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French, 1796-1875
Essoye (Aube). La vanne, circa 1870
Signed COROT (ll)
Oil on canvas
19 3/4 x 15 7/8 inches (50.2 x 40.3 cm)
Provenance:
with M. Knoedler & Co., New York
Catlin collection, New York, circa 1900; thence by descent in the family
Sale, Christie's, London, Jun. 15, 2011, lot 216
[Sale], Christie's, New York, Oct. 12, 2011, Lot 29
Literature:
Martin Dieterle and Claire Lebeau, Corot, sixieme supplement, no. 116
In the opinion of Martin Dieterle and Claire Lebeau, this work is a further variant of Robaut 1985 (tome 3, pp. 234-235.)
According to the Christie's catalogue:
"This work will be included in the 6th supplement to the Corot catalogue raisonné which is currently in preparation under 'Painted in collaboration with'. Essoye (Aub) La vanne is considered by Martin Dieterle to be a variant, or réplique of Robaut no. 1984. Martin Dieterle has indicated that the present painting was executed in the early 1870s with at least one of Corot's students and under his close supervision. Although it is not possible to determine with certainty which student could have helped with the painting, the names Achille Franois Oudinot (1820-1891), Eugene Antoine Lavieille (1820- 1889) or perhaps Alfred Robaut (1830-1909) have been mentioned. Corot asked for assistance on certain works at this time not because of any need on his part, but solely to provide financial assistance to his students at a very difficult time. After the end of the Paris Commune of 1871, commissions for lesser known artists were scarce in Paris. Of course, this did not affect an artist of Corot's stature, who was still in great demand both in Paris and abroad, but by allowing his students to participate in already existing commissions, the master provided a way for the students to still earn a living through their art. Corot was well-known for his generosity and there is no better proof of it than these later collaborations. In a correspondence of August 9th, 2011, Martin Dieterle indicates that for him 'even if we cannot consider it entirely by Corot, [it] has a great charm and is of very good quality. I think that it is a large part by Corot'. This work will be included in the 6th supplement to the Corot catalogue raisonné which is currently in preparation under 'Painted in collaboration with'."
Glue lined; could use a light cleaning; there is scattered surface accretions along the bottom edge; there is a one inch area of restoration over an old tear in the upper right center of the sky; there may be a small spot of inpainting at the bottom right center; no further apparent restoration.
Für Doyle New York Versandinformtation bitte wählen Sie +1 2124272730.
NEW YORK, NY -- Doyle will hold an auction of Important Fine Art on Wednesday, May 14, 2025 at 11am. The sale will present an exceptional selection of artworks spanning the mid-19th to the late 20th century.
Starting with major Dusseldorf School and Orientalist paintings "en plain air," the sale will offer a series of wild life paintings and sculptures by famous artists from the era. Impressionist and Modernist works from the turn of the century include master paintings by Modernist cannon artists such as Pierre Pissarro, Mary Cassatt, Kees Van Dongen and Salvador Dali, along with a selection of works on paper and sculpture by European and American artists. Blending into Post-War & Contemporary Art, the auction will also showcase iconic paintings and sculptures by leading American and European artists of the 20th Century, including Helen Frankenthaler, Louise Nevelson, Henry Moore and Man Ray. Some of works being offered will be coming to the market for the first time in nearly 40 years.
Highlighting the auction is an exceptional 1980 work on canvas by Helen Frankenthaler. Vista showcases Frankenthaler's technique at mid-career. Aptly named, Vista intimates an abstracted landscape, with a bold horizon line and Frankenthaler's trademarked splashes of high-key colors. Frankenthaler's stain technique is on full display, balanced by bold accents of crisp white that build onto the surface and break through the picture plane. "Vista" finds Frankenthaler at her best: building an amorphous and dreamlike setting yet focusing on bursts of color with a commanding presence.
Also featured is Turkish Silvertrees (Gulluk), a 1981 work on canvas by March Avery. Continuing the practice of parents Milton and Sally, March Avery builds an abstracted landscape with striking forms and bold color.
A 1920 work on canvas by Kees van Dongen finds the Fauvist master at his most delightful: a colorful scene of a woman tending to a pair of white rabbits. A favored portraitist for the high-society ladies following WWI, van Dongen was keenly able to capture beauty and elegance in his lush compositions.
A rare pastel by Mary Cassatt finds the Pennsylvania modernist taking cues from the Impressionists, and exploring intimate interiors with women at the forefront. Deeply involved in the new feminism of the 19th century and deeply involved in the Suffrage movement, Cassatt focused her output of this period on depicting women at work. Sewing in the Conservancy showcases Cassatt's masterful usage of color while creating a scene with quiet grace.
