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1042

MONET CLAUDE: (1840-1926) 'I am very worried about the gardens......so please remember to keep an e

In AUTOGRAPH LETTERS, MANUSCRIPTS & HISTORICAL DO...

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MONET CLAUDE: (1840-1926) 'I am very worried about the gardens......so please remember to keep an e - Bild 1 aus 4
MONET CLAUDE: (1840-1926) 'I am very worried about the gardens......so please remember to keep an e - Bild 2 aus 4
MONET CLAUDE: (1840-1926) 'I am very worried about the gardens......so please remember to keep an e - Bild 3 aus 4
MONET CLAUDE: (1840-1926) 'I am very worried about the gardens......so please remember to keep an e - Bild 4 aus 4
MONET CLAUDE: (1840-1926) 'I am very worried about the gardens......so please remember to keep an e - Bild 1 aus 4
MONET CLAUDE: (1840-1926) 'I am very worried about the gardens......so please remember to keep an e - Bild 2 aus 4
MONET CLAUDE: (1840-1926) 'I am very worried about the gardens......so please remember to keep an e - Bild 3 aus 4
MONET CLAUDE: (1840-1926) 'I am very worried about the gardens......so please remember to keep an e - Bild 4 aus 4
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Estepona, Malaga
MONET CLAUDE: (1840-1926) French Impressionist painter. A very fine A.L.S., Claude Monet, four pages, 8vo, Christiania (i.e. Oslo, Norway), although on the printed stationery of Giverny par Vernon, Eure, 13th February 1895, to his wife ('Ma bonne cherie'), in French. In his characteristic dark purple ink Monet writes a social letter to his second wife, Alice Hoschede, stating that he has at last received two letters from her, discussing the weather that they are both experiencing, and making a reference to the water lillies that he would so famously paint in the upcoming years, 'Je vois que vous avez bien froid aussi mais ce n´est rien à côté d´ici ce que vous avez la nuit nous l´avons le jour. Je comprends la joie des patineurs , mais je tremble bien pour les jardins, pour les vignons, pensé-t-on bien à surveiller la glace dans le bassin. Ce serait bien malheureux si tout ce qu´il y a de planté allait périr' (Translation: 'I can see that you are very cold too, but that's nothing compared with here, what you have at night we have during the day. I understand the joy of the skaters, but I am very worried about the gardens and the gables, so please remember to keep an eye on the ice in the pool. It would be very unfortunate if everything planted there were to perish'), further expressing his regret at being away from his wife and lamenting the fact that he has not been able to paint, 'jusqu´à présent j´avais pensé pouvoir travailler hier encore nous avons voyagé toute la journée pour cela et vu des choses de toute beauté, mais je vois la chose trop difficile' (Translation: 'Up until now I had thought I would be able to work, and only yesterday we travelled all day to do so and saw some beautiful things, but I find it too difficult') and reflecting 'Tout cela me rend d´humeur assez sombre et regrette bien de ne pas être à Giverny où j´aurais pu profiter des belles choses qu´il y a en ce moment........ il se pourrait que subitement je reprenne le chemin de la France n´ayant aucun gout pout voir du pays que je ne sais peindre. Du reste je suis trop vieux pour m´embarquer désormais pour des pays étrangers. En France........l´on peut se caser et vivre à sa......et ou l´on peut profiter de son temps' (Translation: 'All this has put me in a rather gloomy mood and I really regret not being in Giverny where I could have taken advantage of the beautiful things there at the moment........ I might suddenly take the road back to France as I have no taste for seeing the country that I cannot paint. Besides, I'm too old to set sail for foreign countries any more. In France........you can settle down and live to your heart's content......and make the most of your time'). In concluding Monet writes regarding domestic matters, asks his wife to write as often as she can, and also makes a reference to his friend, the art critic Gustave Geffroy, before closing in affectionate terms with the sentences 'Je t´envoie tout mon coeur et mes tendresses. Je voudrais bien être au milieu de vous' (Translation: 'I send you all my heartfelt love. I would love to be among you'). A letter of fine content. About EXAlice Hoschede Monet (1844-1911) French artists' model, wife of the art collector Ernest Hoschede and later of the Impressionist painter Claude Monet (from 1892). Claude Monet’s trip to Norway in 1895 was perhaps the most physically taxing of all his many painting campaigns. Touring the country with his stepson Jacques Hoschedé, who lived in Christiania, he was awestruck but initially frustrated in his search for good subjects amid the snowm as the present letter suggests. Despite this discontent, Monet painted twenty-nine Norwegian scenes during his two-month stay.
MONET CLAUDE: (1840-1926) French Impressionist painter. A very fine A.L.S., Claude Monet, four pages, 8vo, Christiania (i.e. Oslo, Norway), although on the printed stationery of Giverny par Vernon, Eure, 13th February 1895, to his wife ('Ma bonne cherie'), in French. In his characteristic dark purple ink Monet writes a social letter to his second wife, Alice Hoschede, stating that he has at last received two letters from her, discussing the weather that they are both experiencing, and making a reference to the water lillies that he would so famously paint in the upcoming years, 'Je vois que vous avez bien froid aussi mais ce n´est rien à côté d´ici ce que vous avez la nuit nous l´avons le jour. Je comprends la joie des patineurs , mais je tremble bien pour les jardins, pour les vignons, pensé-t-on bien à surveiller la glace dans le bassin. Ce serait bien malheureux si tout ce qu´il y a de planté allait périr' (Translation: 'I can see that you are very cold too, but that's nothing compared with here, what you have at night we have during the day. I understand the joy of the skaters, but I am very worried about the gardens and the gables, so please remember to keep an eye on the ice in the pool. It would be very unfortunate if everything planted there were to perish'), further expressing his regret at being away from his wife and lamenting the fact that he has not been able to paint, 'jusqu´à présent j´avais pensé pouvoir travailler hier encore nous avons voyagé toute la journée pour cela et vu des choses de toute beauté, mais je vois la chose trop difficile' (Translation: 'Up until now I had thought I would be able to work, and only yesterday we travelled all day to do so and saw some beautiful things, but I find it too difficult') and reflecting 'Tout cela me rend d´humeur assez sombre et regrette bien de ne pas être à Giverny où j´aurais pu profiter des belles choses qu´il y a en ce moment........ il se pourrait que subitement je reprenne le chemin de la France n´ayant aucun gout pout voir du pays que je ne sais peindre. Du reste je suis trop vieux pour m´embarquer désormais pour des pays étrangers. En France........l´on peut se caser et vivre à sa......et ou l´on peut profiter de son temps' (Translation: 'All this has put me in a rather gloomy mood and I really regret not being in Giverny where I could have taken advantage of the beautiful things there at the moment........ I might suddenly take the road back to France as I have no taste for seeing the country that I cannot paint. Besides, I'm too old to set sail for foreign countries any more. In France........you can settle down and live to your heart's content......and make the most of your time'). In concluding Monet writes regarding domestic matters, asks his wife to write as often as she can, and also makes a reference to his friend, the art critic Gustave Geffroy, before closing in affectionate terms with the sentences 'Je t´envoie tout mon coeur et mes tendresses. Je voudrais bien être au milieu de vous' (Translation: 'I send you all my heartfelt love. I would love to be among you'). A letter of fine content. About EXAlice Hoschede Monet (1844-1911) French artists' model, wife of the art collector Ernest Hoschede and later of the Impressionist painter Claude Monet (from 1892). Claude Monet’s trip to Norway in 1895 was perhaps the most physically taxing of all his many painting campaigns. Touring the country with his stepson Jacques Hoschedé, who lived in Christiania, he was awestruck but initially frustrated in his search for good subjects amid the snowm as the present letter suggests. Despite this discontent, Monet painted twenty-nine Norwegian scenes during his two-month stay.

