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American, 1844 - 1926
Sewing in the Conservancy, 1895 (also known as "Girl Knitting", "Femme tricotant", and "Jeune femme brodant")
Signed Mary Cassatt (ll)
Pastel on paper
28 1/2 x 21 1/8 inches (72.39 x 53.66cm)
Provenance:
The artist
Ambroise Vollard, Paris
Martin Fabiani, Paris
Mlle. Fouque et Mlle. Deschryvère, 1945
Galerie Charpentier, Paris, dec. 10, 1959, no. 4, illus., as Jeune femme tricotant
Galerie Motte, Geneva, Apr. 25, 1961, no. 244, illus., as Jeune femme brodant
International Gallery, Chicago, 1965
Bernice S. (Mrs. Samuel E.) Johnson, Chicago, by 1969
Ursula and R. Stanley Johnson Family Collection, Chicago
Exhibited:
Chicago, IL, International Galleries, Mary Cassatt 1844-1926: Retrospective Exhibition, Nov. - Dec., 1965, no. 10
Evanston, IL, Terra Museum of American Art, Two Hundred Years of American Painting from Private Chicago Collections, Jun. 25 - Sep. 2, 1983, no. 31, illus., as Girl Knitting
Chicago, IL, R. S. Johnson Fine Art, Mary Cassatt 1844-1826, Winter 1997-98, no. 8, illus., as Sewing in the Conservatory
West Palm Beach, FL, Norton Museum of Art, Mary Cassatt: Pastels and Drawings at the Norton Museum, Au. 19 - Oct. 30, 2006
West Palm Beach, FL, Norton Museum of Art, Between Drawing and Paintings: Pastels from the Collection, Aug. 12 - Oct. 29, 2023
Literature:
Adelyn Dohme Breeskin, Mary Cassatt: A Catalogue Raisonné of the Oils, Pastels, Watercolors, and Drawings, Washington D. C., 1970, p. 177, no. 461, illus.
This work is included as no. 620 in the Cassatt Committee's revision of Adelyn Dohme Breeskin's catalogue raisonné of the works of Mary Cassatt.
Inspected out of frame. Overall in great condition. Taped to a support board at the corners and in spots along the edges. Pinholes along the edges. Light buckling to the sheet at the corners. A light abrasion just above the hands of the subject.
Für Doyle New York Versandinformtation bitte wählen Sie +1 2124272730.
NEW YORK, NY -- Doyle will hold an auction of Important Fine Art on Wednesday, May 14, 2025 at 11am. The sale will present an exceptional selection of artworks spanning the mid-19th to the late 20th century.
Starting with major Dusseldorf School and Orientalist paintings "en plain air," the sale will offer a series of wild life paintings and sculptures by famous artists from the era. Impressionist and Modernist works from the turn of the century include master paintings by Modernist cannon artists such as Pierre Pissarro, Mary Cassatt, Kees Van Dongen and Salvador Dali, along with a selection of works on paper and sculpture by European and American artists. Blending into Post-War & Contemporary Art, the auction will also showcase iconic paintings and sculptures by leading American and European artists of the 20th Century, including Helen Frankenthaler, Louise Nevelson, Henry Moore and Man Ray. Some of works being offered will be coming to the market for the first time in nearly 40 years.
Highlighting the auction is an exceptional 1980 work on canvas by Helen Frankenthaler. Vista showcases Frankenthaler's technique at mid-career. Aptly named, Vista intimates an abstracted landscape, with a bold horizon line and Frankenthaler's trademarked splashes of high-key colors. Frankenthaler's stain technique is on full display, balanced by bold accents of crisp white that build onto the surface and break through the picture plane. "Vista" finds Frankenthaler at her best: building an amorphous and dreamlike setting yet focusing on bursts of color with a commanding presence.
Also featured is Turkish Silvertrees (Gulluk), a 1981 work on canvas by March Avery. Continuing the practice of parents Milton and Sally, March Avery builds an abstracted landscape with striking forms and bold color.
A 1920 work on canvas by Kees van Dongen finds the Fauvist master at his most delightful: a colorful scene of a woman tending to a pair of white rabbits. A favored portraitist for the high-society ladies following WWI, van Dongen was keenly able to capture beauty and elegance in his lush compositions.
A rare pastel by Mary Cassatt finds the Pennsylvania modernist taking cues from the Impressionists, and exploring intimate interiors with women at the forefront. Deeply involved in the new feminism of the 19th century and deeply involved in the Suffrage movement, Cassatt focused her output of this period on depicting women at work. Sewing in the Conservancy showcases Cassatt's masterful usage of color while creating a scene with quiet grace.
