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The Wonderful Wizard of Oz. Chicago & New York: Geo. M. Hill Co., 1900. First edition, first state text, inscribed by the illustrator W.W. Denslow on the front blank and signed with his monogram in 1904. Original publisher's pale green cloth stamped in green and red, in Hanff's binding "A" with the publisher's name in unserifed type in green (the binding associated with presentation copies), the front endpapers in black and gray, the rear endpapers in back and red with the facing pages blank, housed in a morocco backed case. 8 3/8 x 6 3/8 inches (21 x 16 cm); [261] pp., with 24 inserted color plates including the title page (verso blank, the plate at p. 34 in the corrected state without the two blue spots, the plate at p. 92 in the first state with red shading on the horizon) and much in text illustration, all by W.W. Denslow. As noted by Blanck, the first plate here faces page 12 rather than page 14. The plates are coated on the fronts only except the plate facing p. 34. This copy with perfect type to the last lines of pages 100 and 186 (reported as battered in later printings). Likely recased with the original endpapers laid-down and with some replacement along gutter, light thumbsoiling to the inscribed leaf, a few short tears to plates, one mended, the text generally quite clean, short tear to p. 227, the cloth rubbed and the spine tips strengthened, pleasingly restored overall.
The first edition, first state of L. Frank Baum's The Wonderful Wizard of Oz with a rare early inscription from the illustrator William Wallace Denslow. The volume has the following first state points to the text: the publisher's ads are enclosed in a box; page 14, line 1 has"low wait on..."; page 81, fourth line from bottom has "pieces"; page [227], line 1 begins "While Tin Woodman"; the colophon at the end is 11 lines set within a box. The binding is also first state with the publisher's name in unserifed type in green at the foot of the spine. Per Hanff and Greene's Bibliographica OZiana, this first binding is "associated with the earliest dated presentation copies." We trace no other copy of the first edition inscribed by Denslow and, despite being inscribed in 1904, perhaps this was one of the copies given to him upon publication. Beyond the inserted plates, the book is wonderfully illustrated by Denslow with dynamic drawings that move across the text pages and excellent chapter headings and initials. The smaller publishing house of George M. Hill was chosen over larger publishers in order to maintain control of the book's design and production and for this the first edition is bibliographically complex as the binding, plates, and text illustrations were quickly altered and corrected upon issue. In this copy, Denslow has inscribed the book and drawn a large example of his seahorse monogram which appears on virtually every illustration. Clearly, Denslow's imagining of the Baum's characters helped The Wonderful Wizard of Oz become an instant success and the first in a long line of subsequent Oz books not to mention the ifluence of his designs on the costuming of Dorothy, Tin Man, and the Cowardly Lion in the 1939 film. Hanff/Greene, Bibliographica OZiana, 2002 edition, p. 25; Blanck p. 111-113.
Für Doyle New York Versandinformtation bitte wählen Sie +1 2124272730.
NEW YORK, NY -- Doyle will present an auction of Rare Books, Autographs & Maps on Friday, April 11, 2025 at 10am. The sale includes an extensive collection of illustrated books and fine bindings, many from a private collection purchased at auction in the 1970s and off the market until the present time. Here are copies of the first edition of Nerciat’s erotic classic Le Diable au Corps, and an early and curiously illustrated edition of the exceedingly naughty Academie des Dames. From the same collection comes a splendid Levitzky binding with batik endpapers on a work illustrated by Georges Barbier, with an original watercolor by the master. Many finely bound sets are featured in the sale, most notably an exceptionally luxurious set of Charles Dickens, one of 15 copies bound in sixty volumes, in superb red levant morocco with onlays.
As usual, the sale includes a selection of interesting maps and atlases, such as a copy of Turgot’s 1734 bird’s eye plan of Paris, and a finely colored celestial map by Andreas Cellarius. Additionally, there is a sizable group of globes and instruments in the auction, including a pair of 15-inch library globes and a 20-inch celestial globe by Cary, as well as three English pocket globes, a “dissected” paper globe, and a collection of rare pocket-sized navigational instruments and sundials, notably an exquisite 17th century silver “Butterfield” type sundial by the Parisian instrument maker Pierre Sevin.
One lot that bears special note is the Latin grammar owned by the young Henri de Toulouse-Lautrec, used by him while studying for his baccalaureate examination. In this, the artist has penned hundreds of tiny ink sketches, ranging from studies of horses to caricatured faces. Toulouse-Lautrec was 16 to 17 years old at the time, and his genius was just starting to declare itself, evident in the precocious studies of horses in this work, which make the annotations far more compelling than mere juvenalia.
