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SIR JOSHUA REYNOLDS and JACQUES DE STALLA COPY. MARAFFI, DAMIANO. FL.1554. Figure del Vecchio [N...
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SIR JOSHUA REYNOLDS and JACQUES DE STALLA COPY. MARAFFI, DAMIANO. FL.1554. Figure del Vecchio [Nuovo] Testamento con versi toscani. Lyons: Jean de Tournes, 1554-59. 2 parts in one volume, 8vo (152 x 107 mm). De Tournes's woodcut device on titles, woodcut portrait of Maraffi on verso of first title, 315 half-page woodcuts by Bernard Salomon of which 222 in the Old and 95 in the New Testament. 19th century morocco, elaborately gilt. Some light browning and staining, darker stain to leaf A6 an A7 in New Testament. Cloth folding case. Provenance: JACQUES DE STALLA (1596-1657) a leading exponent of the neoclassical style of Parisina Atticism (ownership inscriptions: 'Io apparteno a S. Stella Pittore Francese 1632' and 'Je suis A. Stella 1636' at the end of the Old and New Testament); SIR JOSHUA REYNOLDS (1723-1792) English painter and famous portraitist (ownership inscriptions: his signature on front free endpaper and second leaf, the estate stamp on front free endpaper and a note in his hand on a blank preceding the 1570 New Testament: 'The following prints of the new Testament is of the first Edition there is another Edition printed in 1588. The prints are the same but the letter press is in Italian instead of the French both the Preface and the writing under the prints'). First Italian edition of this masterpiece of mid-16th century wood engraving. Bernard Salomon (1506-1561), also known as Bernard le Petit was inspired by the Mannerist school of Fontainebleau. On verso of title is a woodcut portrait of the poet Maraffi who contributed the poetic Italian translation. Adams M-507; Brunet IV:995; See Mortimer French 82. BOUND WITH: GUEROULT, GUILLAUME. Figures de la Bible. Lyon: Guillaume Rouillé, 1565; PONTOUX, CLAUDE DE. Figures du Nouveau Testament. Illustrées de huictains francoys. Lyon: Guillaume Rouillé, 1570. 2 parts in one volume. 8vo. Rouillé's woodcut device on titles, 428 half-page woodcuts of which 269 in the Old Testament and 159 in the New Testament by Pierre Eskrich. First and second editions. Rouillé's complete picture Bible, the Old Testament in second edition (first 1564), the New Testament in first edition. Following the success of his fellow Lyon printer, Jean de Tournes, Rouillé pursued a similar project to publish small-format picture Bibles with accompanying verses. Fairfax Murray French 41; Mortimer French 92 (1564 edition) and 93. An amazing compilation of these renaissance woodcut illustrations. Artists valued these instantly recognizable illustrations and used them as point of reference as shown by the provenance of this volume which was owned by JACQUES DE STALLA (1596-1657) and SIR JOSHUA REYNOLDS (1723-1792). For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
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SIR JOSHUA REYNOLDS and JACQUES DE STALLA COPY. MARAFFI, DAMIANO. FL.1554. Figure del Vecchio [Nuovo] Testamento con versi toscani. Lyons: Jean de Tournes, 1554-59. 2 parts in one volume, 8vo (152 x 107 mm). De Tournes's woodcut device on titles, woodcut portrait of Maraffi on verso of first title, 315 half-page woodcuts by Bernard Salomon of which 222 in the Old and 95 in the New Testament. 19th century morocco, elaborately gilt. Some light browning and staining, darker stain to leaf A6 an A7 in New Testament. Cloth folding case. Provenance: JACQUES DE STALLA (1596-1657) a leading exponent of the neoclassical style of Parisina Atticism (ownership inscriptions: 'Io apparteno a S. Stella Pittore Francese 1632' and 'Je suis A. Stella 1636' at the end of the Old and New Testament); SIR JOSHUA REYNOLDS (1723-1792) English painter and famous portraitist (ownership inscriptions: his signature on front free endpaper and second leaf, the estate stamp on front free endpaper and a note in his hand on a blank preceding the 1570 New Testament: 'The following prints of the new Testament is of the first Edition there is another Edition printed in 1588. The prints are the same but the letter press is in Italian instead of the French both the Preface and the writing under the prints'). First Italian edition of this masterpiece of mid-16th century wood engraving. Bernard Salomon (1506-1561), also known as Bernard le Petit was inspired by the Mannerist school of Fontainebleau. On verso of title is a woodcut portrait of the poet Maraffi who contributed the poetic Italian translation. Adams M-507; Brunet IV:995; See Mortimer French 82. BOUND WITH: GUEROULT, GUILLAUME. Figures de la Bible. Lyon: Guillaume Rouillé, 1565; PONTOUX, CLAUDE DE. Figures du Nouveau Testament. Illustrées de huictains francoys. Lyon: Guillaume Rouillé, 1570. 2 parts in one volume. 8vo. Rouillé's woodcut device on titles, 428 half-page woodcuts of which 269 in the Old Testament and 159 in the New Testament by Pierre Eskrich. First and second editions. Rouillé's complete picture Bible, the Old Testament in second edition (first 1564), the New Testament in first edition. Following the success of his fellow Lyon printer, Jean de Tournes, Rouillé pursued a similar project to publish small-format picture Bibles with accompanying verses. Fairfax Murray French 41; Mortimer French 92 (1564 edition) and 93. An amazing compilation of these renaissance woodcut illustrations. Artists valued these instantly recognizable illustrations and used them as point of reference as shown by the provenance of this volume which was owned by JACQUES DE STALLA (1596-1657) and SIR JOSHUA REYNOLDS (1723-1792). For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
Fine Books & Manuscripts
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