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ROSE DICKSON (B. 1989) Engine Room, 2020 signed, titled and dated (on the reverse) hand hooked wool rug 42 1/2 x 58 in. 108 x 147.3 cm. Footnotes: Provenance Courtesy of the artist Exhibited Bonn, Germany, Galerie Gisela Clement, Woven Roving, 8 July-15 September 2022 Portland, Melanie Flood Projects, Giantess, 14 August-27 September 2020 Artist statement: Rose Dickson uses shape and pattern to understand relationships. Employing a system of abstract forms throughout her work, Dickson is engaged in a speculative alchemy revealing a proto-language of emotional connectedness. Her forms, simultaneously archetypal and futurist, share characteristics with the body, tools and ornament. Through various material processes, textile, paint, metal, wax, and ceramic, the system of forms becomes a cosmology, where pattern is key to understanding how everything is necessarily touching. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
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ROSE DICKSON (B. 1989) Engine Room, 2020 signed, titled and dated (on the reverse) hand hooked wool rug 42 1/2 x 58 in. 108 x 147.3 cm. Footnotes: Provenance Courtesy of the artist Exhibited Bonn, Germany, Galerie Gisela Clement, Woven Roving, 8 July-15 September 2022 Portland, Melanie Flood Projects, Giantess, 14 August-27 September 2020 Artist statement: Rose Dickson uses shape and pattern to understand relationships. Employing a system of abstract forms throughout her work, Dickson is engaged in a speculative alchemy revealing a proto-language of emotional connectedness. Her forms, simultaneously archetypal and futurist, share characteristics with the body, tools and ornament. Through various material processes, textile, paint, metal, wax, and ceramic, the system of forms becomes a cosmology, where pattern is key to understanding how everything is necessarily touching. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing