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636

Enzo CucchiOhne Titel Öl auf Leinwand. 360 x 200 cm. Rückseitig auf der Leinwand signiert und

In Contemporary Art I & II

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Enzo CucchiOhne Titel Öl auf Leinwand. 360 x 200 cm. Rückseitig auf der Leinwand signiert und
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Köln
Enzo Cucchi
Ohne Titel

Öl auf Leinwand. 360 x 200 cm. Rückseitig auf der Leinwand signiert und datiert '1989 Enzo Cucchi'. - Mit geringfügigen Altersspuren.

Provenienz
Artiscope, Brüssel

Ausstellungen
Oostende 2003 (PMMK Provinciaal Museum voor Moderne Kunst ), Marines in confrontatie, Ausst.Kat., S.311 (mit rückseitigem Aufkleber)

Literatur
Beeldding, Hedendaagse Kunst in Belfort, Ausst.Kat. Stadshallen Brügge, Brügge 1996, S.28
Yellow now (Hg.), Les voies du silence, Liège 1990, S.30/31
Achille Bonito Oliva (Hg.), Il genio differente nell'arte contemporanea, teoria del genio antipatico, Picasso, Fontana, Manzoni, Warhol, Beuys, Cucchi, Ausst.Kat. Lerici, Assessorato alla Cultura, Mailand 1989, S.153

Enzo Cucchis oft mystische und geheimnisvolle Bildsujets werden durch die heidnischen und christlichen Sagen seiner Heimat, der Hafenstadt Ancona und später von Rom, geprägt. In enger Verbundenheit mit der Geschichte und dem Brauchtum der mittelitalienischen Region, die durch ihre geographische Lage an der Adriaküste von einem reichen kulturellen Austausch zwischen Osten und Westen beeinflusst wird, entwickelt Cucchi seine charakteristische, poetische und feinfühlige Bildsprache, die einem künstlerischen Trend der 1970er und 1980er Jahre in Italien entspricht. Neben Sandro Chia, Mimmo Paladino, Francesco Clemente u.a. wird Cucchi zu der Gruppe italienischer Künstler gezählt, für die der Kunstkritiker Achille Bonito Olivia die Bezeichnung „Transavanguardia“ geprägt hat. Die Künstler vereint die Suche nach einer persönlichen Bildsprache, aufbauend auf einer neoexpressionistischen, figurativen Malerei, die einen subjektiven Ausdruck ermöglicht und findet somit Entsprechungen in anderen internationalen Bewegungen der Zeit, mitunter der deutschen „Neuen Wilden“. Eine Eigenheit der „Transavanguardia“ ist darüber hinaus aber auch der Rückgriff auf klassische Themen und das starke Bewusstsein für einen kulturellen Nationalismus.
Ein fester Bestandteil in Enzo Cucchi's Ikonographie ist die Beschäftigung mit dem adriatischen Meer und seinen maritimen Sagen. Unter den am häufigsten gewählten Motiven lassen sich Schiffe, Fische, Wellen aber auch die der griechischen Mythologie entstammenden „Nereide“ finden. „His paintings are expressions but not literal renditions of the sea, the farmlands, the hills around Ancona, timeless forms in which there exist the possibilities of rebirth and renewal. If Cucchi does not aspire to be an artist-alchemist in the realm of action-theater, he asserts his claim to the role of metaphysician in his paintings.” (Diane Waldmann (Hg.), Enzo Cucchi, Ausst.Kat. Solomon R. Guggenheim Museum, New York 1986, S.24).

Enzo Cucchi
Untitled

Oil on canvas. 360 x 200 cm. Signed and dated '1989 Enzo Cucchi' verso on canvas. - Minor traces of age.

Provenance
Artiscope, Brüssel

Exhibitions
Oostende 2003 (PMMK Provinciaal Museum voor Moderne Kunst ), Marines in confrontatie, exhib.cat., p.311 (label verso)

Literature
Beeldding, Hedendaagse Kunst in Belfort, exhib.cat. Stadshallen Brügge, Bruges 1996, p.28
Yellow now (Hg.), Les voies du silence, Liège 1990, S.30/31
Achille Bonito Oliva (ed.), Il genio differente nell'arte contemporanea, teoria del genio antipatico, Picasso, Fontana, Manzoni, Warhol, Beuys, Cucchi, exhib.cat. Lerici, Assessorato alla Cultura, Milan 1989, p.153

Enzo Cucchi's often mystical and secretive pictorial subjects are characterised by the pagan and Christian legends of his hometown, the harbour town Ancona and later also by Rome. In close affinity to the history and customs of the central Italian region, which is influenced by a rich cultural exchange between East and West, due to its geographical location on the Adriatic coast, Cucchi develops his characteristic, poetic and sensitive visual vocabulary, in accordance with an artistic trend of the 1970s and 1980s in Italy. Including Sandro Chia, Mimmo Paladino, Francesco Clemente and others, Cucchi pertains to a group of Italian artists for which the art historian Achille Bonito Olivia coined the term 'Transavanguardia'. The artists are united by the quest for a personal visual vocabulary, based on a neo-expressionist, figurative style of painting enabling subjective expression and they thus find equivalents in other international movements of the time, including the German 'New Wild' movement. Furthermore, a characteristic of the 'Transavanguardia' is also the recourse to classic themes and the strong conviction for cultural nationalism.

An integral part of Enzo Cucchi's iconography is the study of the Adriatic Sea and its maritime legends. Among the most frequently chosen motifs are ships, fish, waves and the 'Nereids', who originate from Greek mythology. 'His paintings are expressions but not literal renditions of the sea, the farmlands, the hills around Ancona, timeless forms in which there exist the possibilities of rebirth and renewal. If Cucchi does not aspire to be an artist-alchemist in the realm of action-theatre, he asserts his claim to the role of metaphysician in his paintings.' (Diane Waldmann (ed.), Enzo Cucchi, exhib.cat. Solomon R. Guggenheim Museum, New York 1986, p.24)
Enzo Cucchi
Ohne Titel

Öl auf Leinwand. 360 x 200 cm. Rückseitig auf der Leinwand signiert und datiert '1989 Enzo Cucchi'. - Mit geringfügigen Altersspuren.

Provenienz
Artiscope, Brüssel

Ausstellungen
Oostende 2003 (PMMK Provinciaal Museum voor Moderne Kunst ), Marines in confrontatie, Ausst.Kat., S.311 (mit rückseitigem Aufkleber)

Literatur
Beeldding, Hedendaagse Kunst in Belfort, Ausst.Kat. Stadshallen Brügge, Brügge 1996, S.28
Yellow now (Hg.), Les voies du silence, Liège 1990, S.30/31
Achille Bonito Oliva (Hg.), Il genio differente nell'arte contemporanea, teoria del genio antipatico, Picasso, Fontana, Manzoni, Warhol, Beuys, Cucchi, Ausst.Kat. Lerici, Assessorato alla Cultura, Mailand 1989, S.153

Enzo Cucchis oft mystische und geheimnisvolle Bildsujets werden durch die heidnischen und christlichen Sagen seiner Heimat, der Hafenstadt Ancona und später von Rom, geprägt. In enger Verbundenheit mit der Geschichte und dem Brauchtum der mittelitalienischen Region, die durch ihre geographische Lage an der Adriaküste von einem reichen kulturellen Austausch zwischen Osten und Westen beeinflusst wird, entwickelt Cucchi seine charakteristische, poetische und feinfühlige Bildsprache, die einem künstlerischen Trend der 1970er und 1980er Jahre in Italien entspricht. Neben Sandro Chia, Mimmo Paladino, Francesco Clemente u.a. wird Cucchi zu der Gruppe italienischer Künstler gezählt, für die der Kunstkritiker Achille Bonito Olivia die Bezeichnung „Transavanguardia“ geprägt hat. Die Künstler vereint die Suche nach einer persönlichen Bildsprache, aufbauend auf einer neoexpressionistischen, figurativen Malerei, die einen subjektiven Ausdruck ermöglicht und findet somit Entsprechungen in anderen internationalen Bewegungen der Zeit, mitunter der deutschen „Neuen Wilden“. Eine Eigenheit der „Transavanguardia“ ist darüber hinaus aber auch der Rückgriff auf klassische Themen und das starke Bewusstsein für einen kulturellen Nationalismus.
Ein fester Bestandteil in Enzo Cucchi's Ikonographie ist die Beschäftigung mit dem adriatischen Meer und seinen maritimen Sagen. Unter den am häufigsten gewählten Motiven lassen sich Schiffe, Fische, Wellen aber auch die der griechischen Mythologie entstammenden „Nereide“ finden. „His paintings are expressions but not literal renditions of the sea, the farmlands, the hills around Ancona, timeless forms in which there exist the possibilities of rebirth and renewal. If Cucchi does not aspire to be an artist-alchemist in the realm of action-theater, he asserts his claim to the role of metaphysician in his paintings.” (Diane Waldmann (Hg.), Enzo Cucchi, Ausst.Kat. Solomon R. Guggenheim Museum, New York 1986, S.24).

Enzo Cucchi
Untitled

Oil on canvas. 360 x 200 cm. Signed and dated '1989 Enzo Cucchi' verso on canvas. - Minor traces of age.

Provenance
Artiscope, Brüssel

Exhibitions
Oostende 2003 (PMMK Provinciaal Museum voor Moderne Kunst ), Marines in confrontatie, exhib.cat., p.311 (label verso)

Literature
Beeldding, Hedendaagse Kunst in Belfort, exhib.cat. Stadshallen Brügge, Bruges 1996, p.28
Yellow now (Hg.), Les voies du silence, Liège 1990, S.30/31
Achille Bonito Oliva (ed.), Il genio differente nell'arte contemporanea, teoria del genio antipatico, Picasso, Fontana, Manzoni, Warhol, Beuys, Cucchi, exhib.cat. Lerici, Assessorato alla Cultura, Milan 1989, p.153

Enzo Cucchi's often mystical and secretive pictorial subjects are characterised by the pagan and Christian legends of his hometown, the harbour town Ancona and later also by Rome. In close affinity to the history and customs of the central Italian region, which is influenced by a rich cultural exchange between East and West, due to its geographical location on the Adriatic coast, Cucchi develops his characteristic, poetic and sensitive visual vocabulary, in accordance with an artistic trend of the 1970s and 1980s in Italy. Including Sandro Chia, Mimmo Paladino, Francesco Clemente and others, Cucchi pertains to a group of Italian artists for which the art historian Achille Bonito Olivia coined the term 'Transavanguardia'. The artists are united by the quest for a personal visual vocabulary, based on a neo-expressionist, figurative style of painting enabling subjective expression and they thus find equivalents in other international movements of the time, including the German 'New Wild' movement. Furthermore, a characteristic of the 'Transavanguardia' is also the recourse to classic themes and the strong conviction for cultural nationalism.

An integral part of Enzo Cucchi's iconography is the study of the Adriatic Sea and its maritime legends. Among the most frequently chosen motifs are ships, fish, waves and the 'Nereids', who originate from Greek mythology. 'His paintings are expressions but not literal renditions of the sea, the farmlands, the hills around Ancona, timeless forms in which there exist the possibilities of rebirth and renewal. If Cucchi does not aspire to be an artist-alchemist in the realm of action-theatre, he asserts his claim to the role of metaphysician in his paintings.' (Diane Waldmann (ed.), Enzo Cucchi, exhib.cat. Solomon R. Guggenheim Museum, New York 1986, p.24)

Contemporary Art I & II

Auktionsdatum
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

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24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
19.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme



19.00 % VAT on the hammer price
24.00 % buyer's premium on the hammer price
19.00 % VAT on buyer's premium
- 20.00 % buyer's premium on the amount of the hammer price exceeding 400,001 EUR


 


24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
7.00 % pre-paid importation VAT on the hammer price, only reclaimable in case of export to a country outside the EU
19.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme



24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
7.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme

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1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain -anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.
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Takuro Ito, Auctioneer

 

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