時磨損，自然老化的裂紋，輕微缺損。屏框處有修補。對於十七世紀下半葉的漆繪桌屏來説，其總體狀況極佳。
重量：352.7 克
尺寸： 24.5 x 19.3 x 11.4 厘米
拍賣結果比較：一件粉彩醉酒荷蘭人物，穿著相似外袍，乾隆時期，見倫敦邦翰思Fine Chinese Art 2016年5月12日lot 299, 售價GBP 25,000；一件象牙雕荷蘭人像，相似髮型，見倫敦邦翰思 Fine Chinese Art 2013年5月16日 lot 366, 售價GBP 31,250。
China, second half of 17th to early 18th century. Finely painted to one side with a red-haired Dutchman standing on the grassy ground and wearing a characteristic buttoned robe tied at the waist, a boy attendant standing behind him and holding a long blood-stained sword, two lanterns hanging above them. The other side with a gnarled branch with flowers, leafy vines and a butterfly. The frame decorated in gilt lacquer with lotus scrolls and other floral and geometric designs against a black ground.
Provenance: Estate of Sear Hang Hwie Pao (1937-2009). Old illegible collector's label attached to frame. Pao was one of Canada's leading dealers of Chinese porcelain and works of art. His antique store, Pao & Moltke Ltd., owned together with his wife Mrs. von Moltke, who descended from a German and Danish noble family, was a fixture in Toronto's trendy Yorkville area from the 1980s to early 2000s.
Condition: Old wear, natural age cracks, minor losses and touchups to the frame but not the screen itself. Overall superb condition for a lacquer table screen from the second half of the 17th century.
Weight: 352.7 g
Dimensions: Size 24.5 x 19.3 x 11.4 cm
There was a fascination with all things European at the Qing court during the 17th and 18th centuries. This 'occidentalism' may be directly compared with the fascination of 'chinoiserie' that was sweeping Europe at approximately the same time. This interest in foreigners, their clothes, customs, and belongings is reflected in works of art of the period (see Auction result comparison). Scrolls depicting tribute bearers from foreign lands were commissioned by the court, on which male and female figures from various countries were shown in their different costumes. Reflecting the imperial view of China as at the center of all nations, the scrolls also reveal a certain curiosity about those outside the Middle Kingdom. On one such handscroll in the collection of the Palace Museum, Beijing, many of the figures are described as being from the West and the attributes of each couple are discussed in both Chinese and Manchu (see Splendors of a Flourishing Age, Macau, 1999, no. 42).
Interestingly, however, the present figure is devoid of the typical caricatural elements, such as an overtly large nose and eyes or a grotesque expression. Moreover, he is depicted with long earlobes, which are normally seen on Buddhist figures, but were also regarded as lucky in China. The long sleeves and boy attendant are also typical elements of Chinese art that usually did not appear in depictions of foreigners. This suggests a certain respect for the depicted foreigner that went beyond curiosity or fascination. Perhaps he is a Dutch missionary, as indicated by his curly red hair and buttoned robe. One such Dutch missionary was George Candidius (1597-1647), the first missionary to be stationed on the island of Taiwan, who stayed there from 1627 to 1637.
Auction result comparison: Compare a famille rose spirit barrel depicting a Dutch drunkard, wearing a similar buttoned jacket, dated to the Qianlong period, at Bonhams London in Fine Chinese Art on 12 May 2016, lot 299, sold for GBP 25,000, and an ivory figure of a kneeling Dutch foreigner, with a similar hairstyle, at Bonhams London in Fine Chinese Art on 16 May 2013, lot 366, sold for GBP 31,250. 康熙時期漆金彩繪《外族人像》桌屏
中國，十七世紀中葉至十八世紀初。桌屏一面可見彩繪一位紅髮荷蘭人站在草地上，腰間繫著一件極有特色的係扣長袍。身後站著一位童子侍從，他手裡拿著一把染血的長劍。頭部上方掛著兩個燈籠。桌屏另一面描繪著精美的牡丹花卉，鮮花怒放，花團錦簇，旁邊飛舞著一隻蝴蝶。桌屏框以金漆裝飾，黑色地上飾有纏枝蓮紋和其他花卉和幾何圖案。
來源：Sear Hang Hwie Pao (1937-2009) 收藏。畫框上有難以辨認的收藏家舊標籤。Pao是加拿大中國瓷器和藝術品的主要經銷商之一。 他和妻子創立了Pao＆Moltke Ltd古玩店，他們的古玩店從1980年代到2000年代初期曾是多倫多時尚的Yorkville地區的熱門店鋪。
品相：舊時磨損，自然老化的裂紋，輕微缺損。屏框處有修補。對於十七世紀下半葉的漆繪桌屏來説，其總體狀況極佳。
重量：352.7 克
尺寸： 24.5 x 19.3 x 11.4 厘米
拍賣結果比較：一件粉彩醉酒荷蘭人物，穿著相似外袍，乾隆時期，見倫敦邦翰思Fine Chinese Art 2016年5月12日lot 299, 售價GBP 25,000；一件象牙雕荷蘭人像，相似髮型，見倫敦邦翰思 Fine Chinese Art 2013年5月16日 lot 366, 售價GBP 31,250。
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§ 1) The auction shall be carried out in accordance with the provisions of the rules of procedure of GALERIE ZACKE©, SZA VERSTEIGERUNGEN UND VERTRIEBS GMBH, MARIAHILFERSTRASSE 112, 1070 WIEN (hereinafter referred to as the company) as well as in accordance with sections 244-246 of the GEWERBEORDNUNG [Industrial Code] of 1994. The auction shall be carried out on commission. The auctioneer shall be entitled to withdraw lots exceptionally, to conduct the auction deviating from the order of the catalog numbers and to offer lots jointly. In the event of any dispute concerning a double bid or if the auctioneer has missed a bid, the auctioneer shall be entitled to revoke acceptance of a bid and to continue auctioning the item. The figures stated in the catalog shall be the highest bid in Euro (€) expected by the respective expert. As a rule, the bid shall be increased by 10% of the last bid. (See table of the bidding increments).
