Los

638

Franz WestHeimo ZobernigFreiherr von Knigge 6 Stühle: Je Stahlrohr, Pressspan und Teppichboden. Je

In Contemporary Art I & II

Diese Auktion ist eine LIVE Auktion! Sie müssen für diese Auktion registriert und als Bieter freigeschaltet sein, um bieten zu können.
Sie wurden überboten. Um die größte Chance zu haben zu gewinnen, erhöhen Sie bitte Ihr Maximal Gebot.
Ihre Registrierung wurde noch nicht durch das Auktionshaus genehmigt. Bitte, prüfen Sie Ihr E-Mail Konto für mehr Details.
Leider wurde Ihre Registrierung durch das Auktionshaus abgelehnt. Sie können das Auktionshaus direkt kontaktieren über +49 (0)221 9257290 um mehr Informationen zu erhalten.
Sie sind zurzeit Höchstbieter! Um sicher zustellen, dass Sie das Los ersteigern, melden Sie sich zum Live Bieten an unter , oder erhöhen Sie ihr Maximalgebot.
Geben Sie jetzt ein Gebot ab! Ihre Registrierung war erfolgreich.
Entschuldigung, die Gebotsabgabephase ist leider beendet. Es erscheinen täglich 1000 neue Lose auf lot-tissimo.com, bitte starten Sie eine neue Anfrage.
Das Bieten auf dieser Auktion hat noch nicht begonnen. Bitte, registrieren Sie sich jetzt, so dass Sie zugelassen werden bis die Auktion startet.
Franz WestHeimo ZobernigFreiherr von Knigge 6 Stühle: Je Stahlrohr, Pressspan und Teppichboden. Je
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Köln
Franz West
Heimo Zobernig
Freiherr von Knigge

6 Stühle: Je Stahlrohr, Pressspan und Teppichboden. Je ca. 87 x 44 x 45,5 cm. Je mit Editionsetikett, darauf von beiden Künstlern signiert und nummeriert. Exemplar e.a. 10/15-15/15 einer Auflage von 99 Exemplaren (+15 E.A.) - Mit leichten Altersspuren.

Mit schriftlicher Bestätigung von der Franz West Privatstiftung, Wien, per Email vom 19.10.2017.

Provenienz
Galerie Meyer Kainer, Wien; Dauerleihgabe Albertina, Wien; Sammlung Volpinum, Österreich

Ausstellungen
Sevilla 1998 (CAAC Centro Andaluz de Arte Contemporáneo), Madrid 1999 (Ministerio de Obras Públicas y Transporte), AB Austria Exposición Arquitectura en el siglo XX (andere Exemplare)

Literatur
Kasper König u.a. (Hgs.), Franz West, Autotheater, Ausst.Kat. Museum Ludwig, Köln, Köln 2009, S.177 (andere Exemplare)
Heimo Zobernig, Ausst.Kat. Museum Moderner Kunst Stiftung Ludwig Wien u.a., Köln 2003, S.189 (andere Exemplare)

