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Verbrugghe Ch., A view on Capri, oil on panel, 35 x 55 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Verbrugghe Ch., a flower still life, oil on panel, 37 x 44 cm Is possibly subject of the SABAM
Verbrugghe Ch., a flower still life, oil on panel, 37 x 44 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Verbrugghe Ch., 'Pont des Augustins à Bruges', oil on canvas, 54 x 65 cm Is possibly subject of
Verbrugghe Ch., 'Pont des Augustins à Bruges', oil on canvas, 54 x 65 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Kips E., 'Along the Tiananmen Gate, Beijing', oil on canvas, 35 x 49,5 cm
No visible signature, the portrait of Petrus Van Bergh, 16thC, oil on panel, 19,5 x 21,5 cm
No visible signature, the portrait of a mathematician, 17thC, oil on panel, 32 x 39 cm
No visible signature, Saint Peter, oil on canvas, 17thC, 48 x 63,5 cm
No visible signature, after F. Zurbaràn, Saint Francis, 17thC, oil on canvas, 63 x 86 cm
No visible signature, the portrait of a French courtier, later 17thC - early 18thC, oil on canvas,
No visible signature, the portrait of a French courtier, later 17thC - early 18thC, oil on canvas, 67 x 83 cm
No visible signature (Attrib. to Antoon Claeissens), 'Hij was en hij is en zal blieve', 16thC, oil
No visible signature (Attrib. to Antoon Claeissens), 'Hij was en hij is en zal blieve', 16thC, oil on an oak panel, 26 x 36 cm
No visible signature, two paintings: 'Mater Dolorosa' - 'Ecce Homo', oil on an oak panel, Flemish,
No visible signature, two paintings: 'Mater Dolorosa' - 'Ecce Homo', oil on an oak panel, Flemish, 17thC, 33 x 44 cm
No visible signature, the portrait of a higher cleric as a donator, oil on panel, 19th/20thC after a
No visible signature, the portrait of a higher cleric as a donator, oil on panel, 19th/20thC after a work by one of the 15thC Flemish masters, 30 ...
No visible signature, after the famous 'Judgement of Paris' by Peter Paul Rubens, The National
No visible signature, after the famous 'Judgement of Paris' by Peter Paul Rubens, The National Gallery in London, 17thC, oil on canvas, 146 x 195 ...
No visible signature, after Peter Paul Rubens, Mars crowned by the Goddess of Victory, 17thC, oil on
No visible signature, after Peter Paul Rubens, Mars crowned by the Goddess of Victory, 17thC, oil on canvas, in a richly carved period frame, 64 x...
No visible signature, the stoning of Ahasverus, 17thC, oil on canvas, 107 x 132 cm
No visible signature, the Holy Family accompanied by dancing angels, 17th/18thC, oil on canvas, 94 x
No visible signature, the Holy Family accompanied by dancing angels, 17th/18thC, oil on canvas, 94 x 114 cm
No visible signature, Christ and the Samaritan woman at the well, oil on canvas, Flemish, 17thC, 105
No visible signature, Christ and the Samaritan woman at the well, oil on canvas, Flemish, 17thC, 105 x 133 cm
No visible signature (attr. to Jan Fyt), a still life with maid, cat and dog, 17thC, oil on canvas, 125 x 165 cm ...[more]
No visible signature (attrib. to Frans Verwilt), the literate and his apprentice, 17thC, oil on
No visible signature (attrib. to Frans Verwilt), the literate and his apprentice, 17thC, oil on metal, 24 x 30 cm
Monogrammed F.V.P. (attr. to Garemijn and inspired by Cl. J. Vernet), a Mediterranean harbour scene,
Monogrammed F.V.P. (attr. to Garemijn and inspired by Cl. J. Vernet), a Mediterranean harbour scene, 18thC, oil on canvas, 93 x 99 cm
Mendelson M., untitled, oil on panel, 35,5 x 35,5 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Mendelson M., untitled, oil on panel, 35,5 x 35,5 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
A collection of eight quality offset prints of several works by Panamarenko, part of the 'PanamaBoek' of 2000, including the numbers 1 - 2 - 3 - 4...
Dali S., 'Les Songes drolatiques de Pantagruel', four colour lithographs, N° 117/259, 48 x 67 cm
Dali S., 'Les Songes drolatiques de Pantagruel', four colour lithographs, N° 117/259, 48 x 67 cmIs possibly subject of the SABAM legislation / con...
Raveel R., 'Het Stappen', lithograph, N° 77/100, 49 x 69 cm Is possibly subject of the SABAM
Raveel R., 'Het Stappen', lithograph, N° 77/100, 49 x 69 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Raveel R., untitled, N°19/30, dated (19)83, linocut, 57 x 66 cm Is possibly subject of the SABAM
Raveel R., untitled, N°19/30, dated (19)83, linocut, 57 x 66 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Ensor J., a recto-verso charcoal drawing dated 1880, depicting on the recto a seated lad and on
Ensor J., a recto-verso charcoal drawing dated 1880, depicting on the recto a seated lad and on the verso the portrait of a boy, only the verso si...
Permeke C., a drawing of a female nude, charcoal, ink and pastel, ex-Veranneman Foundation, 80 x 120
Permeke C., a drawing of a female nude, charcoal, ink and pastel, ex-Veranneman Foundation, 80 x 120 cmIs possibly subject of the SABAM legislatio...
