C. De Geest, 'The King Drinks', after Jacob Jordaens, oil on canvas, 129 x 165 cm

No visible signature, a copy after ‘The Master Painter’ (1877) by Jan Verhas, now part of the collection of the MSK Ghent, oil on canvas, 58 x 95 ...

No visible signature, the resurrection of Lazarus, oil on a cradled oak panel, 19thC, 83 x 120,5 cm

No visible signature, the adoration of the shepherds, oil on canvas, 17th/18thC, 114 x 161 cm

No visible signature, the expulsion of Adam and Eve from paradise, probably German, 17th/18thC, oil on canvas, 39 x 52 cm

No visible signature (attributed to Frans Francken the Younger), the adoration of the shepherds, 17thC, oil on copper, 33,5 x 43,5 cm

No visible signature, Cephalus and Procris in a landscape, the Southern Netherlands, late 16thC - early 17thC, oil on canvas, 108 x 148 cm

No visible signature, attributed to David Ryckaert III, the mockery of Christ, 17thC, oil on an oak panel, 46 x 59,5 cm

No visible signature, the Holy Family, with the Madonna and child holding a bunch of grapes, 18thC, oil on an oak panel, 50 x 65 cm

Scheyrs C.H. (countersigned), the Holy Family, with at the top the dove representing the Holy Spirit, dated 1846, oil on panel, 21 x 28 cm

No visible signature, in the butchery, a genre painting, 19thC, oil on an oak panel, 47 x 66 cm

Jacobus Josephus Eeckhout (1793-1861), the return from the hunt, signed and dated 1838, oil on canvas, 94 x 117 cm

Haghe L., 'The interior of an ecclesiastical building in Italy', dated 1853, pencil & watercolour on paper, 34,5 x 49,5 cm ...[more]

Haghe L., the interior of a Flemish cathedral, crowded with figures dressed in the 16thC manner, dated 1864, pencil, watercolour and gouache on pa...

No visible signature, a flower still life with a Renaissance vase, 17th/18thC, oil on canvas, 58 x 83 cm

Eliaerts J.F., a flower still life, oil on panel, 37 x 45 cm

Geleedts F., a flower still life with purple and white lilacs, and yellow roses, oil on canvas, 78 x 98 cm

Stappers J., a collection of four flower still lifes, oil on panel and canvas, 20 x 23 cm (2x) - 38 x 41 cm - 62 x 71 cmIs possibly subject to the...

Laguarigue, a still life with a dog and parrot, signed 'Laguarigue (?), Paris', 19thC, oil on canvas, 74 x 92 cm

Bellis H., a still life with peaches, oil on canvas, 59 x 83 cm

Bellis H., a still life with strawberries, oil on canvas, 48 x 64 cm

No visible signature, Cupid holding a torch, 18thC, oil on canvas, 43 x 53 cm

Dinet E., portrait of a young boy, signed and dated 1897 to the bottom left corner, the inscription (or dedication) indistinct, an oil and pencil ...

Wagemans M., a sensual portrait of a lady, 'Dinah', oil on canvas, 60 x 80 cm

Vanaise G., the full-length portrait of a lady sitting in an interior, oil on canvas, 86 x 150 cm

Pilides C., an Arab reading the Quran, dated (19)13, oil on canvas, 90 x 120 cm

Williams P. (Penry Williams (?), 1802-1885), a view on the Roman countryside with the temple of Paestum, 19thC, oil on canvas, 39 x 63 cmAdded: No...

No visible signature, travellers in mountains of the Ottoman Empire, 19thC, oil on canvas, 42 x 55 cm

Colsoulle G., An Arabic rider watering his horse, oil on canvas, 48 x 67 cm

Servaes A., Christ on the cross, signed and dated 1923, a large charcoal drawing on paper, 71 x 75 cmIs possibly subject to the Artist's Resale Ri...

Minne G., Pieta, dated 1922, pencil drawing, 18 x 31 cm

Rassenfosse A., the profile portrait of a young woman, signed and dated 1894, a pencil drawing on paper, heightened with black, red and yellow cra...

