Los

540

Stephan BalkenholAphrodite Bronze, farbig gefasst. Höhe ca. 128 cm. Auf Metallsockel. Gesamthöhe ca.

In Contemporary Art 1

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Stephan BalkenholAphrodite Bronze, farbig gefasst. Höhe ca. 128 cm. Auf Metallsockel. Gesamthöhe ca. - Bild 1 aus 2
Stephan BalkenholAphrodite Bronze, farbig gefasst. Höhe ca. 128 cm. Auf Metallsockel. Gesamthöhe ca. - Bild 2 aus 2
Stephan BalkenholAphrodite Bronze, farbig gefasst. Höhe ca. 128 cm. Auf Metallsockel. Gesamthöhe ca. - Bild 1 aus 2
Stephan BalkenholAphrodite Bronze, farbig gefasst. Höhe ca. 128 cm. Auf Metallsockel. Gesamthöhe ca. - Bild 2 aus 2
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Köln
Stephan BalkenholAphrodite Bronze, farbig gefasst. Höhe ca. 128 cm. Auf Metallsockel. Gesamthöhe ca. 169 cm. Mit dem Gießerstempel 'Strassacker Kunstgiesserei'. Einer von 3 Güssen. ProvenienzGalerie Löhrl, Mönchengladbach; Privatsammlung, Hessen„Stephan Balkenhol hat den Mut, die Figuration als Sujet zeitgenössischer Bildhauerei neu zu erfinden. Dabei gelingt es ihm, das Motiv von seinem historischen Ballast zu befreien und ein unpathetisches Menschenbild zu schaffen, welches in seiner Aussage vieldeutig bleibt. Dem definierten Themenkomplex widmet er sich mit eindrucksvoller Ernsthaftigkeit. Auch wenn seinen Skulpturen häufig eine große Komik innewohnt, macht der Künstler sich über sein Thema dennoch nie lustig. Stephan Balkenhol verweigert sich dem zeitgemäßen Hintertürchen der Ironie und wird dadurch angreifbar. Er tritt nicht in der Pose des Provokateurs auf und erlaubt sich kein rettendes ‚Ist doch nur Spaß!'. Er ist als Künstler nie der lachende Außenstehende, der unbeteiligt auf die Bedingtheiten des Lebens blickt und es vermeintlich besser weiß. In dieser Position muss er ertragen, dass die, die nicht genau hinsehen, seine Skulpturen einfach schön finden und das Konzeptuelle nicht sehen. Dem Künstler Stephan Balkenhol wird man so nicht gerecht, aber andererseits gibt es Schlimmeres als den Vorwurf der Schönheit.“ (Harriet Zilch, Stephan Balkenhols Menschenbilder im Kontext bildhauerischer Tradition, in: Matthias Winzel (Hg.), Stephan Balkenhol, Ausst.Kat., Staatliche Kunsthalle Baden-Baden u.a., Köln 2007, S.218). Stephan BalkenholAphrodite Bronze, painted. Height approx. 128 cm. Metal plinth. Overall height approx. 169 cm. Foundry mark "Strassacker Kunstgiesserei". One of 3 casts. ProvenanceGalerie Löhrl, Mönchengladbach; private collection, Hesse'Stephan Balkenhol has the courage to reinvent figuration as a subject of contemporary sculpture. In doing so, he succeeds in liberating the motif from its historical burden and in creating an unemotional image of humanity which remains ambiguous in its statement. He applies himself to the defined groups of subjects with formidable gravity. Even if his sculptures often have an inherent humour, the artist never ridicules his themes. Stephan Balkenhol denies himself the contemporary backdoor of irony and thus becomes vulnerable. He does not adopt the pose of the provocateur and does not allow himself a redeeming “it's just a joke”. As an artist, he is never the laughing outsider aloofly regarding the implications of life, allegedly knowing everything better. In this position he has to endure the fact that those who do not pay close attention simply consider his sculptures beautiful and do not see the conceptual aspect. On the one hand, this does not do justice to the artist Stephan Balkenhol but on the other hand, there are worse things than the allegation of beauty.' (Harriet Zilch, Stephan Balkenhols Menschenbilder im Kontext bildhauerischer Tradition, in: Matthias Winzel (ed.), Stephan Balkenhol, exhib.cat., i.a. Staatliche Kunsthalle Baden-Baden, Cologne 2007, p.218).
Stephan BalkenholAphrodite Bronze, farbig gefasst. Höhe ca. 128 cm. Auf Metallsockel. Gesamthöhe ca. 169 cm. Mit dem Gießerstempel 'Strassacker Kunstgiesserei'. Einer von 3 Güssen. ProvenienzGalerie Löhrl, Mönchengladbach; Privatsammlung, Hessen„Stephan Balkenhol hat den Mut, die Figuration als Sujet zeitgenössischer Bildhauerei neu zu erfinden. Dabei gelingt es ihm, das Motiv von seinem historischen Ballast zu befreien und ein unpathetisches Menschenbild zu schaffen, welches in seiner Aussage vieldeutig bleibt. Dem definierten Themenkomplex widmet er sich mit eindrucksvoller Ernsthaftigkeit. Auch wenn seinen Skulpturen häufig eine große Komik innewohnt, macht der Künstler sich über sein Thema dennoch nie lustig. Stephan Balkenhol verweigert sich dem zeitgemäßen Hintertürchen der Ironie und wird dadurch angreifbar. Er tritt nicht in der Pose des Provokateurs auf und erlaubt sich kein rettendes ‚Ist doch nur Spaß!'. Er ist als Künstler nie der lachende Außenstehende, der unbeteiligt auf die Bedingtheiten des Lebens blickt und es vermeintlich besser weiß. In dieser Position muss er ertragen, dass die, die nicht genau hinsehen, seine Skulpturen einfach schön finden und das Konzeptuelle nicht sehen. Dem Künstler Stephan Balkenhol wird man so nicht gerecht, aber andererseits gibt es Schlimmeres als den Vorwurf der Schönheit.“ (Harriet Zilch, Stephan Balkenhols Menschenbilder im Kontext bildhauerischer Tradition, in: Matthias Winzel (Hg.), Stephan Balkenhol, Ausst.Kat., Staatliche Kunsthalle Baden-Baden u.a., Köln 2007, S.218). Stephan BalkenholAphrodite Bronze, painted. Height approx. 128 cm. Metal plinth. Overall height approx. 169 cm. Foundry mark "Strassacker Kunstgiesserei". One of 3 casts. ProvenanceGalerie Löhrl, Mönchengladbach; private collection, Hesse'Stephan Balkenhol has the courage to reinvent figuration as a subject of contemporary sculpture. In doing so, he succeeds in liberating the motif from its historical burden and in creating an unemotional image of humanity which remains ambiguous in its statement. He applies himself to the defined groups of subjects with formidable gravity. Even if his sculptures often have an inherent humour, the artist never ridicules his themes. Stephan Balkenhol denies himself the contemporary backdoor of irony and thus becomes vulnerable. He does not adopt the pose of the provocateur and does not allow himself a redeeming “it's just a joke”. As an artist, he is never the laughing outsider aloofly regarding the implications of life, allegedly knowing everything better. In this position he has to endure the fact that those who do not pay close attention simply consider his sculptures beautiful and do not see the conceptual aspect. On the one hand, this does not do justice to the artist Stephan Balkenhol but on the other hand, there are worse things than the allegation of beauty.' (Harriet Zilch, Stephan Balkenhols Menschenbilder im Kontext bildhauerischer Tradition, in: Matthias Winzel (ed.), Stephan Balkenhol, exhib.cat., i.a. Staatliche Kunsthalle Baden-Baden, Cologne 2007, p.218).

Contemporary Art 1

Auktionsdatum
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

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Wichtige Informationen


24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
19.00 % VAT on buyer's premium and other charges; not indicated and not refundable; VAT margin scheme



24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
7.00 % pre-paid, non-refundable importation VAT on the hammer price
19.00 % VAT on buyer's premium and other charges; not indicated and not refundable; VAT margin scheme




19.00 % VAT on the hammer price
24.00 % buyer's premium on the hammer price
19.00 % VAT on buyer's premium
- 20.00 % buyer's premium on the amount of the hammer price exceeding 400,001 EUR


24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
7.00 % VAT on buyer's premium and other charges; not indicated and not refundable; VAT margin scheme




7.00 % VAT on the hammer price
24.00 % buyer's premium on the hammer price
19.00 % VAT on buyer's premium
- 20.00 % buyer's premium on the amount of the hammer price exceeding 400,001 EUR

 

 

AGB

Conditions of Sale

1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain -anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.
3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

The gold content of objects without fineness stamps are ascertained using an acid test. The size and quality of gemstones are ascertained within the settings, unless mentioned otherwise. Assessments of the clarity and colour of gemstones are subject to the subjective perception. Minor divergences from the values provided do not represent deficiencies. References to gemmological certifications are used purely for informational purposes, and do not provide a guarantee. The watches listed have been opened to be catalogued, but we cannot guarantee for their accuracy and function.
4. Warranty claims are excluded. In the event of variances from the catalogue -descriptions, which result in negation or substantial diminution of value or suitability, and which are reported with due justification within one year after handover, Lempertz nevertheless undertakes to pursue its rights against the seller through the courts; in the event of a successful claim against the seller, Lempertz will reimburse the buyer only the total purchase price paid. Over and above this, Lempertz undertakes to reimburse its commission within a given period of two years after the date of the sale if the object in question proves not to be authentic.
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8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.
9. Up to a hammer price of € 400.000.- a premium of 24 % calculated on the hammer price plus 19 % value added tax calculated (VAT) on the surcharge only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400.000 (margin scheme). On lots which are characterized by ** an additional 7 % for import tax will be added. On lots which are characterised by an *, the buyer shall pay a premium of 24 % on a hammer price up to € 400.000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose author died after 31.12.1943, a charge of 1,9 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12.500.-. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.
10. Successful bidders attending the auction in person shall forthwith upon the purchase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Payments by foreign buyers who have bid in writing or by proxy shall also be due forthwith upon the purchase, but will not be deemed to have been delayed if received within ten days of the invoice date. Bank transfers are to be exclusively in Euros. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however also reserves the right to refuse such a request if it is deemed appropriate.
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13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods, CISG are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.
Henrik Hanstein, sworn public auctioneer
Takuro Ito, Auctioneer

 

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