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Dutch/French, 1877-1968
La Femme aux Lapins, circa 1921
Signed van Dongen (lr)
Oil on canvas
37 x 31 7/8 inches (92.5 x 81 cm)
Provenance:
Kees Van Dongen
Bernheim-Jeune, Paris, acquired directly from the artist in Dec. 1921 as Femme aux lapins
Sale, Palais Galliéra, Paris, Dec. 8, 1971, lot 46 (color ill.; dated circa 1920-21)
Jacques Demey, Roubaix, France, circa 1993
Sale, Pavillon Henri IV, Saint-Germain-en-Laye, Jun. 19, 1994, lot 60, as Femme aux lapins
Private collection
R.S. Johnson Fine Art, Chicago
Sale, Sotheby's, New York, May 12, 1999, lot 310
Private collection, acquired at the above sale
Private collection, New York and Palm Beach (circa May 1999)
On deposit with Norton Gallery and School of Art, West Palm Beach, FL, Apr. 24, 2006
Private collection, Palm Beach, FL, by descent, circa Aug. 2006-July 17, 2020
The Collection of a Florida Family
Exhibited:
Lille, Palais des Beaux-Arts de Lille, Un demi-siècle de Peinture Française, 1900-1950, Jun. 10 - Jul. 13, 1950, no. 124, as Femme aux lapins
Literature:
Lille, Palais des Beaux Arts, 1950, page 12
This work will be included in the forthcoming Kees van Dongen Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc., and is accompanied by a letter of inclusion in the forthcoming Digital Catalogue Raisonné, dated Apr. 21, 2025.
Overall in good condition. The canvas is relined. Surface is even and flat. isolated hairline paint loss along the edge where the frame rubbed on the canvas. Under UV light inspection, there is inline painting on the left edge measuring 1 inches.
Für Doyle New York Versandinformtation bitte wählen Sie +1 2124272730.
NEW YORK, NY -- Doyle will hold an auction of Important Fine Art on Wednesday, May 14, 2025 at 11am. The sale will present an exceptional selection of artworks spanning the mid-19th to the late 20th century.
Starting with major Dusseldorf School and Orientalist paintings "en plain air," the sale will offer a series of wild life paintings and sculptures by famous artists from the era. Impressionist and Modernist works from the turn of the century include master paintings by Modernist cannon artists such as Pierre Pissarro, Mary Cassatt, Kees Van Dongen and Salvador Dali, along with a selection of works on paper and sculpture by European and American artists. Blending into Post-War & Contemporary Art, the auction will also showcase iconic paintings and sculptures by leading American and European artists of the 20th Century, including Helen Frankenthaler, Louise Nevelson, Henry Moore and Man Ray. Some of works being offered will be coming to the market for the first time in nearly 40 years.
Highlighting the auction is an exceptional 1980 work on canvas by Helen Frankenthaler. Vista showcases Frankenthaler's technique at mid-career. Aptly named, Vista intimates an abstracted landscape, with a bold horizon line and Frankenthaler's trademarked splashes of high-key colors. Frankenthaler's stain technique is on full display, balanced by bold accents of crisp white that build onto the surface and break through the picture plane. "Vista" finds Frankenthaler at her best: building an amorphous and dreamlike setting yet focusing on bursts of color with a commanding presence.
Also featured is Turkish Silvertrees (Gulluk), a 1981 work on canvas by March Avery. Continuing the practice of parents Milton and Sally, March Avery builds an abstracted landscape with striking forms and bold color.
A 1920 work on canvas by Kees van Dongen finds the Fauvist master at his most delightful: a colorful scene of a woman tending to a pair of white rabbits. A favored portraitist for the high-society ladies following WWI, van Dongen was keenly able to capture beauty and elegance in his lush compositions.
A rare pastel by Mary Cassatt finds the Pennsylvania modernist taking cues from the Impressionists, and exploring intimate interiors with women at the forefront. Deeply involved in the new feminism of the 19th century and deeply involved in the Suffrage movement, Cassatt focused her output of this period on depicting women at work. Sewing in the Conservancy showcases Cassatt's masterful usage of color while creating a scene with quiet grace.