AUTOGRAPH LETTERS, MANUSCRIPTS & HISTORICAL DOCUMENTS AUCTION

Auktionsdatum
Lose: 480
Lose: 550
Lose: 520
Ort der Versteigerung
El Real del Campanario
num.12 Bajo B
Estepona
Malaga
29688
Spain

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Wichtige Informationen

Day One - Lots 1 - 480

Day Two - Lots 481- 1030

Day Three - Lots 1031- 1550

Bidding at the auction will be online only.

We offer in house shipping to worldwide destinations. 

AGB

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1.1. "Auctioneers" means " International Autograph Auctions Europe S.L. "

1.2. "Catalogue" means the brochure relating to a sale (including any addendum thereto) and any other related documents and advertisements.

1.3. "Conditions" means these terms and conditions of sale

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1.5. "Purchaser" means the person who purchases a lot or lots pursuant to these conditions.

1.6. "Seller" means the person who is selling the lot or lots pursuant to these conditions.

1.7. "VAT" means Value Added Tax.

 

2. Bidding

2.1. The highest bidder for each lot shall be the Purchaser of that lot.

2.2. No person shall be entitled to retract a bid. The Auctioneers reserve the right of refusing any bid without giving any reason and of altering, adding to, dividing, consolidating or withdrawing any lot or lots for sale.

2.3. The Auctioneers reserve the right to fix a reserve price for any lot at a figure no higher than the lower estimate.

2.4. The Auctioneers reserve the right to bid on behalf of the Seller on lots which are subject to a reserve price. The Seller shall not be entitled to bid where the Auctioneers have reserved such a right.

2.5. In the case of a dispute as to any bid the Auctioneers may immediately determine the dispute or put up the lot again at the last undisputed bid or withdraw the lot.

2.6. The Auctioneers will accept written commission bids free of charge from any person who is unable to attend the sale. Bids will also be accepted by telephone and fax at the sender's risk.

2.7. Lots will not normally be sold at less than two-thirds bottom estimate.

 

3. Payment

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3.2. The Purchaser shall pay the Hammer Price together with a premium of 30.25% on the Hammer Price (this amount includes VAT and must not be shown separately or claimed as input tax). By the making of any bid the Purchaser acknowledges that his attention had been drawn to this fact and that he assents to the Auctioneers receiving the said commission. A 25% premium will be payable by Purchasers outside the European Union (EU). Zero-rated goods such as books will be subject to a premium of 25% whether within or outside the EU unless entered by a VAT registered Seller.

3.3. Payments for lots must be made in cash, bankers draft or cheque guaranteed by the bank upon which it is drawn. Lots will not be released against cheques from Purchasers unknown to the Auctioneers until cleared by such Purchaser's bank. Payment is accepted by Visa and Mastercard. A surcharge of 3% plus VAT will be levied to accounts settled by credit cards for non EU buyers. Payment is also accepted by most debit cards with no surcharge.

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3.5. No lots will be released by the Auctioneers until receipt of payment in full from the Purchaser.

 

4. Risk

4.1. All lots shall be the sole risk of the Purchaser from the fall of the hammer.

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5. Liability

5.1. Neither the Seller of any lot nor the Auctioneers make or give nor has any person in the employment of the Auctioneers any authority to make or give any representation or warranty in relation to any lot and any implied conditions or warranties are excluded.

5.2. All statements contained in the Catalogue as to the authenticity, attribution, genuineness, origin, authorship, date, age, period, condition or quality of any lot are statements of opinion only and are not to be taken as or implying statements or representations of fact. Lots are sold subject to all faults and errors in description or otherwise.

5.3. Notwithstanding the provisions of paragraphs 5.1. and 5.2. of these Conditions in the event of a dispute as to authenticity of any lot(s) the item or items in question should be returned to the Auctioneers within 21 days of receipt by the Purchaser of such lot(s) together with a formal statement by a recognised expert The Auctioneers shall at their option and without admission of liability reimburse the price paid by the Purchaser in respect of such lot(s). This does not constitute an approval service.

5.4. Neither the Auctioneers nor the Seller shall be responsible for any loss, damage or injury occasioned to or sustained by any person on the premises before, during or after a sale save in respect of death or personal injury caused by negligence of the Seller or the Auctioneers.

 

6. Capacity of Auctioneers

For all purposes of a sale the Auctioneers shall be deemed to be the agent of both the Seller and the Purchaser and they shall not be considered responsible for any default on the part of either the Seller or Purchaser.

 

7. Delivery

7.1. Lots will only be released once payment in full has been received from the Purchaser.

7.2  An insurance charge of 1.8 % plus VAT will be applied to all invoices for packages sent from our offices

7.3. Postage is subject to VAT at 21% within the EU

7.4. The Auctioneers will provide full customs declarations on the Hammer Price plus the Purchaser's premium and Purchaser's shall be responsible for any customs charges made by the country of import.

7.5. A charge will be made for the packing & shipping of deliveries which is subject to VAT at 21% within the EU.

 

8. Auctioneers Remedies

In the event that the Purchaser fails to pay for any lot(s) in full pursuant to these Conditions then the Auctioneers shall be entitled:

8.1. to rescind the sale of the relevant lot(s)

8.2. to resell the lot(s) without further notice either by public or private sale and the deficiency (if any) arising from such second sale together with all charges and expenses relating to the same shall be the responsibility of the defaulting Purchaser and shall be recoverable as and for liquidated damages.

 

9. Jurisdiction

These Conditions shall be governed by Spanish law and the parties submit to the exclusive jurisdiction of the Spanish courts.

 

Online Bidding

International Autograph Auctions Europe S.L. offer an online bidding service for bidders who cannot attend the sale, however please be advised that a charge of 3% + VAT  is chargeable on all purchases made through  any of the online bidding facilities offered.

In completing the bidder registration and providing your credit card details and unless alternative arrangements are agreed with International Autograph Auctions Europe S.L.

1. You authorise International Autograph Auctions Europe S.L., if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction, and

2. confirm that you are authorised to provide these credit card details to International Autograph Auctions Europe S.L. and agree that International Autograph Auctions Europe S.L. are entitled to ship the goods to the card holder name and card holder address provided in fulfillment of the sale.

3. confirm that you accept that an additional charge of 3% + VAT will be applied to your invoice for use of an online bidding facility



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