Los

214

A portable oratory for suspention

In Antiques and Works of Art, Rare Books

Diese Auktion ist eine LIVE Auktion! Sie müssen für diese Auktion registriert und als Bieter freigeschaltet sein, um bieten zu können.
Sie wurden überboten. Um die größte Chance zu haben zu gewinnen, erhöhen Sie bitte Ihr Maximal Gebot.
Ihre Registrierung wurde noch nicht durch das Auktionshaus genehmigt. Bitte, prüfen Sie Ihr E-Mail Konto für mehr Details.
Leider wurde Ihre Registrierung durch das Auktionshaus abgelehnt. Sie können das Auktionshaus direkt kontaktieren über +351 213954781 um mehr Informationen zu erhalten.
Sie sind zurzeit Höchstbieter! Um sicher zustellen, dass Sie das Los ersteigern, melden Sie sich zum Live Bieten an unter , oder erhöhen Sie ihr Maximalgebot.
Geben Sie jetzt ein Gebot ab! Ihre Registrierung war erfolgreich.
Entschuldigung, die Gebotsabgabephase ist leider beendet. Es erscheinen täglich 1000 neue Lose auf lot-tissimo.com, bitte starten Sie eine neue Anfrage.
Das Bieten auf dieser Auktion hat noch nicht begonnen. Bitte, registrieren Sie sich jetzt, so dass Sie zugelassen werden bis die Auktion startet.
1/6
A portable oratory for suspention - Bild 1 aus 6
A portable oratory for suspention - Bild 2 aus 6
A portable oratory for suspention - Bild 3 aus 6
A portable oratory for suspention - Bild 4 aus 6
A portable oratory for suspention - Bild 5 aus 6
A portable oratory for suspention - Bild 6 aus 6
A portable oratory for suspention - Bild 1 aus 6
A portable oratory for suspention - Bild 2 aus 6
A portable oratory for suspention - Bild 3 aus 6
A portable oratory for suspention - Bild 4 aus 6
A portable oratory for suspention - Bild 5 aus 6
A portable oratory for suspention - Bild 6 aus 6
Sie interessieren sich für den Preis dieses Loses?
Preisdatenbank abonnieren
Lisbon
A portable oratory for suspention, Namban Art, fully black lacquered wood with mother-of-pearl inlay and gold decoration "Birds and flowers" and "Landscapes", Cornice with medallion "Insignia of the Society of Jesus", original copper clasp, nippo-portuguese - Momoyama period (1573-1615), faults, mounts and later consolidation plaques, painting missing. Notes: Portable oratory Japan; ca. 1580-1620 Lacquered and gilded wood with mother-of-pearl inlays; copper fittings 69.0 x 51.0 x 7.0 cm (closed); 69.0 x 102.0 x 7.0 (open) A large, rare, and significant Namban portable oratory, or two-door retable, made in Japan for export to the European market. It features a low curved pediment and simple narrow socle, and is fitted with two doors that once covered a devotional painting, now lost. Designed to be hung on a wall, this oratory was created for private devotion within the context of the Jesuit missionary work in Asia, specifically in Japan. Made from a lightweight wood, likely the Japanese cypress (Chamaecyparis obtusa), locally known as hinoki, it is lacquered (urushi) in black and decorated in gold with mother-of- pearl (raden) inlays. The back panel is lightly coated with lacquer on both sides, and the copper fittings (kazarikanagu) include four hinges (chotsugai), a two-part clasp for securing the doors when closed, and a suspension ring on top. The sides and top are decorated with East Asian arrowroot vines (Pueraria lobata), known as kuzu. Both the exterior and interior sides of the doors are exquisitely decorated in horror vacui, featuring large panels divided into two registers. These panels, as those on the interior, are bordered by a typical frieze of the ‘endless pearl’ pattern (shippotsunagi). This distinctive frieze, inherent to this production, is also used on the border of the arched pediment, the socle, and the interior frame that once secured the now lost painting inside, possibly on copper. The interior frame also boasts a frieze of meandering vines and tendrils (karakusa), characteristic of this production. The exterior side of the left door is decorated with two long-tailed birds: one below perched on the branches of fully bloomed tree peonies (Paeonia x suffructicosa), known in Japan as botan, and the other above, hovering over flowering plants of the Chinese bellflower (Platycodon grandiflorus), or kikyo. On the interior side, a large branch of the Chinese persimmon (Diospyros kaki), or kaki, is depicted on the lower register, while the upper register features, on a rocky landscape, flowering plants of the chrysanthemum (Chrysanthemum sp.), or kiku. Similarly, the exterior side of the right door depicts two long-tailed birds: one below, perched on the flowering branches of the Japanese cherry tree (Prunus serrulata), known as sakura, and the other above gliding over