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French, 1796-1875
Essoye (Aube). La vanne, circa 1870
Signed COROT (ll)
Oil on canvas
19 3/4 x 15 7/8 inches (50.2 x 40.3 cm)
Provenance:
with M. Knoedler & Co., New York
Catlin collection, New York, circa 1900; thence by descent in the family
Sale, Christie's, London, Jun. 15, 2011, lot 216
[Sale], Christie's, New York, Oct. 12, 2011, Lot 29
Literature:
Martin Dieterle and Claire Lebeau, Corot, sixieme supplement, no. 116
In the opinion of Martin Dieterle and Claire Lebeau, this work is a further variant of Robaut 1985 (tome 3, pp. 234-235.)
According to the Christie's catalogue:
"This work will be included in the 6th supplement to the Corot catalogue raisonné which is currently in preparation under 'Painted in collaboration with'. Essoye (Aub) La vanne is considered by Martin Dieterle to be a variant, or réplique of Robaut no. 1984. Martin Dieterle has indicated that the present painting was executed in the early 1870s with at least one of Corot's students and under his close supervision. Although it is not possible to determine with certainty which student could have helped with the painting, the names Achille Franois Oudinot (1820-1891), Eugene Antoine Lavieille (1820- 1889) or perhaps Alfred Robaut (1830-1909) have been mentioned. Corot asked for assistance on certain works at this time not because of any need on his part, but solely to provide financial assistance to his students at a very difficult time. After the end of the Paris Commune of 1871, commissions for lesser known artists were scarce in Paris. Of course, this did not affect an artist of Corot's stature, who was still in great demand both in Paris and abroad, but by allowing his students to participate in already existing commissions, the master provided a way for the students to still earn a living through their art. Corot was well-known for his generosity and there is no better proof of it than these later collaborations. In a correspondence of August 9th, 2011, Martin Dieterle indicates that for him 'even if we cannot consider it entirely by Corot, [it] has a great charm and is of very good quality. I think that it is a large part by Corot'. This work will be included in the 6th supplement to the Corot catalogue raisonné which is currently in preparation under 'Painted in collaboration with'."
Glue lined; could use a light cleaning; there is scattered surface accretions along the bottom edge; there is a one inch area of restoration over an old tear in the upper right center of the sky; there may be a small spot of inpainting at the bottom right center; no further apparent restoration.
Für Doyle New York Versandinformtation bitte wählen Sie +1 2124272730.
NEW YORK, NY -- Doyle will hold an auction of Important Fine Art on Wednesday, May 14, 2025 at 11am. The sale will present an exceptional selection of artworks spanning the mid-19th to the late 20th century.
Starting with major Dusseldorf School and Orientalist paintings "en plain air," the sale will offer a series of wild life paintings and sculptures by famous artists from the era. Impressionist and Modernist works from the turn of the century include master paintings by Modernist cannon artists such as Pierre Pissarro, Mary Cassatt, Kees Van Dongen and Salvador Dali, along with a selection of works on paper and sculpture by European and American artists. Blending into Post-War & Contemporary Art, the auction will also showcase iconic paintings and sculptures by leading American and European artists of the 20th Century, including Helen Frankenthaler, Louise Nevelson, Henry Moore and Man Ray. Some of works being offered will be coming to the market for the first time in nearly 40 years.
Highlighting the auction is an exceptional 1980 work on canvas by Helen Frankenthaler. Vista showcases Frankenthaler's technique at mid-career. Aptly named, Vista intimates an abstracted landscape, with a bold horizon line and Frankenthaler's trademarked splashes of high-key colors. Frankenthaler's stain technique is on full display, balanced by bold accents of crisp white that build onto the surface and break through the picture plane. "Vista" finds Frankenthaler at her best: building an amorphous and dreamlike setting yet focusing on bursts of color with a commanding presence.
Also featured is Turkish Silvertrees (Gulluk), a 1981 work on canvas by March Avery. Continuing the practice of parents Milton and Sally, March Avery builds an abstracted landscape with striking forms and bold color.
A 1920 work on canvas by Kees van Dongen finds the Fauvist master at his most delightful: a colorful scene of a woman tending to a pair of white rabbits. A favored portraitist for the high-society ladies following WWI, van Dongen was keenly able to capture beauty and elegance in his lush compositions.
A rare pastel by Mary Cassatt finds the Pennsylvania modernist taking cues from the Impressionists, and exploring intimate interiors with women at the forefront. Deeply involved in the new feminism of the 19th century and deeply involved in the Suffrage movement, Cassatt focused her output of this period on depicting women at work. Sewing in the Conservancy showcases Cassatt's masterful usage of color while creating a scene with quiet grace.
Terms & Conditions
SHOW MORESale Notice
Katalog
Stichworte: Jean-Baptiste-Camille Corot, Oil on Canvas, 19th-21st Century Art, Öl Gemälde