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Danish/French, 1830-1903
Portrait of the Artist Ludovic Piette before his Easel, 1861
Signed and dated C. Pissarro’61 (lr) and dated indistinctly 186... (ur)
Oil on canvas
21 x 14 3/4 inches (53.3 x 37.5 cm)
Provenance:
Given by the artist to Ludovic Piette, Melleray, FR
Mlle. Fanny Levy, Paris
Sale, Galerie Motte, Geneva, CH, July 2, 1971, no. 333
Sale, Sotheby Parke Bernet, New York, Nov. 28, 1973, lot 21
Dr. and Mrs. Jordan H. Trafimow, USA
R.S. Johnson Fine Art, Chicago, (acquired from the above in 2000)
Acquired from the above, Jan. 1, 2001; thence by descent in the family
Exhibited:
Paris, Galerie Dru, Peinture et gouaches de L. Piette, Mar. 2-25, 1929
Chicago, R.S. Johnson Fine Art, Pissarro to Picasso, A Selection of Paintings, Drawings and Bronzes, 1995, no. 1
Chicago, R.S. Johnson Fine Art, Seurat to Picasso, 1998, no. 2
Literature:
Ludovic-Rodo Pissrro & Lionello Venturi, Camille Pissarro, son art-son oeuvre, Paris, 1939, vol. I, no. 25
Ralph E. Shikes & Paula Harper, Pissarro, His Life and Work, London, 1980, ill. p. 58
Janine Bailly-Herzberg, Pissarro et Paris, Paris, 1992, p. 42, ill. p. 43
Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro, Critical Catalogue of Paintings, vol. II, Paris 2005, no. 51, ill. in color p. 69
Glue lined; edged with paper-tape; scattered craquelure, most noticeable at the left center, where there is a three inch area of impact craquelure, the lower left center; there appears to be a few spots of inpainting in the artist's palette and some spots within the figure of the man; the date in the lower right corner appears to have been reinforced; it is difficult to detect further restoration through the varnish under UV light.
Für Doyle New York Versandinformtation bitte wählen Sie +1 2124272730.
NEW YORK, NY -- Doyle will hold an auction of Important Fine Art on Wednesday, May 14, 2025 at 11am. The sale will present an exceptional selection of artworks spanning the mid-19th to the late 20th century.
Starting with major Dusseldorf School and Orientalist paintings "en plain air," the sale will offer a series of wild life paintings and sculptures by famous artists from the era. Impressionist and Modernist works from the turn of the century include master paintings by Modernist cannon artists such as Pierre Pissarro, Mary Cassatt, Kees Van Dongen and Salvador Dali, along with a selection of works on paper and sculpture by European and American artists. Blending into Post-War & Contemporary Art, the auction will also showcase iconic paintings and sculptures by leading American and European artists of the 20th Century, including Helen Frankenthaler, Louise Nevelson, Henry Moore and Man Ray. Some of works being offered will be coming to the market for the first time in nearly 40 years.
Highlighting the auction is an exceptional 1980 work on canvas by Helen Frankenthaler. Vista showcases Frankenthaler's technique at mid-career. Aptly named, Vista intimates an abstracted landscape, with a bold horizon line and Frankenthaler's trademarked splashes of high-key colors. Frankenthaler's stain technique is on full display, balanced by bold accents of crisp white that build onto the surface and break through the picture plane. "Vista" finds Frankenthaler at her best: building an amorphous and dreamlike setting yet focusing on bursts of color with a commanding presence.
Also featured is Turkish Silvertrees (Gulluk), a 1981 work on canvas by March Avery. Continuing the practice of parents Milton and Sally, March Avery builds an abstracted landscape with striking forms and bold color.
A 1920 work on canvas by Kees van Dongen finds the Fauvist master at his most delightful: a colorful scene of a woman tending to a pair of white rabbits. A favored portraitist for the high-society ladies following WWI, van Dongen was keenly able to capture beauty and elegance in his lush compositions.
A rare pastel by Mary Cassatt finds the Pennsylvania modernist taking cues from the Impressionists, and exploring intimate interiors with women at the forefront. Deeply involved in the new feminism of the 19th century and deeply involved in the Suffrage movement, Cassatt focused her output of this period on depicting women at work. Sewing in the Conservancy showcases Cassatt's masterful usage of color while creating a scene with quiet grace.