chrysanthemums. The interior side showcases a branch of the Mandarin orange tree, or tachibana (Citrus tachibana), in the lower register, and Chinese bellflowers in the upper register. The decoration of the arched pediment inside features a central round medallion bearing the emblem of the Jesuits: the Christogram inside a flaming sun, surmounted by a cross, and with the nails of the Crucifixion below, set against a ground decorated with Chinese bellflowers. The pediment is bordered by a frieze of alternating triangles. Unlike other examples, the pediment of our oratory, featuring the Jesuit emblem, only becomes visible when opened. This is likely a testament to the growing difficulties faced by missionaries in Japan in the early decades of the seventeenth century and the subsequent persecution of the newly converted and missionaries, some of whom were martyred. The Jesuits were finally banned in 1587 and officially expelled in the 1620s, marking the end of Jesuit missionary work in Japan, which began in 1549, when Francis Xavier (1506- 1552) landed in Kagoshima on August 15. The refined gold decoration applied to this rare portable oratory, known as maki-e, literally ‘sprinkled picture’, was common in the Momoyama and early Edo periods in Japan. Lacquerware made especially for export at the imperial city of Kyoto, which combined mother-of-pearl inlays with hiramaki- e, is referred to as nanban makie or nanban shitsugei - see Pinto (1990), Impey (2000), Impey and Jörg (2005), Curvelo (2010), Kawamura (2013), and Canepa (2016). Namban or nanban-jin (literally, ‘Southern Barbarian’) is a Japanese term of Chinese origin that denotes Portuguese and Spanish merchants, missionaries, and sailors who arrived in Japan in the sixteenth and seventeenth centuries. Over time, Namban has become associated with lacquerware and other goods commissioned in Japan for domestic or export, reflecting Western tastes and often modelled after European prototypes, or included European iconography, such as depictions of Portuguese merchants, officials, and missionaries. Namban- style products thus combine Japanese techniques, materials, and motifs with European styles and shapes, illustrating a cultural fusion that emerged during this period of cultural exchange. Namban portable oratories, usually fitted with doors and featuring a pediment, survive in limited numbers, varying in size and shape, scattered across public and private collections in Japan, Europe, and the United States of America - see Impey and Jörg (2005), pp. 186-189, and Canepa et al (2008), pp. 246- 253, cat. 28. Our example is one of the largest known portable oratories from this production, surpassing the large (68.2 x 30.4 x 5.6 cm) oratory in the Wolverhampton Art Gallery (inv. O.J. 232) - see Impey and Jörg (2005), pp. 186-189, cat. 444. The Wolverhampton oratory, distinguished by its tall triangular pediment, also bears the Jesuit emblem. In contrast to many examples of this production, which often exhibit signs of wear, restoration, or loss of their delicate lacquered and gilded decoration, our large oratory remains remarkably well-preserved, having never undergone restoration., Dim. - (fechado) 69 x 51 x 7 cm; (aberto) 69 x 102 x 7 cm
A portable oratory for suspention, Namban Art, fully black lacquered wood with mother-of-pearl inlay and gold decoration "Birds and flowers" and "Landscapes", Cornice with medallion "Insignia of the Society of Jesus", original copper clasp, nippo-portuguese - Momoyama period (1573-1615), faults, mounts and later consolidation plaques, painting missing. Notes: Portable oratory Japan; ca. 1580-1620 Lacquered and gilded wood with mother-of-pearl inlays; copper fittings 69.0 x 51.0 x 7.0 cm (closed); 69.0 x 102.0 x 7.0 (open) A large, rare, and significant Namban portable oratory, or two-door retable, made in Japan for export to the European market. It features a low curved pediment and simple narrow socle, and is fitted with two doors that once covered a devotional painting, now lost. Designed to be hung on a wall, this oratory was created for private devotion within the context of the Jesuit missionary work in Asia, specifically in Japan. Made from a lightweight wood, likely the Japanese cypress (Chamaecyparis obtusa), locally known as hinoki, it is lacquered (urushi) in black and decorated in gold with mother-of- pearl (raden) inlays. The back panel is lightly coated with lacquer on both sides, and the copper fittings (kazarikanagu) include four hinges (chotsugai), a two-part clasp for securing the doors when closed, and a suspension ring on top. The sides and top are decorated with East Asian arrowroot