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Bernardo Bitti (Camerino, Italy, 1548 - Lima, Peru 1610)
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Beschreibung
Bernardo Bitti (Camerino, Italy, 1548 - Lima, Peru 1610)
"The adoration of the shepherds"
Oil on copper
26 x 18,5 cm.
Nuestra obra presenta todas las características de Bitti, como son la elegancia de las figuras propias de la “maniera” italiana. Todas las manos de los personajes son delicadas y de delgados dedos como acostumbramos a ver en las obras del italiano.
Así mismo reconocemos como suyos los pliegues de los ropajes y su cromatismo o la composición de la escena y disposición de sus integrantes.
Comparando nuestra pintura con otra Adoración de pastores que se conserva en el Museo de la Catedral de Sucre, actual Bolivia, localizamos en esta a uno de los pastores que sostiene en sus manos un sombrero rojo y en el caso de nuestra Adoración un personaje al fondo cubre su cabeza con un rojo sombrero de igual característica.
Bitti, who was a Jesuit priest, was the first mannerist painter to arrive in the Viceroyalty of Peru, in 1575, with the main purpose of evangelising through the influential art of painting. He worked in the Jesuit churches in Lima, Cuzco and Upper Peru, like Arequipa or Chuquisaca, bringing the art and sculpture of Europe to indigenous artists and assisting in the training in the first painting and sculpture workshops.
Before his arrival in Peru he painted frescoes at the novitiate of Santa Andrea del Quirinal in Rome, influenced by Vasari and Salviatti.
Once established in the Viceroyalty he produced important paintings. In Chuquisaca (present-day Sucre), for example, these are some of the works he painted for the Society of Jesus: “La Imposición de la Casulla a San Ildefonso” (Putting the chasuble on Saint Ildephonsus of Toledo), "The Apostles John and James", “The Annunciation of the Angel Gabriel to the Virgin Mary”, and “The Madonna with the Christ Child and the Infant Saint John”, also known as “La Virgen de las Frutas”, all of them kept in Sucre Cathedral. These paintings, recently restored, reaffirm Bitti's presence in the city and the impact of his style on local artistic production.
The role of the Society of Jesus in Chuquisaca, and the hole Upper Peru, in fact, was key in the diffusion of Mannerist painting and its evolution towards the Andean Baroque. The Church and College of San Juan Bautista, one of the main Jesuit educational centers in the city, played a fundamental role in the training of artists and in the production of religious works. The strong connection between the Jesuit colleges and the painting workshops allowed Bitti's mannerist aesthetic to continue in the region during the 18th century, adapting to local sensibilities.
In Lima, his canvases can be found in the church of San Pedro, such as the "Coronation of the Virgin" and "Our Lady of Candelaria". Bitti was sent in 1585 to Juli, a village of Aymara Indians on the shores of Lake Titicaca, where the Society of Jesus had a large missionary centre. He painted most of his work there, such as "The Baptism of Christ" in the church of San Juan and "Saint Catherine" in the church of San Pedro, both churches of the Jesuit Order.
Bibliographic reference:
- Gisbert, Teresa y de Mesa, José. (n.d.). "Bernardo Bitti". https://historia-hispanica.rah.es/biografias/6940-bernardo-bitti
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Bernardo Bitti (Camerino, Italy, 1548 - Lima, Peru 1610)
"The adoration of the shepherds"
Oil on copper
26 x 18,5 cm.
Nuestra obra presenta todas las características de Bitti, como son la elegancia de las figuras propias de la “maniera” italiana. Todas las manos de los personajes son delicadas y de delgados dedos como acostumbramos a ver en las obras del italiano.
Así mismo reconocemos como suyos los pliegues de los ropajes y su cromatismo o la composición de la escena y disposición de sus integrantes.
Comparando nuestra pintura con otra Adoración de pastores que se conserva en el Museo de la Catedral de Sucre, actual Bolivia, localizamos en esta a uno de los pastores que sostiene en sus manos un sombrero rojo y en el caso de nuestra Adoración un personaje al fondo cubre su cabeza con un rojo sombrero de igual característica.
Bitti, who was a Jesuit priest, was the first mannerist painter to arrive in the Viceroyalty of Peru, in 1575, with the main purpose of evangelising through the influential art of painting. He worked in the Jesuit churches in Lima, Cuzco and Upper Peru, like Arequipa or Chuquisaca, bringing the art and sculpture of Europe to indigenous artists and assisting in the training in the first painting and sculpture workshops.
Before his arrival in Peru he painted frescoes at the novitiate of Santa Andrea del Quirinal in Rome, influenced by Vasari and Salviatti.
Once established in the Viceroyalty he produced important paintings. In Chuquisaca (present-day Sucre), for example, these are some of the works he painted for the Society of Jesus: “La Imposición de la Casulla a San Ildefonso” (Putting the chasuble on Saint Ildephonsus of Toledo), "The Apostles John and James", “The Annunciation of the Angel Gabriel to the Virgin Mary”, and “The Madonna with the Christ Child and the Infant Saint John”, also known as “La Virgen de las Frutas”, all of them kept in Sucre Cathedral. These paintings, recently restored, reaffirm Bitti's presence in the city and the impact of his style on local artistic production.
The role of the Society of Jesus in Chuquisaca, and the hole Upper Peru, in fact, was key in the diffusion of Mannerist painting and its evolution towards the Andean Baroque. The Church and College of San Juan Bautista, one of the main Jesuit educational centers in the city, played a fundamental role in the training of artists and in the production of religious works. The strong connection between the Jesuit colleges and the painting workshops allowed Bitti's mannerist aesthetic to continue in the region during the 18th century, adapting to local sensibilities.
In Lima, his canvases can be found in the church of San Pedro, such as the "Coronation of the Virgin" and "Our Lady of Candelaria". Bitti was sent in 1585 to Juli, a village of Aymara Indians on the shores of Lake Titicaca, where the Society of Jesus had a large missionary centre. He painted most of his work there, such as "The Baptism of Christ" in the church of San Juan and "Saint Catherine" in the church of San Pedro, both churches of the Jesuit Order.
Bibliographic reference:
- Gisbert, Teresa y de Mesa, José. (n.d.). "Bernardo Bitti". https://historia-hispanica.rah.es/biografias/6940-bernardo-bitti
Vanitas, Parables and Devotions
Auktionsdatum
Lose: 1-195
Ort der Versteigerung
Conde de Salvatierra, 8
Barcelona
08006
Spain
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The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
Wichtige Informationen
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From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
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From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
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From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
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XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
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