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SHOW MORESale Notice
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Danish/French, 1830-1903
Portrait of the Artist Ludovic Piette before his Easel, 1861
Signed and dated C. Pissarro’61 (lr) and dated indistinctly 186... (ur)
Oil on canvas
21 x 14 3/4 inches (53.3 x 37.5 cm)
Provenance:
Given by the artist to Ludovic Piette, Melleray, FR
Mlle. Fanny Levy, Paris
Sale, Galerie Motte, Geneva, CH, July 2, 1971, no. 333
Sale, Sotheby Parke Bernet, New York, Nov. 28, 1973, lot 21
Dr. and Mrs. Jordan H. Trafimow, USA
R.S. Johnson Fine Art, Chicago, (acquired from the above in 2000)
Acquired from the above, Jan. 1, 2001; thence by descent in the family
Exhibited:
Paris, Galerie Dru, Peinture et gouaches de L. Piette, Mar. 2-25, 1929
Chicago, R.S. Johnson Fine Art, Pissarro to Picasso, A Selection of Paintings, Drawings and Bronzes, 1995, no. 1
Chicago, R.S. Johnson Fine Art, Seurat to Picasso, 1998, no. 2
Literature:
Ludovic-Rodo Pissrro & Lionello Venturi, Camille Pissarro, son art-son oeuvre, Paris, 1939, vol. I, no. 25
Ralph E. Shikes & Paula Harper, Pissarro, His Life and Work, London, 1980, ill. p. 58
Janine Bailly-Herzberg, Pissarro et Paris, Paris, 1992, p. 42, ill. p. 43
Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro, Critical Catalogue of Paintings, vol. II, Paris 2005, no. 51, ill. in color p. 69
Glue lined; edged with paper-tape; scattered craquelure, most noticeable at the left center, where there is a three inch area of impact craquelure, the lower left center; there appears to be a few spots of inpainting in the artist's palette and some spots within the figure of the man; the date in the lower right corner appears to have been reinforced; it is difficult to detect further restoration through the varnish under UV light.
Für Doyle New York Versandinformtation bitte wählen Sie +1 2124272730.
NEW YORK, NY -- Doyle will hold an auction of Important Fine Art on Wednesday, May 14, 2025 at 11am. The sale will present an exceptional selection of artworks spanning the mid-19th to the late 20th century.
Starting with major Dusseldorf School and Orientalist paintings "en plain air," the sale will offer a series of wild life paintings and sculptures by famous artists from the era. Impressionist and Modernist works from the turn of the century include master paintings by Modernist cannon artists such as Pierre Pissarro, Mary Cassatt, Kees Van Dongen and Salvador Dali, along with a selection of works on paper and sculpture by European and American artists. Blending into Post-War & Contemporary Art, the auction will also showcase iconic paintings and sculptures by leading American and European artists of the 20th Century, including Helen Frankenthaler, Louise Nevelson, Henry Moore and Man Ray. Some of works being offered will be coming to the market for the first time in nearly 40 years.
Highlighting the auction is an exceptional 1980 work on canvas by Helen Frankenthaler. Vista showcases Frankenthaler's technique at mid-career. Aptly named, Vista intimates an abstracted landscape, with a bold horizon line and Frankenthaler's trademarked splashes of high-key colors. Frankenthaler's stain technique is on full display, balanced by bold accents of crisp white that build onto the surface and break through the picture plane. "Vista" finds Frankenthaler at her best: building an amorphous and dreamlike setting yet focusing on bursts of color with a commanding presence.
Also featured is Turkish Silvertrees (Gulluk), a 1981 work on canvas by March Avery. Continuing the practice of parents Milton and Sally, March Avery builds an abstracted landscape with striking forms and bold color.
A 1920 work on canvas by Kees van Dongen finds the Fauvist master at his most delightful: a colorful scene of a woman tending to a pair of white rabbits. A favored portraitist for the high-society ladies following WWI, van Dongen was keenly able to capture beauty and elegance in his lush compositions.
A rare pastel by Mary Cassatt finds the Pennsylvania modernist taking cues from the Impressionists, and exploring intimate interiors with women at the forefront. Deeply involved in the new feminism of the 19th century and deeply involved in the Suffrage movement, Cassatt focused her output of this period on depicting women at work. Sewing in the Conservancy showcases Cassatt's masterful usage of color while creating a scene with quiet grace.
Terms & Conditions
SHOW MORESale Notice
Katalog
Stichworte: Camille Pissarro, Fanny Levy, Oil on Canvas, 19th-21st Century Art, Portrait Painting, Öl Gemälde, Portrait, Modern & Impressionist Art