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Basilio Santa Cruz Pumacallao (Cuzco, Peru, 1635 - 1710)
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Beschreibung
Basilio Santa Cruz Pumacallao (Cuzco, Peru, 1635 - 1710)
"Death of Saint Joseph"
Oil on canvas. Relined.
156 x 104 cm.
The painting's very high pictorial quality is clear to see in spite of the fact that it needs to be cleaned. This indisputable quality can be appreciated in the faces of the three characters, finely executed with sweetness and great expressiveness. The Virgin Mary's tears are especially worth a mention, as are St. Joseph's left hand, resting inert on his chest and Jesus' right hand, tenderly closing St. Joseph's eyes as he begins his eternal rest. Great quality can also be seen in the little angels, one carrying a palm and the other a bunch of fruit, painted with very loose and sure brushstrokes, with very marked and characteristic golden curls. We also highlight the endearing gesture of Jesus with his father who, while closing his eyes as we said, takes his right hand with great affection to join it with his left hand on his chest.
This religious scene has, however, a domestic essence and a totally costumbrist plasticity, probably with an evangelizing purpose, since its theme is the Holy Family and the death of St. Joseph, but it is still a family that is dealing with the loss of the father at home, an everyday scene chosen in order to encourage faith through people's empathy with the events in the painting. They suffer as we do, a more human way to conquer faith amongst believers, and a formula that clearly characterizes Pumacallao's era. On the one hand, therefore, we have the death of St. Joseph and all that it implies theologically and, on the other, the daily scene, with a wonderful still life, which we will detail later, and the pet animal that tries, slyly, to snatch the piece of sponge cake by the table leg.
The still life we mentioned could be a small painting within our painting. It depicts a carved wooden table with legs in the shape of an animal's claw, on which a series of elements of household furnishings rest next to a tropical fruit, all clearly typical of this painter's region, such as a polychromed plate, an earthenware vase and a half-filled glass vase containing an amber liquid.
Due to the composition and subject matter, with its clearly horizontal presentation, we can see that a fragment of the canvas is missing on both sides.
Basilio de Santa Cruz Pumacallao, along with Diego Quispe Tito, dominated the artistic panorama of the Cuzco school during the last quarter of the 17th century. His most relevant patron was Bishop Manuel de Mollinedo y Angulo (1673-1699), a Spanish cleric who arrived in Cuzco in 1673. Together with José López de los Ríos and Leonardo Torres, he created the iconographies of the Angels and the Arcabuceros Archangels, which are very characteristic of the Cuzco school.
As indicated by the Royal Academy of History, Pumacallao's career "began around 1661, when the Franciscans of Cuzco commissioned him to paint twelve angels and an equal number of Madonnas for their church, paintings that are now lost."
In his work one can perceive strong influences of Spanish painting, as he manages to exquisitely fuse Spanish baroque with his indigenous origins, resulting in an innovative and unique mestizo style.
Bibliographic reference:
- Wuffarden, Luis Eduardo. (s.f.). "Basilio de Santa Cruz Pumacallao". Real Academia de la Historia: DB-e. https://dbe.rah.es/biografias/54763/basilio-de-santa-cruz-pumacallao
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Basilio Santa Cruz Pumacallao (Cuzco, Peru, 1635 - 1710)
"Death of Saint Joseph"
Oil on canvas. Relined.
156 x 104 cm.
The painting's very high pictorial quality is clear to see in spite of the fact that it needs to be cleaned. This indisputable quality can be appreciated in the faces of the three characters, finely executed with sweetness and great expressiveness. The Virgin Mary's tears are especially worth a mention, as are St. Joseph's left hand, resting inert on his chest and Jesus' right hand, tenderly closing St. Joseph's eyes as he begins his eternal rest. Great quality can also be seen in the little angels, one carrying a palm and the other a bunch of fruit, painted with very loose and sure brushstrokes, with very marked and characteristic golden curls. We also highlight the endearing gesture of Jesus with his father who, while closing his eyes as we said, takes his right hand with great affection to join it with his left hand on his chest.
This religious scene has, however, a domestic essence and a totally costumbrist plasticity, probably with an evangelizing purpose, since its theme is the Holy Family and the death of St. Joseph, but it is still a family that is dealing with the loss of the father at home, an everyday scene chosen in order to encourage faith through people's empathy with the events in the painting. They suffer as we do, a more human way to conquer faith amongst believers, and a formula that clearly characterizes Pumacallao's era. On the one hand, therefore, we have the death of St. Joseph and all that it implies theologically and, on the other, the daily scene, with a wonderful still life, which we will detail later, and the pet animal that tries, slyly, to snatch the piece of sponge cake by the table leg.
The still life we mentioned could be a small painting within our painting. It depicts a carved wooden table with legs in the shape of an animal's claw, on which a series of elements of household furnishings rest next to a tropical fruit, all clearly typical of this painter's region, such as a polychromed plate, an earthenware vase and a half-filled glass vase containing an amber liquid.
Due to the composition and subject matter, with its clearly horizontal presentation, we can see that a fragment of the canvas is missing on both sides.
Basilio de Santa Cruz Pumacallao, along with Diego Quispe Tito, dominated the artistic panorama of the Cuzco school during the last quarter of the 17th century. His most relevant patron was Bishop Manuel de Mollinedo y Angulo (1673-1699), a Spanish cleric who arrived in Cuzco in 1673. Together with José López de los Ríos and Leonardo Torres, he created the iconographies of the Angels and the Arcabuceros Archangels, which are very characteristic of the Cuzco school.
As indicated by the Royal Academy of History, Pumacallao's career "began around 1661, when the Franciscans of Cuzco commissioned him to paint twelve angels and an equal number of Madonnas for their church, paintings that are now lost."
In his work one can perceive strong influences of Spanish painting, as he manages to exquisitely fuse Spanish baroque with his indigenous origins, resulting in an innovative and unique mestizo style.
Bibliographic reference:
- Wuffarden, Luis Eduardo. (s.f.). "Basilio de Santa Cruz Pumacallao". Real Academia de la Historia: DB-e. https://dbe.rah.es/biografias/54763/basilio-de-santa-cruz-pumacallao
From East to West. A merging of artistic influences
Auktionsdatum
Lose: 143
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain
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The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
Wichtige Informationen
AGB
CONDITIONS OF THE AUCTION:
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VII. SCALE OF BIDS. The bids are set according to the following scale:
From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.
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X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.
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15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.
XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.
XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.
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Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".