Corneille, untitled , E/A, 1978, silkscreen, 40,5 x 40,5 cm Is possibly subject of the SABAM
Corneille, untitled , E/A, 1978, silkscreen, 40,5 x 40,5 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Scherpereel K., untitled, dated (19)87, Indian ink, pencil, watercolor, 60,5 x 85,5 cm Is possibly
Scherpereel K., untitled, dated (19)87, Indian ink, pencil, watercolor, 60,5 x 85,5 cmIs possibly subject of the SABAM legislation / consult ‘Cond...
Scherpereel K., untitled, dated '29 maart 1992', gouache and pencil / crayon, 47 x 62 cm Is possibly
Scherpereel K., untitled, dated '29 maart 1992', gouache and pencil / crayon, 47 x 62 cmIs possibly subject of the SABAM legislation / consult ‘Co...
Szabo A., untitled, dated (19)73, oil on hardboard, 40 x 50 cm Is possibly subject of the SABAM
Szabo A., untitled, dated (19)73, oil on hardboard, 40 x 50 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Milinkov L., 'L'amour concert', oil on panel, 29 x 33 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Arman F., the guitar, copper collage and lithograph, N°51/70, 26 x 34 cm Is possibly subject of
Arman F., the guitar, copper collage and lithograph, N°51/70, 26 x 34 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
No visible signature (De Boeck F.), a self-portrait of the artist, with a dedication, dated 1980,
No visible signature (De Boeck F.), a self-portrait of the artist, with a dedication, dated 1980, oil on cardboard, 25 x 65 cmIs possibly subject ...
De Boeck F., 'Moederschap', oil on board, 41,5 x 61,5 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Julien R., 'la ronde du mouchoir', oil on board, 25 x 25 cm Is possibly subject of the SABAM
Julien R., 'la ronde du mouchoir', oil on board, 25 x 25 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Elseviers R., 'L'été N°14', oil on hardboard, 50 x 60 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Ricourt W., untitled, dated (19)92, silkscreen on paper on canvas, N° 60/90, 73 x 110 cm Is possibly
Ricourt W., untitled, dated (19)92, silkscreen on paper on canvas, N° 60/90, 73 x 110 cmIs possibly subject of the SABAM legislation / consult ‘Co...
Two paintings by Mantello, ' La tavolloza di Lucia' and 'Une tasse de café au lait pour Hugo',
Two paintings by Mantello, ' La tavolloza di Lucia' and 'Une tasse de café au lait pour Hugo', both dated (19)85, mixed media, 50 x 70 cm; added: ...
Carabain J., a narrow alley in an Oriental town, oil on canvas, 30 x 53 cm
Carabain, a harbor view, dated 1859, oil on panel, 22,5 x 32,5 cm
No visible signature (attrib. to Abraham Storck), two harbor views, oil on canvas, 34 x 46,5 cm
No visible signature (attrib. to Abraham Storck), two harbor views, oil on canvas, 34 x 46,5 cm
No visible signature, 'Oriental warriors with their guide', 19thC, oil on copper, 43 x 53 cm
No visible signature, 'Oriental warriors with their guide', 19thC, oil on copper, 43 x 53 cm
Van Beurden A. Jr., 'On the beach', oil on canvas, 60 x 80 cm Is possibly subject of the SABAM
Van Beurden A. Jr., 'On the beach', oil on canvas, 60 x 80 cmIs possibly subject of the SABAM legislation / consult ‘Conditions of Sale’
Dansaert L., 'The speech', oil on panel, 50 x 64 cm
Gyselinckx J., 'The heavy-weight', dated 1885, oil on panel, 30 x 38 cm
No visible signature, the nursing Madonna, oil on an oak panel, Flemish, 16thC, 59 x 73,5 cm
No visible signature, the nursing Madonna, oil on an oak panel, Flemish, 16thC, 59 x 73,5 cm
No visible signature, the Holy Mother and Child, oil on an oak panel, an 18th/19thC copy after a
No visible signature, the Holy Mother and Child, oil on an oak panel, an 18th/19thC copy after a Renaissance painting, 32 x 43 cm
No visible signature, the adoration of the Magi, oil on panel, 16thC, 70,5 x 96 cm
No visible signature, after Rogier van der Weyden 'The Lamentation of Christ', oil on an oak
No visible signature, after Rogier van der Weyden 'The Lamentation of Christ', oil on an oak panel, late 16thC, 46,5 x 65 cm
No visible signature, Our Lady and Child, oil on panel, 17thC, 49 x 64 cm
No visible signature, the Annunciation, oil on panel, 16th/17thC, 36 x 48,5 cm
No visible signature, Saint Anne and the Holy Mary, oil on canvas, 17th/18thC, 48 x65 cm
No visible signature, the portrait of a nun holding Veronica's veil, oil on canvas on panel,
No visible signature, the portrait of a nun holding Veronica's veil, oil on canvas on panel, 18thC, 39 x 50,5 cm
No visible signature, the conversion of Saint Paul, The Southern Netherlands, 16th/17thC, oil on
No visible signature, the conversion of Saint Paul, The Southern Netherlands, 16th/17thC, oil on panel, 45,5 x 52 cm
No visible signature, a Golgotha, oil on canvas, 17thC, 67 x 83 cm
No visible signature, the descent from the cross, a copy after Rembrandt Van Rijn, oil on a cradled panel, 40 x 50 cm
No visible signature, the adoration of Christ, oil painted on the reverse of a copper engraved plate
No visible signature, the adoration of Christ, oil painted on the reverse of a copper engraved plate by Wolfgang Kilian after a painting by Carolu...
No visible signature, Saint Peter, oil on canvas, 17th/18thC, 65 x 75 cm
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