vines (Pueraria lobata), known as kuzu. Both the exterior and interior sides of the doors are exquisitely decorated in horror vacui, featuring large panels divided into two registers. These panels, as those on the interior, are bordered by a typical frieze of the ‘endless pearl’ pattern (shippotsunagi). This distinctive frieze, inherent to this production, is also used on the border of the arched pediment, the socle, and the interior frame that once secured the now lost painting inside, possibly on copper. The interior frame also boasts a frieze of meandering vines and tendrils (karakusa), characteristic of this production. The exterior side of the left door is decorated with two long-tailed birds: one below perched on the branches of fully bloomed tree peonies (Paeonia x suffructicosa), known in Japan as botan, and the other above, hovering over flowering plants of the Chinese bellflower (Platycodon grandiflorus), or kikyo. On the interior side, a large branch of the Chinese persimmon (Diospyros kaki), or kaki, is depicted on the lower register, while the upper register features, on a rocky landscape, flowering plants of the chrysanthemum (Chrysanthemum sp.), or kiku. Similarly, the exterior side of the right door depicts two long-tailed birds: one below, perched on the flowering branches of the Japanese cherry tree (Prunus serrulata), known as sakura, and the other above gliding over chrysanthemums. The interior side showcases a branch of the Mandarin orange tree, or tachibana (Citrus tachibana), in the lower register, and Chinese bellflowers in the upper register. The decoration of the arched pediment inside features a central round medallion bearing the emblem of the Jesuits: the Christogram inside a flaming sun, surmounted by a cross, and with the nails of the Crucifixion below, set against a ground decorated with Chinese bellflowers. The pediment is bordered by a frieze of alternating triangles. Unlike other examples, the pediment of our oratory, featuring the Jesuit emblem, only becomes visible when opened. This is likely a testament to the growing difficulties faced by missionaries in Japan in the early decades of the seventeenth century and the subsequent persecution of the newly converted and missionaries, some of whom were martyred. The Jesuits were finally banned in 1587 and officially expelled in the 1620s, marking the end of Jesuit missionary work in Japan, which began in 1549, when Francis Xavier (1506- 1552) landed in Kagoshima on August 15. The refined gold decoration applied to this rare portable oratory, known as maki-e, literally ‘sprinkled picture’, was common in the Momoyama and early Edo periods in Japan. Lacquerware made especially for export at the imperial city of Kyoto, which combined mother-of-pearl inlays with hiramaki- e, is referred to as nanban makie or nanban shitsugei - see Pinto (1990), Impey (2000), Impey and Jörg (2005), Curvelo (2010), Kawamura (2013), and Canepa (2016). Namban or nanban-jin (literally, ‘Southern Barbarian’) is a Japanese term of Chinese origin that denotes Portuguese and Spanish merchants, missionaries, and sailors who arrived in Japan in the sixteenth and seventeenth centuries. Over time, Namban has become associated with lacquerware and other goods commissioned in Japan for domestic or export, reflecting Western tastes and often modelled after European prototypes, or included European iconography, such as depictions of Portuguese merchants, officials, and missionaries. Namban- style products thus combine Japanese techniques, materials, and motifs with European styles and shapes, illustrating a cultural fusion that emerged during this period of cultural exchange. Namban portable oratories, usually fitted with doors and featuring a pediment, survive in limited numbers, varying in size and shape, scattered across public and private collections in Japan, Europe, and the United States of America - see Impey and Jörg (2005), pp. 186-189, and Canepa et al (2008), pp. 246- 253, cat. 28. Our example is one of the largest known portable oratories from this production, surpassing the large (68.2 x 30.4 x 5.6 cm) oratory in the Wolverhampton Art Gallery (inv. O.J. 232) - see Impey and Jörg (2005), pp. 186-189, cat. 444. The Wolverhampton oratory, distinguished by its tall triangular pediment, also bears the Jesuit emblem. In contrast to many examples of this production, which often exhibit signs of wear, restoration, or loss of their delicate lacquered and gilded decoration, our large oratory remains remarkably well-preserved, having never undergone restoration., Dim. - (fechado) 69 x 51 x 7 cm; (aberto) 69 x 102 x 7 cm

Antiques and Works of Art, Rare Books

Auktionsdatum
Lose: 290
Ort der Versteigerung
Rua Miguel Lupi 12-D
Lisbon
1200-725
Portugal

Für Cabral Moncada Leilões Versandinformtation bitte wählen Sie +351 213954781.

Wichtige Informationen

Aufgeld / premium: 24,60% (which includes 23% VAT on premium)

AGB

B.1. REGISTERING

ART. 1 – Registration Requirements
In order to be able to place a bid, the potential buyer should be of age, previously register and have a bidding number. Such register must include the name, address, telephone number, taxpayer number and the signature of the prospective buyer or his empowered representative’s signature, in which he acknowledges and accepts this Business Conditions.

ART. 2 – Proof of Identification
“Cabral Moncada Leilões” reserves the right, upon registration or at a later date, to request the prospective buyer the submission of a valid and in force original identification document.

ART. 3 – Demand of Guarantee
“Cabral Moncada Leilões” also reserves the right, upon registration or at a later date, to demand any potential buyer a guarantee “Cabral Moncada Leilões”, according to its commercial and credit policies and to the potential buyer’s background, deems reasonable, regarding both the form and the amount.

ART. 4 – Prior Breaches
“Cabral Moncada Leilões” also reserves the right to refuse registration or ignore a bid to anyone who has not fulfilled the respective obligations punctually, including payment and withdrawal of one or more items in previous auctions.

ART. 5 – Representation by Third Parties
“Cabral Moncada Leilões” considers that whoever submits its registration as a potential buyer acts on its own behalf and can only act on behalf of a third party by delivering legally valid power of attorney for the purpose, up to two (2) working days before the sale of the item. In case the power attorney is validly challenged by the alleged granter, the alleged representative and bidder will be deemed as buyer.

B.2. BIDDING AND PURCHASE
ART. 6 – Bidding in person, Purchase orders, Phone Bidding and Online Bidding
Whenever a potential buyer wishes to ensure the actual bidding of one or more items, such prospective buyer shall attend and bid in person at the respective auction, as “Cabral Moncada Leilões” considers the presence of the potential buyer is, in any case, the most adequate way to safeguard his interests.

a) Purchase Orders
notwithstanding the previous articles, “Cabral Moncada Leilões” can bid on behalf of potential buyers who expressly request such bid through:
the appropriate written form and under the conditions contained therein, provided that such document is received three hours before the start of the respective session; or
one or more international online platforms running the auction provided by “Cabral Moncada Leilões” (presently through “Invaluable” online platform) provided that such purchase order is received in due time.
Purchase orders for a certain item will be executed by “Cabral Moncada Leilões” at the best possible price permitted by any other purchase orders or bidding received to the same item.

b) Phone Bidding
upon request of potential buyers, received at least three hours before the start of the session, “Cabral Moncada Leilões” is also available to make reasonable efforts to contact them by telephone, in order to allow their participation, by such means, at the bidding of one or more predetermined items;

c) Online Bidding
Through one or more international online platforms running the auction provided by “Cabral Moncada Leilões” it might be possible, notwithstanding the purchase orders mentioned before, to bid online during the auction.

d) The execution of purchase orders and telephone and online bidding services referred to in the preceding paragraphs are provided as a courtesy to potential buyers who cannot be present and is confidential and free of charge; “Cabral Moncada Leilões” will conduct all reasonable efforts within its power to its proper and timely execution; however neither “Cabral Moncada Leilões” nor its officers, employees or associates may in any event be liable for any errors or omissions, even if negligent, that may eventually occur in the execution of such services; the specific case of online purchase orders or online bidding is also subject to Section D of the present Business Conditions.

ART. 7 – Bidding Evolution
It is up to the auctioneer to decide, with total discretion, the amount in which the bids evolve in the bidding of each item. However, the auctioneer should never exceed 10% of the previous bid, and no bid shall be less than € 10, except in online auctions.

ART. 8 – Right of first refusal and resolution of doubts
“Cabral Moncada Leilões” will deem to be the buyer the one that, personally or through a third party duly empowered for the act, bids and wins the bidding of an item for the highest price, notwithstanding the possibility of exercise of the right of first refusal or option by official entities, in accordance with applicable law. It is up to the auctioneer to decide, with full discretionary power, any doubt that may arise, including the withdrawal of the item from the auction or the reposition of the item in auction, at the price it had when the doubt arose.

B.3. PAYMENT AND WITHDRAWAL

ART. 9 – Amount due / Buyer Commission 
a) The buyer agrees to pay “Cabral Moncada Leilões” the total amount due for the sale of  the item, i.e., the amount of the winning bid plus a commission, which includes VAT, according to the Special Regime for Item Sales at Auction, as follows:  
up to and including € 300 – 24,60%;
in excess of € 300 up to and including € 1.000 – 22,14%;
in excess of € 1.000 up to and including € 3.000 – 19,68%;
in excess of € 3.000 up to and including € 20.000 – 17,22%;
on the portion of the hammer in excess of € 20.000 – 14,76%,

b) Should the purchase be executed through any other online platform than  www.cmlauctions.pt, the buyer agrees to pay “Cabral Moncada Leilões” the total amount  due for the sale of the item, i.e., the amount of the winning bid plus a commission, which includes VAT, of 24,60%.

 
c) In the exceptional cases indicated in the catalogue, VAT may be due on the amount of the  bidding. 

b) Should the purchase be executed through an international online platform , the buyer agrees to pay “Cabral Moncada Leilões” the total amount due for the sale of the item, i.e., the amount of the winning bid plus a commission, which includes VAT, of 24,60%.

c) In the exceptional cases indicated in the catalogue, VAT may be due on the amount of the bidding.

ART. 10 – Payment term
The buyer agrees to make the payment referred to in the previous article and withdraw the item within the ten (10) business days following the date of purchase and may be required, at the time of auction, to make a deposit of 30% of its value not covered by guarantee. After the said period of ten (10), “Cabral Moncada Leilões” reserves the right to charge interest at the legal rate for commercial operations.

ART. 11 – Transfer of ownership
The ownership of the item will only be transferred to the buyer after “Cabral Moncada Leilões” has been paid the total amount of the sale in cash, certified check or wire transfer. In case payment is made by check which is not certified, the item will only be considered to have been paid after good collection of such check, regardless of the item being already in possession of the buyer.
Until transfer of title, in accordance with the preceding paragraph, the item remains the property of the seller.

ART. 12 – Condition to Withdraw
The withdrawal of any item will only be authorized after the total amount of the sale has been paid.

ART. 13 – Liability for Withdrawals
The withdrawal and transportation of items is the sole responsibility of the buyer, and any assistance provided by “Cabral Moncada Leilões”, its officers, employees or associates is a matter of courtesy, and cannot have as an effect liability of any kind. The indication of any company or person to do so also excludes any responsibility of “Cabral Moncada Leilões”, its officers, employees or associates.

ART. 14 – – Liability after Withdrawals
Once the item has been withdrawn, or the deadline of ten (10) days is met without the withdrawal of the item by the buyer, the buyer will be liable for any loss or damage, including theft or robbery, which may occur regarding the item. The buyer is also liable for any expenses related to the removal, storage and/or insurance that may occur.

ART. 15 – Liability of “Cabral Moncada Leilões”
Any loss or damage, including theft or robbery, of an item auctioned and not collected, that occurs within the ten (10) days deadline referred to in Article 11, only grants the buyer the right to receive an amount equal to the one paid at the time for the item, and does not entitle him to any compensation, damages or interest.

ART. 16 – Non-payment consequences
If the buyer fails to pay the full amount of the sale within ten (10) days from the date of the item auction, “Cabral Moncada Leilões” may, at any time, for itself and on behalf of the seller and without any possibility of the buyer to demand any compensation or reparation for this fact:

a) file a lawsuit to recover the full amount of the sale;

b) notify the buyer of the cancellation of the sale, subject to the right of “Cabral Moncada Leilões” to receive the commission owed by the buyer and the consequent possibility of legal action being brought for the collection of such debt.

The alternatives prior shall be understood without prejudice to any other rights that “Cabral Moncada Leilões” may be entitled to, including the right to claim payment of interest and costs of removal, storage and / or insurance of the item that may occur. Similarly, in case “Cabral Moncada Leilões” chooses initially the hypothesis a), such choice shall be without prejudice to the right to terminate such action at any time and annul the sale pursuant to b).

B.4. LIABILITY OF “CABRAL MONCADA LEILÕES”

ART. 17 – Liability for descriptions
“Cabral Moncada Leilões” is responsible for the accuracy of descriptions (which should be understood as references to time, style, author, materials and condition) of items in its catalogs, without prejudice of the possibility of such descriptions being publicly and verbally corrected until the moment of the sale.

ART. 18 – Condition status and Particular Cases
All items are sold in their current condition, and it is up to potential buyers to personally confirm, by prior examination of the item, the accuracy of the description in the catalog, particularly with regard to possible restoration, faults or defects mentioned therein.

a) in case of items that include mechanisms, such as clocks and music boxes, when the description of the catalog does not explicitly mention any “need to repair the mechanism” or equivalent, the item’s mechanisms will be deemed to be functioning;

b) in the cases referred to in the preceding paragraph, the liability of “Cabral Moncada Leilões” is restricted to the mere operation of the mechanism, and not to its perfect functioning, and ceases, in any case, at the time of withdrawal of the item by the buyer.

c) The mention of signatures, initials, names, brands or existing acronyms in an item and its mere factual transcription in its description does not imply the assignment of authorship by “Cabral Moncada Leilões” except in the cases where this authorship is specifically assumed at the beginning of the description.

ART. 19 – Discrepancy of Descriptions
Once a relevant discrepancy is verified (i.e., involving a significant change in the value of the item) between the description and the reality of the item at the time of the auction, the buyer, and only him, may, for a period of three years from the date of auction, request the reimbursement of the full amount of the sale through the return of the item, in the condition it was at the time of the auction. However, the buyer will not be entitled to any compensation, damages or interest.

ART. 20 – Burden of Proof
It is up to the buyer to demonstrate the existence of the relevant discrepancy between the description and the reality of the item, under the terms and for the purpose of the preceding articles.

ART. 21 – Expert Opinion
“Cabral Moncada Leilões” may require the plaintiff buyer to file a written statement with an attached expert opinion signed by a recognized expert in domestic or international markets, without prejudice to its right, in any case, and at all time, to oppose to the expert opinion presented with another of equivalent value.

ART. 22 – Pictures
The photographs or representations of the items in the catalog are intended solely for identification of the items subject to sale.

