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GEORGINA BECKETT KOBERWEIN-TERRELL (BRITISH 1853-1903) PORTRAIT OF TWO CHILDREN AS CHERUBS Pastel and pencil, oval mount Signed an...

Y&nbspA NORTH EUROPEAN SCARLET TORTOISESHELL, EBONISED AND GILT METAL MOUNTED TABLE CABINET PROBABLY FLEMISH, LATE 17TH OR EARLY 18TH CE...

IN THE MANNER OF LEONARDO DA VINCI HOLY FAMILY Oil on canvas, en grisaille 37 x 31cm (14½ x 12 in.) Provenance: Private Coll...

A WALNUT CUSHION-FRAMED MIRROR OF CHARLES II STYLE, 19TH CENTURY With a rectangular plate and moulded slip ...

DAVID VINCKBOONS (DUTCH 1576 - 1632/33) ELEGANT COMPANY FEASTING WITH MUSICIANS BENEATH AN ARBOUR Oil on panel Signed and dated '1...

CARTIER, A PAIR OF GEM SET 'TRINITY' EARRINGS Designed as three interlocking reeded 18ct gold bands, inset with either circular cut rub...

AFTER SALVATOR ROSA A PAIR OF ITALIANATE LANDSCAPES Oil on panel 27.5 x 41cm (10¾ x 16 in.); 27 x 40cm (10½ x 15½ in.) (2) ...

λ &nbspFREDERICK SAMUEL BEAUMONT PORTRAIT OF GARTH WOOLFORD AND HIS SISTER Oil on canvas Signed and dated 1887 (upper right) 15...

FIREPLACE METALWARE AND FURNITURE TO INCLUDE: A pair of polished steel andirons with scrolled finials, 42cm high A set of three pol...

A FRENCH CARVED PINE CORNER TABLE LATE 18TH CENTURY With inset marble top above a shaped apron and cabriole legs to the angles 91cm high Provena...

A CONTINENTAL CARVED GILTWOOD MIRROR POSSIBLY ITALIAN, FIRST HALF 18TH CENTURY 78cm high, 54cm wide

CARTIER, A 'TRINITY' PENDANT The interlocking tri coloured 18ct gold bands suspended from a belcher link chain, signed Cartier, pendant ...

FRENCH SCHOOL (19TH CENTURY) GIRL SEATED READING A BOOK Oil on panel Signed, dated and dedicated A mon cousin Alexandre Bouvais/...

A PAIR OF GILTWOOD TABLE LAMPS INCORPORATING 18TH CENTURY AND LATER ELEMENTS Of twin handled urn form on a square section base 37...

A GEORGE I WALNUT BUREAU ON STAND CIRCA 1720 The fall front opening to a baize writing surface below an arrangement of pigeon holes ...

CIRCLE OF CHARLES CORNELISZ DE HOOCH (DUTCH CIRCA 1600-1638) A CAPRICCIO WITH MONKS AND RUINS Oil on canvas 113 x 116cm (44¼ x 45...

A POLISHED STEEL CLUB FENDER EARLY 20TH CENTURY Maroon leather upholstered on square supports external at base 178cm wide, 82.5...

Y &nbspA GEORGE III YEWWOOD CHEVERET TABLE LATE 18TH CENTURY The detachable superstructure with a handle, two short and one long ...

FOLLOWER OF PIETER MULIER, IL CAVALIERE TEMPESTA ITALIAN LANDSCAPE WITH FIGURES AND ANIMALS IN THE FOREGROUND Oil on canvas 104 x...

A BLACK LACQUER AND GILT CHINOISERIE DECORATED CABINET CHINESE, LATE 17TH OR EARLY 18TH CENTURY The doors opening to an arrangement ...

A PAIR OF CITRINE AND DIAMOND PENDENT EARRINGS Each pear shaped citrine suspended from a bifurcated brilliant cut diamond line and pear ...

ITALIAN SCHOOL (17TH CENTURY) BASKET OF FLOWERS Oil on canvas 33 x 43cm (12 x 16¾ in.) Provenance: Private Collection, F...

TWO HUNTLEY & PALMERS 'LITERATURE' BISCUIT TINS EARLY 20TH CENTURY Each in the form of a wrapped stack of books, printed "Huntley &...

A PAIR OF GEORGE I WALNUT SIDE CHAIRS CIRCA 1720 The drop in seats in natural slub linen fabric, the seat rails with printed paper la...

FOLLOWER OF JOHN CROME THE ELDER PATH TO THE WOODS Oil on canvas 42 x 42cm (16½ x 16½ in.) Provenance: Ealing Gallery, L...

A DIAMOND FRINGE NECKLACE The collar designed with two rows of brilliant cut diamonds dividing into single rows to the front, suspending...

ITALIAN SCHOOL (17TH CENTURY) THE MYSTIC MARRIAGE OF ST CATHERINE Oil on canvas laid to board, extended, tondo 76cm (29¾ in.) diam...

MICHELANGELO CERQUOZZI (ITALIAN 1602-1660) AND ANGELUCCIO (ITALIAN 1620-1650) ROMANTIC LANDSCAPE WITH FIGURES AND A BRIDGE Oil on can...

DEAKIN & FRANCIS, A PAIR OF SAPPHIRE CUFFLINKS CIRCA 1990 Each oval terminal collet set with a cabochon sapphire within an 18ct gold ...

NORWICH SCHOOL (19TH CENTURY) A PATH IN THE WOODS Oil on canvas 63 x 75cm (24¾ x 29½ in.) Please note measurements do not inclu...

ITALIAN SCHOOL (17TH CENTURY) THE HOLY FAMILY Oil on canvas, extended 94 x 83cm (37 x 32½ in.) Provenance: Private Colle...