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§ 6) In the event of a term of payment, or any payment delay, in whole or in part, the company shall be entitled to charge default interest (12% p.a.) as well as storage charges (2.4% pf the final and highest bid per month commenced) after 14 days upon acceptance of the bid. The item purchased at auction shall be handed over exclusively upon full payment of the purchase price including all costs and charges accrued since the acceptance of the bid.
§ 7) The buyer should take acquired items into possession, as far as possible, immediately or after the end of the auction. Items which have been fully paid for shall be handed over in our show rooms in GALERIE ZACKE, MARIAHILFERSTRASSE 112, 1070 VIENNA. If a deferred purchase price is not paid within the set period, the company shall be entitled to auction the item again in order to recoup its claim from the defaulting auction buyer. In this case, the defaulting auction buyer shall be liable to the company for the total loss of commission incurred by the company due to the re-auctioning as well as for any default interest and storage charges.
§ 8) The company shall be entitled to a lien on all items of the buyer irrespective of whether the buyer bought them within the scope of an auction or in free sale or the company secured ownership of these items otherwise. This lien shall serve to secure all current and future, qualified, limited and unmatured claims to which the company is entitled and which result from all legal transactions concluded with the buyer.
§ 9) The items received for auction will be exhibited and may be viewed prior to the auction. In doing so, the company shall give everyone the opportunity to check the nature and the condition of the exhibited items to the extent deemed possible within the scope of the exhibition. Every bidder shall be deemed to act on its own behalf unless it provides a written confirmation saying that it acts as a representative or agent of a well-known principal. The company may refuse bids; this shall particularly apply if a bidder who is unknown to the company or with whom the company has no business connections yet does not provide a security deposit before the auction. However, in principle there shall be no claim to accept a bid. If a bid has been refused, the previous bid shall remain effective.
§ 10) The company’s experts evaluate and describe the items received for auction and determine the starting prices unless otherwise stated in the catalog or expert opinion. The information concerning production technique or material, state of preservation, origin, design and age of an item is based on published or otherwise generally accessible (scientific) findings concluded by the company’s expert with the necessary care and accuracy. The company shall warrant to the buyer according to §34-38 of the AGB (Terms and Conditions) that properties are correct provided that any complaints referring to this are made within 45 days after the auction day. Subsequent complaints shall be excluded in principle. The company shall not be liable for any further information in the catalog and expert opinion as well. This shall also apply to illustrations in the catalog. The purpose of these illustrations is to guide the potential buyer during the preview. They shall not be authoritative for the condition or the characteristics of the pictured item. The published condition reports shall only mention defects and damage affecting the artistic or commercial value significantly. Complaints concerning the price shall be excluded upon acceptance of the bid. The company reserves the right to amend the catalog online prior to the auction. These amendments shall also be made public orally by the auctioneer during the auction. In this case, the company shall be liable for the amendment only. All items offered may be checked prior to the auction. These items are used. Any claims for damages exceeding the liability named above and resulting from other material defects or other defects of the item shall be excluded. When making the bid, the bidder confirms that he/she has inspected the item prior to the auction and has made sure that the item corresponds to the description.