ART. 23 – Claims by Third Parties
“Cabral Moncada Leilões” is not liable before the buyer for an item that, for reasons attributable to the seller or a third party, is subject to claims or grievances and / or seized, provisionally or permanently, by the competent authorities, regardless of the date in which the complaint, claim or seizure has been determined or enforced, and the nature or amount of any loss or damage that may arise therefrom, which shall be claimed by the buyer directly to the seller or third party that caused them.

ART. 24 – Limits to the transfer, exportation and similar activities
“Cabral Moncada Leilões” is also not liable before the buyer of an item that is prohibited from leaving the country or subject to any encumbrance, charge or restriction, related to its holding, use, enjoyment or transmissibility, including under legislation protecting cultural heritage, regardless of the date of its classification, inventory or enrollment and of the nature or amount of any loss or damage that may arise to the buyer from such restriction, which must be claimed by the buyer directly to the seller or third party who caused it. Similarly, it is the buyer's responsibility to find out about (and, if applicable, obtain) any (i) licenses and other formalities or restrictions on exports from Portugal to the country of intended destination by the purchaser, and (ii) licenses and other formalities or restrictions on importation into the country of intended destination by the purchaser - e.g., some countries place restrictions on the import of goods incorporating vegetable or animal elements.

ART. 25 – Limitation of Liability
Except in case of willful misconduct, the liability of “Cabral Moncada Leilões” before the buyer is, in any case, limited to the amount actually paid for the purchase of the item.


CONDITIONS REGARDING ONLINE AUCTIONS AND ONLINE BIDDING IN LIVE AUCTIONS

The precedent Business Conditions apply to “Cabral Moncada Leilões” online auctions and online bidding at live auctions with the following adaptations and modifications, due to its specificity:

ART. 1 - Platforms
“Cabral Moncada Leilões” provides online-only auctions at the “Cabral Moncada Leilões” internet website at www.cml.pt – below, “CML Platform”.
“Cabral Moncada Leilões” provides also online bidding at its live auctions through determined international online platforms run by Third Parties - below, “Third Parties Platforms”

...

ART. 6 – No right to withdraw
The online buyer at live or online auctions acknowledges and accepts that his purchase has been undertaken in an online auction and therefore does not benefits from the right of free resolution of the contract according the legislation concerning distance and off-premises contracts;

ART. 7 – Liability
The CML Platform operates, in each and all phases (including but not limited to, registration, access to the account by registered users, purchase orders and bidding management, determination of the winner bid and communication with the registered users) in a fully automatic mode. The Third Parties Platforms operate also automatically, at least in part. In both cases, periods of unavailability may occur to the CML Platform or to the Third Parties Platforms and/or problems and the appearance of faults in the functions, that may be caused to a variety of causes, including, namely, internet connection problems, electric overload, virus, cyber attacks, programming errors or inconsistencies – bellow “Platform Operating Problems”.

...

c) Live Actions - Platform Operating Problems may affect online users, that can be unable to register, to access his own account, to give a purchase order or a bid; or, being able to give a purchase order or a bid, such purchase order or bid was not taken into consideration, or not receiving certain (such as the reception of an higher bid) or receiving wrong communications. Whenever a potential buyer wishes to ensure the actual bidding of one or more items, such prospective buyer shall attend and bid in person at the respective auction, as “Cabral Moncada Leilões” considers the presence of the potential buyer is, in any case, the most adequate way to safeguard his interests.

d) “Cabral Moncada Leilões”, as well as its officers, employees or associates “is not liable, in any case, for any Platform Operating Problems.

e) Should a Platform Operating Problem occur during an online auction, “Cabral Moncada Leilões” may, but is not compelled to, repeat the affected auction, or to put to sell again the affected items in a new live or online auction. Should a Platform Operating Problem occur during a live auction, it is up to the auctioneer to decide, with full discretionary power, any doubt that may arise, including the withdrawal of the item from the auction or the reposition of the item in auction, at the price it had when the doubt arose.

In case of any discrepancy between the Portuguese version and the English version of the  Business Conditions, the Portuguese version shall always prevail.

 

Vollständige AGBs