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144 Los(e)
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  • Galerie
  • 144 Los(e)
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THE ENTOMBMENT (BARSCH 3; HIND 2; MARTINEAU 39)Engraving and drypoint, circa 1470, on laid paper with PM watermark (Hind 136), a good 16th century...

THE HEAD OF CHRIST CROWNED WITH THORNS (BARTSCH APP. 26-27 (DÜRER); PAULI 829)Woodcut, circa 1520, on laid paper with Pinecone with Shield and Cro...

THE BATHERS (BARTSCH, HOLLSTEIN 195; HIND 250; NEW HOLLSTEIN 258)Etching, 1651, on laid paper, a very good impression, with small to thread margin...

THE LITTLE MAST (KENNEDY 185; GLASGOW 196)Etching and drypoint printed in dark brown, 1879-80, on laid paper, a fine impression, signed with the b...

WOMAN FROM THE ISLANDS (NOT IN DONOVAN)Color white-line woodcut, circa 1916, on Japan paper, signed and inscribed imp in pencil, with full margins...

VILLAGE ELMS, EASTHAMPTON (CORTISSOZ/CLAYTON 222)Etching, 1923, on wove paper, signed with the artist's cipher and inscribed imp in pencil, with t...

NIGHT WATCH (BURNE-JONES 34)Wood engraving, 1929, on wove paper with watermark, signed in pencil, from the edition of 120, with full margins, fram...

CAFÉ DU DÔME; THEATRE PALAIS ROYAL (SASOWSKY 2; 7)Two lithographs, 1928, on Chine appliqué on wove paper, signed and inscribed 30 Proofs in pencil...

JOAN (THE TABLOID) (SASOWSKY 109)Etching, 1931, on laid paper, signed and numbered #3 in pencil, from the edition of 15, with margins, unframed.Pl...

IRON STEAMBOAT CO. (SASOWSKY 131)Etching, 1932, on wove paper, signed, titled and numbered #6 in pencil, from the edition of approximately 20, wit...

DERRICKS AT NIGHT (MCCARRON 62)Drypoint, 1927, on cream wove paper, signed and dedicated in pencil, second state of two, from the edition of appro...

HELL GATE BRIDGE (FLINT 12)Lithograph, 1928, on BFK Rives paper, signed and dated in pencil, with full margins, framed.Image 13 1/16 x 9 7/8 inche...

CORNER OF STEEL PLANT (FLINT 21)Lithograph, 1929, on BFK Rives paper, signed, dated and numbered 19/25 in pencil, with full margins, framed.Image ...

WHITE TANKS; ABOVE THE CITY (FLINT 76; 88) Two lithographs, 1930 and 1932, respectively, on Rives paper, the first signed, dated and numbered 3/50...

BROOKLYN BRIDGE IN WINTER (STUCKEY 255)Lithograph, 1959, on wove paper, signed and inscribed Ed/60 in pencil, with wide margins, framed.Image 10 5...

MARCH (COLE 14)Lithograph, 1939, on wove paper, signed in pencil, from the edition of 250, published by Associated American Artists, New York, wit...

AFTER THE BLOW (FATH 70)Lithograph, 1946, on wove paper, signed in pencil, from the edition of 250, published by Associated American Artists, New ...

THE LOBSTER FISHERMAN (ZIGROSSER 172)Etching, 1948, on wove paper, signed and numbered 8-125 in pencil, from John Marin: Drawings and Watercolors,...

LE COIFFEUR (PROGRAMME DU THEATRE LIBRE) (DELTEIL 14; ADHEMAR 40; WITTROCK 15; ADRIANI 40)Color lithograph, 1894, on wove paper, from the edition ...

LA LOGE AU MASCARON DORE (DELTEIL 16; ADHEMAR 73; WITTROCK 16; ADRIANI 69)Color lithograph, 1894, on wove paper, from the edition of unknown size,...

UN MONSIEUR ET UNE DAME, PROGRAMME POUR L'ARGENT (DELTEIL 15; ADHEMAR 148; WITTROCK 97; ADRIANI 133)Color lithograph, 1895, on wove paper, from th...

Estate / Collection: Collection of a Central Park South Artist TÊTES BYZANTINES: BRUNETTE, BLONDE (RENNERT/WEILL 40)Two color lithographs, 1897, o...

LA PRIMEVERE ET LA PLUME (THE PRIMROSE AND THE QUILL) (RENNERT/WEILL 64)Two color lithographs, 1899, on wove paper, laid on card, printed by F. Ch...

LA TOPAZE (TOPAZ); LE RUBIS (RUBY); L'AMETHYSTE (AMETHYST); L'EMERAUDE (EMERALD) (RENNERT/WEILL 73)Four color lithographs, 1900, on wove paper, la...

LESLIE CARTER (RENNERT/WEILL 94)Color lithograph, 1908, on two joined sheets of wove paper, laid on linen, printed by The Strobridge Lithographic ...

Estate / Collection: Collection of Dr. Ellyn Berk and Raymond Heslin LE CLOCHER DE SAINT-TROPEZ (KORNFELD/WICK 17)Etching and aquatint printed in ...

CLAUDE RENOIR, LA TÊTE BAISÉE (DELTEIL, STELLA 39)Lithograph, 1904, on wove paper, with the artist's ink stamp signature (Lugt 2137a), the second ...

AUF DEM TISCH (ON THE TABLE); UNTITLEDEtching and a color lithograph, the first 1923, on cream wove paper, the first signed in pencil, the edition...

Estate / Collection: Estate of Betty A. Prashker KLEINE WELTEN III (ROETHEL 166)Color lithograph, 1922, on wove paper, signed in pencil, from the ...

ZOTTELSTEDT (PRASSE W 51)Woodcut, 1920, on tan wove paper, signed, titled and inscribed with the artist's work number 1837 in pencil, with Feining...

DAS SCHIFF MIT SONNE (THE SHIP WITH SUN) (PRASSE W198)Woodcut, 1920, on tissue-thin Japan paper, signed, also signed with artist's insignia, and i...

HAFEN MIT BOOTEN UND ANGLERN (HARBOR WITH BOATS AND ANGLERS) (PRASSE W207)Woodcut, 1920, tan carbon copy paper, signed, also signed with artist's ...

TOILETTE (HOFMAIER 258)Woodcut, 1923, heavy wove paper, signed in pencil, published by J.B. Neumann, Berlin, with full margins, framed.Image 8 7/8...

ÉTUDE DE NU (BOUVET 97)Lithograph, circa 1925, on simili-Japan paper, signed and numbered 3/25 in pencil, from the second state of two, published ...

LA COUPE ET LE COMPOTIER (THE PITCHER AND THE FRUIT DISH) (ROGERS-MARX 80; BOUVET 93)Lithograph, 1925, on Japan paper, signed in pencil, a rare tr...

NU, LES BRAS SUR LA TÊTE (DUTHUIT 106)Etching, 1926, on Chine appliqué on wove paper, signed and numbered 5/15 in pencil, with full(?) margins, fr...

AKT MIT FÄCHER (KORNFELD 39)Etching and drypoint, 1924, on Japan paper, signed and numbered 4/100 in pencil, the first state of two, from the edit...

DAVID DEVANT SAÜL (SEE CRAMER BOOKS 30)Hand-colored etching, 1958, on Arches paper, signed with initials and numbered II/V in pencil, from La Bibl...

FRONTISPIECE (MOURLOT 308) Color lithograph, 1961, on Arches paper, signed and numbered 14/60 in pencil, from Daphnis and Chloé, printed by Mourlo...

L'ARONDELLE (MOURLOT 319; SEE CRAMER BOOKS 46)Color lithograph, 1961, on Arches paper, the edition of 250, from Daphnis et Chloe, published by Ter...

LE MARTYR (MOURLOT 618)Color lithograph, 1970, on wove paper, signed and numbered 8/50 in pencil, with good margins, framed.Image 26 5/8 x 20 1/4 ...

CELUI QUI DIT LES CHOSES SANS RIEN DIRE (CRAMER BOOKS 99)Color etching and aquatint, 1975, on Japon Impérial paper, signed and numbered 15/25 in p...

THE TRIBE OF BENJAMIN (SORLIER 23)Color lithograph by Charles Sorlier, 1964, on Arches paper, signed and numbered 122/150 in pencil, from Twelve M...

SUR LA PLAGE I (DEUX NUS) (BLOCH 42; BAER 230)Lithograph, 1921, on cream Van Gelder Zonen wove paper, signed and numbered 3/50 in pencil, from Qua...

DEUX NU ASSIS (BLOCH 133; BAER 200)Etching, 1930, on BFK Rives paper watermarked A.B.V., signed in pencil, one of 15 artist's proofs aside from th...

SCULPTEUR AVEC COUPLE ET MODELE ACCROUPI (BLOCH 152; BAER 304)Etching, 1933, on Montval laid paper watermarked Vollard, signed in pencil, from La ...

LYSISTRATA (BLOCH 267-272; CRAMER BOOKS 24)Complete portfolio of six etchings (the first with aquatint), 1934, on Rives BFK paper, signed in penci...

BACCHANALE AU HIBOU (BLOCH 938; BAER 1265)Color linocut, 1959, on Arches paper, signed and numbered 23/50 in pencil, printed by Arnéra, Vallauris,...

LES DANSEURS AU HIBOU (BLOCH 936; BAER 1256)Linocut printed in brown and black, 1959, on Arches paper, signed and numbered 7/50 in pencil, publish...

LA PETITE BACCHANAL (BLOCH 1020); BAER 1250)Color linocut, 1959-61, on cream Arches paper, signed and numbered 4/50 in pencil, published by Galeri...

FEMME NUE DÉBOUT (BLOCH 1107; BAER 1338)Color linocut, 1963, on Arches paper, signed and numbered 32/50 in pencil, printed by Hidalgo Arnéra, Vall...

EL ENTIERRO DEL CONDE DEL ORGAZ (BLOCH 1465-1477; BAER 1377-1391; CRAMER BKS. 146)Complete set of 12 etchings and one drypoint, 1969, with an addi...

MOUSQUETAIRE, ABBÉ EN PRIÈRE, VIEILLARD À LA CHOUETTE ET ODALISQUE: MÉDUSE, VIERGE OU SIMPLE FEMME? (BLOCH 1900; BAER 1906)Etching, 1970, on Rives...

FILLES ENTRE ELLES, DONT UNE AVEC UNE FLEUR (BLOCH 1979; BAER 1988)Drypoint, 1971, on Rives paper, with artist's stamped signature and numbered 16...

TÊTE DE BOUFFONColor lithograph, 1964, on cream Rives BFK paper, signed in blue crayon and numbered 177/200 in pencil, with full margins, unframed...

DANSEUSE NAINE (CZWIKLITZER 234)Color offset lithograph, 1966, on Arches paper, signed and numbered XL/LX in pencil, from Barcelona Suite, publish...

PICADOR ET TAUREAU (ALAIN RAMIÉ 101)Red ceramic plaque, 1950, from the edition of 100, incised Empreinte Originale de Picasso.3 1/8 x 3 inches; 79...

CHOUETTON (ALAIN RAMIÉ 135)Painted and partially glazed white ceramic vase, 1952, from the edition of 500, inscribed Edition Picasso and Madoura, ...

SUJET POISSON (ALAIN RAMIÉ 139)Partially painted red ceramic pitcher, 1952, inscribed Edition Picasso, with the Edition Picasso and Madoura Plein ...

OISEAU AU SOLEIL (ALAIN RAMIÉ 174)Painted and partially glazed white ceramic dish, 1952, from the edition of 500, incised Edition Picasso, with th...

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