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W.P. CURRY (19TH CENTURY), WOODED RIVER LANDSCAPE WITH FIGURES, signed and dated 1884 lower left,
W.P. CURRY (19TH CENTURY), WOODED RIVER LANDSCAPE WITH FIGURES, signed and dated 1884 lower left, oil on canvas, framed. 49cm by 66.5cm
MANNER OF DAVID TENIERS,ÿTAVERN SCENE WITH CARD PLAYERS, unsigned, 19th Century, oil on copper,
MANNER OF DAVID TENIERS,ÿTAVERN SCENE WITH CARD PLAYERS, unsigned, 19th Century, oil on copper, framed. 19.5cm by 23cm
HUGH S. HELMSLEY (BRITISH 19TH/20TH CENTURY), 'SPEETON CLIFFS', oil on board, signed lower left.
HUGH S. HELMSLEY (BRITISH 19TH/20TH CENTURY), 'SPEETON CLIFFS', oil on board, signed lower left. 23.5cm by 36.5cm
VICTOR E. ROLYAT (19TH/20TH CENTURY), LAKELAND LANDSCAPES, A PAIR, each signed lower right, oils
VICTOR E. ROLYAT (19TH/20TH CENTURY), LAKELAND LANDSCAPES, A PAIR, each signed lower right, oils on canvas, framed. (2) 49cm by 74cm
BRITISH SCHOOL (CIRCA 1900), PORTRAIT OF A GENTLEMAN IN A LIBRARY,ÿoil on canvas laid on board,
BRITISH SCHOOL (CIRCA 1900), PORTRAIT OF A GENTLEMAN IN A LIBRARY,ÿoil on canvas laid on board, framed. 46cm by 30cm
JOHN BATES NOEL (EXH. 1893-1909), "GOODRICH CASTLE", signed lower left, inscribed to old label
JOHN BATES NOEL (EXH. 1893-1909), "GOODRICH CASTLE", signed lower left, inscribed to old label verso, watercolour, framed, 26cm by 35.5cm; togethe...
AMY E. ANTILL (EXH.1938), GYPSY ENCAMPMENT AND COUNTRY HOUSE WITH GARDENER, A PAIR, each signed, one
AMY E. ANTILL (EXH.1938), GYPSY ENCAMPMENT AND COUNTRY HOUSE WITH GARDENER, A PAIR, each signed, one with an old Sotheby's label verso, oils on ca...
JOSEPH NEWINGTON CARTER (1835-1871), SAINT MICHAEL'S MOUNT, signed lower right, watercolour, framed.
JOSEPH NEWINGTON CARTER (1835-1871), SAINT MICHAEL'S MOUNT, signed lower right, watercolour, framed. 54.5cm by 75.5cm
JACOB Nâ„¢BBE (FLENSBURG, 1850-1919), LANDSCAPES, two oils on canvas, each signed lower right and
JACOB Nâ„¢BBE (FLENSBURG, 1850-1919), LANDSCAPES, two oils on canvas, each signed lower right and one dated 1899, framed. (2) Larger 33cm by 46cm
EDWIN BOTTOMLEY (1865-1929), "SPRING", signed lower left, oil on board, framed. 26.5cm by 18cm
EDWIN BOTTOMLEY (1865-1929), "SPRING", signed lower left, oil on board, framed. 26.5cm by 18cm Provenance: Walker Galleries, Harrogate
EVERT MOLL (DUTCH, 1875-1955), SHIPS IN HARBOUR, signed lower left, watercolour, framed. 10cm by
EVERT MOLL (DUTCH, 1875-1955), SHIPS IN HARBOUR, signed lower left, watercolour, framed. 10cm by 15cm
MANNER OF YASUO KUNIYOSHI (JAPANESE-AMERICAN, 1889-1953), NEW YORK CITY, bears signature, gouache,
MANNER OF YASUO KUNIYOSHI (JAPANESE-AMERICAN, 1889-1953), NEW YORK CITY, bears signature, gouache, framed. Visible sheet 14cm by 9.5cm
PHILIP NAVIASKY (1894-1983), PORTRAIT STUDIES, TWO,ÿeach with authentication by Millie Naviasky
PHILIP NAVIASKY (1894-1983), PORTRAIT STUDIES, TWO,ÿeach with authentication by Millie Naviasky verso, charcoals, framed, larger 52cm by 41cm; tog...