A GEORGE II WALNUT CHEST SECOND QUARTER 18TH CENTURY AND LATER With a crossbanded and quarter-veneered rectangular top above two ...

A GEORGE I WALNUT CONCERTINA ACTION CARD TABLE CIRCA 1725 The folding burr walnut top opening to reveal a gros and petit point needle...

AFTER CASPAR NETCHER FIGURES IN AN INTERIOR Oil on canvas Inscribed `Earl Howe Gopsall Hall' (on a label on the reverse) 43 x...

JOHN JOSEPH BARKER (BRITISH EXH. 1835-1866) A ROCKY ESTUARY AT SUNSET WITH TWO FIGURES ON THE FORESHORE; A ROCKY INLET WITH TWO FIGURES ...

AN EBONISED BEECH RIPPLE MOULDED FRAME PROBABLY DUTCH, 18TH CENTURY Now fitted as a mirror with later plate 108cm high, 91cm wide Provenance: Pri...

A HERIZ CARPET CIRCA 1910 approximately 632 x 384cm

BRITISH SCHOOL (EARLY 20TH CENTURY) ELEVATIONS Ink and watercolour Both variously inscribed and annotated 52 x 73cm (20¼ x 28½...

FOLLOWER OF MICHELE MARIESCHI A VENETIAN FESTIVAL, THE GRAND CANAL WITH THE PALAZZO BELLONI BATTAGIA Oil on canvas 66 x 96cm (29¾ ...

ASPREY, A CULTURED PEARL AND DIAMOND BRACELET AND SIMILAR NECKLACE LONDON 1997 AND CIRCA 1996 The bracelet composed of three rows of ...

A ROSE VELVET X-FRAME ARMCHAIR IN 17TH CENTURY STYLE, 20TH CENTURY with a matching cushion 104cm high, 68cm wide, 64cm deep ...

A LARGE ANATOLIAN CARPET approximately 393 x 286cm

RETAILED BY ASPREY, A PAIR OF DIAMOND EARRINGS LONDON, 1992 Each designed as an 18ct gold fanned swirl set with graduated lines of br...

JOHANN RUDOLF FEYERABEND, CALLED LELONG (SWISS 1779-1814) A SET OF SIX STILL-LIVES Bodycolour Each 15.5 x 21cm (6 x 8¼ in.) (6) ...

ALFRED WILLIAM RICH (BRITISH 1856-1921) BUSSOCK WOOD HOUSE, BERKSHIRE Pen, ink and watercolour on paper Signed (lower left) 23.5 x 29cm (9¼ x 11...

HENRY GARLAND (SCOTTISH 1834-1913) HIGHLAND LANDSCAPE AND CATTLE Oil on canvas Signed and dated 1873 (lower left); further signed,...

A WILLIAM & MARY OLIVEWOOD OYSTER VENEERED CHEST OF DRAWERS LATE 17TH CENTURY 81cm high, 93cm wide, 56cm deep

LORENZ BAUMER FOR CHANEL, A DIAMOND AND CULTURED PEARL 'PERLES MATELASSE' RING Designed as a latticework of brilliant cut diamonds, set...

ATTRIBUTED TO JOHN VARLEY (BRITISH 1778-1842) KENTISH VILLAGE Pencil Titled (verso) 24 x 31cm (9¼ x 12 in.) Provenance: S...

JOHANN RUDOLF FEYERABEND, CALLED LELONG (SWISS 1779-1814) A PAIR OF STILL-LIVES Bodycolour Each 16 x 21cm (6¼ x 8¼ in.) (2) ...

A GROUP OF FOUR VARIOUS METALLIC THREAD EMBROIDERED TEXTILES PROBABLY ISLAMIC OR OTTOMAN, 19TH AND 20TH CENTURY one with stylised fl...

ATTRIBUTED TO LOUIS-NICOLAS VAN BLARENBERGHE (FRENCH 1716-1754) A BATTLE SCENE OUTSIDE A WALLED TOWN, POSSIBLY KING LOUIS XIV INSPECTIN...

λ&nbspROBERT HUMBLOT (FRENCH 1907-1962) LES HUPPES Oil on canvas Signed and dated 49 (lower left) 80 x 129cm (31¼ x 50¾ in.) ...

A SET OF FOUR GEORGE I OAK AND SEAWEED MARQUETRY SIDE CHAIRS CIRCA 1725 Each splat inlaid with a bird in a shield 102cm high, 59cm...

A VICTORIAN MAHOGANY AND BUTTON VELVET UPHOLSTERED CHESTERFIELD SOFA LATE 19TH CENTURY 70cm high, 190cm wide, 95cm deep Provenance...

DAVID MORRIS, A DIAMOND AND CULTURED PEARL BOW BROOCH CIRCA 1993 The ribbon bow set throughout with brilliant cut diamonds and a cen...

JAMES PEEL (BRITISH 1811-1906) THE OLD MILL, LLANRWST, NORTH WALES Watercolour heightened with white 21 x 32cm (8¼ x 12½ in.) ...

JOHN VANDERBANK (BRITISH 1694-1739) PORTRAIT OF A GENTLEMAN Oil on canvas, feigned oval Signed and dated '1725' (lower left) 74...

BRITISH SCHOOL (19TH CENTURY) COTTAGE IN A LANDSCAPE WITH FIGURES Oil on canvas 46 x 59cm (18 x 23 in.) Provenance: Priv...

AN OAK THREE PANEL COFFER LATE 17TH CENTURY AND LATER 54cm high, 114cm wide, 54cm deep Provenance: Private Collection, Fawley...