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[Apollo 11] STRIKING CLOSE-UP OF BUZZ ALDRIN ON THE MOON: setting up scientific equipment at Tranquillity Base Neil Armstrong, 16-24 July 1969 Printed 1969. Vintage chromogenic print on fibre-based Kodak paper [NASA image AS11-40-5951]. With 'A Kodak Paper' watermark on the reverse (issued by NASA). 20.3 x 25.4 cm. (8 x 10 in.) Historical context One of the most striking photographs of an Apollo astronaut on the Moon—though the top of Aldrin's head is cropped in the frame. Neil Armstrong captured this close-up of Buzz Aldrin as he made final adjustments to the seismometer. Notably, NASA photo editors later added black sky above his helmet to balance the composition. Armstrong's reflection is visible in Aldrin's gold-plated visor, offering a rare glimpse of the photographer at work. Through the visor, Aldrin's face is clearly distinguishable—one of the few Apollo photographs where an astronaut's face can be seen. Footnotes: In the foreground, well-defined footprints from the first moonwalkers mark the lunar surface, a testament to humanity's presence on another world. The 35mm stereo Kodak close-up camera and a LM footpad are visible in the right background. 'I think in a physiological sense, humans adapt to that lunar gravity quite well. And in that sense it feels natural very quickly, the ability to move and locomote. In the environmental sense, it's less natural. It's very different than here. But I have no doubt that humans would adapt to it as a home in some reasonably short period of time too.' —Neil Armstrong (Chaikin, Voices, p. 73) From the mission transcript when the photograph was taken: 111:06:34 Aldrin: Houston, as I was facing the PSE (Passive Seismic Experiment), the right-hand solar array deployed automatically. The left-hand I had to manually (garbled) restraining bar at the far end. And all parts of the solar array are clear of the ground now. 111:07:02 McCandless (mission control): Buzz, this is Houston. I understand that you did successfully deploy both solar arrays. Over. 111:07:10 Aldrin: Roger. That's affirmative. (Pause) And there isn't any way of telling whether that's lined up, without getting in the way; maybe I can get down here. 111:07:40 Aldrin: Well, that appears to be pointing. Literature LIFE, 11 August 1969 LIFE, 8 August 1969, p. 24 Apollo: Through the Eyes of the Astronauts, Jacobs, p. 59 Watch more CLICK HERE: Apollo 11 - For All Mankind (1969) For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
ALL BIDDERS MUST AGREE THAT THEY HAVE READ AND UNDERSTOOD BONHAMS' CONDITIONS OF SALE AND AGREE TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER'S PREMIUM AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS THE BIDDERS LEGAL RIGHTS.
If you have any questions about the Conditions of Sale, please contact your nearest client services team.
For all Sales categories excluding Wine, Coins & Medals and Motor Cars and Motorcycles:
Buyer's Premium Rates
28% on the first €40,000 of the Hammer Price
27% from €40,001 to €800,000 the Hammer Price
21% from €800,001 to €4,500,000 the Hammer Price
14.5% on the excess over €4,500,000 of the Hammer Price
A 3rd party bidding platform fee of 4% of the Hammer Price for Buyers using the following bidding platforms will be added to the invoices of successful Buyers for auctions starting on or after 6th July 2024 – Invaluable; Live Auctioneers; The Saleroom; Lot-tissimo.
TVA at the current rate of 20% will be added to the Buyer's Premium and charges.
For information and estimates on domestic and international shipping as well as export licences please contact Bonhams Shipping Department.
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[Apollo 11] STRIKING CLOSE-UP OF BUZZ ALDRIN ON THE MOON: setting up scientific equipment at Tranquillity Base Neil Armstrong, 16-24 July 1969 Printed 1969. Vintage chromogenic print on fibre-based Kodak paper [NASA image AS11-40-5951]. With 'A Kodak Paper' watermark on the reverse (issued by NASA). 20.3 x 25.4 cm. (8 x 10 in.) Historical context One of the most striking photographs of an Apollo astronaut on the Moon—though the top of Aldrin's head is cropped in the frame. Neil Armstrong captured this close-up of Buzz Aldrin as he made final adjustments to the seismometer. Notably, NASA photo editors later added black sky above his helmet to balance the composition. Armstrong's reflection is visible in Aldrin's gold-plated visor, offering a rare glimpse of the photographer at work. Through the visor, Aldrin's face is clearly distinguishable—one of the few Apollo photographs where an astronaut's face can be seen. Footnotes: In the foreground, well-defined footprints from the first moonwalkers mark the lunar surface, a testament to humanity's presence on another world. The 35mm stereo Kodak close-up camera and a LM footpad are visible in the right background. 'I think in a physiological sense, humans adapt to that lunar gravity quite well. And in that sense it feels natural very quickly, the ability to move and locomote. In the environmental sense, it's less natural. It's very different than here. But I have no doubt that humans would adapt to it as a home in some reasonably short period of time too.' —Neil Armstrong (Chaikin, Voices, p. 73) From the mission transcript when the photograph was taken: 111:06:34 Aldrin: Houston, as I was facing the PSE (Passive Seismic Experiment), the right-hand solar array deployed automatically. The left-hand I had to manually (garbled) restraining bar at the far end. And all parts of the solar array are clear of the ground now. 111:07:02 McCandless (mission control): Buzz, this is Houston. I understand that you did successfully deploy both solar arrays. Over. 111:07:10 Aldrin: Roger. That's affirmative. (Pause) And there isn't any way of telling whether that's lined up, without getting in the way; maybe I can get down here. 111:07:40 Aldrin: Well, that appears to be pointing. Literature LIFE, 11 August 1969 LIFE, 8 August 1969, p. 24 Apollo: Through the Eyes of the Astronauts, Jacobs, p. 59 Watch more CLICK HERE: Apollo 11 - For All Mankind (1969) For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing
ALL BIDDERS MUST AGREE THAT THEY HAVE READ AND UNDERSTOOD BONHAMS' CONDITIONS OF SALE AND AGREE TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER'S PREMIUM AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS THE BIDDERS LEGAL RIGHTS.
If you have any questions about the Conditions of Sale, please contact your nearest client services team.
For all Sales categories excluding Wine, Coins & Medals and Motor Cars and Motorcycles:
Buyer's Premium Rates
28% on the first €40,000 of the Hammer Price
27% from €40,001 to €800,000 the Hammer Price
21% from €800,001 to €4,500,000 the Hammer Price
14.5% on the excess over €4,500,000 of the Hammer Price
A 3rd party bidding platform fee of 4% of the Hammer Price for Buyers using the following bidding platforms will be added to the invoices of successful Buyers for auctions starting on or after 6th July 2024 – Invaluable; Live Auctioneers; The Saleroom; Lot-tissimo.
TVA at the current rate of 20% will be added to the Buyer's Premium and charges.
For information and estimates on domestic and international shipping as well as export licences please contact Bonhams Shipping Department.
Katalog
Stichworte: Chromogenic Print, Fotografie