JOHN F.W. WATSON, FARM BUILDINGS BY THE LOCH, signed with initials lower left, watercolour, framed. 29.5cm by 39cm
RONALD PAWSON (CIRCA 1917-1977), "THREE BOATS", signed lower left, oil on canvas, framed. 37.5cm
RONALD PAWSON (CIRCA 1917-1977), "THREE BOATS", signed lower left, oil on canvas, framed. 37.5cm by 90.5cm
JOHN SERGEANT (1937-2010), PORTRAIT OF A BESPECTACLED GENTLEMAN,ÿpastel, framed. 27.5cm by 21cm
JOHN SERGEANT (1937-2010), PORTRAIT OF A BESPECTACLED GENTLEMAN,ÿpastel, framed. 27.5cm by 21cm
CHRISTOPHER ASSHETON-STONES (1947-1999), "MY BOOKSHELF", signed upper left, inscribed and dated 1965
CHRISTOPHER ASSHETON-STONES (1947-1999), "MY BOOKSHELF", signed upper left, inscribed and dated 1965 verso, oil on canvas, framed. 84.5cm by 56cm
KEN MORONEY (1949-2018), THE RIALTO BRIDGE, signed lower left, oil on board, framed. 39cm by 49.5cm
KEN MORONEY (1949-2018), THE RIALTO BRIDGE, signed lower left, oil on board, framed. 39cm by 49.5cm
DAVID KING (20TH CENTURY), SAILING SHIPS NEAR WHITBY HARBOUR, watercolour drawing, signed lower
DAVID KING (20TH CENTURY), SAILING SHIPS NEAR WHITBY HARBOUR, watercolour drawing, signed lower left, 14cm by 21.5cm; andÿDAVID KING (20TH CENTURY...
MARTENS (20TH CENTURY), MOORED FISHING BOATS, oil on canvas, signed lower right, framed. 29cm by
MARTENS (20TH CENTURY), MOORED FISHING BOATS, oil on canvas, signed lower right, framed. 29cm by 38.5cm
MALCOM A. KINNEAR (20TH CENTURY), "BROTHERS IN ARMS", signed lower right, titled to plaque, oil on
MALCOM A. KINNEAR (20TH CENTURY), "BROTHERS IN ARMS", signed lower right, titled to plaque, oil on canvas, framed. 49.5cm by 39.5cm
MALCOM A. KINNEAR (20TH CENTURY), "DARK LIES THE NIGHT",ÿsigned lower right, titled to plaque, oil
MALCOM A. KINNEAR (20TH CENTURY), "DARK LIES THE NIGHT",ÿsigned lower right, titled to plaque, oil on canvas, framed. 49.5cm by 39.5cm
ENRIC PONT ASES (SPANISH, CONTEMPORARY), ALWAYS YOU, signed lower right, gallery label verso, oil on
ENRIC PONT ASES (SPANISH, CONTEMPORARY), ALWAYS YOU, signed lower right, gallery label verso, oil on canvas, framed. 78cm by 78cm
PENNY MCLEAN, "POPPIES BY WALLTOWN CRAGS", signed lower right, label attached verso, oil on canvas, framed. 62.5cm by 85cm Note: McLean studied a...
PENNY MCLEAN, "AUTUMN WOODS",ÿsigned lower right, label attached verso, oil on canvas, framed.
PENNY MCLEAN, "AUTUMN WOODS",ÿsigned lower right, label attached verso, oil on canvas, framed. 55cm by 80cm Note: McLean studied at Edinburgh Col...
PENNY MCLEAN, COASTAL COTTAGES,ÿsigned lower right, oil on canvas, framed. 70cm by 75cm Note: McLean
PENNY MCLEAN, COASTAL COTTAGES,ÿsigned lower right, oil on canvas, framed. 70cm by 75cm Note: McLean studied at Edinburgh College of Art for four...
A RECONSTITUTED STONE SCULPTURE OF A CROWNED FEMALE HEAD, purported to be Queen Anne. Approx. 33cm
A RECONSTITUTED STONE SCULPTURE OF A CROWNED FEMALE HEAD, purported to be Queen Anne. Approx. 33cm high
A PAIR OF RECONSTITUTED STONE HERALDIC LIONS, in the Beaumaris Castle style, each sitting on its
A PAIR OF RECONSTITUTED STONE HERALDIC LIONS, in the Beaumaris Castle style, each sitting on its haunches with forepaws holding the top of a shiel...
A PAIR OF RECONSTITUTED STONE LONG-EARED OWLS, each standing on a circular base, looking straight
A PAIR OF RECONSTITUTED STONE LONG-EARED OWLS, each standing on a circular base, looking straight ahead. (2) Bases approx. 30cm diameter, 70cm hig...
A PAIR OF RECONSTITUTED STONE BRITISH BULLDOGS, each sitting looking straight ahead, with studded
A PAIR OF RECONSTITUTED STONE BRITISH BULLDOGS, each sitting looking straight ahead, with studded collars, on shaped bases. (2) 40cm high, 30cm wi...
A PAIR OF RECONSTITUTED STONE HERALDIC GRIFFINS,ÿeach sitting on its haunches with forelimbs holding
A PAIR OF RECONSTITUTED STONE HERALDIC GRIFFINS,ÿeach sitting on its haunches with forelimbs holding a shaped shield, with studded collar, on a sq...
A PAIR OF RECONSTITUTED STONE LIONS, each lying recumbent on a rectangular base. (2) Bases approx.
A PAIR OF RECONSTITUTED STONE LIONS, each lying recumbent on a rectangular base. (2) Bases approx. 29cm wide, 71cm deep, 80cm paw to tail, 53cm hi...
TWO LARGE RECONSTITUTED STONE DOGS, both seated, on rectangular plinths, one (with collar) looking
TWO LARGE RECONSTITUTED STONE DOGS, both seated, on rectangular plinths, one (with collar) looking up to the left, the other looking down to the r...
A RECONSTITUTED STONE BIRD BATH, the shallow circular dished top on a shaped square baluster
A RECONSTITUTED STONE BIRD BATH, the shallow circular dished top on a shaped square baluster stand. Base approx. 40cm square, 95cm high overall
A PAIR OF EXCEPTIONALLY LARGE RECONSTITUTED STONE GARDEN URNS, with detachable covers, the bulbous
A PAIR OF EXCEPTIONALLY LARGE RECONSTITUTED STONE GARDEN URNS, with detachable covers, the bulbous urns with a fluted girdle and stiff-leaf patter...
A TURKISH RUG, hand-knotted and multicoloured, the dark red lozenge enclosing a cream medallion,
A TURKISH RUG, hand-knotted and multicoloured, the dark red lozenge enclosing a cream medallion, within a stepped dark yellow field with dark blue...
A TURKISH CARPET, CIRCA 1970,ÿthe orange field with all-over design of flowerheads and sprays, the
A TURKISH CARPET, CIRCA 1970,ÿthe orange field with all-over design of flowerheads and sprays, the broad cream border with orange and cream geomet...
A NORTH PERSIAN RUG, hand-knotted, the cream field with scrolling foliate design in dark red, blue
A NORTH PERSIAN RUG, hand-knotted, the cream field with scrolling foliate design in dark red, blue and pale pink around a blue medallion, with blu...
A PERSIAN RUG, hand-knotted, the deep red field with a highly decorative cream and blue circular
A PERSIAN RUG, hand-knotted, the deep red field with a highly decorative cream and blue circular medallion and conforming corners, the broad dark ...
A PERSIAN NAIN CARPET,ÿthe cream field and borders with all-over scrolling pale blue, dark blue
A PERSIAN NAIN CARPET,ÿthe cream field and borders with all-over scrolling pale blue, dark blue and golden foliage.ÿ308cm by 200cm
AN AFGHAN HERAT RUG, hand-knotted, the dark blue field with red medallion and corners, the whole
AN AFGHAN HERAT RUG, hand-knotted, the dark blue field with red medallion and corners, the whole with an all-over multicolour design, the main red...
AN AFGHAN CARPET,ÿthe brick red field with eight dark blue and orange guls to the centre, within
AN AFGHAN CARPET,ÿthe brick red field with eight dark blue and orange guls to the centre, within multiple bands and borders of conforming colours....
A KERMAN CARPET, CIRCA 1960,ÿthe cream field with scrolling foliage around a central red and pale
A KERMAN CARPET, CIRCA 1960,ÿthe cream field with scrolling foliage around a central red and pale blue medallion, the shaped broad red border encl...
AN UZBEKISTAN RUG, handmade, of red, maroon, mauve, yellow and cream stripes, the central cream
AN UZBEKISTAN RUG, handmade, of red, maroon, mauve, yellow and cream stripes, the central cream stripe with embroidered repeating hooked 'S' in bl...
A MOROCCAN BERBER RUG, handmade, the flatweave rug comprising five sections of bold horizontal
A MOROCCAN BERBER RUG, handmade, the flatweave rug comprising five sections of bold horizontal stripes of black, orange, turquoise, yellow and red...
FIVE VARIOUS SMALL RUGS, comprisingÿA PERSIAN PRAYER RUG, hand-knotted, the deep raspberry ground
FIVE VARIOUS SMALL RUGS, comprisingÿA PERSIAN PRAYER RUG, hand-knotted, the deep raspberry ground with a repeating geometric design of stepped loz...
A 1/2 SIZED VIOLIN,ÿwith two-piece back, figured neck and scroll, with ebonised pegs, fingerboard,
A 1/2 SIZED VIOLIN,ÿwith two-piece back, figured neck and scroll, with ebonised pegs, fingerboard, tailpiece, chinrest and button, labelled 'Anton...
A 19TH CENTURY FRENCH GILT-METAL MANTEL CLOCK, SIGNED HRY MARC, PARIS,ÿthe white enamel dial with
A 19TH CENTURY FRENCH GILT-METAL MANTEL CLOCK, SIGNED HRY MARC, PARIS,ÿthe white enamel dial with Roman numerals, beside it the figure of an artis...
A 19TH CENTURY PINK VEINED MARBLE AND GILT BRASS CLOCK GARNITURE, with two-train movement, striking on a bell, numbered 8936, hung with a sunburst...
A GEORGE III MAHOGANY CROSSBANDED OAK EIGHT-DAY LONGCASE CLOCK, signed G. Miller, Gateshead, the
A GEORGE III MAHOGANY CROSSBANDED OAK EIGHT-DAY LONGCASE CLOCK, signed G. Miller, Gateshead, the 12ó-inch steel and brass break-arch dial with int...
AN 18TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, unsigned, the 10-inch square brass dial engraved
AN 18TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, unsigned, the 10-inch square brass dial engraved with foliage to the centre, the hood with tapering ...
AN 18TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, signed William Yeoman, Gisbrough (Guisborough), the
AN 18TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, signed William Yeoman, Gisbrough (Guisborough), the 12-inch steel and brass break-arch dial with sub...
AN EARLY 19TH CENTURY OAK AND MAHOGANY EIGHT-DAY LONGCASE CLOCK, SIGNED W. TERRY, RICHMOND, the
AN EARLY 19TH CENTURY OAK AND MAHOGANY EIGHT-DAY LONGCASE CLOCK, SIGNED W. TERRY, RICHMOND, the 12ó-inch painted break-arch dial with shepherdess ...
A FINE EARLY 19TH CENTURY SATINWOOD BOW-FRONTED MINIATURE CHEST OF DRAWERS, the top with inlaid edge
A FINE EARLY 19TH CENTURY SATINWOOD BOW-FRONTED MINIATURE CHEST OF DRAWERS, the top with inlaid edge above two short over three graduated long dra...
A 19TH CENTURY INDIAN IRON-MOUNTED TEAK GRAIN MEASURE, cylindrical with reeded bands and large
A 19TH CENTURY INDIAN IRON-MOUNTED TEAK GRAIN MEASURE, cylindrical with reeded bands and large loop carrying handles. 26.5cm high
A BIRCH PEG TANKARD, NORWEGIAN, 18TH CENTURY, IN THE MANNER OF M. HAGE, the hinged domed cover
A BIRCH PEG TANKARD, NORWEGIAN, 18TH CENTURY, IN THE MANNER OF M. HAGE, the hinged domed cover centred by a lion rampant within a scrolling foliat...
A TREEN MONEY BOX, 19TH CENTURY, in the form of a beehive, with coin aperture. 18cm high
A NEPALESEÿGHEEÿTSAMPA TEKI WOOD POT, of conical form with a flared neck rim and fluted decoration, fitted with a turned wood stopper. 44cm high
A GEORGE III SATINWOOD TEA CADDY, of small proportions, with hinged domed cover, the interior with
A GEORGE III SATINWOOD TEA CADDY, of small proportions, with hinged domed cover, the interior with inlaid cover, lozenge-shaped escutcheon. 13cm h...
AN OAK SLOPE-FRONT BIBLE BOX, with decorative hinges and later pierced escutcheon, the interior with
AN OAK SLOPE-FRONT BIBLE BOX, with decorative hinges and later pierced escutcheon, the interior with three divisions. 25cm by 54.5cm by 40cm

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