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1522

Willem KoekkoekView of a Dutch Street in SummerOil on canvas. 65 x 85 cm.Signed lower left: W.

In 19th Century Paintings and Drawings

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Willem KoekkoekView of a Dutch Street in SummerOil on canvas. 65 x 85 cm.Signed lower left: W.
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Köln
Willem Koekkoek
View of a Dutch Street in Summer

Oil on canvas. 65 x 85 cm.
Signed lower left: W. Koekkoek.

Provenance
Galerie Paffrath, Düsseldorf 2004. - Private collection, West Germany.

Willem Koekkoek was a member of the large and extensive Koekkoek dynasty of Netherlandish painters. This line spanned four generations and brought forth 16 painters. He was the son of Hermanus I Koekkoek, who is especially well-known for his small-format seascapes and river landscapes. Two of his four uncles were the famous landscape artists Barend Cornelis Koekkoek (1803-1862) and Marinus Adrianus I Koekkoek (1807-1868). Willem's sons Hermanus Willem (1876-1929) and Marinus Adrianus II (1873-1944) also followed the family tradition and became landscape painters.
The young Willem Koekkoek first learnt to paint under his father, and the two later worked together throughout the 1860s. He is known to have changed residence frequently from 1878 to 1885 - moving from Amsterdam, to The Hague, to Utrecht and then back to Amsterdam - eventually settling in Nieuwer-Amstel (Amstelveen). In 1888 he undertook a lengthy sojourn to London to visit his brother Hermanus II, who made a very successful living there as a painter and art dealer.
Willem Koekkoek is most well-known for his Dutch cityscapes, which are characterised by their finely painted and realistic depictions of architecture. The artful play of light and shadow accentuates these details. Whilst the houses in the foreground remain bathed in gentle light, the houses at the end of the street fade into a soft haze, and the calm atmosphere of the scene is accentuated by the figures strolling and talking peacefully with one another. Koekkoek usues the figures as more than merely props, giving each of them their own specific attributes and position within the scene, so that the viewer almost appears to be granted a glimpse into their daily lives.
Examples of similar works by Koekkoek can be found in the B. C. Koekkoek-Haus in Cleves, the National Gallery in London and in the Philadelphia Museum of Art.

Willem Koekkoek
Holländische Stadtansicht im Sommer

Öl auf Leinwand. 65 x 85 cm.
Signiert unten links: W. Koekkoek.

Provenienz
Galerie Paffrath, Düsseldorf 2004. - Westdeutsche Privatsammlung.

Willem Koekkoek entstammt der bekannten und weit verzweigten niederländischen Malerfamilie Koekkoek, die sich über vier Generationen erstreckt und 16 Maler hervorbringt. Er ist der Sohn von Hermanus I Koekkoek, der besonders für seine kleinformatigen See- und Flusslandschaften bekannt ist. Zu seinen vier Onkeln zählen unter anderem auch die beiden berühmten Landschaftsmaler Barend Cornelis Koekkoek (1803-1862) sowie Marinus Adrianus I Koekkoek (1807-1868). Auch Willems Söhne Hermanus Willem (1876-1929) und Marinus Adrianus II (1873-1944) folgen später der Familientradition und werden Landschaftsmaler.
Der junge Willem Koekkoek ist zunächst Schüler seines Vaters, woraus sich in den 1860er Jahren eine Zusammenarbeit der beiden entwickelt. Zwischen 1878 und 1885 wechselt Willem häufiger seinen Wohnort - er zieht von Amsterdam nach Den Haag über Utrecht wieder nach Amsterdam, um sich schließlich in Nieuwer-Amstel (Amstelveen) niederzulassen. 1888 unternimmt er eine längere Reise, um seinen Bruder Hermanus II in London zu besuchen, der dort als Maler und Kunsthändler sehr erfolgreich ist.
Willem Koekkoek ist bekannt für seine holländischen Stadtansichten, die sich besonders durch eine äußerst feine und detailgenaue malerische Ausführung der Architektur auszeichnen. Die von ihm inszenierte Licht-Schatten-Regie akzentuiert diese Detailtreue. Während die Häuser im Vordergrund in ein zartes Licht gehüllt werden, verschwimmen die Konturen der Häuser am Ende der Straße in leichtem Dunst. Die dadurch entstehende Stille wird durch die gesellige und unaufgeregte Stimmung der Passanten auf der Straße
Willem Koekkoek
View of a Dutch Street in Summer

Oil on canvas. 65 x 85 cm.
Signed lower left: W. Koekkoek.

Provenance
Galerie Paffrath, Düsseldorf 2004. - Private collection, West Germany.

Willem Koekkoek was a member of the large and extensive Koekkoek dynasty of Netherlandish painters. This line spanned four generations and brought forth 16 painters. He was the son of Hermanus I Koekkoek, who is especially well-known for his small-format seascapes and river landscapes. Two of his four uncles were the famous landscape artists Barend Cornelis Koekkoek (1803-1862) and Marinus Adrianus I Koekkoek (1807-1868). Willem's sons Hermanus Willem (1876-1929) and Marinus Adrianus II (1873-1944) also followed the family tradition and became landscape painters.
The young Willem Koekkoek first learnt to paint under his father, and the two later worked together throughout the 1860s. He is known to have changed residence frequently from 1878 to 1885 - moving from Amsterdam, to The Hague, to Utrecht and then back to Amsterdam - eventually settling in Nieuwer-Amstel (Amstelveen). In 1888 he undertook a lengthy sojourn to London to visit his brother Hermanus II, who made a very successful living there as a painter and art dealer.
Willem Koekkoek is most well-known for his Dutch cityscapes, which are characterised by their finely painted and realistic depictions of architecture. The artful play of light and shadow accentuates these details. Whilst the houses in the foreground remain bathed in gentle light, the houses at the end of the street fade into a soft haze, and the calm atmosphere of the scene is accentuated by the figures strolling and talking peacefully with one another. Koekkoek usues the figures as more than merely props, giving each of them their own specific attributes and position within the scene, so that the viewer almost appears to be granted a glimpse into their daily lives.
Examples of similar works by Koekkoek can be found in the B. C. Koekkoek-Haus in Cleves, the National Gallery in London and in the Philadelphia Museum of Art.

Willem Koekkoek
Holländische Stadtansicht im Sommer

Öl auf Leinwand. 65 x 85 cm.
Signiert unten links: W. Koekkoek.

Provenienz
Galerie Paffrath, Düsseldorf 2004. - Westdeutsche Privatsammlung.

Willem Koekkoek entstammt der bekannten und weit verzweigten niederländischen Malerfamilie Koekkoek, die sich über vier Generationen erstreckt und 16 Maler hervorbringt. Er ist der Sohn von Hermanus I Koekkoek, der besonders für seine kleinformatigen See- und Flusslandschaften bekannt ist. Zu seinen vier Onkeln zählen unter anderem auch die beiden berühmten Landschaftsmaler Barend Cornelis Koekkoek (1803-1862) sowie Marinus Adrianus I Koekkoek (1807-1868). Auch Willems Söhne Hermanus Willem (1876-1929) und Marinus Adrianus II (1873-1944) folgen später der Familientradition und werden Landschaftsmaler.
Der junge Willem Koekkoek ist zunächst Schüler seines Vaters, woraus sich in den 1860er Jahren eine Zusammenarbeit der beiden entwickelt. Zwischen 1878 und 1885 wechselt Willem häufiger seinen Wohnort - er zieht von Amsterdam nach Den Haag über Utrecht wieder nach Amsterdam, um sich schließlich in Nieuwer-Amstel (Amstelveen) niederzulassen. 1888 unternimmt er eine längere Reise, um seinen Bruder Hermanus II in London zu besuchen, der dort als Maler und Kunsthändler sehr erfolgreich ist.
Willem Koekkoek ist bekannt für seine holländischen Stadtansichten, die sich besonders durch eine äußerst feine und detailgenaue malerische Ausführung der Architektur auszeichnen. Die von ihm inszenierte Licht-Schatten-Regie akzentuiert diese Detailtreue. Während die Häuser im Vordergrund in ein zartes Licht gehüllt werden, verschwimmen die Konturen der Häuser am Ende der Straße in leichtem Dunst. Die dadurch entstehende Stille wird durch die gesellige und unaufgeregte Stimmung der Passanten auf der Straße

19th Century Paintings and Drawings

Auktionsdatum
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

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Wichtige Informationen

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1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain -anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.
3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

The gold content of objects without fineness stamps are ascertained using an acid test. The size and quality of gemstones are ascertained within the settings, unless mentioned otherwise. Assessments of the clarity and colour of gemstones are subject to the subjective perception. Minor divergences from the values provided do not represent deficiencies. References to gemmological certifications are used purely for informational purposes, and do not provide a guarantee. The watches listed have been opened to be catalogued, but we cannot guarantee for their accuracy and function.
4. Warranty claims are excluded. In the event of variances from the catalogue -descriptions, which result in negation or substantial diminution of value or suitability, and which are reported with due justification within one year after handover, Lempertz nevertheless undertakes to pursue its rights against the seller through the courts; in the event of a successful claim against the seller, Lempertz will reimburse the buyer only the total purchase price paid. Over and above this, Lempertz undertakes to reimburse its commission within a given period of two years after the date of the sale if the object in question proves not to be authentic.
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9. Up to a hammer price of € 400.000.- a premium of 24 % calculated on the hammer price plus 19 % value added tax calculated (VAT) on the surcharge only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400.000 (margin scheme). On lots which are characterized by ** an additional 7 % for import tax will be added. On lots which are characterised by an *, the buyer shall pay a premium of 24 % on a hammer price up to € 400.000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose author died after 31.12.1943, a charge of 1,9 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12.500.-. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.
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11. In the case of payment default, Lempertz will charge interest on the outstanding amount at a rate of 1 % of the gross price per month or part month. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.
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Henrik Hanstein, sworn public auctioneer
Takuro Ito, Auctioneer

 

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