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Attributed to Padre Carlos (Quito, 1600-1699)
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Beschreibung
Attributed to Padre Carlos (Quito, 1600-1699)
"Christ tied to the Column"
Carved, polychromed wooden sculpture with sculpted bone and glass eyes.
Total measurements: 28 x 24 x 14 cm. Christ measurements: 26 x 19 x 12 cm.
A magnificent example of Quito imagery, which in our opinion should be attributed to Padre Carlos, due to the undeniable similarities with other known sculptures by the master, for example with the San Pedro de Alcántara of the Cantuña chapel in Quito, whose main altarpiece is a masterpiece of Bernardo de Legarda.
The sculptor conveys to us with all harshness the terror that Jesus had to endure on his way to Calvary. The back is completely flayed, with raw flesh, revealing the sculpted spinal column of Jesus in sculpted bone. The face reflects acceptance and pain, the gaze is of abandonment, and the gesture of the slightly open mouth shows the intricately carved teeth. The body is tied to the column in a slight twist. Everything in this sculpture is of a fascinating quality and mastery.
Father Carlos is considered the most important sculptor from Quito in the XVII century, he dominated the sculptural panorama in Ecuador.
He is one of its illustrious figures along with Bernardo de Legarda, Manuel Chili (Caspicara) and José Olmos (Pampite).
As we read on the website mcnbiografias.com "his personality, as well as his chronology have not been clearly defined, despite being the artist who dominates the Ecuadorian sculpture of the seventeenth century. It is not even known if he belonged to the secular clergy or if he was a Jesuit, there were even those who doubted his real existence, but his belonging to the seventeenth century was confirmed when, during the restoration of an altarpiece of the Cantuña chapel, an inscription was found that indicates him as the author of the Lord Saint Luke the Evangelist, in the year 1668. This data corroborated the testimony of Eugenio Espejo, who at the end of the XVIII century attributed to Father Carlos several sculptural groups of the church of San Francisco. Father Carlos reveals the influence of the Sevillian Juan Martínez Montañés and Juan de Mesa, but in his life-size images, he knew how to imprint his own personality, which goes beyond the religious requirement to become achievements of clear realism and intense dramatism. The main statues known by him are: the Negation of Peter, the Prayer in the Garden and the Lord of the Column, preserved in the church of San Francisco; St. Luke the Evangelist and St. Peter of Alcantara in the chapel of Cantuña, among others."
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Attributed to Padre Carlos (Quito, 1600-1699)
"Christ tied to the Column"
Carved, polychromed wooden sculpture with sculpted bone and glass eyes.
Total measurements: 28 x 24 x 14 cm. Christ measurements: 26 x 19 x 12 cm.
A magnificent example of Quito imagery, which in our opinion should be attributed to Padre Carlos, due to the undeniable similarities with other known sculptures by the master, for example with the San Pedro de Alcántara of the Cantuña chapel in Quito, whose main altarpiece is a masterpiece of Bernardo de Legarda.
The sculptor conveys to us with all harshness the terror that Jesus had to endure on his way to Calvary. The back is completely flayed, with raw flesh, revealing the sculpted spinal column of Jesus in sculpted bone. The face reflects acceptance and pain, the gaze is of abandonment, and the gesture of the slightly open mouth shows the intricately carved teeth. The body is tied to the column in a slight twist. Everything in this sculpture is of a fascinating quality and mastery.
Father Carlos is considered the most important sculptor from Quito in the XVII century, he dominated the sculptural panorama in Ecuador.
He is one of its illustrious figures along with Bernardo de Legarda, Manuel Chili (Caspicara) and José Olmos (Pampite).
As we read on the website mcnbiografias.com "his personality, as well as his chronology have not been clearly defined, despite being the artist who dominates the Ecuadorian sculpture of the seventeenth century. It is not even known if he belonged to the secular clergy or if he was a Jesuit, there were even those who doubted his real existence, but his belonging to the seventeenth century was confirmed when, during the restoration of an altarpiece of the Cantuña chapel, an inscription was found that indicates him as the author of the Lord Saint Luke the Evangelist, in the year 1668. This data corroborated the testimony of Eugenio Espejo, who at the end of the XVIII century attributed to Father Carlos several sculptural groups of the church of San Francisco. Father Carlos reveals the influence of the Sevillian Juan Martínez Montañés and Juan de Mesa, but in his life-size images, he knew how to imprint his own personality, which goes beyond the religious requirement to become achievements of clear realism and intense dramatism. The main statues known by him are: the Negation of Peter, the Prayer in the Garden and the Lord of the Column, preserved in the church of San Francisco; St. Luke the Evangelist and St. Peter of Alcantara in the chapel of Cantuña, among others."
Beauty and Devotion. Picasso between the Old and New World.
Auktionsdatum
Lose: 118
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain
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The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
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From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
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