Lot

257

Hermann Max PechsteinDurst I Aquarell und Tuschpinsel auf bräunlichem genarbten Papier. 44,8 x 59,

In Modern Art

This auction is live! You need to be registered and approved to bid at this auction.
You have been outbid. For the best chance of winning, increase your maximum bid.
Your bid or registration is pending approval with the auctioneer. Please check your email account for more details.
Unfortunately, your registration has been declined by the auctioneer. You can contact the auctioneer on +49 (0)221 9257290 for more information.
You are the current highest bidder! To be sure to win, log in for the live auction broadcast on or increase your max bid.
Leave a bid now! Your registration has been successful.
Sorry, bidding has ended on this item. We have thousands of new lots everyday, start a new search.
Bidding on this auction has not started. Please register now so you are approved to bid when auction starts.
1/2
Hermann Max PechsteinDurst I Aquarell und Tuschpinsel auf bräunlichem genarbten Papier. 44,8 x 59, - Image 1 of 2
Hermann Max PechsteinDurst I Aquarell und Tuschpinsel auf bräunlichem genarbten Papier. 44,8 x 59, - Image 2 of 2
Hermann Max PechsteinDurst I Aquarell und Tuschpinsel auf bräunlichem genarbten Papier. 44,8 x 59, - Image 1 of 2
Hermann Max PechsteinDurst I Aquarell und Tuschpinsel auf bräunlichem genarbten Papier. 44,8 x 59, - Image 2 of 2
Auctioneer has chosen not to publish the price of this lot
Köln
Hermann Max Pechstein
Durst I

Aquarell und Tuschpinsel auf bräunlichem genarbten Papier. 44,8 x 59,5 cm. Unter Glas gerahmt. Unten rechts mit Bleistift ligiert signiert und datiert 'HMPechstein 1925'. Rückseitig mit dem Stempel "Nachlaß Max Pechstein" versehen und betitelt "DURST I". - Rückseitig mit einer Vorzeichnung der linken Matrosenfigur in Tuschpinsel. - Die Farben partiell etwas verblasst. In den Ecken teils leicht ausgedünnt durch Demontage von ehemaliger Unterlage.

Provenienz
Aus dem Nachlass des Künstlers erworben; seitdem Privatbesitz Brandenburg

Nach produktiven Aufenthalten in Italien in den Jahren 1907, 1911 und 1913 konnte Pechstein erst 1924 wieder eine Reise dorthin ermöglichen. Zusammen mit seiner Frau quartierte er sich für knapp zwei Monate in Monterosso al Mare ein, einem damals noch relativ wenig vom Tourismus eingenommenen Fischerdorf an der ligurischen Küste. Im Alltag der einfachen Bevölkerung, der Fischer, Eseltreiber, Waschfrauen und Lastenträger fand er eine unerschöpfliche Fülle von Motiven. Zahlreiche Zeichnungen und Ölskizzen schuf Pechstein vor Ort und verarbeitet dieses Material nach seiner Rückkehr nach Berlin in Gemälden und Papierarbeiten.
Dazu zählt auch das hier vorgestellte Aquarell „Durst I“. Das Sujet der Matrosen und Fischer, die am Strand stehend ihren Durst mit Wasser aus großen Tonkrügen löschen, ist kompositorisch sorgsam austariert. Das Bildzentrum beherrscht die Figur eines nur mit einer kurzen weißen Hose bekleideten Fischers mit sonnenverbranntem Oberkörper, der mit zurückgelegtem Kopf gierig aus einer bauchigen Tonflasche trinkt. Er wird seitlich flankiert von zwei dicht gestellten Gruppen von jeweils drei Männern. Bei diesen Matrosen und Fischern spielt Pechstein die unterschiedlichsten Ansichten von Profil und Halbprofil bis zur Rückenansicht durch, die Gruppen stehen in ihrer motivischen Bewegtheit in direktem Gegensatz zu der statuarisch erscheinenden Einzelfigur des Trinkenden. Hinter ihnen sind im oberen Drittel des Bildfeldes zwei weitere Figurenpaare und einige Fischerboote zu erkennen. Die steil gestaffelte Bildkomposition und der extrem hoch liegende Horizont finden sich in vielen der Monterosso-Arbeiten Pechsteins wieder.

Hermann Max Pechstein
Durst I

Watercolour and brush and India ink on brownish textured paper. 44.8 x 59.5 cm. Framed under glass. Signed and dated 'HMPechstein 1925' (joined) in pencil lower right. Stamped "Nachlaß Max Pechstein" and titled "DURST I" verso. - Verso with a preliminary drawing of the left sailor figure in brush and India ink. The colours partially somewhat faded. The corners partially slightly thinned out due to dismantling of former support.

Provenance
Acquired from the artist's estate; in private possession since, Brandenburg

After productive stays in Italy in 1907, 1911 and 1913, Pechstein was not able to find a way to travel there again until 1924. Together with his wife, he lived for almost two months in Monterosso al Mare, a Ligurian fishing village that was still relatively free of tourists at that time. He found an inexhaustible abundance of motifs in the everyday life of the common people: fishermen, donkey drivers, washerwomen and porters. Pechstein created numerous drawings and oil sketches there and then developed this material in paintings and works on paper after he returned to Berlin.
These works also include the watercolour presented here, “Durst I”. Compositionally, the subject of sailors and fishermen standing on the beach and quenching their thirst with water from large clay jugs is carefully balanced. The centre of the picture is dominated by the figure of a fisherman who is wearing nothing but short white trousers and has a sunburnt upper body; with his head thrown back he drinks greedily out of a wide-bellied clay container. He is flanked on either side by two densely packed groups, each consisting of three men. Among these sailors and fishermen, Pechstein cycles through a very diverse range of views, from profile and three-quarter figures to those seen from behind. In their motif-related dynamism, the groups stand in direct contrast to the statuesque and isolated appearance of the drinking figure. Two other pairs of figures and several fishing boats can be recognised behind them, in the upper third of the picture plane. The image's steeply layered composition and the extremely elevated horizon line are to be found in many of Pechstein's works from Monterosso.
Hermann Max Pechstein
Durst I

Aquarell und Tuschpinsel auf bräunlichem genarbten Papier. 44,8 x 59,5 cm. Unter Glas gerahmt. Unten rechts mit Bleistift ligiert signiert und datiert 'HMPechstein 1925'. Rückseitig mit dem Stempel "Nachlaß Max Pechstein" versehen und betitelt "DURST I". - Rückseitig mit einer Vorzeichnung der linken Matrosenfigur in Tuschpinsel. - Die Farben partiell etwas verblasst. In den Ecken teils leicht ausgedünnt durch Demontage von ehemaliger Unterlage.

Provenienz
Aus dem Nachlass des Künstlers erworben; seitdem Privatbesitz Brandenburg

Nach produktiven Aufenthalten in Italien in den Jahren 1907, 1911 und 1913 konnte Pechstein erst 1924 wieder eine Reise dorthin ermöglichen. Zusammen mit seiner Frau quartierte er sich für knapp zwei Monate in Monterosso al Mare ein, einem damals noch relativ wenig vom Tourismus eingenommenen Fischerdorf an der ligurischen Küste. Im Alltag der einfachen Bevölkerung, der Fischer, Eseltreiber, Waschfrauen und Lastenträger fand er eine unerschöpfliche Fülle von Motiven. Zahlreiche Zeichnungen und Ölskizzen schuf Pechstein vor Ort und verarbeitet dieses Material nach seiner Rückkehr nach Berlin in Gemälden und Papierarbeiten.
Dazu zählt auch das hier vorgestellte Aquarell „Durst I“. Das Sujet der Matrosen und Fischer, die am Strand stehend ihren Durst mit Wasser aus großen Tonkrügen löschen, ist kompositorisch sorgsam austariert. Das Bildzentrum beherrscht die Figur eines nur mit einer kurzen weißen Hose bekleideten Fischers mit sonnenverbranntem Oberkörper, der mit zurückgelegtem Kopf gierig aus einer bauchigen Tonflasche trinkt. Er wird seitlich flankiert von zwei dicht gestellten Gruppen von jeweils drei Männern. Bei diesen Matrosen und Fischern spielt Pechstein die unterschiedlichsten Ansichten von Profil und Halbprofil bis zur Rückenansicht durch, die Gruppen stehen in ihrer motivischen Bewegtheit in direktem Gegensatz zu der statuarisch erscheinenden Einzelfigur des Trinkenden. Hinter ihnen sind im oberen Drittel des Bildfeldes zwei weitere Figurenpaare und einige Fischerboote zu erkennen. Die steil gestaffelte Bildkomposition und der extrem hoch liegende Horizont finden sich in vielen der Monterosso-Arbeiten Pechsteins wieder.

Hermann Max Pechstein
Durst I

Watercolour and brush and India ink on brownish textured paper. 44.8 x 59.5 cm. Framed under glass. Signed and dated 'HMPechstein 1925' (joined) in pencil lower right. Stamped "Nachlaß Max Pechstein" and titled "DURST I" verso. - Verso with a preliminary drawing of the left sailor figure in brush and India ink. The colours partially somewhat faded. The corners partially slightly thinned out due to dismantling of former support.

Provenance
Acquired from the artist's estate; in private possession since, Brandenburg

After productive stays in Italy in 1907, 1911 and 1913, Pechstein was not able to find a way to travel there again until 1924. Together with his wife, he lived for almost two months in Monterosso al Mare, a Ligurian fishing village that was still relatively free of tourists at that time. He found an inexhaustible abundance of motifs in the everyday life of the common people: fishermen, donkey drivers, washerwomen and porters. Pechstein created numerous drawings and oil sketches there and then developed this material in paintings and works on paper after he returned to Berlin.
These works also include the watercolour presented here, “Durst I”. Compositionally, the subject of sailors and fishermen standing on the beach and quenching their thirst with water from large clay jugs is carefully balanced. The centre of the picture is dominated by the figure of a fisherman who is wearing nothing but short white trousers and has a sunburnt upper body; with his head thrown back he drinks greedily out of a wide-bellied clay container. He is flanked on either side by two densely packed groups, each consisting of three men. Among these sailors and fishermen, Pechstein cycles through a very diverse range of views, from profile and three-quarter figures to those seen from behind. In their motif-related dynamism, the groups stand in direct contrast to the statuesque and isolated appearance of the drinking figure. Two other pairs of figures and several fishing boats can be recognised behind them, in the upper third of the picture plane. The image's steeply layered composition and the extremely elevated horizon line are to be found in many of Pechstein's works from Monterosso.

Modern Art

Sale Date(s)
Venue Address
Neumarkt 3
Köln
50667
Germany

For Kunsthaus Lempertz delivery information please telephone +49 (0)221 9257290.

Important Information

3 % internet surcharge plus VAT

 

Different lot terms:

24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
7.00 % pre-paid importation VAT on the hammer price, only reclaimable in case of export to a country outside the EU
19.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme

 

or:

24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
19.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme

 

or:

19.00 % VAT on the hammer price
24.00 % buyer's premium on the hammer price
19.00 % VAT on buyer's premium
- 20.00 % buyer's premium on the amount of the hammer price exceeding 400,001 EUR

Terms & Conditions

Conditions of Sale

1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain -anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.
3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

