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Theo von BrockhusenStrand in Knocke IX Öl auf Leinwand. 81 x 90,5 cm. Gerahmt. Unten rechts

In Modern Art

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Theo von BrockhusenStrand in Knocke IX Öl auf Leinwand. 81 x 90,5 cm. Gerahmt. Unten rechts
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
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Theo von Brockhusen
Strand in Knocke IX

Öl auf Leinwand. 81 x 90,5 cm. Gerahmt. Unten rechts schwarz signiert und datiert 'Theo von Brockhusen 09'. - Rückseitig mit dem gedruckten Etikett der Galerie Möller, darin maschinen- und handschriftlich mit Künstlernamen und Titel "Strand in Knokke IX" sowie der "Nr. C 772" bezeichnet. Auf einem weiteren Etikett handschriftlich mit Künstlernamen und Titel beschriftet "v. Brockhusen B 92 Strand in Knocke". - Randdoubliert. Am rechten Rand mit einer kleinen Retusche in Höhe des Strandes, rückseitig mit einem kurzen Leinwandflicken alt hinterlegt, und einer winzigen Retusche im Bereich des Himmels.

Provenienz
Galerie Ferdinand Möller, vom Vorbesitzer vermutlich direkt dort erworben, seitdem Familienbesitz Rheinland

Um 1908/1910 ist Theo von Brockhusens Werk bestimmt durch eine helle Palette, in denen er die gewählten Freiluftszenarien - ob Biergarten oder Strandleben - wohlgelaunt ins Bild setzt. Wie andere Impressionisten sucht auch er an den Küsten der Niederlande neue Motive und verbringt seine Zeit in den Jahren 1906-1908 in Knokke-Heist, einem noch jungen Badeort an der belgischen Küste. Knokke war erst wenige Jahre zuvor, als man sich aus Heist Badekarren ausleihen konnte, zum Seebadeort avanciert und bot nun mit seinen Jugendstilvillen ein angemessenes Ambiente für die sonnenhungrigen Gäste. Es entstehen breite Prospekte menschenleerer Strände am Meeressaum, aber auch wie hier Schilderungen des mondänen Strandlebens.
Vom niedrigen Augpunkt aus schaut man über Gruppen spielender Kinder, Damen in langen Kleidern mit Wagenradhüten und Herren in schwarzen Anzügen, auf die imposante Bebauung an der Strandpromenade und den Jugendstilleuchtturm. Die Szenerie ist liebevoll und detailreich festgehalten und gibt die Atmosphäre eines wolkenlosen Sommertages wider.
Ab 1919, nach dem Freitod des Malers Theo von Brockhusen, verwaltete Ferdinand Möller auf dessen Wunsch seinen künstlerischen Nachlass und sorgte mit zahlreichen Ausstellungen, aus denen - dem rückseitigen Etikett zufolge - auch das angebotene Gemälde stammt, für weitere Verbreitung des impressionistischen Werks.

Theo von Brockhusen
Strand in Knocke IX

Oil on canvas. 81 x 90.5 cm. Framed. Signed and dated 'Theo von Brockhusen 09' in black lower right. - Printed label from Galerie Möller verso, therein type- and handwritten name of the artist and title "Strand in Knokke IX" and designated "Nr. C 772". A further label with the inscription of the name of the artist and the title "v. Brockhusen B 92 Strand in Knocke" in handwriting. - Margins relined. Small retouches in right margin in the area of the beach, a short, fomerly backed canvas patch and minute retouches in the area of the sky.

Provenance
Galerie Ferdinand Möller, presumably directly acquired there by the former owner, in family possession since, Rhineland

Around 1908-1910 Theo von Brockhusen's work was defined by a light palette with which he cheerfully presented pictures of selected open-air settings - whether beer gardens or life at the beach. Like other Impressionists he searched for new motifs along the coast of the Netherlands; from 1906 to 1908, he spent his time in Knokke-Heist, which was then still a new seaside resort on the Belgian coast. It had only been a few years since Knokke had developed into an ocean resort when it became possible to hire bathing machines in Heist; with its Art Nouveau villas, Knokke now provided a suitable ambience for its sun-hungry guests. The artist created broad prospects of empty shores along the edge of the sea, but also depictions of mondaine life at the beaches.
From a low vantage point, we look up over a group of playing children, ladies wearing long dresses and cartwheel hats and gentlemen in black suits at the impressive architecture built along the beach's promenade as well as the Jugendstil lighthouse. The scenery has been affectionately recorded in rich detail and reproduces the atmosphere of a cloudless summer day.
From 1919, following Theo von Brockhusen's suicide, Ferdinand Möller managed his artistic estate at the painter's request and saw to it that his Impressionist oeuvre became more widely known by means of numerous exhibitions. According to the label on its reverse side, the painting offered for sale here also came from one of these.
Theo von Brockhusen
Strand in Knocke IX

Öl auf Leinwand. 81 x 90,5 cm. Gerahmt. Unten rechts schwarz signiert und datiert 'Theo von Brockhusen 09'. - Rückseitig mit dem gedruckten Etikett der Galerie Möller, darin maschinen- und handschriftlich mit Künstlernamen und Titel "Strand in Knokke IX" sowie der "Nr. C 772" bezeichnet. Auf einem weiteren Etikett handschriftlich mit Künstlernamen und Titel beschriftet "v. Brockhusen B 92 Strand in Knocke". - Randdoubliert. Am rechten Rand mit einer kleinen Retusche in Höhe des Strandes, rückseitig mit einem kurzen Leinwandflicken alt hinterlegt, und einer winzigen Retusche im Bereich des Himmels.

Provenienz
Galerie Ferdinand Möller, vom Vorbesitzer vermutlich direkt dort erworben, seitdem Familienbesitz Rheinland

Um 1908/1910 ist Theo von Brockhusens Werk bestimmt durch eine helle Palette, in denen er die gewählten Freiluftszenarien - ob Biergarten oder Strandleben - wohlgelaunt ins Bild setzt. Wie andere Impressionisten sucht auch er an den Küsten der Niederlande neue Motive und verbringt seine Zeit in den Jahren 1906-1908 in Knokke-Heist, einem noch jungen Badeort an der belgischen Küste. Knokke war erst wenige Jahre zuvor, als man sich aus Heist Badekarren ausleihen konnte, zum Seebadeort avanciert und bot nun mit seinen Jugendstilvillen ein angemessenes Ambiente für die sonnenhungrigen Gäste. Es entstehen breite Prospekte menschenleerer Strände am Meeressaum, aber auch wie hier Schilderungen des mondänen Strandlebens.
Vom niedrigen Augpunkt aus schaut man über Gruppen spielender Kinder, Damen in langen Kleidern mit Wagenradhüten und Herren in schwarzen Anzügen, auf die imposante Bebauung an der Strandpromenade und den Jugendstilleuchtturm. Die Szenerie ist liebevoll und detailreich festgehalten und gibt die Atmosphäre eines wolkenlosen Sommertages wider.
Ab 1919, nach dem Freitod des Malers Theo von Brockhusen, verwaltete Ferdinand Möller auf dessen Wunsch seinen künstlerischen Nachlass und sorgte mit zahlreichen Ausstellungen, aus denen - dem rückseitigen Etikett zufolge - auch das angebotene Gemälde stammt, für weitere Verbreitung des impressionistischen Werks.

Theo von Brockhusen
Strand in Knocke IX

Oil on canvas. 81 x 90.5 cm. Framed. Signed and dated 'Theo von Brockhusen 09' in black lower right. - Printed label from Galerie Möller verso, therein type- and handwritten name of the artist and title "Strand in Knokke IX" and designated "Nr. C 772". A further label with the inscription of the name of the artist and the title "v. Brockhusen B 92 Strand in Knocke" in handwriting. - Margins relined. Small retouches in right margin in the area of the beach, a short, fomerly backed canvas patch and minute retouches in the area of the sky.

Provenance
Galerie Ferdinand Möller, presumably directly acquired there by the former owner, in family possession since, Rhineland

Around 1908-1910 Theo von Brockhusen's work was defined by a light palette with which he cheerfully presented pictures of selected open-air settings - whether beer gardens or life at the beach. Like other Impressionists he searched for new motifs along the coast of the Netherlands; from 1906 to 1908, he spent his time in Knokke-Heist, which was then still a new seaside resort on the Belgian coast. It had only been a few years since Knokke had developed into an ocean resort when it became possible to hire bathing machines in Heist; with its Art Nouveau villas, Knokke now provided a suitable ambience for its sun-hungry guests. The artist created broad prospects of empty shores along the edge of the sea, but also depictions of mondaine life at the beaches.
From a low vantage point, we look up over a group of playing children, ladies wearing long dresses and cartwheel hats and gentlemen in black suits at the impressive architecture built along the beach's promenade as well as the Jugendstil lighthouse. The scenery has been affectionately recorded in rich detail and reproduces the atmosphere of a cloudless summer day.
From 1919, following Theo von Brockhusen's suicide, Ferdinand Möller managed his artistic estate at the painter's request and saw to it that his Impressionist oeuvre became more widely known by means of numerous exhibitions. According to the label on its reverse side, the painting offered for sale here also came from one of these.

Modern Art

Auktionsdatum
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

Für Kunsthaus Lempertz Versandinformtation bitte wählen Sie +49 (0)221 9257290.

Wichtige Informationen

Different terms per lot.

In any case: 3 % additional premium for sales to internet bidders.

Standard:
24,00 % Aufgeld auf den Zuschlagspreis
(20,00 % für den 400.001 EUR übersteigenden Anteil des Zuschlags)
19,00 % MwSt. auf Aufgeld und Kosten nicht ausgewiesen und nicht erstattbar; Differenzbesteuerung

Also:
35,00 % Aufgeld auf den Zuschlagspreis
(31,00 % für den 400.000 EUR übersteigenden Anteil des Zuschlags)
Differenzbesteuerung, MwSt. enthalten, aber nicht ausgewiesen, nicht erstattbar

Also:
24,00 % Aufgeld auf den Zuschlagspreis
(20,00 % für den 400.001 EUR übersteigenden Anteil des Zuschlags)
7,00 % verauslagte Einfuhrumsatzsteuer auf den Zuschlagspreis, erstattbar bei Export aus der EU
19,00 % MwSt. auf Aufgeld und Kosten nicht ausgewiesen und nicht erstattbar; Differenzbesteuerung

Additionla fees because of artists' resale rights apply.

AGB

Conditions of Sale

1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain -anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.
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8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.
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11. In the case of payment default, Lempertz will charge interest on the outstanding amount at a rate of 1 % of the gross price per month or part month. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.
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13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods, CISG are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.
Henrik Hanstein, sworn public auctioneer
Takuro Ito, Auctioneer

 

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