16
PAUL CÉZANNE - Huile sur toile
Beschreibung
PAUL CÉZANNE , AIX-EN-PROVENCE, 1839 - AIX-EN-PROVENCE, 1906
The Two Children
Oil on canvas 55 x 45 cm
Two children seated outside a house are petting a rabbit. The second one, huddled next to them, seems to be waiting for his turn. The scene takes place at the foot of the stoop of a house, in a shady courtyard where there is a barrel and probably the hutch, behind the children. The children, a brother and sister with similar features, belong to a wealthy family, judging by their attire. The perceptible details of the architecture behind them suggest a middle-class house with a wrought-iron railing and an arbour supporting a Virginia creeper. A patch of blue sky in the upper right reveals a sunny day bringing light into the courtyard. While the brown palette suggests half-light, the children, with their bright, clear colours, are lit from the front, in contradiction with the light source behind them. The painter's intention here is not so much to respect the rules of a realistic representation as to draw us portraits of two children, probably from his family, fixed in a moment of intimacy.
Paul Cézanne (1839-1906) was a major painter of the 19th century, whose controversial work was a turning point in the history of Western painting. Initially destined for a career in law, he decided at the age of 23 to become a painter and moved from Aix-en-Provence to Paris, where he was rejected by the Ecole des Beaux-arts. He frequented the artists Pissarro, Renoir and Monet, with whom he inaugurated the first Impressionist exhibition in 1872, presenting three paintings that were poorly received by the public. Admired by his peers, but maligned by the critics, Cézanne, disappointed, broke away from the Impressionist group to return to his native Provence and continue his formal research in a style that would remain his own. Working on 'the motif', he was interested in the geometry of volumes and the colour relationships in his still lifes and landscapes. His series of views of Mont Sainte-Victoire remains his most famous work. These Two Children date from Cézanne's very first steps in painting, when he was taking his first courses at the Aix-en-Provence School of Drawing. Although the style is still naïve, one can already sense a keen sense of observation. His attempt at chiaroscuro betrays an admiration for the Caravaggio style of religious painting in the churches of his native town. Throughout his life, Cézanne, the self-taught artist, would draw his painting from observation of the great masters, in particular by assiduously frequenting the Louvre, 'this book in which we learn to read'.
Work reproduced in the Catalogue raisonné of the painting of Paul Cézanne, John Rewald, 1996, published by Harry N. Abrams and the Wildenstein Committee.
Certificate: René Millet Expert appraisal
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PAUL CÉZANNE , AIX-EN-PROVENCE, 1839 - AIX-EN-PROVENCE, 1906
The Two Children
Oil on canvas 55 x 45 cm
Two children seated outside a house are petting a rabbit. The second one, huddled next to them, seems to be waiting for his turn. The scene takes place at the foot of the stoop of a house, in a shady courtyard where there is a barrel and probably the hutch, behind the children. The children, a brother and sister with similar features, belong to a wealthy family, judging by their attire. The perceptible details of the architecture behind them suggest a middle-class house with a wrought-iron railing and an arbour supporting a Virginia creeper. A patch of blue sky in the upper right reveals a sunny day bringing light into the courtyard. While the brown palette suggests half-light, the children, with their bright, clear colours, are lit from the front, in contradiction with the light source behind them. The painter's intention here is not so much to respect the rules of a realistic representation as to draw us portraits of two children, probably from his family, fixed in a moment of intimacy.
Paul Cézanne (1839-1906) was a major painter of the 19th century, whose controversial work was a turning point in the history of Western painting. Initially destined for a career in law, he decided at the age of 23 to become a painter and moved from Aix-en-Provence to Paris, where he was rejected by the Ecole des Beaux-arts. He frequented the artists Pissarro, Renoir and Monet, with whom he inaugurated the first Impressionist exhibition in 1872, presenting three paintings that were poorly received by the public. Admired by his peers, but maligned by the critics, Cézanne, disappointed, broke away from the Impressionist group to return to his native Provence and continue his formal research in a style that would remain his own. Working on 'the motif', he was interested in the geometry of volumes and the colour relationships in his still lifes and landscapes. His series of views of Mont Sainte-Victoire remains his most famous work. These Two Children date from Cézanne's very first steps in painting, when he was taking his first courses at the Aix-en-Provence School of Drawing. Although the style is still naïve, one can already sense a keen sense of observation. His attempt at chiaroscuro betrays an admiration for the Caravaggio style of religious painting in the churches of his native town. Throughout his life, Cézanne, the self-taught artist, would draw his painting from observation of the great masters, in particular by assiduously frequenting the Louvre, 'this book in which we learn to read'.
Work reproduced in the Catalogue raisonné of the painting of Paul Cézanne, John Rewald, 1996, published by Harry N. Abrams and the Wildenstein Committee.
Certificate: René Millet Expert appraisal
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