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WILLIAM CAMARGO (B. 1989) We Gunna Have To Move Out Soon Fam, 2019 signed, titled and numbered (on the reverse) archival inkjet print 22 x 18 in. 55.9 x 45.7 cm. This work is number two from the edition of fifteen, plus two artist's proofs. Footnotes: Provenance Courtesy of the artist Exhibited Valencia, CA, College of the Canyons Art Gallery William Camargo in Three Acts, 9 March-5 April 2023, another example exhibited Cerritos, Cerritos College Art Gallery, Ojala Nos Vean/Hope They See Us, 24 October-9 December 2022, another example exhibited Atlanta, Michael C. Carlos Museum, You Belong Here: Place, People and Purpose in Latinx Photography, 9 September-3 December 2023 (traveled to Miami, Patricia & Phillip Frost Art Museum, 20 January-12 May 2024), another example exhibited Literature Geraldo Cadava, 'Unearthing the History of Anaheim', The New Yorker, 17 August 2023, another example illustrated William Camargo, Origins & Displacements: Making Sense of Place, Histories & Possibilities, 2024, another example illustrated William Camargo, For the Birds Trapped in Airports, 2024 (upcoming) Artist statement: William Camargo's work entails research, intervention, and looking at new forms of displacement in local history. In his long-term series Origins & Displacements: Making Sense of Place, Histories & Possibilities, he responds to found archives of his hometown of Anaheim. His work intervenes in the history of photography as an imperialist/colonial tool and is part of contemporary artists of color using the camera to create a counter-history. He poses the question of re-staging canonical images of photographic histories, such as in his series After Divola, As Far As I Can Get in 10 Seconds, which comments on the act of running away in a brown body. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
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WILLIAM CAMARGO (B. 1989) We Gunna Have To Move Out Soon Fam, 2019 signed, titled and numbered (on the reverse) archival inkjet print 22 x 18 in. 55.9 x 45.7 cm. This work is number two from the edition of fifteen, plus two artist's proofs. Footnotes: Provenance Courtesy of the artist Exhibited Valencia, CA, College of the Canyons Art Gallery William Camargo in Three Acts, 9 March-5 April 2023, another example exhibited Cerritos, Cerritos College Art Gallery, Ojala Nos Vean/Hope They See Us, 24 October-9 December 2022, another example exhibited Atlanta, Michael C. Carlos Museum, You Belong Here: Place, People and Purpose in Latinx Photography, 9 September-3 December 2023 (traveled to Miami, Patricia & Phillip Frost Art Museum, 20 January-12 May 2024), another example exhibited Literature Geraldo Cadava, 'Unearthing the History of Anaheim', The New Yorker, 17 August 2023, another example illustrated William Camargo, Origins & Displacements: Making Sense of Place, Histories & Possibilities, 2024, another example illustrated William Camargo, For the Birds Trapped in Airports, 2024 (upcoming) Artist statement: William Camargo's work entails research, intervention, and looking at new forms of displacement in local history. In his long-term series Origins & Displacements: Making Sense of Place, Histories & Possibilities, he responds to found archives of his hometown of Anaheim. His work intervenes in the history of photography as an imperialist/colonial tool and is part of contemporary artists of color using the camera to create a counter-history. He poses the question of re-staging canonical images of photographic histories, such as in his series After Divola, As Far As I Can Get in 10 Seconds, which comments on the act of running away in a brown body. For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing