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CARLO VAN LOO (Nice 1705 - Paris 1765) BETSABEA A THE BATH Oil on canvas, cm. 38 x 55 PROVENANCE

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CARLO VAN LOO (Nice 1705 - Paris 1765) BETSABEA A THE BATH Oil on canvas, cm. 38 x 55 PROVENANCE
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Rome
CARLO VAN LOO(Nice 1705 - Paris 1765)BETSABEA A THE BATHOil on canvas, cm. 38 x 55PROVENANCEIllustrious Roman familyBIBLIOGRAPHYLe Pas de Sècheval A., La Jeunesse del Carle Vanloo (1705-1765). Atour de la Bethsabee au Bain du musèe Bossuet de Meaux, in 'La revue du Louvre', 5-6, 1997, pp. 64-71CONDITIONS OF THE PAINTINGRecent re-lining. A thin line of restoration in vertical sense. The painting is in good state of conservationFRAMEGiltwood frame with edges to palmette and garland of pods, of the 18th century (regilding)The painting is accompanied by a report on the work released from the Ministry of the Goods and the Cultural Activities in Rome and from contextual denial to the free circulation, in date 26/10/2016CARLO VAN LOO(Nizza 1705 - Parigi 1765)BETSABEA AL BAGNOOlio su tela, cm. 38 x 55PROVENIENZAIllustre famiglia romanaIl dipinto oggetto di questa relazione va collocato nei primi anni della carriera di Carlo Van Loo, tra il 1720, anno in cui risiede presso i principi di Carignano all’Hotel de Soisson a Parigi, e il 1728, anno in cui si trasferisce a Roma presso l’Accadémie de France come vincitore del Grand Prix. In questa opera, dall’accentuato luminismo e l’impostazione dal tratto compendiario ma elaborato fino al virtuosismo, si può riconoscere una prima idea per la Betsabea tra le sue ancelle sviluppata in formato più grande e in modo finito nella tela conservata oggi presso il Muséee Bossuet a Meaux. Ma ancor più della tela finita questa opera dimostra quanto a fondo Van Loo abbia portato la riflessione sulla pittura Veneta del Cinquecento.Considerata la rarità delle opere di questo artista nelle collezioni italiane, l’opera in questione appare di particolare interesse non solo per i motivi sopra esposti, ma anche quale testimonianza di un linguaggio figurativo particolarmente apprezzato presso l’entourage dei Savoia nei primi decenni del Settecento, già prima della commissione del 1733 della serie dei dipinti destinati al Palazzo Reale.(scheda tratta dalla relazione del Ministero dei Beni Culturali)BIBLIOGRAFIALe Pas de Sècheval A., La Jeunesse del Carle Vanloo (1705-1765). Atour de la Bethsabee au Bain du musèe Bossuet de Meaux, in 'La revue du Louvre', 5-6, 1997, pp. 64-71CONDIZIONI DEL DIPINTORintelo recente. Una sottile linea di restauro in senso verticale. Il dipinto è in buono stato di conservazioneCORNICECornice in legno dorato con bordi a palmette e ghirlanda di baccelli, del XVIII secolo (ridoratura)Il dipinto è accompagnato da relazione sull'opera rilasciata dal Ministero dei Beni e delle Attività Culturali di Roma e da contestuale diniego alla libera circolazione, in data 26/10/2016
CARLO VAN LOO(Nice 1705 - Paris 1765)BETSABEA A THE BATHOil on canvas, cm. 38 x 55PROVENANCEIllustrious Roman familyBIBLIOGRAPHYLe Pas de Sècheval A., La Jeunesse del Carle Vanloo (1705-1765). Atour de la Bethsabee au Bain du musèe Bossuet de Meaux, in 'La revue du Louvre', 5-6, 1997, pp. 64-71CONDITIONS OF THE PAINTINGRecent re-lining. A thin line of restoration in vertical sense. The painting is in good state of conservationFRAMEGiltwood frame with edges to palmette and garland of pods, of the 18th century (regilding)The painting is accompanied by a report on the work released from the Ministry of the Goods and the Cultural Activities in Rome and from contextual denial to the free circulation, in date 26/10/2016CARLO VAN LOO(Nizza 1705 - Parigi 1765)BETSABEA AL BAGNOOlio su tela, cm. 38 x 55PROVENIENZAIllustre famiglia romanaIl dipinto oggetto di questa relazione va collocato nei primi anni della carriera di Carlo Van Loo, tra il 1720, anno in cui risiede presso i principi di Carignano all’Hotel de Soisson a Parigi, e il 1728, anno in cui si trasferisce a Roma presso l’Accadémie de France come vincitore del Grand Prix. In questa opera, dall’accentuato luminismo e l’impostazione dal tratto compendiario ma elaborato fino al virtuosismo, si può riconoscere una prima idea per la Betsabea tra le sue ancelle sviluppata in formato più grande e in modo finito nella tela conservata oggi presso il Muséee Bossuet a Meaux. Ma ancor più della tela finita questa opera dimostra quanto a fondo Van Loo abbia portato la riflessione sulla pittura Veneta del Cinquecento.Considerata la rarità delle opere di questo artista nelle collezioni italiane, l’opera in questione appare di particolare interesse non solo per i motivi sopra esposti, ma anche quale testimonianza di un linguaggio figurativo particolarmente apprezzato presso l’entourage dei Savoia nei primi decenni del Settecento, già prima della commissione del 1733 della serie dei dipinti destinati al Palazzo Reale.(scheda tratta dalla relazione del Ministero dei Beni Culturali)BIBLIOGRAFIALe Pas de Sècheval A., La Jeunesse del Carle Vanloo (1705-1765). Atour de la Bethsabee au Bain du musèe Bossuet de Meaux, in 'La revue du Louvre', 5-6, 1997, pp. 64-71CONDIZIONI DEL DIPINTORintelo recente. Una sottile linea di restauro in senso verticale. Il dipinto è in buono stato di conservazioneCORNICECornice in legno dorato con bordi a palmette e ghirlanda di baccelli, del XVIII secolo (ridoratura)Il dipinto è accompagnato da relazione sull'opera rilasciata dal Ministero dei Beni e delle Attività Culturali di Roma e da contestuale diniego alla libera circolazione, in data 26/10/2016

Old Master Paintings, Silverware, Jewels and Watches

Auktionsdatum
Lose: 1-197
Ort der Versteigerung
via dei Greci 2/A
Rome
0018
Italy

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