1998 entstehen 99 Exemplare des Stuhls „Freiherr von Knigge“, den Franz West gemeinsam mit Heimo Zobernig für die Ausstellung für die AB Austria Exposición Arquitectura en el siglo XX in Sevilla entwirft. Der Stuhl basiert auf dem Modell eines früheren weißen Stahlstuhls, der bereits im November 1998 Teil der Installation „Kantine“ im Museum Ludwig ist. Die Sitzflächen und Rückenlehnen aus Pressspanplatten werden mit Teppichbodenbelag in fünfzehn verschiedenen Farben, einem Farbkonzept von Heimo Zobernig folgend, beklebt. Der Titel verweist auf Heimo Zobernigs Buchprojekt „Freiherr von Knigge: Über den Umgang mit Menschen. Heimo Zobernig. Über den Umgang mit Büchern“ von 1990.
Im Oeuvre von Franz West entstehen bereits seit den 1970er Jahren die sogenannten Passstücke, Kunstwerke zum Benutzen, die auf die aktive Beteiligung des Publikums zielen. Das Interesse für Mobiliar ist eine Weiterentwicklung der Passstücke, auf der Suche nach der Grenzüberschreitung durch die Benutzbarkeit des von einem Künstler gefertigten Objektes. Zunächst entstehen seit den 1990er Jahren Sitzgelegenheiten, die in eigenen Installationen (Kantine 1998, Museum Ludwig Köln/ 100 Stühle, 1998 Museum Rooseum, Malmö 1999) oder neben den Werken anderer Künstler positioniert werden. Im Anschluss weitet West die Produktion auf Lampen, Tische, Bücherregale etc. aus. Seine Möbel changieren dabei zwischen Gebrauchsgegenstand und Kunstobjekt, verfolgen das Ziel einer Kunst ohne Grenzen: „Wenn Sie sich hinsetzen, so sitzen Sie mitten in der Kunst. Mich interessiert dabei der Aspekt der Befindlichkeit. Auch der Rezipient, nicht nur der Künstler, sollte also eintauchen, als wäre es eine andere Realität.“ (Franz West, Gespräch mit W. Drechsler, in: J. Schlebrügge und I. Turian (Hg.), Franz West. Gesammelte Gespräche und Interviews, Köln 2005, S.17).


Franz West
Heimo Zobernig
Freiherr von Knigge

6 chairs: each steel rod, chipboard and carpet. Each approx. 87 x 44 x 45.5 cm. Edition label each, therein signed and numbered by both artists. Numbered A.P. 10/15-15/15 of an edition of 99 (+15 A.P.) - Minor traces of age.

With a written confirmation from Franz West Privatstiftung, Vienna, via email dated 19.10.2017.

Provenance
Galerie Meyer Kainer, Vienna, 2000; permanent loan Albertina, Vienna; Volpinum collection, Austria

Exhibitions
Sevilla 1998 (CAAC Centro Andaluz de Arte Contemporáneo), Madrid 1999 (Ministerio de Obras Públicas y Transporte), AB Austria Exposición Arquitectura en el siglo XX (different examples)

Literature
Kasper König i.a. (ed.), Franz West, Autotheater, exhib.cat. Museum Ludwig, Cologne, Cologne 2009, p.177 (different examples)
Heimo Zobernig, exhib.cat. Museum Moderner Kunst Stiftung Ludwig Vienna i.a., Cologne 2003, p.189 (different examples)

In 1998, 99 copies of the chair 'Freiherr von Knigge' are created which Franz West designed together with Heimo Zobernig for the exhibition for the AB Austria Exposición Arquitectura en el siglo XX in Seville. The chair is based on the model of a former white steel chair, which is part of the installation 'Kantine' at Museum Ludwig back in November 1998. The seats and backrests are made of chip board covered with carpet in fifteen different colours, following a colour scheme by Heimo Zobernig. The title refers to Heimo Zobernig's book project 'Freiherr von Knigge: Über den Umgang mit Menschen (about dealing with people). Heimo Zobernig. Über den Umgang mit Büchern' (about dealing with books) of 1990.
As early as the 1970s, the so-called 'adaptives', works of art that can be used and depend upon the active participation of the public, are created in the oeuvre of Franz West. The interest in furniture is a further development from the 'adaptives', the quest for a crossing of bounderies enabled by the usability of an artist-made object. First of all, since the 1990s, chairs were created that were presented in individual installations (Kantine 1998, Museum Ludwig Cologne/ 100 Stühle, 1998 Museum Rooseum, Malmö 1999) or positioned next to the works of other artists. Thereafter, West expands the production to include lamps, tables and bookshelves etc. His furniture alternates bewteen articles of everyday use and objects of art, pursuing the objective of art without limits: 'When you sit down, you are sitting in the midst of art. I am interested in the aspect of sensitivities. The recipient also, not only the artist, should immerge himself, as if it was a different reality.' (Franz West, Gespräch mit W. Drechsler, in: J. Schlebrügge und I. Turian (ed.), Franz West. Gesammelte Gespräche und Interviews, Cologne 2005, p.17).
Franz West
Heimo Zobernig
Freiherr von Knigge

6 Stühle: Je Stahlrohr, Pressspan und Teppichboden. Je ca. 87 x 44 x 45,5 cm. Je mit Editionsetikett, darauf von beiden Künstlern signiert und nummeriert. Exemplar e.a. 10/15-15/15 einer Auflage von 99 Exemplaren (+15 E.A.) - Mit leichten Altersspuren.

Mit schriftlicher Bestätigung von der Franz West Privatstiftung, Wien, per Email vom 19.10.2017.

Provenienz
Galerie Meyer Kainer, Wien; Dauerleihgabe Albertina, Wien; Sammlung Volpinum, Österreich

Ausstellungen
Sevilla 1998 (CAAC Centro Andaluz de Arte Contemporáneo), Madrid 1999 (Ministerio de Obras Públicas y Transporte), AB Austria Exposición Arquitectura en el siglo XX (andere Exemplare)

Literatur
Kasper König u.a. (Hgs.), Franz West, Autotheater, Ausst.Kat. Museum Ludwig, Köln, Köln 2009, S.177 (andere Exemplare)
Heimo Zobernig, Ausst.Kat. Museum Moderner Kunst Stiftung Ludwig Wien u.a., Köln 2003, S.189 (andere Exemplare)

1998 entstehen 99 Exemplare des Stuhls „Freiherr von Knigge“, den Franz West gemeinsam mit Heimo Zobernig für die Ausstellung für die AB Austria Exposición Arquitectura en el siglo XX in Sevilla entwirft. Der Stuhl basiert auf dem Modell eines früheren weißen Stahlstuhls, der bereits im November 1998 Teil der Installation „Kantine“ im Museum Ludwig ist. Die Sitzflächen und Rückenlehnen aus Pressspanplatten werden mit Teppichbodenbelag in fünfzehn verschiedenen Farben, einem Farbkonzept von Heimo Zobernig folgend, beklebt. Der Titel verweist auf Heimo Zobernigs Buchprojekt „Freiherr von Knigge: Über den Umgang mit Menschen. Heimo Zobernig. Über den Umgang mit Büchern“ von 1990.
Im Oeuvre von Franz West entstehen bereits seit den 1970er Jahren die sogenannten Passstücke, Kunstwerke zum Benutzen, die auf die aktive Beteiligung des Publikums zielen. Das Interesse für Mobiliar ist eine Weiterentwicklung der Passstücke, auf der Suche nach der Grenzüberschreitung durch die Benutzbarkeit des von einem Künstler gefertigten Objektes. Zunächst entstehen seit den 1990er Jahren Sitzgelegenheiten, die in eigenen Installationen (Kantine 1998, Museum Ludwig Köln/ 100 Stühle, 1998 Museum Rooseum, Malmö 1999) oder neben den Werken anderer Künstler positioniert werden. Im Anschluss weitet West die Produktion auf Lampen, Tische, Bücherregale etc. aus. Seine Möbel changieren dabei zwischen Gebrauchsgegenstand und Kunstobjekt, verfolgen das Ziel einer Kunst ohne Grenzen: „Wenn Sie sich hinsetzen, so sitzen Sie mitten in der Kunst. Mich interessiert dabei der Aspekt der Befindlichkeit. Auch der Rezipient, nicht nur der Künstler, sollte also eintauchen, als wäre es eine andere Realität.“ (Franz West, Gespräch mit W. Drechsler, in: J. Schlebrügge und I. Turian (Hg.), Franz West. Gesammelte Gespräche und Interviews, Köln 2005, S.17).


Franz West
Heimo Zobernig
Freiherr von Knigge

6 chairs: each steel rod, chipboard and carpet. Each approx. 87 x 44 x 45.5 cm. Edition label each, therein signed and numbered by both artists. Numbered A.P. 10/15-15/15 of an edition of 99 (+15 A.P.) - Minor traces of age.