§ 11) If a customer is not able to participate in an auction personally, the company shall accept purchase orders. These orders may be placed in writing via mail, e-mail, fax, www.zacke.at or a third party bidding platform. In the case of a purchase order placed by phone or orally, the company shall reserve the right to make the performance dependent on a confirmation from the principal communicated in writing. Furthermore, the company shall not be liable for the performance of purchase orders. Equal purchase orders or live bids will be considered in the order of their receipt. Bids which below the estimate shall be exhausted completely. Bids which do not correspond to the increments determined by the company (see bidding increment table) will be rounded up to the next higher increment. The table of these increments can be sent upon request. The written bid (purchase order) must include the item, the catalog number and the offered top bid limit which is quoted as the amount of the acceptance of the bid without buyer’s commission and without taxes. Ambiguities shall be carried by the bidder. A purchase order which has already been placed may only be cancelled if the written withdrawal is received by the company at least 72 hours prior to the beginning of the auction.
§ 12) The company may refuse a purchase order without explanation or make its execution dependent on payment of a security deposit. In the event of an unsuccessful order, such a deposit will be reimbursed by the company within 5 working days. Processing of purchase orders is free of charge.
§ 13) Every seller shall in principle be entitled to withdraw the items offered for auction until the start of the auction. Therefore, it is impossible to assume liability or to give warranty for the actual offering.
§ 14) Paid items must be collected within 30 days after payment. Items which have not been collected may be re-offered without further communication at the starting price from the recent auction reduced by 50%. Items which have not been collected within 30 days after the auction or for which the company does not receive any proper shipping instructions stating the type of shipping and the address of dispatch (independent of a possibly placed purchase order) shall be stored at the owner’s risk. Furthermore, the company shall be entitled to store items which have been purchased at auction and paid but not collected at the buyer ś risk and expense, including the costs for an insurance, with a forwarding agency. It shall be understood that the provision concerning the re-auctioning of unpaid and paid but not collected items must also apply to items not exhibited or stored on the premises of the company. The ownership shall be transferred to the buyer at the time of handing over the issuing note.
§ 15) In the case of mixed lots with a starting price of less than EUR 350.00, the company shall not warrant for the completeness or correctness of the individual items within a mixed lot.
§ 16) A registration for a bid by telephone for one or several items shall automatically represent a bid at the estimate price of these items. If the company cannot reach a bidder by telephone, it will bid on behalf of this bidder up to the estimate price when the respective lot is up for auction.
§ 17) Payments made to the company by mistake (through the payer ś fault) (e. g. due to miscalculation of the exchange rate by the payer) or payments made to the company for the same invoice several times shall be compensated in form of a credit note for goods for an indefinite period of time. The repayment of such payments in cash shall be excluded.
§ 18) Certain auction lots may exist several times (multiples). In such a case, the auctioneer may accept a second, third or even more bids from the underbidder(s). In this case, the text in the catalog and not the illustration shall be exclusively binding with regard to the warranty.
§ 19) The company reserves the right to assign to the buyer all rights and obligations resulting from the contractual relationship between the company and the seller by way of a respective declaration, as well as to assign to the seller all rights and obligations resulting from the contractual relationship between the company and the buyer by way of a respective declaration, in each case in terms of a complete assignment of contract with the result that the contractual relationship - following the submission of the aforementioned declarations by the company – shall exclusively be between the seller and the buyer, all of which is in accordance with the basic model of the commission agreement. Buyers and sellers shall already now give their explicit consent to this contract assignment.
§ 20) The place of performance of the contract brought about between the company on the one hand and the seller as well as the buyer on the other hand shall be the place of business of the company. The legal relationships and contracts existing between the company, the sellers and the buyers shall be subject to Austrian law. The company, the sellers and the buyers shall agree to settle all disputes resulting from, concerning and in connection with this contract before the territorially competent court of Vienna.
§ 21) The export of certain art objects from Austria shall require a permit from the Bundesdenkmalamt [Federal Monuments Office]. The company will orally provide information about art objects for which such export permit will probably not be granted at the beginning of the auction.
§ 22) Whenever making a bid, whether personally or via an agent, in writing, online, telephone, or in any other way, the bidder fully and unconditionally accepts the Terms of Auction, the ‘Important Information’ section in the auction catalog, the Terms and Conditions (AGB) of Galerie Zacke, §1-48, the Fee Tariff, and the Bidding Increments table, all as published on www.zacke.at on the day of the auction.