Also, in the auction are selections of Americana, travels and voyages, and a wide range of early printing. In this last category, a complete copy of Graevius’s great 1722 work on Venice is offered, the Splendor Magnificentissimae Urbis Venetiarum Clarissimus with the two large folding plates of the city and all the double-page views of piazzas and palazzos.
The Collection of President Gerald R. Ford and First Lady Betty Ford
Property from the Collection of President Gerald R. Ford and First Lady Betty Ford offers approximately 75 lots of signed books and memorabilia relating to the political career of President Ford and watches, jewelry, and decorative items owned by and gifted to the Fords. Of note is Gerald Ford’s copy of the Official Report of the Warren Commission, of which he was a member, inscribed to him with appreciation from President Lyndon Johnson and each member of the commission. It was John “Jack” Ford who brought George Harrison to the White House, the first of the Beatles to visit, and offered in the sale are two inscribed books on Eastern thought. Of the jewelry, President Ford’s Omega and Piaget watches are offered, as is a sapphire ring that belonged to First Betty Ford. Among the gifts presented to the Fords on their world travels are jewelry items and keepsakes from Jordan and Oman, several in high karat gold. View Lots
Order of Sale
Lots 1–8 Sports and mountaineering
Lots 9–45 Americana
Lots 46–57 Travel
Lots 58–73 Maps and atlases, globes and instruments
Lots 74–114 Antiquarian books and manuscripts
Lots 115–120 Economics and the World Wars
Lots 121–163 Literature (including literary autographs)
Lots 164–178 Color plate books
Lots 179–189 Library sets
Lots 190–215 Fine bookbindings: English, French and Russian
Lots 216–220 Fore-edge paintings
Lots 221–233 Curiosa
Lots 234–249 Limited Editions Club
Lots 250–261 Private press and fine printing
Lots 262–276 Illustration and children's books
Lots 277–280 Applied Art
Lots 281–306 Books on Fine Art and Livres d'artistes
Lots 307–318 American autographs
Lots 319–340 American Presidential documents and signatures
Lots 340–End Property from the Collection of President Gerald R. Ford and First Lady Betty Ford
Terms & Conditions
SHOW MORESale Notice
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The Wonderful Wizard of Oz. Chicago & New York: Geo. M. Hill Co., 1900. First edition, first state text, inscribed by the illustrator W.W. Denslow on the front blank and signed with his monogram in 1904. Original publisher's pale green cloth stamped in green and red, in Hanff's binding "A" with the publisher's name in unserifed type in green (the binding associated with presentation copies), the front endpapers in black and gray, the rear endpapers in back and red with the facing pages blank, housed in a morocco backed case. 8 3/8 x 6 3/8 inches (21 x 16 cm); [261] pp., with 24 inserted color plates including the title page (verso blank, the plate at p. 34 in the corrected state without the two blue spots, the plate at p. 92 in the first state with red shading on the horizon) and much in text illustration, all by W.W. Denslow. As noted by Blanck, the first plate here faces page 12 rather than page 14. The plates are coated on the fronts only except the plate facing p. 34. This copy with perfect type to the last lines of pages 100 and 186 (reported as battered in later printings). Likely recased with the original endpapers laid-down and with some replacement along gutter, light thumbsoiling to the inscribed leaf, a few short tears to plates, one mended, the text generally quite clean, short tear to p. 227, the cloth rubbed and the spine tips strengthened, pleasingly restored overall.
The first edition, first state of L. Frank Baum's The Wonderful Wizard of Oz with a rare early inscription from the illustrator William Wallace Denslow. The volume has the following first state points to the text: the publisher's ads are enclosed in a box; page 14, line 1 has"low wait on..."; page 81, fourth line from bottom has "pieces"; page [227], line 1 begins "While Tin Woodman"; the colophon at the end is 11 lines set within a box. The binding is also first state with the publisher's name in unserifed type in green at the foot of the spine. Per Hanff and Greene's Bibliographica OZiana, this first binding is "associated with the earliest dated presentation copies." We trace no other copy of the first edition inscribed by Denslow and, despite being inscribed in 1904, perhaps this was one of the copies given to him upon publication. Beyond the inserted plates, the book is wonderfully illustrated by Denslow with dynamic drawings that move across the text pages and excellent chapter headings and initials. The smaller publishing house of George M. Hill was chosen over larger publishers in order to maintain control of the book's design and production and for this the first edition is bibliographically complex as the binding, plates, and text illustrations were quickly altered and corrected upon issue. In this copy, Denslow has inscribed the book and drawn a large example of his seahorse monogram which appears on virtually every illustration. Clearly, Denslow's imagining of the Baum's characters helped The Wonderful Wizard of Oz become an instant success and the first in a long line of subsequent Oz books not to mention the ifluence of his designs on the costuming of Dorothy, Tin Man, and the Cowardly Lion in the 1939 film. Hanff/Greene, Bibliographica OZiana, 2002 edition, p. 25; Blanck p. 111-113.
Für Doyle New York Versandinformtation bitte wählen Sie +1 2124272730.
NEW YORK, NY -- Doyle will present an auction of Rare Books, Autographs & Maps on Friday, April 11, 2025 at 10am. The sale includes an extensive collection of illustrated books and fine bindings, many from a private collection purchased at auction in the 1970s and off the market until the present time. Here are copies of the first edition of Nerciat’s erotic classic Le Diable au Corps, and an early and curiously illustrated edition of the exceedingly naughty Academie des Dames. From the same collection comes a splendid Levitzky binding with batik endpapers on a work illustrated by Georges Barbier, with an original watercolor by the master. Many finely bound sets are featured in the sale, most notably an exceptionally luxurious set of Charles Dickens, one of 15 copies bound in sixty volumes, in superb red levant morocco with onlays.
As usual, the sale includes a selection of interesting maps and atlases, such as a copy of Turgot’s 1734 bird’s eye plan of Paris, and a finely colored celestial map by Andreas Cellarius. Additionally, there is a sizable group of globes and instruments in the auction, including a pair of 15-inch library globes and a 20-inch celestial globe by Cary, as well as three English pocket globes, a “dissected” paper globe, and a collection of rare pocket-sized navigational instruments and sundials, notably an exquisite 17th century silver “Butterfield” type sundial by the Parisian instrument maker Pierre Sevin.
One lot that bears special note is the Latin grammar owned by the young Henri de Toulouse-Lautrec, used by him while studying for his baccalaureate examination. In this, the artist has penned hundreds of tiny ink sketches, ranging from studies of horses to caricatured faces. Toulouse-Lautrec was 16 to 17 years old at the time, and his genius was just starting to declare itself, evident in the precocious studies of horses in this work, which make the annotations far more compelling than mere juvenalia.
Also, in the auction are selections of Americana, travels and voyages, and a wide range of early printing. In this last category, a complete copy of Graevius’s great 1722 work on Venice is offered, the Splendor Magnificentissimae Urbis Venetiarum Clarissimus with the two large folding plates of the city and all the double-page views of piazzas and palazzos.
The Collection of President Gerald R. Ford and First Lady Betty Ford
Property from the Collection of President Gerald R. Ford and First Lady Betty Ford offers approximately 75 lots of signed books and memorabilia relating to the political career of President Ford and watches, jewelry, and decorative items owned by and gifted to the Fords. Of note is Gerald Ford’s copy of the Official Report of the Warren Commission, of which he was a member, inscribed to him with appreciation from President Lyndon Johnson and each member of the commission. It was John “Jack” Ford who brought George Harrison to the White House, the first of the Beatles to visit, and offered in the sale are two inscribed books on Eastern thought. Of the jewelry, President Ford’s Omega and Piaget watches are offered, as is a sapphire ring that belonged to First Betty Ford. Among the gifts presented to the Fords on their world travels are jewelry items and keepsakes from Jordan and Oman, several in high karat gold. View Lots
Order of Sale
Lots 1–8 Sports and mountaineering
Lots 9–45 Americana
Lots 46–57 Travel
Lots 58–73 Maps and atlases, globes and instruments
Lots 74–114 Antiquarian books and manuscripts
Lots 115–120 Economics and the World Wars
Lots 121–163 Literature (including literary autographs)
Lots 164–178 Color plate books
Lots 179–189 Library sets
Lots 190–215 Fine bookbindings: English, French and Russian
Lots 216–220 Fore-edge paintings
Lots 221–233 Curiosa
Lots 234–249 Limited Editions Club
Lots 250–261 Private press and fine printing
Lots 262–276 Illustration and children's books
Lots 277–280 Applied Art
Lots 281–306 Books on Fine Art and Livres d'artistes
Lots 307–318 American autographs
Lots 319–340 American Presidential documents and signatures
Lots 340–End Property from the Collection of President Gerald R. Ford and First Lady Betty Ford
Terms & Conditions
SHOW MORESale Notice
Stichworte: Book