The gold content of objects without fineness stamps are ascertained using an acid test. The size and quality of gemstones are ascertained within the settings, unless mentioned otherwise. Assessments of the clarity and colour of gemstones are subject to the subjective perception. Minor divergences from the values provided do not represent deficiencies. References to gemmological certifications are used purely for informational purposes, and do not provide a guarantee. The watches listed have been opened to be catalogued, but we cannot guarantee for their accuracy and function.
4. Warranty claims are excluded. In the event of variances from the catalogue -descriptions, which result in negation or substantial diminution of value or suitability, and which are reported with due justification within one year after handover, Lempertz nevertheless undertakes to pursue its rights against the seller through the courts; in the event of a successful claim against the seller, Lempertz will reimburse the buyer only the total purchase price paid. Over and above this, Lempertz undertakes to reimburse its commission within a given period of two years after the date of the sale if the object in question proves not to be authentic.
5. Claims for compensation as the result of a fault or defect in the object auctioned or damage to it or its loss, regardless of the legal grounds, or as the result of variances from the catalogue description or statements made elsewhere are excluded unless Lempertz acted with wilful intent or gross negligence; the liability for bodily injury or damages caused to health or life remains unaffected. In other regards, point 4 applies.
6. Submission of bids. Bids in attendance: The floor bidder receives a bidding number on presentation of a photo ID. Lempertz reserves the right to grant entry to the auction. If the bidder is not known to Lempertz, registration must take place 24 hours before the auction is due to begin in writing on presentation of a current bank reference. Bids in absentia: Bids can also be submitted either in writing, -telephonically or via the internet. The placing of bids in absentia must reach -Lempertz 24 hours before the auction to ensure the proper processing thereof. The item must be mentioned in the bid placed, together with ticket number and item description. In the event of ambiguities, the listed ticket number -becomes applicable. The placement of a bid must be signed by the applicant. The regulations regarding revocations and the right to return the goods in the case of long distance agreements (§ 312b – d of the Civil Code) do not -apply. Telephonic bids: Establishing and maintaining a connection cannot be vouched for. In submitting a bid placement, the bidder declares that he agrees to the recording of the bidding process. Bids via the internet: They will only be accepted by Lempertz if the bidder registered himself on the internet website beforehand. Lempertz will treat such bids in the same way as bids in writing.
7. Carrying out the auction. The hammer will come down when no higher bids are submitted after three calls for a bid. In extenuating circumstances, the auctioneer reserves the right to bring down the hammer or he can refuse to accept a bid. If several individuals make the same bid at the same time, and after the third call, no higher bid ensues, then the ticket becomes the deciding factor. The auctioneer can retract his acceptance of the bid and auction the item once more if a higher bid that was submitted on time, was erroneously overlooked and immediately queried by the bidder, or if any doubts regarding its acceptance arise. Bids are only played to an absolute maximum by Lempertz if this is deemed necessary to outbid another bid. The auctioneer can bid on behalf of the submitter up to the agreed limit, without revealing this and irrespective of whether other bids are submitted. Even if bids have been placed and the hammer has not come down, the auctioneer is only liable to the bidder in the event of premeditation or gross negligence.
8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.
9. Up to a hammer price of € 400.000.- a premium of 24 % calculated on the hammer price plus 19 % value added tax calculated (VAT) on the surcharge only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400.000 (margin scheme). On lots which are characterized by ** an additional 7 % for import tax will be added. On lots which are characterised by an *, the buyer shall pay a premium of 24 % on a hammer price up to € 400.000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose author died after 31.12.1943, a charge of 1,9 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12.500.-. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.
10. Successful bidders attending the auction in person shall forthwith upon the purchase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Payments by foreign buyers who have bid in writing or by proxy shall also be due forthwith upon the purchase, but will not be deemed to have been delayed if received within ten days of the invoice date. Bank transfers are to be exclusively in Euros. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however also reserves the right to refuse such a request if it is deemed appropriate.
11. In the case of payment default, Lempertz will charge interest on the outstanding amount at a rate of 1 % of the gross price per month or part month. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.
12. Buyers must take charge of their purchases immediately after the auction. Once a lot has been sold, the auctioneer is liable only for wilful intent or gross negligence. Lots will not, however, be surrendered to buyers until full payment has been received. Without exception, shipment will be at the expense and risk of the buyer. Purchases which are not collected within four weeks after the auction may be stored and insured by Lempertz on behalf of the buyer and at its expense in the premises of a freight agent. If Lempertz stores such items itself, it will charge 1 % of the hammer price for insurance and storage costs.
13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods, CISG are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.
Henrik Hanstein, sworn public auctioneer
Takuro Ito, Auctioneer

 

See Full Terms And Conditions