235
ROMAN PAINTER 17TH CENTURY LANDSCAPE WITH RUINS AND THE EPISODE OF TARQUINIO AND LUCREZIA
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Rome
Beschreibung
ROMAN PAINTER 17TH CENTURYLANDSCAPE WITH RUINS AND THE EPISODE OF TARQUINIO AND LUCREZIALANDSCAPE WITH ARCH AND THE EPISODE OF TANCREDI AND CLORINDAPair of oil paintings on canvas, cm. 174 x 223The paintings in question are two interesting testimonies of Roman landscape culture dating from the second half to the end of the 17th century. The subjects inserted between the ancient ruins are drawn from the Roman history and the poem of the Tasso, so the narrative stories give a theatrical character to the composition, through the contrast between drama and the poetics expressed by the fantastic landscape.With regard to the layout of the view and the typology of the ruins represented, the pictorial cultural reference is the Ghisolfian.Therefore, the artist can refer to the painting 'Classical Scene with Ionic Temple and Figures', preserved in Cologne at the Lampertz Museum, the painting 'Fantasiosa Veduta Romana with temples, finds and figures', preserved in Rome at the Rospigliosi collection and the painting 'Ruins with fountain and arch', kept at the Louvre MuseumPRESENT CONDITIONSLate nineteenth century. Some falls of painting and restorations in the sky, on the left side of the first painting. A fall of painting to the right on the colonnade, some restoration points in the lower part always in the first painting. Second painting with restoration points in the sky scattered and fallen paintings at the bottom leftFRAMESLarge frame in ebony walnut with edged edges, of the 17th century (coeva hardware)BIBLIOGRAPHYAndrea Busiri Vici, Giovanni Ghisolfi (1623 - 1683), a Milanese painter of Roman ruins, edited by Flaminia Cosmelli, ed. Roma 1992, p. 74, fig. 27, p. 76, fig. 28, p. 90, fig. 46PITTORE ROMANO. XVII SECOLOPAESAGGIO CON ROVINE E L'EPISODIO DI TARQUINIO E LUCREZIAPAESAGGIO CON ARCO E L'EPISODIO DI TANCREDI E CLORINDACoppia di dipinti ad olio su tela, cm. 174 x 223PROVENIENZAIllustre famiglia romanaI dipinti in esame costituiscono due interessanti testimonianze della cultura paesaggistica romana databili tra la seconda metà e la fine del XVII secolo. I soggetti inseriti tra le antiche rovine sono tratti dalla storia romana e dal poema del Tasso, per cui le vicende narrate conferiscono un carattere lirico teatrale alla composizione, attraverso la contrapposizione tra dramma e la poetica espressa dal paesaggio fantastico.Per quanto concerne l'impaginazione della veduta e la tipologia delle rovine rappresentate, il riferimento culturale pittorico è quello ghisolfiano. Pertanto del maestro si possono richiamare per comparazione il dipinto 'Scena classica con tempio ionico e figure', conservato a Colonia al museo Lampertz, il dipinto 'Fantasiosa veduta romana con templi, reperti e figure', conservato a Roma presso collezione Rospigliosi e il dipinto 'Rovine con fontana ed arco', conservata al museo del LouvreCONDIZIONI DEL DIPINTORintelo tardo ottocentesco. Alcune cadute di pittura e restauri nel cielo, nella parte sinistra del primo dipinto. Una caduta di pittura a destra sul colonnato, alcuni punti di restauro nella parte bassa sempre nel primo dipinto. Secondo dipinto con punti di restauro nel cielo sparsi e cadute di pittura in basso a sinistraCORNICIGrandi cornici in noce ebanizzata a bordi modanati, del XVII secolo (ferramenta coeva)BIBLIOGRAFIAAndrea Busiri Vici, Giovanni Ghisolfi (1623 - 1683), un pittore milanese di rovine romane, a cura di Flaminia Cosmelli, ed. Roma 1992, p. 74, fig. 27, p. 76, fig. 28, p. 90, fig. 46
