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MEISSEN 'Selene und Endymion', um 1787.
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Beschreibung
MEISSEN 'Selene und Endymion', um 1787. Bisquitporzellan, Modell von Christian Gottfried Jüchtzer (1752-1812), dargestellt ist eine Szene aus der griechischen Mythologie, die den schlafenden Endymion (König von Elis) auf einem Felsen zeigt als sich Selene ihm für einen Kuss zuwendet, Selene wurde häufig Artemis, der Göttin der Jagd, gleichgesetzt, geritzte Form-Nr. 'J.8.', eingeritzte Dreiecksmarke mit Schwertermarke, blaue Schwertermarke mit 4 Schleifstrichen, geritzt 'm.128.J.', H. ca. 29,5 cm, Figuren mit derselben Darstellung befinden sich z.B. in der Staatlichen Kunstsammlung Dresden und im Museum für Angewandte Kunst in Köln. Das Mondsichel-Diadem der Selene ist beschädigt, ebenso ihr rechter Zeigefinger, ihr rechter Arm ist geklebt, Endymions Hals hat einen Brandriss, die Finger seiner rechten Hand sind besch., Fehlstelle an der Sohle seiner rechten Sandale, der Felsen weist einen großen sowie kleinere Brandrisse auf, ursprünglich war ein Bogen vorhanden, am Stand Bestoßungen, partiell leicht restauriert.| MEISSEN 'Selene and Endymion', c. 1787. Bisque porcelain, model by Christian Gottfried Jüchtzer (1752-1812), depicting a scene from Greek mythology showing the sleeping Endymion (King of Elis) on a rock as Selene turns to him for a kiss, Selene was often equated with Artemis, the goddess of hunting, incised mould no. 'J.8. .', incised triangular mark with sword mark, blue sword mark with 4 grinding strokes, incised 'm.128.J.', h. approx. 29,5 cm, figures with the same depiction are e.g. in the Staatliche Kunstsammlung Dresden and in the Museum für Angewandte Kunst in Cologne. Selene's crescent moon diadem is damaged, as is her right index finger, her right arm is glued, Endymion's neck has a burnt crack, the fingers of his right hand are damaged, missing part on the sole of his right sandal, the rock has a large as well as smaller burnt cracks, originally there was a bow, there are bumps on the stand, partly slightly restored.
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MEISSEN 'Selene und Endymion', um 1787. Bisquitporzellan, Modell von Christian Gottfried Jüchtzer (1752-1812), dargestellt ist eine Szene aus der griechischen Mythologie, die den schlafenden Endymion (König von Elis) auf einem Felsen zeigt als sich Selene ihm für einen Kuss zuwendet, Selene wurde häufig Artemis, der Göttin der Jagd, gleichgesetzt, geritzte Form-Nr. 'J.8.', eingeritzte Dreiecksmarke mit Schwertermarke, blaue Schwertermarke mit 4 Schleifstrichen, geritzt 'm.128.J.', H. ca. 29,5 cm, Figuren mit derselben Darstellung befinden sich z.B. in der Staatlichen Kunstsammlung Dresden und im Museum für Angewandte Kunst in Köln. Das Mondsichel-Diadem der Selene ist beschädigt, ebenso ihr rechter Zeigefinger, ihr rechter Arm ist geklebt, Endymions Hals hat einen Brandriss, die Finger seiner rechten Hand sind besch., Fehlstelle an der Sohle seiner rechten Sandale, der Felsen weist einen großen sowie kleinere Brandrisse auf, ursprünglich war ein Bogen vorhanden, am Stand Bestoßungen, partiell leicht restauriert.| MEISSEN 'Selene and Endymion', c. 1787. Bisque porcelain, model by Christian Gottfried Jüchtzer (1752-1812), depicting a scene from Greek mythology showing the sleeping Endymion (King of Elis) on a rock as Selene turns to him for a kiss, Selene was often equated with Artemis, the goddess of hunting, incised mould no. 'J.8. .', incised triangular mark with sword mark, blue sword mark with 4 grinding strokes, incised 'm.128.J.', h. approx. 29,5 cm, figures with the same depiction are e.g. in the Staatliche Kunstsammlung Dresden and in the Museum für Angewandte Kunst in Cologne. Selene's crescent moon diadem is damaged, as is her right index finger, her right arm is glued, Endymion's neck has a burnt crack, the fingers of his right hand are damaged, missing part on the sole of his right sandal, the rock has a large as well as smaller burnt cracks, originally there was a bow, there are bumps on the stand, partly slightly restored.
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(October 2018)