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American, 1844 - 1926
Sewing in the Conservancy, 1895 (also known as "Girl Knitting", "Femme tricotant", and "Jeune femme brodant")
Signed Mary Cassatt (ll)
Pastel on paper
28 1/2 x 21 1/8 inches (72.39 x 53.66cm)
Provenance:
The artist
Ambroise Vollard, Paris
Martin Fabiani, Paris
Mlle. Fouque et Mlle. Deschryvère, 1945
Galerie Charpentier, Paris, dec. 10, 1959, no. 4, illus., as Jeune femme tricotant
Galerie Motte, Geneva, Apr. 25, 1961, no. 244, illus., as Jeune femme brodant
International Gallery, Chicago, 1965
Bernice S. (Mrs. Samuel E.) Johnson, Chicago, by 1969
Ursula and R. Stanley Johnson Family Collection, Chicago
Exhibited:
Chicago, IL, International Galleries, Mary Cassatt 1844-1926: Retrospective Exhibition, Nov. - Dec., 1965, no. 10
Evanston, IL, Terra Museum of American Art, Two Hundred Years of American Painting from Private Chicago Collections, Jun. 25 - Sep. 2, 1983, no. 31, illus., as Girl Knitting
Chicago, IL, R. S. Johnson Fine Art, Mary Cassatt 1844-1826, Winter 1997-98, no. 8, illus., as Sewing in the Conservatory
West Palm Beach, FL, Norton Museum of Art, Mary Cassatt: Pastels and Drawings at the Norton Museum, Au. 19 - Oct. 30, 2006
West Palm Beach, FL, Norton Museum of Art, Between Drawing and Paintings: Pastels from the Collection, Aug. 12 - Oct. 29, 2023
Literature:
Adelyn Dohme Breeskin, Mary Cassatt: A Catalogue Raisonné of the Oils, Pastels, Watercolors, and Drawings, Washington D. C., 1970, p. 177, no. 461, illus.
This work is included as no. 620 in the Cassatt Committee's revision of Adelyn Dohme Breeskin's catalogue raisonné of the works of Mary Cassatt.
Inspected out of frame. Overall in great condition. Taped to a support board at the corners and in spots along the edges. Pinholes along the edges. Light buckling to the sheet at the corners. A light abrasion just above the hands of the subject.
Für Doyle New York Versandinformtation bitte wählen Sie +1 2124272730.
NEW YORK, NY -- Doyle will hold an auction of Important Fine Art on Wednesday, May 14, 2025 at 11am. The sale will present an exceptional selection of artworks spanning the mid-19th to the late 20th century.
Starting with major Dusseldorf School and Orientalist paintings "en plain air," the sale will offer a series of wild life paintings and sculptures by famous artists from the era. Impressionist and Modernist works from the turn of the century include master paintings by Modernist cannon artists such as Pierre Pissarro, Mary Cassatt, Kees Van Dongen and Salvador Dali, along with a selection of works on paper and sculpture by European and American artists. Blending into Post-War & Contemporary Art, the auction will also showcase iconic paintings and sculptures by leading American and European artists of the 20th Century, including Helen Frankenthaler, Louise Nevelson, Henry Moore and Man Ray. Some of works being offered will be coming to the market for the first time in nearly 40 years.
Highlighting the auction is an exceptional 1980 work on canvas by Helen Frankenthaler. Vista showcases Frankenthaler's technique at mid-career. Aptly named, Vista intimates an abstracted landscape, with a bold horizon line and Frankenthaler's trademarked splashes of high-key colors. Frankenthaler's stain technique is on full display, balanced by bold accents of crisp white that build onto the surface and break through the picture plane. "Vista" finds Frankenthaler at her best: building an amorphous and dreamlike setting yet focusing on bursts of color with a commanding presence.
Also featured is Turkish Silvertrees (Gulluk), a 1981 work on canvas by March Avery. Continuing the practice of parents Milton and Sally, March Avery builds an abstracted landscape with striking forms and bold color.
A 1920 work on canvas by Kees van Dongen finds the Fauvist master at his most delightful: a colorful scene of a woman tending to a pair of white rabbits. A favored portraitist for the high-society ladies following WWI, van Dongen was keenly able to capture beauty and elegance in his lush compositions.
A rare pastel by Mary Cassatt finds the Pennsylvania modernist taking cues from the Impressionists, and exploring intimate interiors with women at the forefront. Deeply involved in the new feminism of the 19th century and deeply involved in the Suffrage movement, Cassatt focused her output of this period on depicting women at work. Sewing in the Conservancy showcases Cassatt's masterful usage of color while creating a scene with quiet grace.
Terms & Conditions
SHOW MORESale Notice
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