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ROMAN PAINTER 17TH CENTURYLANDSCAPE WITH RUINS AND THE EPISODE OF TARQUINIO AND LUCREZIALANDSCAPE WITH ARCH AND THE EPISODE OF TANCREDI AND CLORINDAPair of oil paintings on canvas, cm. 174 x 223The paintings in question are two interesting testimonies of Roman landscape culture dating from the second half to the end of the 17th century. The subjects inserted between the ancient ruins are drawn from the Roman history and the poem of the Tasso, so the narrative stories give a theatrical character to the composition, through the contrast between drama and the poetics expressed by the fantastic landscape.With regard to the layout of the view and the typology of the ruins represented, the pictorial cultural reference is the Ghisolfian.Therefore, the artist can refer to the painting 'Classical Scene with Ionic Temple and Figures', preserved in Cologne at the Lampertz Museum, the painting 'Fantasiosa Veduta Romana with temples, finds and figures', preserved in Rome at the Rospigliosi collection and the painting 'Ruins with fountain and arch', kept at the Louvre MuseumPRESENT CONDITIONSLate nineteenth century. Some falls of painting and restorations in the sky, on the left side of the first painting. A fall of painting to the right on the colonnade, some restoration points in the lower part always in the first painting. Second painting with restoration points in the sky scattered and fallen paintings at the bottom leftFRAMESLarge frame in ebony walnut with edged edges, of the 17th century (coeva hardware)BIBLIOGRAPHYAndrea Busiri Vici, Giovanni Ghisolfi (1623 - 1683), a Milanese painter of Roman ruins, edited by Flaminia Cosmelli, ed. Roma 1992, p. 74, fig. 27, p. 76, fig. 28, p. 90, fig. 46PITTORE ROMANO. XVII SECOLOPAESAGGIO CON ROVINE E L'EPISODIO DI TARQUINIO E LUCREZIAPAESAGGIO CON ARCO E L'EPISODIO DI TANCREDI E CLORINDACoppia di dipinti ad olio su tela, cm. 174 x 223PROVENIENZAIllustre famiglia romanaI dipinti in esame costituiscono due interessanti testimonianze della cultura paesaggistica romana databili tra la seconda metà e la fine del XVII secolo. I soggetti inseriti tra le antiche rovine sono tratti dalla storia romana e dal poema del Tasso, per cui le vicende narrate conferiscono un carattere lirico teatrale alla composizione, attraverso la contrapposizione tra dramma e la poetica espressa dal paesaggio fantastico.Per quanto concerne l'impaginazione della veduta e la tipologia delle rovine rappresentate, il riferimento culturale pittorico è quello ghisolfiano. Pertanto del maestro si possono richiamare per comparazione il dipinto 'Scena classica con tempio ionico e figure', conservato a Colonia al museo Lampertz, il dipinto 'Fantasiosa veduta romana con templi, reperti e figure', conservato a Roma presso collezione Rospigliosi e il dipinto 'Rovine con fontana ed arco', conservata al museo del LouvreCONDIZIONI DEL DIPINTORintelo tardo ottocentesco. Alcune cadute di pittura e restauri nel cielo, nella parte sinistra del primo dipinto. Una caduta di pittura a destra sul colonnato, alcuni punti di restauro nella parte bassa sempre nel primo dipinto. Secondo dipinto con punti di restauro nel cielo sparsi e cadute di pittura in basso a sinistraCORNICIGrandi cornici in noce ebanizzata a bordi modanati, del XVII secolo (ferramenta coeva)BIBLIOGRAFIAAndrea Busiri Vici, Giovanni Ghisolfi (1623 - 1683), un pittore milanese di rovine romane, a cura di Flaminia Cosmelli, ed. Roma 1992, p. 74, fig. 27, p. 76, fig. 28, p. 90, fig. 46
Fine Art & Antiques
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Lose: 1-273
Lose: 274-513
Lose: 514-724
Lose: 725-892
Ort der Versteigerung
via dei Greci 2/A
Rome
0018
Italy
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