With a written confirmation from Franz West Privatstiftung, Vienna, via email dated 19.10.2017.

Provenance
Galerie Meyer Kainer, Vienna, 2000; permanent loan Albertina, Vienna; Volpinum collection, Austria

Exhibitions
Sevilla 1998 (CAAC Centro Andaluz de Arte Contemporáneo), Madrid 1999 (Ministerio de Obras Públicas y Transporte), AB Austria Exposición Arquitectura en el siglo XX (different examples)

Literature
Kasper König i.a. (ed.), Franz West, Autotheater, exhib.cat. Museum Ludwig, Cologne, Cologne 2009, p.177 (different examples)
Heimo Zobernig, exhib.cat. Museum Moderner Kunst Stiftung Ludwig Vienna i.a., Cologne 2003, p.189 (different examples)

In 1998, 99 copies of the chair 'Freiherr von Knigge' are created which Franz West designed together with Heimo Zobernig for the exhibition for the AB Austria Exposición Arquitectura en el siglo XX in Seville. The chair is based on the model of a former white steel chair, which is part of the installation 'Kantine' at Museum Ludwig back in November 1998. The seats and backrests are made of chip board covered with carpet in fifteen different colours, following a colour scheme by Heimo Zobernig. The title refers to Heimo Zobernig's book project 'Freiherr von Knigge: Über den Umgang mit Menschen (about dealing with people). Heimo Zobernig. Über den Umgang mit Büchern' (about dealing with books) of 1990.
As early as the 1970s, the so-called 'adaptives', works of art that can be used and depend upon the active participation of the public, are created in the oeuvre of Franz West. The interest in furniture is a further development from the 'adaptives', the quest for a crossing of bounderies enabled by the usability of an artist-made object. First of all, since the 1990s, chairs were created that were presented in individual installations (Kantine 1998, Museum Ludwig Cologne/ 100 Stühle, 1998 Museum Rooseum, Malmö 1999) or positioned next to the works of other artists. Thereafter, West expands the production to include lamps, tables and bookshelves etc. His furniture alternates bewteen articles of everyday use and objects of art, pursuing the objective of art without limits: 'When you sit down, you are sitting in the midst of art. I am interested in the aspect of sensitivities. The recipient also, not only the artist, should immerge himself, as if it was a different reality.' (Franz West, Gespräch mit W. Drechsler, in: J. Schlebrügge und I. Turian (ed.), Franz West. Gesammelte Gespräche und Interviews, Cologne 2005, p.17).

Contemporary Art I & II

Auktionsdatum
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

Für Kunsthaus Lempertz Versandinformtation bitte wählen Sie +49 (0)221 9257290.

Wichtige Informationen

3%LIVE Surcharge + VAT

 

24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
19.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme



19.00 % VAT on the hammer price
24.00 % buyer's premium on the hammer price
19.00 % VAT on buyer's premium
- 20.00 % buyer's premium on the amount of the hammer price exceeding 400,001 EUR


 


24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
7.00 % pre-paid importation VAT on the hammer price, only reclaimable in case of export to a country outside the EU
19.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme



24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
7.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme

AGB

Conditions of Sale

1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain -anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.
3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

