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A MAIDEN RECEIVING A BEARDED MAN DECCAN OR RAJASTHAN, CIRCA 1700 Ink on paper; the accompanying frame with various descriptions and notes penned by Stuart Carey Welch and with Fogg Art Museum, Harvard loan labels. Folio: 10 x 7 in. (25.4 x 17.8 cm), irregular Footnotes: Stuart Cary Welch's notes on the backboard of the accompanying frame indicate he first attributed this masterful drawing to Ajmer or Sawar in Rajasthan, around 1690, 'probably by an artist trained at Aurangabad'. However, a later note indicates he changed his mind, deciding that a Golconda origin, circa 1670, was more likely. Published Howard Hodgkin and Terrance McInerney, Indian Drawing, London, 1983, no. 46. Exhibited Indian Drawing, Hayward Gallery, London, 10 February - 17 April 1983 Provenance Stuart Carey Welch Collection Sotheby's, London, 31 May 2011, lot 14 Conely Harris Collection, Boston For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
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A MAIDEN RECEIVING A BEARDED MAN DECCAN OR RAJASTHAN, CIRCA 1700 Ink on paper; the accompanying frame with various descriptions and notes penned by Stuart Carey Welch and with Fogg Art Museum, Harvard loan labels. Folio: 10 x 7 in. (25.4 x 17.8 cm), irregular Footnotes: Stuart Cary Welch's notes on the backboard of the accompanying frame indicate he first attributed this masterful drawing to Ajmer or Sawar in Rajasthan, around 1690, 'probably by an artist trained at Aurangabad'. However, a later note indicates he changed his mind, deciding that a Golconda origin, circa 1670, was more likely. Published Howard Hodgkin and Terrance McInerney, Indian Drawing, London, 1983, no. 46. Exhibited Indian Drawing, Hayward Gallery, London, 10 February - 17 April 1983 Provenance Stuart Carey Welch Collection Sotheby's, London, 31 May 2011, lot 14 Conely Harris Collection, Boston For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing