Los

1112

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1/3
DIDEROT DENIS: (1713-1784) - Bild 1 aus 3
DIDEROT DENIS: (1713-1784) - Bild 2 aus 3
DIDEROT DENIS: (1713-1784) - Bild 3 aus 3
DIDEROT DENIS: (1713-1784) - Bild 1 aus 3
DIDEROT DENIS: (1713-1784) - Bild 2 aus 3
DIDEROT DENIS: (1713-1784) - Bild 3 aus 3
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Estepona, Malaga
DIDEROT DENIS: (1713-1784) French philosopher, art critic and writer, a significant figure during the Age of Enlightenment. An extremely rare and important autograph manuscript, unsigned, seven pages, 8vo, n.p., n.d (c.1771), in French. The manuscript, written in Diderot’s small, neat hand, is entitled Satyre contre le luxe a la mainiere de Perse (‘Satire against luxury in the Persian style’) and takes the form of a dialogue between two characters, the first a sceptic of the times, not far removed from Jean-Jacques Rousseau, radical in his rejection of luxury and what it represents, and the second character one who judges that all is not so bad in the world as it is. ‘Vous jetez sur les diverses societes de l'espece humaine un regard si chargin, que je ne connais plus guere qu'un moyen de vous contenter: c'est de ramener l'age d'or’ (Translation: ‘You look at the various societies of the human race with such a distrustful eye that I can think of only one way of satisfying you: that is to bring back the golden age’) begins the second, and with spartan austerity, the former rejects all sweetness of life, ‘Vous vous trompez. Une vie consumee a soupirer aux pieds d'une bergere n'est point de tout mon fait. Je veux que l'homme travaille. Je veux qu'il souffre. Sous en etat de nature qui irait au-devant de tous ses voeux, ou la branche se courberait pour approcher le fruit de sa main, il serait faineant; et n'en deplaise aux poetes, qui dit faineant dit mechant’ (Translation: ‘You're wrong. A life spent sighing at the feet of a shepherdess is not entirely my doing. I want man to work. I want him to suffer. Under a state of nature which would fulfil all his wishes, or the branch would bend to bring the fruit nearer to his hand, he would be a faineant; and, with all due respect to the poets, who says faineant says villain’), and Rousseau’s name is naturally introduced, ‘Depouillez-vous donc; suivez le conseil de Jean-Jacques, et faites-vous sauvage’ (Translation: ‘Take off your clothes; follow Jean-Jacques' advice, and make yourself wild’) before the interlocutor sweeps aside the Voltairean irony and gives the subject a political twist, ‘Ce serait bien le mieux. La, du moins, il n'ya a d'inegalite que celle qu'il a plu a la nature de mettre entre ses enfants; et les forets ne retentissent pas de cette variete de plaintes, que des maux sans nombre arrachent a l'homme dans ce bienheureux etat de la societe’ (Translation: ‘That would be the best. Here, at least, there is no inequality except that which it has pleased nature to place between her children; and the forests do not resound with that variety of complaints, which countless evils wring from man in this blessed state of society’), the other attempts moderation and advocates a form of resignation to the order of things as it is, ‘Mon ami, aimons notre paitre; aimons nos contemporains; soumettons-nous a un ordre de choses qui pourrait par hasard etre meilleur ou plus mauvais; jouissons des avantages de notre condition. Si nous y voyons des defauts, et il y en a sans doute, attendons-en le remede de l'experience et de la sagesse de nos maitres; et restons ici’ (Translation: ‘My friend, let us love our pasture; let us love our contemporaries; let us submit to an order of things which might by chance be better or worse; let us enjoy the advantages of our condition. If we see any faults in it, and there undoubtedly are, let us await the remedy of the experience and wisdom of our masters; and let us remain here’), and then the other launces into a violent diatribe against corrupting money, ‘Rester ici, moi! moi! y reste celui qui peut voir avec patience un peuple qui se pretend civilise, et le plus civilise de la terre, mettre a l'encan l'exercise des fonctions civiles; mon coeur se gonfle, et un jour de ma vie, non, un jour de ma vie, je ne le passe pas sans charger d'imprecations celui qui rendit les charges venales. Car c'est de la, oui. c'est de la et de la situation des grands exacteurs que sont decoules tous nos maux. Au moment ou l'on put arriver a tout avec de l'or, on voulut avoir de l'or; et le merite, qui ne conduisait a rien, ne fut rien. Il n'y eut plus aucune emulation honnete. L'educatin resta sans aucune base solide’ (Translation: ‘To remain here, me! me! to remain here is to be the one who can patiently watch a people who claim to be civilised, and the most civilised on earth, auction off the exercise of civil functions; my heart swells, and one day of my life, no, one day of my life, I will not spend it without charging with imprecations the one who made the offices venal. For it is from this, yes. it is from this and from the situation of the great tax collectors that all our ills have arisen. At the moment when one could achieve everything with gold, one wanted to have gold; and merit, which led to nothing, became nothing. There was no longer any honest emulation. Education remained without any solid foundation’), further describing the deleterious effects of the race for wealth, the desire to possess more and more that leads humanity to its ruin, ‘L'elephant se gonfla pour accroitre sa taille, la boeuf imita l'elephant; la grenouille eut la meme manie, qui remonta d'elle a l'elephant; et, dans ce mouvement reciproque, les trois animaux perirent: triste, mais image reelle d'une nation abandonnee a un luxe, symbole de la richesse des uns, et masque de la misere generale du reste’ (Translation: ‘The elephant inflated itself to increase its size, the ox imitated the elephant; the frog had the same mania, which went up from it to the elephant; and, in this reciprocal movement, the three animals lost: sad, but a real image of a nation abandoned to a luxury, symbol of the wealth of some, and mask of the general misery of the rest’), as well as the corruption of the morals, the contempt for study, the disappearance of all decency being the consequences, ‘On rampa, on s'avilit, on se prostitua dans toutes les conditions. Il n'y eut plus de distinction entre les moyens d'acquerir. Honnetes, malhonnetes, tous furent bons’ (Translation: ‘We crawled, we debased ourselves, we prostituted ourselves in all conditions. There was no longer any distinction between the means of acquisition. Honest, dishonest, all were good’), the other then advances the argument that this luxury engenders the development of art and industry, ‘Mais ne vous rejouissez-vous pas de voir la debauche, la dissipation, le faste, ecrouler ces masses enormes d'or? C'est par ce ,oyen qu'on nous restitue goutte a goutte ce sang dont nous sommes epuises. Il nous revient par une foule de mains occupees. Ce luxe, contre lequel vous vous recriez, n'est-ce pas lui qui soutient le ciseau dans la main du statuaire, la palette au puce du peintre, la navette?’ (Translation: ‘But don't you rejoice to see debauchery, dissipation and splendour crush these huge masses of gold? It is by this means that we are given back drop by drop the blood from which we are exhausted. It comes back to us through a host of busy hands. This luxury, against which you recoil, is it not that which sustains the chisel in the hand of the statuary, the palette on the chip of the painter, the shuttle?’), OWING TO LIMITATIONS IMPOSED BY THE SALEROOM THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT BE DISPLAYED. Please contact IAA Europe directly for further information.
DIDEROT DENIS: (1713-1784) French philosopher, art critic and writer, a significant figure during the Age of Enlightenment. An extremely rare and important autograph manuscript, unsigned, seven pages, 8vo, n.p., n.d (c.1771), in French. The manuscript, written in Diderot’s small, neat hand, is entitled Satyre contre le luxe a la mainiere de Perse (‘Satire against luxury in the Persian style’) and takes the form of a dialogue between two characters, the first a sceptic of the times, not far removed from Jean-Jacques Rousseau, radical in his rejection of luxury and what it represents, and the second character one who judges that all is not so bad in the world as it is. ‘Vous jetez sur les diverses societes de l'espece humaine un regard si chargin, que je ne connais plus guere qu'un moyen de vous contenter: c'est de ramener l'age d'or’ (Translation: ‘You look at the various societies of the human race with such a distrustful eye that I can think of only one way of satisfying you: that is to bring back the golden age’) begins the second, and with spartan austerity, the former rejects all sweetness of life, ‘Vous vous trompez. Une vie consumee a soupirer aux pieds d'une bergere n'est point de tout mon fait. Je veux que l'homme travaille. Je veux qu'il souffre. Sous en etat de nature qui irait au-devant de tous ses voeux, ou la branche se courberait pour approcher le fruit de sa main, il serait faineant; et n'en deplaise aux poetes, qui dit faineant dit mechant’ (Translation: ‘You're wrong. A life spent sighing at the feet of a shepherdess is not entirely my doing. I want man to work. I want him to suffer. Under a state of nature which would fulfil all his wishes, or the branch would bend to bring the fruit nearer to his hand, he would be a faineant; and, with all due respect to the poets, who says faineant says villain’), and Rousseau’s name is naturally introduced, ‘Depouillez-vous donc; suivez le conseil de Jean-Jacques, et faites-vous sauvage’ (Translation: ‘Take off your clothes; follow Jean-Jacques' advice, and make yourself wild’) before the interlocutor sweeps aside the Voltairean irony and gives the subject a political twist, ‘Ce serait bien le mieux. La, du moins, il n'ya a d'inegalite que celle qu'il a plu a la nature de mettre entre ses enfants; et les forets ne retentissent pas de cette variete de plaintes, que des maux sans nombre arrachent a l'homme dans ce bienheureux etat de la societe’ (Translation: ‘That would be the best. Here, at least, there is no inequality except that which it has pleased nature to place between her children; and the forests do not resound with that variety of complaints, which countless evils wring from man in this blessed state of society’), the other attempts moderation and advocates a form of resignation to the order of things as it is, ‘Mon ami, aimons notre paitre; aimons nos contemporains; soumettons-nous a un ordre de choses qui pourrait par hasard etre meilleur ou plus mauvais; jouissons des avantages de notre condition. Si nous y voyons des defauts, et il y en a sans doute, attendons-en le remede de l'experience et de la sagesse de nos maitres; et restons ici’ (Translation: ‘My friend, let us love our pasture; let us love our contemporaries; let us submit to an order of things which might by chance be better or worse; let us enjoy the advantages of our condition. If we see any faults in it, and there undoubtedly are, let us await the remedy of the experience and wisdom of our masters; and let us remain here’), and then the other launces into a violent diatribe against corrupting money, ‘Rester ici, moi! moi! y reste celui qui peut voir avec patience un peuple qui se pretend civilise, et le plus civilise de la terre, mettre a l'encan l'exercise des fonctions civiles; mon coeur se gonfle, et un jour de ma vie, non, un jour de ma vie, je ne le passe pas sans charger d'imprecations celui qui rendit les charges venales. Car c'est de la, oui. c'est de la et de la situation des grands exacteurs que sont decoules tous nos maux. Au moment ou l'on put arriver a tout avec de l'or, on voulut avoir de l'or; et le merite, qui ne conduisait a rien, ne fut rien. Il n'y eut plus aucune emulation honnete. L'educatin resta sans aucune base solide’ (Translation: ‘To remain here, me! me! to remain here is to be the one who can patiently watch a people who claim to be civilised, and the most civilised on earth, auction off the exercise of civil functions; my heart swells, and one day of my life, no, one day of my life, I will not spend it without charging with imprecations the one who made the offices venal. For it is from this, yes. it is from this and from the situation of the great tax collectors that all our ills have arisen. At the moment when one could achieve everything with gold, one wanted to have gold; and merit, which led to nothing, became nothing. There was no longer any honest emulation. Education remained without any solid foundation’), further describing the deleterious effects of the race for wealth, the desire to possess more and more that leads humanity to its ruin, ‘L'elephant se gonfla pour accroitre sa taille, la boeuf imita l'elephant; la grenouille eut la meme manie, qui remonta d'elle a l'elephant; et, dans ce mouvement reciproque, les trois animaux perirent: triste, mais image reelle d'une nation abandonnee a un luxe, symbole de la richesse des uns, et masque de la misere generale du reste’ (Translation: ‘The elephant inflated itself to increase its size, the ox imitated the elephant; the frog had the same mania, which went up from it to the elephant; and, in this reciprocal movement, the three animals lost: sad, but a real image of a nation abandoned to a luxury, symbol of the wealth of some, and mask of the general misery of the rest’), as well as the corruption of the morals, the contempt for study, the disappearance of all decency being the consequences, ‘On rampa, on s'avilit, on se prostitua dans toutes les conditions. Il n'y eut plus de distinction entre les moyens d'acquerir. Honnetes, malhonnetes, tous furent bons’ (Translation: ‘We crawled, we debased ourselves, we prostituted ourselves in all conditions. There was no longer any distinction between the means of acquisition. Honest, dishonest, all were good’), the other then advances the argument that this luxury engenders the development of art and industry, ‘Mais ne vous rejouissez-vous pas de voir la debauche, la dissipation, le faste, ecrouler ces masses enormes d'or? C'est par ce ,oyen qu'on nous restitue goutte a goutte ce sang dont nous sommes epuises. Il nous revient par une foule de mains occupees. Ce luxe, contre lequel vous vous recriez, n'est-ce pas lui qui soutient le ciseau dans la main du statuaire, la palette au puce du peintre, la navette?’ (Translation: ‘But don't you rejoice to see debauchery, dissipation and splendour crush these huge masses of gold? It is by this means that we are given back drop by drop the blood from which we are exhausted. It comes back to us through a host of busy hands. This luxury, against which you recoil, is it not that which sustains the chisel in the hand of the statuary, the palette on the chip of the painter, the shuttle?’), OWING TO LIMITATIONS IMPOSED BY THE SALEROOM THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT BE DISPLAYED. Please contact IAA Europe directly for further information.

AUTOGRAPH LETTERS, MANUSCRIPTS & HISTORICAL DOCUMENTS AUCTION

Auktionsdatum
Lose: 480
Lose: 550
Lose: 520
Ort der Versteigerung
El Real del Campanario
num.12 Bajo B
Estepona
Malaga
29688
Spain

IAA Europe offer an in house shipping service for the convenience of buyers. Lots are securely packed and shipped via courier with full tracking details which will be supplied upon despatch. 

In the majority of cases buyers from the United Kingdom will receive their packages via the Royal Mail from within England.

Your invoice will include postage, packing and insurance charges.

Wichtige Informationen

Day One - Lots 1 - 480

Day Two - Lots 481- 1030

Day Three - Lots 1031- 1550

Bidding at the auction will be online only.

We offer in house shipping to worldwide destinations. 

AGB

Buyers Terms & Conditions

1. Interpretation

1.1. "Auctioneers" means " International Autograph Auctions Europe S.L. "

1.2. "Catalogue" means the brochure relating to a sale (including any addendum thereto) and any other related documents and advertisements.

1.3. "Conditions" means these terms and conditions of sale

1.4. "Hammer Price" means the price at which a lot is knocked down by the Auctioneers to the Purchaser.

1.5. "Purchaser" means the person who purchases a lot or lots pursuant to these conditions.

1.6. "Seller" means the person who is selling the lot or lots pursuant to these conditions.

1.7. "VAT" means Value Added Tax.

 

2. Bidding

2.1. The highest bidder for each lot shall be the Purchaser of that lot.

2.2. No person shall be entitled to retract a bid. The Auctioneers reserve the right of refusing any bid without giving any reason and of altering, adding to, dividing, consolidating or withdrawing any lot or lots for sale.

2.3. The Auctioneers reserve the right to fix a reserve price for any lot at a figure no higher than the lower estimate.

2.4. The Auctioneers reserve the right to bid on behalf of the Seller on lots which are subject to a reserve price. The Seller shall not be entitled to bid where the Auctioneers have reserved such a right.

2.5. In the case of a dispute as to any bid the Auctioneers may immediately determine the dispute or put up the lot again at the last undisputed bid or withdraw the lot.

2.6. The Auctioneers will accept written commission bids free of charge from any person who is unable to attend the sale. Bids will also be accepted by telephone and fax at the sender's risk.

2.7. Lots will not normally be sold at less than two-thirds bottom estimate.

 

3. Payment

3.1. Each Purchaser shall give in his name and address and proof of identity (if required) to the Auctioneers at a sale and shall if required pay such deposit as the Auctioneers may specify.

3.2. The Purchaser shall pay the Hammer Price together with a premium of 30.25% on the Hammer Price (this amount includes VAT and must not be shown separately or claimed as input tax). By the making of any bid the Purchaser acknowledges that his attention had been drawn to this fact and that he assents to the Auctioneers receiving the said commission. A 25% premium will be payable by Purchasers outside the European Union (EU). Zero-rated goods such as books will be subject to a premium of 25% whether within or outside the EU unless entered by a VAT registered Seller.

3.3. Payments for lots must be made in cash, bankers draft or cheque guaranteed by the bank upon which it is drawn. Lots will not be released against cheques from Purchasers unknown to the Auctioneers until cleared by such Purchaser's bank. Payment is accepted by Visa and Mastercard. A surcharge of 3% plus VAT will be levied to accounts settled by credit cards for non EU buyers. Payment is also accepted by most debit cards with no surcharge.

3.4. Overseas clients are requested to settle accounts by USA Dollars or Sterling bank transfer (details upon request), by Euro cheques, by Visa or Mastercard (a surcharge of 3% plus VAT [clients outside the EU exempt from VAT] will be levied to accounts settled by this method) or if payment is made on personal accounts in foreign currency the client is requested to add the equivalent of a further €10 to cover bank conversion charges. The Auctioneer reserves the right to claim back from the Purchasers any shortfall due to bank charges or currency fluctuations on that account.

3.5. No lots will be released by the Auctioneers until receipt of payment in full from the Purchaser.

 

4. Risk

4.1. All lots shall be the sole risk of the Purchaser from the fall of the hammer.

4.2. The Purchaser shall take all lots in the condition in which he finds them. It is the responsibility of all intending Purchasers to satisfy themselves by inspection or otherwise as to the authenticity in the authorship, date, age, period, condition or quality of any lot.

 

5. Liability

5.1. Neither the Seller of any lot nor the Auctioneers make or give nor has any person in the employment of the Auctioneers any authority to make or give any representation or warranty in relation to any lot and any implied conditions or warranties are excluded.

5.2. All statements contained in the Catalogue as to the authenticity, attribution, genuineness, origin, authorship, date, age, period, condition or quality of any lot are statements of opinion only and are not to be taken as or implying statements or representations of fact. Lots are sold subject to all faults and errors in description or otherwise.

5.3. Notwithstanding the provisions of paragraphs 5.1. and 5.2. of these Conditions in the event of a dispute as to authenticity of any lot(s) the item or items in question should be returned to the Auctioneers within 21 days of receipt by the Purchaser of such lot(s) together with a formal statement by a recognised expert The Auctioneers shall at their option and without admission of liability reimburse the price paid by the Purchaser in respect of such lot(s). This does not constitute an approval service.

5.4. Neither the Auctioneers nor the Seller shall be responsible for any loss, damage or injury occasioned to or sustained by any person on the premises before, during or after a sale save in respect of death or personal injury caused by negligence of the Seller or the Auctioneers.

 

6. Capacity of Auctioneers

For all purposes of a sale the Auctioneers shall be deemed to be the agent of both the Seller and the Purchaser and they shall not be considered responsible for any default on the part of either the Seller or Purchaser.

 

7. Delivery

7.1. Lots will only be released once payment in full has been received from the Purchaser.

7.2  An insurance charge of 1.8 % plus VAT will be applied to all invoices for packages sent from our offices

7.3. Postage is subject to VAT at 21% within the EU

7.4. The Auctioneers will provide full customs declarations on the Hammer Price plus the Purchaser's premium and Purchaser's shall be responsible for any customs charges made by the country of import.

7.5. A charge will be made for the packing & shipping of deliveries which is subject to VAT at 21% within the EU.

 

8. Auctioneers Remedies

In the event that the Purchaser fails to pay for any lot(s) in full pursuant to these Conditions then the Auctioneers shall be entitled:

8.1. to rescind the sale of the relevant lot(s)

8.2. to resell the lot(s) without further notice either by public or private sale and the deficiency (if any) arising from such second sale together with all charges and expenses relating to the same shall be the responsibility of the defaulting Purchaser and shall be recoverable as and for liquidated damages.

 

9. Jurisdiction

These Conditions shall be governed by Spanish law and the parties submit to the exclusive jurisdiction of the Spanish courts.

 

Online Bidding

International Autograph Auctions Europe S.L. offer an online bidding service for bidders who cannot attend the sale, however please be advised that a charge of 3% + VAT  is chargeable on all purchases made through  any of the online bidding facilities offered.

In completing the bidder registration and providing your credit card details and unless alternative arrangements are agreed with International Autograph Auctions Europe S.L.

1. You authorise International Autograph Auctions Europe S.L., if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction, and

2. confirm that you are authorised to provide these credit card details to International Autograph Auctions Europe S.L. and agree that International Autograph Auctions Europe S.L. are entitled to ship the goods to the card holder name and card holder address provided in fulfillment of the sale.

3. confirm that you accept that an additional charge of 3% + VAT will be applied to your invoice for use of an online bidding facility



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