Monogrammed 'R.A.' (Armand Rassenfosse), a female nude, a pencil drawing on paper, heightened with pastel, 21,5 x 31,5 cm

Unsigned (attr. to Cesare Mariani, 1826-1901), a recto-verso study drawing, the recto depicting three female nudes, the verso depicting a lady wea...

Anthony van Dyck (after), portrait of a well-off man, charcoal drawing, 193 x 249 mm

Attributed to Francesco Novelli (1764-1836), a portrait of the painter Giovanni Battista Rubeis (1743-1819), original design for an engraving, bis...

No visible signature, in the manner of Salvatore Rosa (1615-1673), soldiers in conversation, 17thC, brown ink on paper, 140 x 205 mmA recto-verso ...

Two fine 17thC oval drawings, depicting a resting cupid, and an allegory of a river, 17th/18thC, a washed pen drawing, 95 x 126 - 96 x 124 mmA rec...

A recto-verso drawing, depicting to the recto a clerical figure, and the verso with a study for a male figure, Italian, 16thC, a washed brown ink ...

A study drawing of the flagellation, 17th/18thC, black chalk and sanguine on paper, 380 x 500 mmA Neoclassical drawing of Eros, 19thC, pencil on p...

Two fine recto-verso academic study drawings, both rectos depicting a male nude, and the versos depicting a drapery study, black chalk heightened ...

No visible signature (after Tintoretto), the adoration of the golden calf, The Southern Netherlands, 17thC, a washed drawing, iron gall ink on Ven...

No visible signature, in the manner of Rembrandt, a temple scene, charcoal on paper, 130 x 190 mmA recto-verso architectural drawing, 17thC, brown...

Giuseppe Gherardi (1788/90-1884), a pair of pendant drawings with views on Firenze, 19thC, pencil drawings, 208 x 287 mmA fine Italian architectur...

No visible signature, travellers in a pastoral setting, probably Dutch, 17thC, pen and ink on paper, 192 x 240 mm

No visible signature, 'Sub tuum praesidium' ('Beneath thy protection'), probably a study for a large painting, 18thC, a washed ink drawing, height...

No visible signature, attributed to Van der Straet J., called Stradanus, a study for a hunting scene, pen and brown ink, late 16thC, 180 x 185 mm

No visible signature, after François Boucher, the birth of Venus, watercolour heightened with some gouache, 222 x 330 mm

Two framed architectural academy drawings, one with the text on the building: ‘Chicard Marchand de Vin Traiteur’, the other one signed to the bott...

A French academic architectural panoramic drawing by M. De Villiers, 'Concours d'Architecture, Session 1850-1851, 2e Prix remporté par M. De Villi...

A large architectural panoramic drawing, 19thC, pencil and watercolour on paper, 42,7 x 144,5 cm

A drawing of the fortifications of the 'Chateau de Bellegarde' by A.H. Rocher (‘Adjudant au Corps Impériale du Génie'), given to Monsieur Dessein ...

A hand-coloured copper-engraved bird's-eye view plan of Lier, by Joan Blaeu, 1649, 42,5 x 52,8 cmA copper-engraved map of Brabant by Abraham Ortel...

A hand-coloured copper engraved bird's-eye view plan of Bruges by Antonius Sanderus, part of the Flandria Illustrata part I, published by Joan Bla...

Goltzius H. (monogrammed HG), 'Evening' from the series of 'Four Times of Day' (plate 2),engraved by Jan Pietersz Saenredam after Hendrick Goltziu...

Three copper engravings by Marcantonio Raimondi (1470-1534), depicting Prudentia & Justice (two of the seven Virtues), and Apollo, the first half ...

Piranesi G.B., 'Veduta del Palazzo Farnese', copper engraving, 41,7 x 66 cm

Berchmans E. (monogrammed), a series of twelve works in Art Nouveau style, depicting various mythological scenes, pencil and watercolour on paper,...

Peeters J., ‘Monobloc', published in the for the Belgian Abstract movement 'Het Overzicht 21’ (Lino I), dated 1924, linocut, N° 106/250, printed b...

Lismonde, a recto-verso drawing, depicting two flower still lives, charcoal on paper, 40 x 63 cmAdded by the same artist, a calligraphic work, dat...