The gold content of objects without fineness stamps are ascertained using an acid test. The size and quality of gemstones are ascertained within the settings, unless mentioned otherwise. Assessments of the clarity and colour of gemstones are subject to the subjective perception. Minor divergences from the values provided do not represent deficiencies. References to gemmological certifications are used purely for informational purposes, and do not provide a guarantee. The watches listed have been opened to be catalogued, but we cannot guarantee for their accuracy and function.
4. Warranty claims are excluded. In the event of variances from the catalogue -descriptions, which result in negation or substantial diminution of value or suitability, and which are reported with due justification within one year after handover, Lempertz nevertheless undertakes to pursue its rights against the seller through the courts; in the event of a successful claim against the seller, Lempertz will reimburse the buyer only the total purchase price paid. Over and above this, Lempertz undertakes to reimburse its commission within a given period of two years after the date of the sale if the object in question proves not to be authentic.
5. Claims for compensation as the result of a fault or defect in the object auctioned or damage to it or its loss, regardless of the legal grounds, or as the result of variances from the catalogue description or statements made elsewhere are excluded unless Lempertz acted with wilful intent or gross negligence; the liability for bodily injury or damages caused to health or life remains unaffected. In other regards, point 4 applies.
6. Submission of bids. Bids in attendance: The floor bidder receives a bidding number on presentation of a photo ID. Lempertz reserves the right to grant entry to the auction. If the bidder is not known to Lempertz, registration must take place 24 hours before the auction is due to begin in writing on presentation of a current bank reference. Bids in absentia: Bids can also be submitted either in writing, -telephonically or via the internet. The placing of bids in absentia must reach -Lempertz 24 hours before the auction to ensure the proper processing thereof. The item must be mentioned in the bid placed, together with ticket number and item description. In the event of ambiguities, the listed ticket number -becomes applicable. The placement of a bid must be signed by the applicant. The regulations regarding revocations and the right to return the goods in the case of long distance agreements (§ 312b – d of the Civil Code) do not -apply. Telephonic bids: Establishing and maintaining a connection cannot be vouched for. In submitting a bid placement, the bidder declares that he agrees to the recording of the bidding process. Bids via the internet: They will only be accepted by Lempertz if the bidder registered himself on the internet website beforehand. Lempertz will treat such bids in the same way as bids in writing.
7. Carrying out the auction. The hammer will come down when no higher bids are submitted after three calls for a bid. In extenuating circumstances, the auctioneer reserves the right to bring down the hammer or he can refuse to accept a bid. If several individuals make the same bid at the same time, and after the third call, no higher bid ensues, then the ticket becomes the deciding factor. The auctioneer can retract his acceptance of the bid and auction the item once more if a higher bid that was submitted on time, was erroneously overlooked and immediately queried by the bidder, or if any doubts regarding its acceptance arise. Bids are only played to an absolute maximum by Lempertz if this is deemed necessary to outbid another bid. The auctioneer can bid on behalf of the submitter up to the agreed limit, without revealing this and irrespective of whether other bids are submitted. Even if bids have been placed and the hammer has not come down, the auctioneer is only liable to the bidder in the event of premeditation or gross negligence.
8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.
9. Up to a hammer price of € 400.000.- a premium of 24 % calculated on the hammer price plus 19 % value added tax calculated (VAT) on the surcharge only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400.000 (margin scheme). On lots which are characterized by ** an additional 7 % for import tax will be added. On lots which are characterised by an *, the buyer shall pay a premium of 24 % on a hammer price up to € 400.000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose author died after 31.12.1943, a charge of 1,9 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12.500.-. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.
10. Successful bidders attending the auction in person shall forthwith upon the purchase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Payments by foreign buyers who have bid in writing or by proxy shall also be due forthwith upon the purchase, but will not be deemed to have been delayed if received within ten days of the invoice date. Bank transfers are to be exclusively in Euros. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however also reserves the right to refuse such a request if it is deemed appropriate.
11. In the case of payment default, Lempertz will charge interest on the outstanding amount at a rate of 1 % of the gross price per month or part month. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.
12. Buyers must take charge of their purchases immediately after the auction. Once a lot has been sold, the auctioneer is liable only for wilful intent or gross negligence. Lots will not, however, be surrendered to buyers until full payment has been received. Without exception, shipment will be at the expense and risk of the buyer. Purchases which are not collected within four weeks after the auction may be stored and insured by Lempertz on behalf of the buyer and at its expense in the premises of a freight agent. If Lempertz stores such items itself, it will charge 1 % of the hammer price for insurance and storage costs.
13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods, CISG are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.
Henrik Hanstein, sworn public auctioneer
Takuro Ito, Auctioneer

 

Vollständige AGBs