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BUNGŌ YUKIHIRA (ACTIVE 12TH/13TH CENTURY) A Ko-dachi with fine Itomaki Tachi Mounts Heian (...

In The Arts of the Samurai

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BUNGŌ YUKIHIRA (ACTIVE 12TH/13TH CENTURY) A Ko-dachi with fine Itomaki Tachi Mounts Heian (... - Bild 1 aus 4
BUNGŌ YUKIHIRA (ACTIVE 12TH/13TH CENTURY) A Ko-dachi with fine Itomaki Tachi Mounts Heian (... - Bild 2 aus 4
BUNGŌ YUKIHIRA (ACTIVE 12TH/13TH CENTURY) A Ko-dachi with fine Itomaki Tachi Mounts Heian (... - Bild 3 aus 4
BUNGŌ YUKIHIRA (ACTIVE 12TH/13TH CENTURY) A Ko-dachi with fine Itomaki Tachi Mounts Heian (... - Bild 4 aus 4
BUNGŌ YUKIHIRA (ACTIVE 12TH/13TH CENTURY) A Ko-dachi with fine Itomaki Tachi Mounts Heian (... - Bild 1 aus 4
BUNGŌ YUKIHIRA (ACTIVE 12TH/13TH CENTURY) A Ko-dachi with fine Itomaki Tachi Mounts Heian (... - Bild 2 aus 4
BUNGŌ YUKIHIRA (ACTIVE 12TH/13TH CENTURY) A Ko-dachi with fine Itomaki Tachi Mounts Heian (... - Bild 3 aus 4
BUNGŌ YUKIHIRA (ACTIVE 12TH/13TH CENTURY) A Ko-dachi with fine Itomaki Tachi Mounts Heian (... - Bild 4 aus 4
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BUNGŌ YUKIHIRA (ACTIVE 12TH/13TH CENTURY) A Ko-dachi with fine Itomaki Tachi Mounts Heian (794-1192) or Kamakura (1192-1333) period, 11th/12th century Sugata (configuration): hon-zukuri, iori-mune, ko-gissaki, koshi-zori Kitae (forging pattern): ko-itame mixed with ko-mokume Hamon (tempering pattern): suguha, broadening to notare near the machi, based in ko-nie Bōshi (tip): suguha Horimono (carving): kurikara on the ura side (largely worn) Nakago (tang): slightly suriage, machi-okuri with three holes, (one plugged), signed on the tachi omote Bungō no kuni Yukihira saku Habaki (collar): one-piece, gilt-copper In a shirasaya (wood storage scabbard) Nagasa (length from tip to beginning of tang): 20 9/16in (52.2cm) Motohaba (width at start of tempered edge): 1in (2.6cm) Sakihaba (width before tip): 1/2in (1.3cm) In a shirasaya (wood storage scabbard) The itomaki tachi mounts comprising a saya lacquer in gold nashiji and decorated with 23 mon in two shades of gold hiramaki-e, the tsuka and upper part of the saya wrapped in green silk brocade with floral vines in gold thread, the hardware, including kabutogane, menuki, fuchi kanamono, two harubigane with ashikanamono, semegane, and sayajiri, all shakudō nanako chiseled and inlaid in gold with numerous crests of three butterflies surrounding a chrysanthemum, with dyed silk and leather cords Accompanied by Tokubetsu Kichō Tōken (Especially Precious Sword) certificate no. 355446 issued by the Nihon Bijutsu Tōken Hozon Kyokai (The Society for the Preservation of the Japanese Art Sword), dated April 4, 1978 (3). Footnotes: There is little biographical information on the swordsmith Yukihira. Only one dated sword by him is known to exist, a tachi dated 1205 in the collection of Tōji temple in Kyoto. It is recorded in the kanchiin-bon, the temple's fourteenth-century archive. Yukihira's swords are slender and elegant, with a gentle curve in classical Heian-period court taste. The steel bears a soft white sheen and the hamon features a great number of hataraki (crystalline formations) in a bright nioguchi. It is thought that Yukihira produced swords for Emperor Go-Toba (1180-1239). In Tōken bijutsu 579, Dr. Honma Junji states that Yukihira was connected to a swordsmith monk named Sō Sadahide (Teishū). For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

BUNGŌ YUKIHIRA (ACTIVE 12TH/13TH CENTURY) A Ko-dachi with fine Itomaki Tachi Mounts Heian (794-1192) or Kamakura (1192-1333) period, 11th/12th century Sugata (configuration): hon-zukuri, iori-mune, ko-gissaki, koshi-zori Kitae (forging pattern): ko-itame mixed with ko-mokume Hamon (tempering pattern): suguha, broadening to notare near the machi, based in ko-nie Bōshi (tip): suguha Horimono (carving): kurikara on the ura side (largely worn) Nakago (tang): slightly suriage, machi-okuri with three holes, (one plugged), signed on the tachi omote Bungō no kuni Yukihira saku Habaki (collar): one-piece, gilt-copper In a shirasaya (wood storage scabbard) Nagasa (length from tip to beginning of tang): 20 9/16in (52.2cm) Motohaba (width at start of tempered edge): 1in (2.6cm) Sakihaba (width before tip): 1/2in (1.3cm) In a shirasaya (wood storage scabbard) The itomaki tachi mounts comprising a saya lacquer in gold nashiji and decorated with 23 mon in two shades of gold hiramaki-e, the tsuka and upper part of the saya wrapped in green silk brocade with floral vines in gold thread, the hardware, including kabutogane, menuki, fuchi kanamono, two harubigane with ashikanamono, semegane, and sayajiri, all shakudō nanako chiseled and inlaid in gold with numerous crests of three butterflies surrounding a chrysanthemum, with dyed silk and leather cords Accompanied by Tokubetsu Kichō Tōken (Especially Precious Sword) certificate no. 355446 issued by the Nihon Bijutsu Tōken Hozon Kyokai (The Society for the Preservation of the Japanese Art Sword), dated April 4, 1978 (3). Footnotes: There is little biographical information on the swordsmith Yukihira. Only one dated sword by him is known to exist, a tachi dated 1205 in the collection of Tōji temple in Kyoto. It is recorded in the kanchiin-bon, the temple's fourteenth-century archive. Yukihira's swords are slender and elegant, with a gentle curve in classical Heian-period court taste. The steel bears a soft white sheen and the hamon features a great number of hataraki (crystalline formations) in a bright nioguchi. It is thought that Yukihira produced swords for Emperor Go-Toba (1180-1239). In Tōken bijutsu 579, Dr. Honma Junji states that Yukihira was connected to a swordsmith monk named Sō Sadahide (Teishū). For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

The Arts of the Samurai

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Stichworte: Heian Period, Carving, Japanese Art by Period / Style