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SHOW MORESale Notice
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Dutch/French, 1877-1968
La Femme aux Lapins, circa 1921
Signed van Dongen (lr)
Oil on canvas
37 x 31 7/8 inches (92.5 x 81 cm)
Provenance:
Kees Van Dongen
Bernheim-Jeune, Paris, acquired directly from the artist in Dec. 1921 as Femme aux lapins
Sale, Palais Galliéra, Paris, Dec. 8, 1971, lot 46 (color ill.; dated circa 1920-21)
Jacques Demey, Roubaix, France, circa 1993
Sale, Pavillon Henri IV, Saint-Germain-en-Laye, Jun. 19, 1994, lot 60, as Femme aux lapins
Private collection
R.S. Johnson Fine Art, Chicago
Sale, Sotheby's, New York, May 12, 1999, lot 310
Private collection, acquired at the above sale
Private collection, New York and Palm Beach (circa May 1999)
On deposit with Norton Gallery and School of Art, West Palm Beach, FL, Apr. 24, 2006
Private collection, Palm Beach, FL, by descent, circa Aug. 2006-July 17, 2020
The Collection of a Florida Family
Exhibited:
Lille, Palais des Beaux-Arts de Lille, Un demi-siècle de Peinture Française, 1900-1950, Jun. 10 - Jul. 13, 1950, no. 124, as Femme aux lapins
Literature:
Lille, Palais des Beaux Arts, 1950, page 12
This work will be included in the forthcoming Kees van Dongen Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc., and is accompanied by a letter of inclusion in the forthcoming Digital Catalogue Raisonné, dated Apr. 21, 2025.
Overall in good condition. The canvas is relined. Surface is even and flat. isolated hairline paint loss along the edge where the frame rubbed on the canvas. Under UV light inspection, there is inline painting on the left edge measuring 1 inches.
Für Doyle New York Versandinformtation bitte wählen Sie +1 2124272730.
NEW YORK, NY -- Doyle will hold an auction of Important Fine Art on Wednesday, May 14, 2025 at 11am. The sale will present an exceptional selection of artworks spanning the mid-19th to the late 20th century.
Starting with major Dusseldorf School and Orientalist paintings "en plain air," the sale will offer a series of wild life paintings and sculptures by famous artists from the era. Impressionist and Modernist works from the turn of the century include master paintings by Modernist cannon artists such as Pierre Pissarro, Mary Cassatt, Kees Van Dongen and Salvador Dali, along with a selection of works on paper and sculpture by European and American artists. Blending into Post-War & Contemporary Art, the auction will also showcase iconic paintings and sculptures by leading American and European artists of the 20th Century, including Helen Frankenthaler, Louise Nevelson, Henry Moore and Man Ray. Some of works being offered will be coming to the market for the first time in nearly 40 years.
Highlighting the auction is an exceptional 1980 work on canvas by Helen Frankenthaler. Vista showcases Frankenthaler's technique at mid-career. Aptly named, Vista intimates an abstracted landscape, with a bold horizon line and Frankenthaler's trademarked splashes of high-key colors. Frankenthaler's stain technique is on full display, balanced by bold accents of crisp white that build onto the surface and break through the picture plane. "Vista" finds Frankenthaler at her best: building an amorphous and dreamlike setting yet focusing on bursts of color with a commanding presence.
Also featured is Turkish Silvertrees (Gulluk), a 1981 work on canvas by March Avery. Continuing the practice of parents Milton and Sally, March Avery builds an abstracted landscape with striking forms and bold color.
A 1920 work on canvas by Kees van Dongen finds the Fauvist master at his most delightful: a colorful scene of a woman tending to a pair of white rabbits. A favored portraitist for the high-society ladies following WWI, van Dongen was keenly able to capture beauty and elegance in his lush compositions.
A rare pastel by Mary Cassatt finds the Pennsylvania modernist taking cues from the Impressionists, and exploring intimate interiors with women at the forefront. Deeply involved in the new feminism of the 19th century and deeply involved in the Suffrage movement, Cassatt focused her output of this period on depicting women at work. Sewing in the Conservancy showcases Cassatt's masterful usage of color while creating a scene with quiet grace.
Terms & Conditions
SHOW MORESale Notice
Katalog
Stichworte: Oil on Canvas, Öl Gemälde